"Here is a super rare, and simply killer... Moog Little Phatty RED Stage II BACK Limited Edition with CV outs!
This beast of a synth has very cool red led's, red backlight on both wheels, a super sexy metallic red back and uber important CV outs to drive all your classic and modern NON midi synths ( also has Midi and USB for all y'all non cv synth freaks). I believe only 100 of these were made.. rare chance to get a sweet historic Moog synth at a great price."
"002R provides 8 discrete voices of polyphony with full multi-timbrality if desired.
Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice.
Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes.
Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between"
"A retrofuturistic synth jam, performed in an age when a stainless steel rocket has just been chosen to go to the moon. Exciting times. :) ================================ For those playing along at home: The tempo is at 60 BPM, and the key is E major. ================================ About the title:
This one is space-flight related, and oddly specific. :) In general, successfully relighting a spacecraft's engines is a cause for cheering at mission control. Because a) restarting a rocket motor is more tricky than restarting a car's engine, and b) if the engines fail to relight, things will go bad and / or explodey fast.
But, for me, the term "relight" is inseperable from the Everyday Astronaut's callout during Starship SN8's test flight. I had stayed up late that night (CET) to watch together with hundreds of thousands of people from all over the world as SpaceX attempted a high-altitude test flight with a Starship prototype for the very first time. Watching the rocket master almost every single one of it's spectacular maneuvres at the first try was absolutely pure joy. After the vessel came skydiving from 10 km up while moving itself precisely over the landing pad, having the engines relight to actually transition to the landing burn was just the cherry on top. (And then the landing ALMOST went explosion-free. But hey, still an incredible success overall)"
"This recorded exclusively for Polyend Blog live act is based on various types of sounds processed by the Tracker. These were previously recorded directly to the unit. All of the samples, including the drums on which the song is based, were recorded on electric guitars (pads and melodic parts) and acoustic (rhythmic elements). The solo guitar I used for the backing track was recorded on a second channel of the mixer. All the fx processes, as well as the track mix, were done inside the Tracker. The external computer only served as a sound recorder.
fire your arm cannon, breakdance on rooftops and perform a perfect K.O! to the tempo of your song. experience epic scenes from the legendary Mega Man and Street Fighter games, all controlled by the OP–Z."
