MATRIXSYNTH

Ace Tone PS-1000

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New ADDAC ADDAC216 Sum & Difference Eurorack Module

via ADDAC System

"There are two equal sections in this module labeled A and B.

This module is a peculiar type of mixer that instead of just summing two input signals (X & Y) it also allows the possibility to subtract the two signals.
It works both for audio and CV signals and hence the possibility to get the diference of two CVs or cancel the phase of two audio signals. The resulting signal, of sum or subtraction, is then routed through a switchable (on/off) full rectification circuit labeled: Absolute. After this the gain of the mixed signal goes through another attenuverter labeled: Amplitude to control the resulting signal gain which, being an attenuverter, also allows the possibility to invert the incoming signal. After the Amplitude comes an AC/DC coupling switch followed by an bipolar Offset knob.

Besides the normal output there’s also an inverted output for each of the A & B sections.
The outputs of section A & B are also summed and sent to the Average Output.

Using a single input, just the X or Y input, the module can also be used as a simple dual Attenuverter & Offset CV processor with full rectification and AC coupling options.

Features:

2 independent sections each with:
2 inputs with gain attenuverters
Amplitude attenuverter and bipolar Offset
Absolute/Bipolar and AC/DC switches
Output and inverted output
2 leds monitor the Output polarities and gain.

Average mix output of both sections"

125€

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Alex shaking his house with NiftyCASE

Published on Dec 11, 2019 Cre8audio

"When Alex gets down with his NiftyCASE he really gets down. Here he is shaking the place to pieces either by his dancing or the massive Bass coming from Chipz going through the Bastil SKIS, Doepfer A-106 SEM VCF, and Erica Synths Dual Drive Distortion.

Also in the mix is Teenage Engineering Speak PO-35 going through an Erica Synths Black Hole DSP.

All of this mess is Sequenced by Ableton Live and by Alex’s hands.

NiftyCASE, and Chipz are apart of #NiftyBUNDLE which is available now worldwide for 269 $/€"

Bloom Tutorial

Published on Dec 11, 2019 Qu - Bit

"Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

Table of Contents
Programming a Simple Sequence: 00:31
Transpose: 00:59
Mutation: 1:17
Branches: 1:42
Path: 1:59
Length: 2:21
Scale: 2:41
Order: 3:29
Pattern: 3:59
Div/Mult: 4:57
Slew: 5:46
Ratchets: 6:41
Notes: 7:27
Channel: 8:25
Saving Settings Between Power Cycles: 9:05
Reset: 9:17
Factory Reset: 9:48"

Elektronische Musik with Tape & Microsound Music Machine

Published on Dec 11, 2019

"In the early 1950s, there was a brief competition between Elektronische Musique, made exclusively from electronically generated sounds, and Musique Concréte, which focused on recorded sounds from the so-called real world. In this video we will generate and manipulate purely synthetic sounds using the Tape & Microsound Music Machine.

Karlheinz Stockhausen, Studie I: [below]
Studie II: [below]

The Morphagene Reel created and used in this video is available for download here: https://freesound.org/people/makenois..."

Karlheinz Stockhausen - Studie I

Published on Jul 9, 2013 pelodelperro

"Studie I, electronic music (1953)

The composition was created in the Cologne Studio for Electronic Musik of the NWDR between July and November 1953. In the final stages of editing, Stockhausen commemorated the birth of his first daughter, Suja, on 25 September 1953 by inserting a "serially unauthorized" 108 Hz (in a phrase attributed to Richard Toop), "one-gun salute". The world premiere took place in Cologne on 19 October 1954 in the concert series Musik der Zeit, together with Stockhausen's Studie II and works by Henri Pousseur, Karel Goeyvaerts, Herbert Eimert, and Paul Gredinger.

The work was important amongst other reasons because it was made (as were the works by Pousseur, Goeyvaerts, and Gredinger) not with the use of (electronic) instruments, like the Trautonium or Melochord, but rather out of pure sine tones. For the first time, complete compositional control was achieved, even over timbre. The ideal was to produce each sound synthetically and thus separately determined in its details: The conscious organization of music extends to the micro-acoustic sphere of the sound material itself. It is serially organized on all musical. [wikipedia.org]

Art by Michael Moon"

Karlheinz Stockhausen: Studie II (1954)

Published on Aug 19, 2012 Wellesz Theatre.

"Karlheinz Stockhausen (1928-2007): Studie II, for tape (1954)"

Dwarfcraft Pink Grazer + Moog DFAM + Chase Bliss Thermae

Published on Dec 11, 2019 theonetrueaen

"Nothing like the clash of analog grime and digital slicing! Check out the Grazer and Thermae working over the DFAM."

Important Interviews with Richard Nicol talks to Simone Fabbri of Frap Tools in Tokyo

Published on Dec 11, 2019 Pittsburgh Modular Synthesizers

"Richard and Simone discuss the USTA sequencer and performing live."

Important Interviews with Richard Nicol

Twisted Electrons Deton8 Sound Demo (no talking)

Published on Dec 10, 2019 Bonedo Synthesizers

Twisted Electrons Deton8

Donghyuk Heo 'Spacewalk' : Eurorack Modular Ambient

Published on Dec 10, 2019 Donghyuk Heo

"I wrote this for media art + ballet + music show

I'll upload performance video someday.

I added some computer sound for pad."

More Synth Bling - Roland Inspired Erasers & Card Holders, SYNTHI Stickies, Keychains and More

Note: Auction links are affiliate links for which the site may be compensated.

This is a follow-up to the SEM, MS20, and SH-101 notepad posts. Someone in the comments of the recent SEM post mentioned they were available with a ton of other items in their Etsy shop. Note they do have some gear listed on eBay as well, so check it out of interested. Etsy only allows craft items.

Pictured here are the EMS SYNTHI sticky notes, synth keychains and Roland 808, 909, 303, and 606 inspired erasers and card holders. As always, saving this stuff as a record of what was out there at the time...

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