CMS 2607 Demo - Beat Patch

Uploaded on Dec 31, 2016 precarious333

Similar to this 2600 piece. The video above is from 2016. You can find CMS 2607 posts including recent demos from CMS / Phil Cirroco here.

"Patch is 2607 only. No external input or CV.
-----------
Kick is the filter self-oscillating with VCO 3 saw wave modulated by the ADSR mixed in.

Snare/HH thing is noise through the Ring Mod in VCA mode.
ADSR is triggering both sounds, which are fed into the two inputs of the switch with the main clock switching between them. Both are playing every beat but because of the switch you only hear every other hit.

Base is VCO 1 saw wave modulated by the same ADSR, so falling on both the up and down beat. Patched through the lag processor (fourth horizontal slider) which works as a low pass filter on audio.

Tinkly sound is VCO 3 sine wave frequency modulated by VCO 1 with Sample/Hold supplying random pitched notes. Then run through processor two (third horizontal slider) which I manually switch between normal and the Post Filter Distortion circuit from the ARP Centaur.

Processor section one (top 2 horizontal sliders) is being used to mix the base and tinkly sounds to send to the VCA section where both envelopes work to shape the volume through both linear and exponential inputs.

Output of switch and VCA routed to the final mix stage with spring reverb into the unity gain input. This works great since reverb has it's own gain control at source.

Recorded as a mono track into Ableton Live 8. Compression used to keep things in check."

Multi Track Audio Recording - DAWluge Pt. 4 // Synthstrom Deluge Tutorial

Part 4 added here.

Magellan Synthesizer 2 - Pro Analog Modeling Synth

Published on Feb 23, 2020 YonacSoftware

"Available now: https://apps.apple.com/app/id14949732...

A classic is reborn! With its introduction nearly a decade ago, Magellan pushed the boundaries of iOS technology and quickly took its place among the platform’s most popular synths. Continuing this pedigree, Yonac’s flagship Magellan Synthesizer 2 is a new alchemy of pristine sounds, innovative features, and devotion to user friendliness — all the same preserving the wicked soul of the original.

Cutting-edge synthesis technology, punchier tones, warmer filters, greater modulation options, AUv3, MPE, brand-new presets: these are just a few of Magellan’s features for a whole new era."

Follow-up to Magellan Synthesizer 2: The Adventure Continues...

THE iNEViTABLE by itijik | Pro Club 0220

Published on Feb 23, 2020 itijik

"Dark vibes, texture, big sound...a little creepy. Can't help but have these dark pieces come out. I'm working with both Fvrewell and Ypsi Kid on two separate dark projects. Different ideas, but I think some of the vibe crosses over. If either of you are feeling these more than the private ones I sent you, let's run with it.

The club get's the "MASTER'D" version with my idea of how to shape the sound. If you're a club member, I'll get you the raw audio if you think you'll use it for something.
Download: https://www.patreon.com/posts/34282017

PRODUCTION CLUB:
https://Patreon.com/itijik"

Synthimuse SN 00016

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The original idea for the SynthiMuse was to design a ‘Sample/Hold’ module for analog synthesizers.

This module is traditionally used to generate truly random notes that have no connection to musical scales.

We decided from the start that it had to be based on a genuine noise source and it was also necessary was to have the ability to play random notes in musical scales.

As well as this, must have a traditional analog control panel.
No LCDs.
No Menus.
No encoder wheels

Rather than have it generate just voltages for an analog synth, we realised that if was implemented it using a microcontroller, it could become a product with a wider appeal outside of the analog synthesizer domain.
We decided to make it able to generate MIDI data that could drive modern synths and Music Workstations.

The design has been evolutionary. We considered everything that the basic note generation could be extended to do and we implememented as much functionality while adhering to the feel and accessibility of an analog control panel.

From these efforts, the final design started to take shape and the scope of it widened to become the SynthiMuse that we have now."

See the Synthimuse label below for previous posts including some demos.

360 Systems Digital Keyboard SN A-198

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pics of the inside below.

"Rare model

Loaded with 13 sounds and room to add two more.

Piano board installed.

Some switches feel iffy, but still work.

Sounds loaded:
Mellotron flutes
Horns
Rhodes
Clav
Sax
Guitar
Funk bass
Bass
Piano
And four others I am not sure how to describe."

CLICK FOR MORE »

Kawai K5000s Additive Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Home studio use only fitted with memory expansion.
button 4 is cracked but fixed and working fine. Backlight has been replaced with new."

CLICK FOR MORE »

Roland MKS-80 Super Jupiter with MPG-80 Programmer SN 552958

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"It cost $1500 to make it like new.
Please check pics of invoice to appreciate all the work done.
You can not find one in a better shape."

CLICK FOR MORE »

Roland Jupiter-X: JX-8P sounds *No Talking*

Published on Feb 23, 2020 MR TUNA Music

"Checking out some of the sounds on the JX-8P engine as a part of the new Roland Jupiter-X. This is only a small sample of the patches that are included."

Midimini V30: Monosynth/Polysynth

Published on Feb 23, 2020 StudioElectronics

"Greg St. Regis suggested I abandon my long form addiction, and parse out more digestible bits, and so I have. An added benefit: I have cherry-picked elements which don’t actually talk to each other in the normal course of business—in Part 4 (see below).
—

Part 1: Paraphonic, DAW multitracked chords, and single zone sample stretches—why do they sound so good in DP10’s Nanosampler?—are the focus here… well there is a slush/smush of everything actually (Including analog percussion & FX), although in Part 2 the emphasis will be on the bass and the wicked lines we make.

OK, we’ve covered Part 2.

Part 3: Iso leads and their deliciousness.

Part 4, you ask? My long form habit—the complete piece—which is decidedly more concise than usual.

Sometimes it’s hard to wrap my mind around how outstanding this V30 sounds. The gain staging: Oscillator levels, AMP DRIVE, FEEDBACK, Feedback Gain (FBK GAIN), and the final OUT stage, make for a vast and yet intimate micro-climate of tone, warmth and dirty, usually reserved for guitar players and their axes, amps, and pedals (lovers too). Slide on over instruments with necks; the Midimini V30 has its eyes on your prize.

And the patch points which can go #OutsToOuts keep it pushing and pulsing well beyond the call of duty.

MSR 2.22.20"