Tip Top Audio Z5000 Sound Demo and Tutorial

Patchwerks Seattle

"In this video resident expert Matthew Piecora (aka EZBOT) teaches us how to use the Tip Top Audio Z5000 Multi Effects eurorack module. After the short tutorial Matthew demonstrates all the patches in the robust FX bank in the Z5000 with the Noise Engineering Loquelic Iteritas (complex oscillator) and the WMD Javelin (EG + VCA).

Back in 2008, the original Z5000 was not only the world’s first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analog clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from the early days till modern times often leaning toward the more experimental side.

Order the Tip Top Audio Z5000 here: http://bit.ly/tiptop_z5000

https://patchwerks.com/
Demo by:
Video by: Matthew Piecora (aka EZBOT)
https://www.ezbot.live"

Atoms To Molecules Live Exceprts

Russ Hoffman

"Atoms To Molecules plays live at VIA festival October 2016. Excerpts of full set."

Russ Hoffman of evaton technologies

Reese Bass Patch-Making with Soundfly

Soundfly has a two part tutorial series on making the Reese Bass synth patch. You can find them here:

History of the Reese Bass Synth Sound

How to Build the Reese Bass Synth Patch in Netsky’s “Escape”

Playing Popular YouTube Background Music on Arranger Keyboards

Woody Piano Shack

"Today we'll play some fun covers of the most popular (and over-used) No Copyright YouTube background music. You've heard these songs many times in your favorite vlogs and channels.
The music is all composed by the same person, Kevin MacLeod, so this is my tribute to his amazing skills.
The keyboards used for these performances are KORG i3 MUSIC WORKSTATION and YAMAHA PSR SX900 ARRANGER WORKSTATION, the flagship PSR arranger derived from the YAMAHA GENOS.
You'll get to hear many of the styles and sounds of these piano synthesizer keyboards in action."

https://woodypianoshack.com

BillTMiller ARPCHIVES

Alan R. Pearlman Foundation

"From The Alan R. Pearlman Foundation:
A fantastic visual feast through Bill Miller's ARP Journey! (ALERT: A few strobe lighting effects for those who are sensitive.)

Musician / Recording Engineer - Producer / Filmmaker - Photographer - BILL T MILLER has been on the quest for SOUNDS and FUN ending up on a path to ARP SYNTHESIZERS starting with a TOY PIANO on his second birthday, then a bit of tinkering on his grandfather's grand piano, then scoring MAGNUS CHORD ORGAN and an ACETONE ORGAN in his early teens in the late 1960s with his band THE ELECTRIC ONION where he played guitar/bass and a bit of drums and keyboards.

By late teens (in 1975) he ended up at COLLEGE for RECORDING ARTS in San Francisco (in Golden State Recorders Studio) where he studied recording engineering production and took synthesizer classes. Walking into the first synth class revealed ARP 2600 in person..... luv at first sight.

Shortly after graduating and moving to Hollywood with hopes of buying a 2600.... reality set in and he scored a USED ARP ODYSSEY MK1 1974 model, that was purchased in late 1976. Some of the recordings you hear in this video are part of those BTM Bungalow Bill Sessions 1976-77 (although Bill had been playing music for over a decade at that point, those ARP SYNTH tapes are the earliest surviving BTM recordings in existence.)

Working in California doing recording and live sound from 1975-1980, he ended up back on east coast (where he had spent first two decades of his life.) Eventually ending up in BOSTON (1984) working at Daddy's Junky Music (selling recording and sound gear) while doing freelance sessions at studios (PolyMedia, Newbury Sound) and live sound at venues (The Rat, Bunratty's, The Channel) and starting his own semi private project studio HEADROOM.

Fast forward to early 90s... a band BTM had recorded before called CHEATER SLICKS popped into Headroom and said meet our new bass player DINA... and then pointing to BTM's ARP ODYSSEY (that he had hung onto since LA 76 era) said something like... DINA's father's company created YOUR SYNTH....meet DINA PEARLMAN... daughter of ALAN R PEARLMAN. wow. cool. We chatted a moment about how much I luved my Odyssey and she spoke very briefly of her father and some ARP adventures (mentioning Pete Townshend and more) = but then we jumped right into recording the garage punk band tracks where she nailed solid bass guitar for a raw live session.

So... jump way ahead and BTM continues creating experimental music with his own bands... Out of Band Experience (OBE), Kings Of Feedback, Drum Army, King Of Slack, Orgy Of Noise, Zonkulator and recording and photographing tons of OTHER artists (hardcore, garage, punk, metal, noise genres.) All the time digging further out into weirdo land with circuit bent toys, and custom electro acoustic instruments, and of course synthesizers. Always hanging onto that original icon ARP ODYSSEY and his Roland JX-8P and adding an ARP 2600 and modular eurorack synths and more to the mix. Active in various Boston synthesizer synthfests/meetups playing live synth concerts at the DAVID FRIEND RECITAL HALL at BERKLEE in Boston. Then he attended the "Alan R. Pearlman - Everything ARP Symposium" at Berklee finally saw DINA PEARLMAN again with her father and mother and all the ARP family in a sort of THIS IS YOUR LIFE celebration of all things ARP. A moment in ARP history that is beyond words.

Much respect to DINA PEARLMAN for the Alan R. Pearlman Foundation and ARP ARCHIVES carrying on the ARP family legacy in memory of her mother and father and all the ARP family who created and played and sold and loved ARP Synthesizers over the now 50 years. Dennis Colin and David Friend are two of the people that have contributed so much to the ARP legacy, but there are so many others who were there in essentially what amounts to the golden 70s decade of ARP that made it all happen. Now with the help of Dina's love and devotion ARP lives on and on.

Bill T Miller has always LUVED ARP and his first synth the ARP ODYSSEY is still the centerpiece and heart of his studio HEADROOM in BOSTON.
Always exploring the weird sonics and basically ignoring the create a patch on a synth to simulate "real" instruments thinking and going for
the outer space blip bloop sample and hold I hear a new universe of unreal electronic music.


more nfo on BILL T MILLER via
http://billtmiller.com/arp
http://BTMTV.com
http://OrgyOfNoise.com


THANX...
Alan R Pearlman / ARP Archives
https://alanrpearlmanfoundation.org"

DX84 / A Refaced Reface DX / FM synthesizer

Love Hultén

Custom portable clamshell synthesizer based on the Yamaha Refaced DX via Love Hultén.

CLICK FOR MORE »

Polymaths Suite by Magus Instrumentalis - Overview and Tutorial

Omri Cohen

"If you like what I do and want to support my work, consider joining me on Patreon - https://www.patreon.com/omricohen

00:00 - Introduction
00:42 - Moving Sequence
06:48 - Morphing Effects
11:15 - Enochian Tablet
19:04 - Random Search Mode
25:28 - Velo/Vert"

Create Chord Progressions on the Eurorack Modular System - Patching Techniques

Maik Schott

"In this Eurorack modular synths tutorial I demonstrate patching techniques how to make chord progressions on the Eurorack modular system. I use the Winter Modular Eloquencer - which I found the perfect tool for this task. I was searching for a long time how to achieve these chord progressions on a step sequencer while keeping the possibility to alter the chords on the fly."

Töörö - Kickstarter Presentation

Fred's Lab

"The Töörö polyphonic analog and digital synth is now on Kickstarter!

It offers 6 voices and 4 parts of hybrid madness, the original A847 analog filter design, digital shapers and an additional digital FX.

The module is compact, rugged and USB powered. It has one of the most extensive MIDI implementation around."

Qu-bit Data Bender Now Shipping

Qu - Bit

"Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The 96kHz, 24-bit audio buffer can hold over a minute of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.

- Circuit bent digital audio buffer
- Skipping CDs, software bugs, old tape machine, scratched records
- 96kHz sampling rate, 24-bit depth for high fidelity audio with over a minute of stereo sampling time
- Stereo IO" You can find additional Qu-bit Data Bender posts here. Check with the dealers on the right for availability.