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Saturday, April 04, 2020

Roland JV-80 demo "Nature of eternity"


Published on Oct 10, 2018 Synthcomp

"I created this track originally in 1999 on my JV-80 synthesizer and named it 'Nature of eternity'. I was thinking of a title and this came to my mind ... anyway, all sounds are from JV except the solo at 3:16 from where I used a little bit the Crisalys vsti.

The various space wallpapers I used for this video are from wallup.net
Thanks for watching :-)"

Roland D-20 Demos by Synthcomp



Playlist:
Depeche Mode Puppets synth cover (Roland D-20)
Roland D-20 - World War 2 sounds
Roland D-20 multitrack demo "Sunflower"
Roland D-20 demo " timewheel "
Roland JV-80 demo "Nature of eternity"
Roland D-20 track with Abakos and System-8 VSTi

Roland D-20 patch editing with Atari


Playlist:
Roland D-20 patch editing with Atari part 1
Roland D-20 patch editing with Atari part 2
Roland D-20 single oscillator tweaking

Mint Vintage Roland D-110 LA Synthesizer w/ PG-10 Programmer SN 922305

Note: Auction links are affiliate links for which the site may be compensated. Roland D-110 synthesizer module patches and tunes

Published on Jul 23, 2019 Synthcomp

"Here's a little demo of the Roland D-110 with mostly custom and some factory sounds. All sounds are from the D-110. I've also used a Korg TR synth to make this demo but only as an effect processor, so it doesn't appear in the video."


via this auction

"The Roland D-110 has been described by some as 'a poor man's D-50' though I don't think that does it justice.

As a current, longtime D-50 and D-70 owner and tinkerer, I'm very familiar with their sound, and while the D-110 shares the same LA (Linear Arithmetic) synthesis architecture of it's 1st Gen D-50 and 2nd Gen D-70 siblings, it's a completely different animal capable of sounds that would be essentially impossible for the D-50 or D-70 to achieve without multiple D-50s/D-70s. That’s not to imply that the D-110 is "better," just different and in certain aspects more customizable and complex when given proper attention.

Quasimidi Rave-O-Lution

Note: Auction links are affiliate links for which the site may be compensated.
Published on Feb 25, 2007 Electronic Vibes

"I have filmed myself creating a pattern from scratch with the only Raveolution309. You will notice the lack of compression and sometimes PCM's can sound very loud.

That machine is a beauty with a lot of little bugs, you will hear the sequencer stopping/slowing down when I change part, sounds from a part can cut the ones from other parts, many sounds irregularities etc... this machine is alive!!!

I can play like that during days only with that baby, I do not produce good techno but these oldshool sounds remember me the golden age of techno... I miss Quasimidi :("

Quasimidi 309 Dub Techno

Published on Jan 29, 2017 The Free Radikal

"The Free Radikal - Dub Techno using nothing but a Quasimidi 309 and a delay and phaser"



via this auction

"Quasimidi Rave-o-lution 309 Drum Machine and Synth in great condition.

Has a new, variable-voltage power supply (already set to 11 Vs). Missing one knob, but everything has been tested and is working great.

very quick to make great sounds and tracks (Nine Inch Nails, Apollo 440). also amazing for accompanying DJ sets."

Two videos above linked in the listing.

Korg ARP Odyssey Rev1 Slim Key

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

1976 Moog Micromoog

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Made between 1975-1979, the Micromoog was released shortly after the famous Minimoog. Intended to be affordable for those who wanted a genuine Moog synthesizer, it has also become a classic instrument. The same 24db filter ensured the "Moog" sound, and with a ribbon pitch controller, a mod wheel + 1) pitch stability :- has heated temperature regulation 2) reliability, by using top components 3) single P.C. board construction. One VCO, one modulation oscillator, one VCF, one VCA, TWO contour generators, random (S & H), and one noise source. The creative musical possibilities are endless....and with input options eg S-trig....lots of non-musical stuff can be produced as well....I have not played a Micromoog for years (I was a Moog dealer in 1970/1980s...). I think it blows away the Rogue and the Prodigy..."

Lorre-Mill Keyed Mosstone

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Includes (3) Banana Cables, Original Box, and Power Supply"

You can find demos of one in the archives.

Orpho D/8 DIODE FILTER | EURORACK MODULAR, MODULE


Published on Apr 4, 2020 HOX808


via ORPHO (google translated):

"The D / 8 diode filter is a distinctive 12 dB / octave multimode filter that is used as a resonant low-pass filter, high-pass filter or band-pass filter.

When used fine, the filter behaves rather softly and smoothly, but with increasing resonance it can sound quite hearty and aggressive. Self-oscillation is possible.

There are separate inputs for high-pass filters, low-pass filters and bandpass filters. For example, Filter and bundle three different signals at the same time.

The BOOST controller passionately potentiates the maximum final modulation.

Connections:

2x CV input, 1x with attenuator for 1V / OCTAVE.

Signal inputs HP, LP, BP

Out - signal output

3U high, 12HP wide, 30mm deep. Power consumption: 12V | 50m"

ORPHO ECHOSCOPE | DELAY GENERATOR | EURORACK MODULAR, MODULE


Published on Apr 4, 2020 HOX808


via ORPHO (google translated):

"We are arching the time.

The signal applied to the input is timed by the TIME CONTROLLER (echo threshold). The echo threshold is strongly dependent on the characteristics of the sound and the level of the reflections. The REPEAT control determines the repetition rate.

In certain controller positions it is even possible to "freeze" the signal. We get wonderful feedback loops and space-like sounds as if we had received them directly from space.

Four time coordinates are available on the Echoscope ad hoc.

TIME

REPEAT

REPULSE - regulates the Hall ratio

REFLECTION - regulates the relationship between input and output.

Connections:

CV input for TIME.

IN - signal input

Out - signal output

3U high, 12HP wide, 30mm deep. Power consumption: 12V | 40mA"

CTAG TBD Walkthrough


Published on Apr 4, 2020 Creative Technologies FH Kiel

Follow-up to this post.

"Walkthrough of CTAG TBD an open source Eurorack synthesis module.

CTAG TBD as in "to be determined" is an open source eurorack audio module. All sounds and effects in this video are CTAG TBD, no extra processing!

It can be easily extended by your own DSP algorithms using a flexible c++ plugin architecture.

It's core feature is control of your plugin parameters through a web application UI and WiFi access. You basically log onto your TBD with a browser, choose your active plugin and modify its parameters. You can store patches per plugin. CTAG TBD recalls the last active plugins and patches upon reboot, so you continue making music where you left off.

All source (hw+sw) are available on https://github.com/ctag-fh-kiel/ctag-tbd

More introductory videos will be available on this channel soon, with specific focus on functionalities and how to add your own code.

If you are interested in beta hardware email contact@instrumentsofthings.com subject "TBD REQUEST"."
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