Note: According to the previous demo posted here, this panel is a prototype. It does however give us a peak into the featureset of the upcoming Baloran synth. For additional demos see here (scroll down to previous posts when you get there).
This is the first image to clearly reveal the front panel controls. As you can see, this synthesizer features 4 VCOs (2 Analog, 2 Digital), 2 Mixers feeding into 4 Filters laid out in two sections, 4 ENVs, 3 LFOs, Sequencer, and Arpeggiator. Note the Poly button. Click on the image to zoom in. You will see the following and more:
VCF 1 & 3 can be 12 or 24 dB, & have Digital & VCO FM for corresponding sections
VCF 2 & 4 can be BP or HP and have a VCF 1-2 balance knob or FM?
Each VCF has separate Key tracking
3 LFOs, 2 VCAs w/ PAN for stereo, 4 ENVs with CURVE for F (Filter) and M envelopes
16 step sequencer, ARP
Note there are buttons under some controls you wouldn't expect. I'm guessing they enable and disable modulation. Press the button and adjust the amount with the knob. Similar to an Oberheim Matrix-12 and XPander, or an Alesis Andromeda. On the Andromeda buttons enable to disable the modulation so you can use them as on/off buttons. The buttons under each Envelope knob in the image above are interesting. What do they do? Do they enable disable each stage, do they allow you to adjust the curve, can you modulate each stage of the envelop? The more I look at the panel the more this synth appears to be a modulation powerhouse. Feel free to share your thoughts and/or anything you see in the comments section below.
P.S. Baloran previously brought us the The River, an 8-voice multi-timbral polyphonic analog synthesizer.
Hi guys! Monday, February 1 Today I shot another video of X-Lab engine experiments. There are three experiments: first is an electric piano and a snare, second is a conga and acoustic guitar, and then some SFX-like sounds. At the end of the experiment, I felt like jamming a little bit, i played it. please check it out. 2月1日(月) 今日もX-LABエンジンの実験動画を撮影しました。 エレピとスネア、コンガとアコースティックギター、あとはSFX的な音の3つの実験です。 実験の終わりにジャムを構築していくような動画も撮りましたので是非ご覧下さい。
"Drone mode on the DB-01 is simple and obvious yet can add a lot of power and variation to even the most simple patterns. Here drone mode is combined with a saved scale and a synced LFO. You could easily adlib an entire song!
Effects used here are only what you see: a Carbon Copy Deluxe and an MXR Phase 45. The DB-01 is otherwise alone and unprocessed: no EQ, compression, limiting, volume change etc. And of course, just a single track.
For more on the DB-01 see my playlist of tutorial videos and tips: [previuos posts here]
"The Roland JUNO-60 helped define the sound of the ’80s and is highly prized for its vintage vibe and unmistakable character. Simply put, it’s the sound you hear in your head when you think of fat, punchy analog synthesizers.
With the JUNO-60 Software Synthesizer, you get the full authentic experience of this legendary keyboard in a modern software instrument for DAW-based music production. Roland’s PLUG-OUT format is also supported for computer-free operation via the SYSTEM-8 hardware synth, with all parameters automatically mapped to capture the hands-on JUNO-60 workflow.
The JUNO-60 Software Synthesizer is just the latest member of Roland Cloud’s Legendary series, which includes plug-in versions of the JUNO-106, JUPITER-8, TR-808, TR-909, D-50, and many other classics. Roland Cloud is also home to an ever-expanding collection of creative tools to keep your music flowing, including the powerful ZENOLOGY software synth, Model Expansions, Sound Packs, Zenbeats, and much more."
And the press release:
Iconic 1980s Polysynth Now Available as a Legendary Series Plug-In Through Roland Cloud
Los Angeles, CA, February 16, 2021 — Roland announces the JUNO-60 Software Synthesizer, the latest addition to the Legendary series of software-based Roland instruments available through Roland Cloud. The original Roland JUNO-60 hardware synth helped define the sound of ’80s music and is still highly prized for its vintage vibe and unmistakable character. With the JUNO-60 Software Synthesizer, the authentic experience of this influential keyboard is now available as a modern software instrument for Mac and Windows DAWs.
Released in 1982, the JUNO-60 was among the earliest models in Roland’s iconic JUNO series, and is an all-time favorite for many synth aficionados. With a winning formula of a single DCO, fat sub-oscillator, and characterful VCF—plus a massive swirling chorus effect—the instrument has found its way onto innumerable tracks through the years. Powered by Roland’s proprietary Analog Circuit Behavior (ACB) technology, the software version recreates the sonic experience and approachable architecture of the JUNO-60 in startling detail, allowing users to craft rich, inspiring sounds with little effort.
The JUNO-60 Software Synthesizer fully captures the original’s balanced magic—including the odd quirks and charming limitations—and enhances it with useful modern additions. The filter has been modeled to perfection, and users have the ability to switch to the HPF circuit of the next-generation JUNO-106 and its characteristic bass bump. The oscillator range has also been extended, and there’s a second envelope for extra flexibility. Polyphony has been expanded to eight notes, with the option to limit it to the original’s six (or less) for an old-school vibe.
A huge part of the JUNO-60 sound is its lush chorus circuit. Like the original, the software version has two push-button chorus modes, plus a third “secret” mode accessed by pressing both buttons at once. Taking things further, there’s an additional chorus option with the sound of the vintage BOSS CE-1 pedal, along with a selection of reverb, delay, flanger, and overdrive effects.
The JUNO-60 Software Synthesizer is VST3, AU, and AAX compatible and also supports Roland’s PLUG-OUT format for computer-free operation with the SYSTEM-8 hardware synth. And for DAW-focused workflows, it’s possible to use the SYSTEM-8 or a Roland Boutique JU-06/JU-06A for one-to-one, hands-on control of the JUNO-60 plug-in.
The JUNO-60 Software Synthesizer is just the latest member of Roland Cloud’s Legendary series, which includes plug-in versions of other Roland classics like the JUNO-106, JUPITER-8, TR-808, TR-909, D-50, and more. Legendary titles are available with the Ultimate membership level of Roland Cloud. All paid levels – including Core and Pro – start with a free 30-day trial of Ultimate, allowing users to try out the JUNO-60 and all Ultimate features. In addition, any Roland Account holder can purchase Lifetime Keys for individual Legendary series titles. This provides unlimited access for as long as their account is active, even if they don’t have a Roland Cloud membership.
For more information on the JUNO-60 Software Synthesizer:
➤ JUNO-60: https://www.roland.com/us/products/rc..."
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If you are curious why the JUNO-60 is available as a PLUG-OUT for the SYSTEM-8, but not the Jupiter-X or Jupiter-Xm, the SYSTEM-8 uses ACB (Analog Circuit Behavior) technology, while the Jupiter-X and Xm use ABM (Analog Behaviour Modeling) via Roland's new ZEN-Core engine. The following touches on the differences between them.
Roland ACB versus ABM - Getting real answers from #Roland
video by Nu-Trix The Synth Guy
"The ARP 2600 is providing CV/gate to control the Z506 Swiss Daisy DSP in the new 'Pluck' mode. The Frequency Central MethAmp module provides distortion.
The Swiss Daisy DSP pluck mode uses a Karplus-Strong algorithm to model a plucked string ( think "Rings" ). This plucked string provides a great foundation for driving the MethAmp distortion module.
The Frequency Central MethAmp is a clone of the famous 'Big Muff' distortion pedal used by Hendrix and many others. I could have used the preamp section of the ARP 2600, but the MethAmp also provides tone control, as well as a 'regeneration' control that did not appear on the original Big Muff. The regen can easily cause feedback (frequency controlled by the tone control).
BTW, I love this video on Karplus-Strong synthesis:" [posted here]
"The Quandrantid Swarm is a digital synthesizer that features a percussive element to give it a unique sound. It contains a two-pole analog filter, an LFO with eight waveforms, and a spring reverb. The eight touch keys can be used as a mono keyboard, polyphonic keyboard or an eight-step sequencer. The Quandrantid Swarm has MIDI and CV/Trig connectivity. Its normalized pre-patching allows you start creating immediately, but its semi-modular design allows you to use patch cables to explore the potential of this instrument. Includes original power supply."
