Wednesday, September 08, 2021
Roland JP-8000 SN AJ92423
KORG SQ-10 Analog Synthesizer SN 150320
Roland System-100M Model 172 Phaser Delay SN 150743
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A phaser/delay component from a legendary patchable synth!"
via this auction
"A phaser/delay component from a legendary patchable synth!"
Korg Mono/Poly Analog Synthesizer w/ MIDI
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Fully serviced and refurbished Korg Mono/Poly.
What’s new in/out.
Key contacts, wood pannel, wheels, ssm2033, midi Kit upgrade.
The front pannel shows some scraches due to his ages. (see pictures)
Minutely services by Bruno Dupeyron in France."
via this auction
"Fully serviced and refurbished Korg Mono/Poly.
What’s new in/out.
Key contacts, wood pannel, wheels, ssm2033, midi Kit upgrade.
The front pannel shows some scraches due to his ages. (see pictures)
Minutely services by Bruno Dupeyron in France."
Korg Lambda ES50 1979 Vintage Synthesizer SN 23120
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Rare Korg Lambda ES50 fully serviced USA original model.Purchased in Japan ,so currently voltage to Japanese. The Condition is used.The wood panels shows very minor signs of age, can be fully restored with a little TLC. Technically it is as good as it gets. It has been fully serviced by and plays extremely well as it should .Sounds incredible and is a fantastic choice for amibient strings and unique pad sounds for a truly original edge. It has been used in many a great song and soundtrack over the years and an asset to any successful studio or musician.
The Korg Lambda is a fully polyphonic 48-key preset synthesizer released in 1979. It features two types of sound - Percussive (Electric Piano, Clavi, Piano, Harmonics) and Ensemble (Brass, Organ, Choir, Strings I, Strings II). The Percussive sounds have a simple fast attack and variable decay envelope, and the Ensemble sounds have both preset and variable attack/release envelopes. Each key is articulated independently, so there is no note-stealing as experienced on synths limited to a handful of voices. The downside of this is the relative lack of programmability, but the presets sound good, particularly when layered (they are all available simultaneously).
The Lambda uses divide-down technology from three Top Octave oscillators to provide the basis for its sounds. The three oscillators are mixed and filtered using fixed circuits to create the preset sounds, but there are also controls on the front panel for basic low-pass filtering of the Percussive and Ensemble tones, and each section has its own volume control. There is also a control for "click" (used to add attack to the EP sound) and a filter cut-off control for the Brass sound, which has its own paraphonic filter - tuned to give a slightly resonant peak to the sound, and with its own preset filter envelope. This re-triggers on every keypress, so held notes will also be reshaped when new ones are played. In practice this is not much of a problem.
via this auction
"Rare Korg Lambda ES50 fully serviced USA original model.Purchased in Japan ,so currently voltage to Japanese. The Condition is used.The wood panels shows very minor signs of age, can be fully restored with a little TLC. Technically it is as good as it gets. It has been fully serviced by and plays extremely well as it should .Sounds incredible and is a fantastic choice for amibient strings and unique pad sounds for a truly original edge. It has been used in many a great song and soundtrack over the years and an asset to any successful studio or musician.
The Korg Lambda is a fully polyphonic 48-key preset synthesizer released in 1979. It features two types of sound - Percussive (Electric Piano, Clavi, Piano, Harmonics) and Ensemble (Brass, Organ, Choir, Strings I, Strings II). The Percussive sounds have a simple fast attack and variable decay envelope, and the Ensemble sounds have both preset and variable attack/release envelopes. Each key is articulated independently, so there is no note-stealing as experienced on synths limited to a handful of voices. The downside of this is the relative lack of programmability, but the presets sound good, particularly when layered (they are all available simultaneously).
The Lambda uses divide-down technology from three Top Octave oscillators to provide the basis for its sounds. The three oscillators are mixed and filtered using fixed circuits to create the preset sounds, but there are also controls on the front panel for basic low-pass filtering of the Percussive and Ensemble tones, and each section has its own volume control. There is also a control for "click" (used to add attack to the EP sound) and a filter cut-off control for the Brass sound, which has its own paraphonic filter - tuned to give a slightly resonant peak to the sound, and with its own preset filter envelope. This re-triggers on every keypress, so held notes will also be reshaped when new ones are played. In practice this is not much of a problem.
SOLID STATE Versus VALVE Bruel & Kjaer 1022 Beat Frequency Oscillator Modifications
video upload by LOOK MUM NO COMPUTER
"The Beginning of a big Test Equipment Project.
loads Samples of these experiments amongst many more!:-
https://www.patreon.com/lookmumnocomp...
-------
Tickets To This weekend and other weekends at @THIS MUSEUM IS (NOT) OBSOLETE are available here:-
https://this-museum-is-not-obsolete.com"
Experimental VCA for Ciat-Lonbarde gear
video upload by Richard Brewster
"A short demonstration of an experimental VCA circuit based on the AVDog VCA in Peter Blasser's Plumbutter. For more details and the schematic diagram of the VCA, go to:
https://pugix.com/synth/experimental-..."
Neuzeit Orbit Bitcrusher + Harmonizer
video upload by Cinematic Laboratory
"Orbit is an effect module providing bitcrushing, harmonizing and filtering. It doesn't do anything on its own, so it needs an external source. It's a great module if you want to turn a simple sound into something huge, and it also works very well with drum and bass sounds, providing lots of animation thanks to the many CV inputs. Highly recommended when you're into Techno. I still have to figure out what will happen with more ambient patches, so there will be a part 02."
Neuzeit Orbit | Part 02 | Light & Dark Ambient
video upload by Cinematic Laboratory
"A second take on the Neuzeit Orbit, but this time in a more ambient setting with a clear light and obscure dark side. After playing with it for more than a week I found out the Orbit works best with either simple waveforms and beats - or a big system with lots of utilities. I don't think it's a beginner module, but if your system needs some 'grit', it's definitely worth a listen."
"In their debut module, the Neuzeit Instruments Orbit is a compelling example of how smaller synthesis blocks can be combined together into a deep and rewarding instrument and processor with its own unique identity. Within Orbit you'll find bitcrushing, filtering and EQ, harmonically-related pitch-tracking oscillators, an envelope generator and LFO, mixing capabilities, and more—all useful elements in their own right. But the magic behind Orbit is how these sections all interact and relate with each other, resulting in complex sound design and processing capabilities without a ton of additional modules or patching.
There are two main sections in Orbit named CRSH and HARM, as well as the filter, dedicated low frequency EQ, and the envelope. External signals enter Orbit at the bottom left, offering two input VCAs with level and CV controls, as well as a third input which runs straight into the filter, skipping the other three sections entirely. The summed output of the two VCAs then runs through a bass boost/cut EQ, which passes onto the other processing sections, as well as being available via the BLEED level control in the mixer just before the filter. Thus, while there is a dedicated level control for the totally dry input signal at the output, BLEED is another way to dial in body and fundamental frequencies which may get lost in the midst of the other sections' processing.
15- The UDO Super 6- The VCA- MORE THAN TREMOLO
video upload by AutomaticGainsay
"Here is part 2 of a two-part demonstration of the sound and functionality of the voltage-controlled amplifier found on the UDO Super 6."
AutomaticGainsay UDO Super 6 posts
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
