Matt Morton on Moog IIIc Modular Synth and the Apollo 11 Soundtrack

Published on Jun 3, 2018 Matt Morton Music

Playlist:

1. Moog IIIc techno sketch

Stumbled on this little sketch while I was taking a break from scoring (finishing up 'Apollo 11' which will premiere on opening night of the 2019 Sundance Film Festival on January 24, and then hit theaters and TV in the spring/summer of 2019) and I was playing around with my Q963 trigger busses. Seems like the really fun ideas usually come when you're not looking for them too hard.

Gear used: Moog Synthesizer IIIc reissue, Soundgas modified Binson Echorec 2 (with varispeed and wet-only out), Synthesizers.com Q960 sequencers, trigger bus, signal selector, and foot control for filter cutoff, BAE 1073MPF mic preamps, Radial JDI direct boxes and ReAmp feeding the Binson (via RME Fireface 800)

2. Moog IIIc and valve varispeed Binson Echorec 2 T7E

This is me improvising on my 2017 Moog Synthesizer IIIc reissue, fed into a Soundgas Ltd. valve Binson Echorec 2 T7E (with varispeed and wet-only mods). The kick is a mixture of two sources: a kick I synthesized on the Moog using sine and triangle waves, and a kick I recorded from my 1967 Ace Tone Rhythm Ace. The eighth note bass line is coming from my Minimoog Model D reissue. For the main part (that you see me doing live), the dry signal is panned hard right, and the Binson's wet-only output (thanks Soundgas!) is panned hard left. I captured them with BAE 1073 MPF preamps and Radial JDI Jensen-equipped DIs. Also, the Moog-style sequencers (along with most of the other non-Moog modules I'm using) are by Synthesizers.com.

3. Matt Morton on Moog IIIc Modular Synth

This is a quick sketch on my 2017 Moog IIIc Modular Synthesizer Reissue (serial number 19 of 25 made). I'm also using modules by Synthesizers.com (including two Q960 sequencers) and STG Soundlabs (Post-Lawsuit Filter on the non-sequenced bass voice).

And from the Apollo 11 soundtrack:

The soundtrack is currently available on Amazon.

via Synthtopia

"The highly-acclaimed film (currently rated 100% on Rotten Tomatoes) features a score by composer Matt Morton, who chose to score it using an expanded palette of orchestra + electronics – but only using instruments that would have been available in 1969.

Morton says that every instrument and effect used in the score existed at the time of the mission in 1969 including the Moog modular Synthesizer IIIc, the Binson Echorec 2 tube echo, the Mellotron sample playback keyboard and the instruments of the orchestra."