E-mu Proteus | The Module EVERYONE wanted!

Espen Kraft

"The E-mu Proteus was the most hyped and eagerly awaited hi-tech music product. of 1989
This is my review of this sound module EVERYONE wanted at the end of the 80s.
High quality&24 Hours Build Time: https://www.pcbway.com/

Support this channel on Patreon:
https://www.patreon.com/espenkraft

The hype surrounding this module was surreal, and it didn't feil to deliver. To get 4 Mb of the best Emulator 3 sounds in a multi timbral box, for about $900 in 1989 was simply a bomb going off. Everyone wanted one and they sold massive.

32 voice polyphony, editable sounds, 192 presets and with an ever expanding line of revisions and enhanced version of the Proteus was hard to resist.

Some of the sounds does seem outdated today and the "original" sounds in the Emulators and Emaxes has the edge, but many of the sounds in the Proteus is highly usable if you use them with other sounds. Some of them still excel in my opinion."

iVCS3 Toccata And Fugue in Dm

James Edward Cosby

"iVCS3 Toccata And Fugue in Dm... 4 iVCS3's running a single Preset from the soon to be released #JEC 2020 Captivity Preset Bank.
The reverb is iVCS3's own FDN Reverb, selected from the "•••" settings menu.
#iVCS3 #JEC #JamesEdwardCosby #Bach #2020Captivity #APESoft #EMS #VCS3 #Synthi #SynthiAKS"

ECCO 3 // Prophet-6, MS2000B: Imaginary Videogame Music

MR TUNA Music

"Just think of it as a sequel to the hardest game in the world, with dolphins!"

Processing Dub Techno Stabs (Ft Yamaha E1010 Delay, Master Room Spring Reverb & Mu-Tron Bi-Phase)

Sound Provider

"After my video about the Sound of the Musitronics MuTron BiPhase Phaser ( [posted here] ) someone ask me a demo with Techno Dub or Reggae Dub Chord Stab so I did this video quickly .

For this one I use the Novation Peak Synthesizer to do the stabs, Switch off the effects of the Synth, then I send the sound directly to my Yamaha E1010 BBD Analog delay then I send the signal to one channel of my MicMix Master Room XL-210 Spring Reverb , finally I send the signal to the Mu-Tron Bi-Phase.

Voila

Leonard de Leonard"

EHX Grand Canyon meets Moog DFAM Full Test Analog Drum Synth Delay FX Pedal

Rik Marston Official

#moogdfam #electroharmonixgrandcanyon #analogsynthesizer
"EHX Grand Canyon meets Moog DFAM - Full Test"
Synthesizer Demo by Rik Marston
***Watch in HD!!*** **Turn It UP!** ***No Talking!!!***

The Electro-Harmonix Grand Canyon Delay / Looper
meets the Moog DFAM (Drummer from Another Mother)
This awesome pedal converts MONO Input into Stereo Output :)
The DFAM is the BEST & coolest analog drum synth! I love it!
It's PERFECT for ambient electronic music & more!
The Grand Canyon is my favorite Delay FX pedal for synthesizers!

1983 Crumar Spirit SN 00080

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"Minus one little scratch thingy is perfect.

Everything works perfect. Needs to have a service just to clean the pots and sliders."

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Casio CZ-5000

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Nord Modular 25-Key G1 with Voice Expansion

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"Nord Modular keys G1 with rare voice expansion, which makes this thing an absolute synth behemoth."

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Desert1 by Baghead

Baghead · Desert1

"0-Coast sequenced with Kteck Iosofi M4Live sequencer, sound run thru Instruo Athru wave folder modulated by Moog CP351 LFO then thru MakeNoise Mimeophon.

Sonic Charge microtonic VST passing through a touch of Live's Corpus effect for drums.

Headphones or good subwoofer recommended

Enjoy"

NEEMFest 2020 Cancelled

via https://neemfest.com

"Hello Friends,

Unfortunately, we must postpone NEEMFest 2020 indefinitely. It was a difficult decision to make (and is even more difficult to communicate) because there was no single overwhelming reason for it. Rather I -- and the rest of the group that you’ve entrusted with planning and arranging it -- felt that there are numerous obstacles standing in the way of a successful and satisfying experience for the community, enough of them to make postponement the wisest plan. A complete list would take a while, but there are three I’ll mention here.

First, a virtual conference requires a huge effort from presenters and performers, and because much of that involves learning and experimentation, it must be done well in advance. Many of us, through no fault of our own, are not very far down that road. Even though we were ready to assist everyone with both documentation and in-person support, we did not feel that NEEMFest would be able to maintain its inclusiveness, the one thing that all of us value the most.

Second, those of us who had done streaming events realized that audience attention is far harder to capture and maintain with a multi-day virtual event. That, and the need to provide technical support, had already led to a decision to reduce the number of performance slots from our normal 40+ to around 16. At that point, we had entered a world where it was not at all clear that the rewards for the performers (or for the technical volunteers) would justify the effort.

The third reason is the most difficult to describe and at the same time the most compelling. The entire community is stressed and distracted now. There is a pandemic raging in the United States and it is going to get worse, even as the rest of the developed world is slowly returning to normal. Some of us face financial insecurity. Those who have children in school, or who work in schools and colleges, are experiencing worrisome risk and real uncertainty about what will happen in just a few weeks (my own city of 30,000 is about to face an influx of tens of thousands of college students who will, of course, maintain social distancing and other safe practices at all times). NEEMFest was scheduled for the week after the public schools reopen -- a peak time for either anxiety or relief, and either way a time when people will be most focused on family and friends. It seemed that our chances of capturing the attention of performers and audience at that point in the calendar were, if anything, substantially worse than they would be at other times.

We concluded that we should, as one of us put it, “do NEEM when we can really do NEEM”. In the meantime, we can all raise our game, and continue working on virtual events in a paced, deliberate way. We’re making all of the technical-support materials we prepared available on the NEEM website (at https://neemfest.com/?post_type=encyclopedia&p=7771&preview=true ]). All of us are available to help people who want to get going. There are any number of good ideas for Zoom presentations and online tours floating around; over the coming weeks, we’ll be putting those forward here in the hope that some educational events and virtual tours might spring up. There is a lot for all of us to work on, and I hope that as many of you as possible will join us.

Speaking now only for myself (and maybe for some of my bandmates), virtual collaboration and performance have been a real godsend for me over the last few months. This is a resilient and adventurous community, and I’m confident that NEEM will come back in the form of a hundred micro-NEEMs before we are all able to meet together in person again -- and that there will be some new things, uniquely possible in cyberspace, that will astonish and delight all of us.

A final, personal word: I am immensely grateful to the volunteer crew of organizers: Rebekkah, Mike, Steve, Ken, Rob S., Jim, and Chris. This has been a rocky road, and I have pitched a few of the rocks. All of us are even more grateful to those of you who have made financial contributions to support NEEM. Fortunately, we have spent very little if any money so far, and your contributions remain to be used exactly as you intended -- to make the next NEEM the most inclusive, fee-free event it can possibly be. All of us are in your debt.

We close with a musical selection: https://www.youtube.com/watch?v=mdZXQHa9rv0"

We'll Meet Again - Vera Lynn, Drag Queens in Quarantine (DiQ)

Cheddar Gorgeous

"26 drag queens from 5 different countries are asking you to help us raise money for Age UK."