Meet the Glitch Boy - 8-bit AV synthesizer

video upload by melt dream

"Kickstarter: https://www.kickstarter.com/projects/...

Meet Glitch Boy: a compact instrument that turns 8-bit games into live glitch visuals and doubles as a chiptune synthesizer.

Inspired by hacked consoles, Glitch Boy recreates those hardware corruptions and lets you control them precisely"

Some additional info via Martino, the creator of Glitch Boy, followed by the press release:

"Glitch Boy is an hardware instrument that turns NES-compatible ROMs into glitch video synthesis material and also doubles as a 4 voice chiptune synth.

Basically a hacked retro console, both desktop standalone and for a Eurorack system.

It has hands-on controls for real-time glitching, MIDI, audio reactivity, composite video out, CV input, and both standalone and a few more fun things.

It's a project I have been developing since last year for my brand Melted Electronics, under which I have released glitch devices for 5+ years."

We’re launching it on Kickstarter on April 14th."

Press release:

"Glitch Boy by Melted Electronics

Glitch Boy is an audiovisual instrument for glitch artists, musicians, and experimental image makers.Inspired by hacked retro consoles, It loads NES- compatible ROMs from microSD and lets users manipulatetheir graphics and sound in real time using onboard controls, MIDI, audio input, or CV.

It also functions as a 4-voice chiptune synthesizer, and is available in both standalone and Eurorack versions.

Quick facts
Loads NES-compatible ROMs from microSD

Real-time glitch control via knobs and buttons

MIDI input for automation and controller mapping

4-voice chiptune synth engine playable via MIDI

Audio-reactive glitching via line input

2x CV inputs for Eurorack / modular integration

NTSC and PAL composite video output

Open and hackable firmware

Available in standalone and Eurorack versions

Launch details
Launches on Kickstarter: April 14, 2026
Early Bird price: €150
Standard price: €170
Estimated shipping: Early Bird June 2026, general July 2026

Kickstarter

https://meltedelectronics.com

Using the New Public Domain SIDs in MIDISID

video upload by MIDI IN

"This is the new Public Domain SID or PDSID by Matthias. I hope to be able to make and supply these with MIDISID. In the mean time, they're available direct from him and can easily be fitted.

Public Domain SID at uni64.com:
https://uni64.com/shop/index.php?syst...

MIDISID:
https://peacockmedia.software/midisid/"

Déjà vu: Flexible Fader Control for Audio & CV│Bastl Instruments

video upload by Bastl Instruments

"Bastl Déjà vu is a Swiss knife for your Eurorack System that adds fader control to your modular system for many scenarios. It stands out as a simple yet powerful utility module that can do crossfading, mixing, signal boosting, voltage processing, attenuation or attenuversion. All that in 4HP and with the possibility to chain several of them to mix even more signals."



Powerful Voltage Utility module for voltage processing, attenuation, signal boosting, crossfading, and mixing

Déjà vu adds fader control to your modular system and it stands out as a simple yet powerful utility module that can do voltage processing, mixing, attenuation, attenuversion, signal boosting, crossfading and mixing.

All that in 4HP and with the possibility of chaining several units to mix even more signals.

SWISS KNIFE FOR YOUR RACK

Déjà vu has two almost identical channels A and B. Each channel has the FADER input and the ADD input and an output with light indication. The FADER MODE switch alters the behavior of the module, either attentuating or attenuverting the FADER input where the ADD input will be added to the processed FADER input. The last option is crossfading between the FADER Input and the ADD input which is great for creating performance oriented macro controls.

CLICK FOR MORE »

Q DRM - 4 – Four Analog Drum Voices for Eurorack Modular

video upload by HOX808

"Q DRM - 4 is an analog Eurorack module with four independent drum voices. Its Twin-T resonator design delivers 808-inspired bass, tom, and percussion sounds when triggered — from claves and rimshots to bongo- and conga-like tones. The color-coded controls let you dial in each voice’s fundamental range, while separate outputs per voice provide maximum flexibility for patching, mixing, and further sound shaping. More info and sound examples: https://www.orpho.de/qdrm4/"

How's the Serenity?

video upload by cirtcele

"Quad reverse sigmoid chaos module with CV inputs, sync controls and mixed outputs
https://www.nonlinearcircuits.com/mod...

single 1U version - https://www.nonlinearcircuits.com/mod..."

"This module is a set of 4 reverse sigmoid chaos circuits, running at different frequencies, there are pots to feed each section into another and influence, sync – sort of, the action. There are also CV inputs for each section which affect the reset or crossover timing, for the faster ones the results are obvious. For the slower ones, give it a few hours.

The reverse sigmoid circuits are similar in concept to the mackey-glass based design used in the NLC Frisson, but are greatly simplified to a bare minimum of parts. Simply an integrator, two all pass filters and a nonlinear stage with two feedback paths. The nice thing about them is you can use any capacitors you like, so long as all three are the same, and the circuit will work with no other mods required. The sections in this module use 1uF, 10uF, 2x 1000uF in series (so 500uF) and 2x 2200uF in series (so 1100uF).

They work quite differently to the Sloth chaos circuits, with a number of ripples or rolls between each attractor, also the three outputs track each other, the faster ones are delayed by a few seconds, the slower ones by minutes. The intent of having 4 different circuits running together with pots to get them to influence each other is to have a module that can create longer tracks with many different but related musical events happening and, of course, weird delayed CV effects. Think of a band where the members all do their own thing but every now and then the sounds and patterns connect and achieve structure, which slowly scatters and reforms in new ways.

Feel free to change the 1uF caps to a higher or lower value, similarly for the 10uF. Stack capacitors on top of each other to get 20uF, or use Tayda 22uF caps and stack them. See pictures on pg6 for info on which caps to change. Make sure the capacitors have at least a 25V rating or higher.

If you want to use larger values than 1000uF and 2200uF, make sure they will fit on the PCB and/or thru the panel holes (1000uF on PCB are 10mm diameter, 2200uF panel holes are 16.8mm)

There are also two difference rectifier circuits which output complex mixes of the individual chaos circuits."

1U REVERSE SIGMOID
DESCRIPTION/USAGE

6hp

This module is a reverse sigmoid chaos circuit; it can be built to run as a fast or slow CV source, or even as an audio/noise source. This is a single version of the four chaos circuits in the NLC How’s the Serenity module.

The reverse sigmoid circuits are similar in concept to the mackey-glass based design used in the NLC Frisson, but are greatly simplified to a bare minimum of parts. Simply an integrator, two all pass filters and a nonlinear stage with two feedback paths.

The nice thing about this design is you can use any capacitors you like, so long as all three are the same the circuit will work with no other mods required. The capacitors are marked ‘C’ on the PCB, 1uF is a good mid-range value to install, but 10uF, 22uF are good too albeit much slower. Lower values than 100nF get you into audio rate territory. Make sure the capacitors have at least a 25V rating or higher.

This works quite differently to the Sloth chaos circuits, with a number of ripples or rolls between each attractor, also the three outputs track each other, the faster versions are delayed by a few seconds, the slower ones by minutes.

The Input expects a positive CV, negative going CVs won’t hurt but will have no effect. The CV signal feeds into the first all-pass filter stage via 10k and a diode, this is different to the method used on How’s the Serenity. On slower builds, using 10uF caps, the effect of the CV will be washed out to some extent. It will still have an effect but not as noticeably as on the faster versions.

UVI Introduces Vintage Vault 5 & Vintage Casio Legacy

video uploads by UVI



Playlist:
1. UVI Vintage Vault 5 | Trailer
2. UVI Vintage Vault 5 | Showcase
3. UVI Vintage Casio Legacy | Showcase
4. UVI Vintage Casio Legacy | Overview

"Vintage Vault 5 - The Ultimate Vintage Synth Collection
https://www.uvi.net/vintage-vault-5

Discover a living collection of synthesis drawn exclusively from real hardware bringing together 43 UVI instruments spanning five decades of electronic sound, from the warm, evolving textures of early polyphonic analog synths, to the crisp digital voices that defined the '80s and '90s, to the obscure prototypes and cult machines that quietly shaped entire genres, this collection captures the true sound of the hardware that defined modern music.

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music credits: Harel Tsemah"

"Vintage CASIO Legacy - Legends of Digital Instrument
https://www.uvi.net/vintage-casio-legacy

A premium collection built to honor a generation of iconic instruments, while unlocking their full potential in a modern workflow. With six classics, a Multi groove engine, deep editing, and a huge preset library, it’s a uniquely CASIO sound world for today’s producers, composers, and sound designers.

Also included in the new Vintage Vault 5 ➡️ https://www.uvi.net/vintage-vault-5
Also included in SonicPass ➡️ https://www.uvi.net/sonicpass"

UVI Vintage Vault 5 - FIRST LOOK and Synth Demo!

video upload by MATTHS

"Massive demo of several of the new synths inside of UVI's Vintage Vault 5."

https://www.matthsmatthsmatths.com

UVI Vintage Vault 5 | No Talking | ‪@UVIofficial‬

video upload by DKS SYNTH LAB

"Welcome to DKS Synth Lab! In this video, we explore UVI Vintage Vault 5 with some of the new instruments included in the collection!

Video recorded in collaboration with ‪@UVIofficial‬"

AIR Music Tech & Akai Professional Introduce Fabric Vintage Synths Vol. 1

video upload by AIR Music Tech

"Three legendary analog synths. One modern synthesis environment. https://inmusic.to/2p977r6r

From lush pads to punchy basses and soaring leads, Fabric Vintage Synths, Vol 1 channels the sonic character of three iconic hardware synthesizers, bringing new creative inspiration to your MPC or DAW-based workflow.

Inspired by three of the most influential analog polysynths ever created, this collection includes the Fabric Vintage Pro, Fabric Vintage Jup, and Fabric Vintage Memorymoog. Each instrument in this collection captures the sonic DNA of cherished 1970s and 1980s polyphonic synthesizers and places it inside a powerful, modern instrument designed for how producers, composers, and synthesists work today.

These instruments have been reimagined through the AIR Advanced Multi-Sample Synthesis Fabric Engine for flexible, intuitive music-making. This shared engine allows each synth to retain its unique identity while benefiting from a common, modern workflow across MPC hardware and desktop DAWs."

Coming to Soundpaint: 505 String Machine

video upload by Soundpaint

"Vangeli's Secret Weapon, the other half of Blade Runner, the warmth machines can’t fake. The 505 String Machine brings the legendary RS-505 back with ultra-deep sampling and unmistakable analog motion.

Coming soon to Soundpaint with a custom 505 C.A.F™ modeled filter.
Soundpaint™ is a new analog-style sampling technology.

Soundpaint renders all instruments in real-time in 127 dynamic velocity layers. It shortens the distance from idea to realization. Instantly morph a waterdrop with a violin. Play the most iconic instruments of all time in exquisite realism and fidelity. True analog-modeled effects. Advanced and organic arpeggiator. A deep matrix for those who desire.

Welcome to the dawn of Real-Time Sampling™

Soundpaint is available at www.soundpaint.com"

Elektron Acquired by Bonnier Capital

via Elektron

The Swedish company will continue to operate from its headquarters in Gothenburg and its subsidiaries in Los Angeles and Berlin, with its team, brand, and product development focus intact.

Gothenburg, Sweden — April 8, 2026 — Elektron, the Swedish instrument maker behind a range of electronic musical instruments and performance tools, today announced that it has been acquired by Bonnier Capital, the long-established Swedish family-owned media group with international operations.

The acquisition of Elektron Music Machines AB from a consortium led by EMM Intressenter AB provides long-term support for Elektron’s continued development, international growth, and future expansion. Elektron will maintain full independence and continue to operate from its headquarters in Gothenburg, as well as its subsidiaries in Los Angeles and Berlin, with its existing team, brand, and commitment to creating instruments and tools for music makers worldwide.

In connection with the transaction, Jonas Hillman, Alexander Hellström, together with the management team, will reinvest alongside Bonnier Capital, reaffirming their ongoing commitment and active participation in Elektron’s journey.

Since its founding in 1998, Elektron has established a distinct position in electronic music through its unique approach to sound, sequencing, and performance-oriented design. As part of Bonnier, the company will gain access to broader strategic resources while preserving the focus and identity that have defined Elektron over the years.

“Elektron has built a truly distinctive position at the intersection of technology, creativity, and music culture. We are deeply impressed by the team’s craftsmanship and vision, and we see strong alignment with our long-term approach to building enduring, creative businesses in the music industry. Our ambition is to support Elektron’s continued growth while preserving the unique identity that has made it so respected by artists worldwide,” said Jonas Von Hedenberg, Investment Director at Bonnier Capital.

Alexander Hellström, CEO of Elektron, added: “Joining Bonnier marks an exciting new chapter for Elektron. It gives us the support and strategic backing to keep doing what we love most—creating inspiring instruments and pushing the boundaries of sound and performance. At the same time, this is just the beginning of a more ambitious journey ahead. Together with Bonnier Capital, we see strong opportunities to grow further, as we expand our role in shaping the future of electronic music creation.”

For customers, partners, and the wider Elektron community, day-to-day operations continue as usual. Ongoing product development, support, and existing business commitments remain unchanged.

SPIKES 2026 prototype special edition only 50 made

video upload by errorinstruments paul tas

Cuckoo Teases a New Hardware Synth from Auxy

video upload by True Cuckoo

"I put my heart and sounds into this new keyboard!"

👀 https://auxy.co/

Tour dates: https://www.truecuckoo.com/

HAPAX 3.00 – IMPROVED MPE + VIRTUAL CABLES

video upload by Squarp instruments

"✨ We’re excited to announce that hapaxOS 3.00 is now available for download!

This major update introduces powerful new features, including MPE support and Virtual Cables, along with a range of bug fixes and performance improvements.
This opens up exciting new workflows for integrating the Hapax with your DAW or other gear.

To fully support the complexity and data demands of MPE, we’ve deeply reworked the system architecture. This is why we’ve moved to version 3.00: it marks a significant milestone for Hapax. The result is a more robust and reliable experience than ever before, including when working with classic Poly tracks.

A big thank you to all our beta testers who helped us refine this release over the past two months!

If you're a Hapax user—or considering becoming one—this update is definitely worth checking out."

🕘 Timestamps
0:00 Intro : jam
1:40 How to export a pattern
2:00 How to import a pattern
2:47 How to mix & match patterns

ALT synthesizer first major update

video upload by cyma forma

"ALT is upgrading to version 2.0.

this update brings many requested features:

ADSR envelope
microtonal scales
microtuning edit per note
chord progression midi mode
portamento
and more...

thanks a lot to Chapelier Fou for giving us the idea of the midi mode 4.

read the release note: https://cymaforma.com/v2-release-note/"

Parapulse – Morphing Noise Generator for Eurorack Modular by Orpho

video upload by HOX808

"Parapulse is a Eurorack noise generator with an integrated filter and frequency modulation. From crisp white noise to warm pink noise, it opens up a wide range of textures, atmospheric layers, and organic impulses.

From icy fog and cosmic dust to Geiger counter clicks, paranormal intergalactic tones, and fine vinyl crackle, *Parapulse* puts noise in motion.

In this demo video, Parapulse is used together with the Bode Frequency Shifter for sound manipulation. CV control is also provided by the [Orpho Voltglider (https://www.orpho.de/voltglider/) and a CV joystick.

More information at [www.orpho.de](https://www.orpho.de)"

Googlish (original German below):

The Parapulse Noise Generator—equipped with an integrated filter, frequency modulation, and the ability to transition seamlessly from white to pink noise—offers a rich palette of soundscapes for experimental musicians and sound designers. The module provides a wide variety of noise types, ranging from crisp, high-frequency white noise to soft, deep pink noise, making it ideal for generating atmospheric textures or serving as a foundation for percussive elements and effects. The built-in filter allows users to precisely shape the frequency content of the noise, enabling the creation of both subtle timbres and dramatic effects. Frequency modulation further expands the sonic spectrum by facilitating dynamic shifts and modulations within the noise, resulting in complex sonic textures. The seamless adjustment between noise colors—free of audible steps or interruptions—offers a unique level of flexibility and control that would not be possible with a conventional white noise generator.

Original German:

Der Parapulse Noise-Generator, ausgestattet mit einem integrierten Filter, Frequenzmodulation und der Möglichkeit, nahtlos von weißem zu rosa Rauschen zu wechseln, bietet eine reiche Palette an Soundlandschaften für experimentelle Musiker und Sounddesigner. Das Modul bietet eine Vielzahl von Rauscharten, von klarem, hochfrequentem weißem Rauschen bis hin zu weichem, tiefem rosa Rauschen, ideal für die Erzeugung atmosphärischer Texturen oder als Grundlage für perkussive Elemente und Effekte. Das eingebaute Filter ermöglicht es dem Benutzer, die Frequenzanteile des Rauschens präzise zu formen, um sowohl subtile Klangfarben als auch dramatische Effekte zu erzielen. Die Frequenzmodulation erweitert das klangliche Spektrum zusätzlich, indem sie dynamische Veränderungen und Modulationen im Rauschen ermöglicht, was zu komplexen Klangtexturen führt. Die nahtlose Einstellung zwischen den Rauschfarben ohne hörbare Schritte oder Unterbrechungen bietet eine einzigartige Flexibilität und Kontrolle, was mit einem herkömmlichen White-Noise-Generator so nicht möglich wäre.

The Crow Hill Company Introduces the THE SH*T SYNTH

The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS

Press release follows:


The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments

EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…

Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!

CLICK FOR MORE »

SCHLAPPI ENGINEERING Introduces new Eddy and Cascade Eurorack Modules

Overview video upload by SCHLAPPI ENGINEERING

"Eddy is a three channel stereo CV controlled mixer with sidechaineable compression and distortion, designed as a compact submixer. It also has normalized feedback paths for more experimental tone shaping, no input mixing, and percussion synthesis workflows.

The Cascade expander allows access to the individual VCA outputs for use as a triple stereo VCA as well as access to the feedback filter outputs and simultaneous clean, compressed, and distorted bus outputs for additional mixing and processing options."

00:00 Intro
01:02 Mixing/VCA basics
02:20 Sidechaining
02:50 Feedback and percussion patching
04:33 Gain amounts and headers
04:45 Cascade expander
06:00 Using as compressed drum submixer
09:16 Jamming hard
12:00 Jamming even harder

Eddy & Cascade - Triple stereo VCA and feedback machine

video upload by Stazma

"New Schlappi Engineering module alert!!!!
Welcome Eddy and it's expander, Cascade.
Eddy is a three channels stereo VCA and mixer, with normaled tuned feedback paths, mute and phase invertion switches, compressor and distortion modes and more.
The Cascade expander allows you to tap different outputs of the circuit individualy for parallel processing or feedback patches."

00:00 Intro
01:14 Hello Eddy
04:25 Eddy panel
05:51 Cascade panel
06:22 It's a drum module!
08:57 No input mixing
11:09 Patching with Cascade
14:37 Simple waveform mixing
18:18 Optional levels
19:20 Drum machine time
25:35 Breakbeat time!
30:30 End talk

CLICK FOR MORE »

GHOST pedal vs 303 shootout with new V4 Firmware Update

video upload by Endorphin.es

"New GHOST Pedal V4 firmware update available now:
https://www.endorphin.es/modules/p/gh...

TB-303 ready: added a more 'squashed / pressed' response so acid lines feel dense and consistent, with better note-to-note stability
cleaner high-gain: reduced hiss and unwanted artifacts at extreme drive settings while keeping the same aggressive maximum gain range.
more musical dynamics: improved touch response and transient control so the drive feels more alive instead of flat
new 'Fairfax'-style, asymmetrical drive character: smoother, more amp-like breakup with a tighter feel and richer mid harmonics
dive more stable at high sample rate (96 kHz): optimized oversampling/filtering for premium distortion quality without CPU spikes.
What type of drive is it? It’s a high-gain soft-clip overdrive / distortion: amp-like saturation at lower settings, and full distortion territory at high drive with smoother harmonics and more sustain.
hall reverb is lusher: denser diffusion + more modulation depth gives a wider, more spacious 'big hall' feel
predelay for all reverbs is smoother: knob adjustments are cleaner with fewer artifacts while turning.
reverse reverb is more polished: improved wet shaping and saturation for smoother, more musical reverse tails.
spring stereo behavior improved: more consistent left/right output and a more natural 'drip' feel.
more stable LRRL and LRLR taps behavior: they pass properly thru the LP/HP tone filter inside the delay tank
creamier resonance: resonance behavior is more musical, with less clipping at extreme resonance sweeps.
comb filtering smoother when tweaking: reduced zipper/crackle when moving controls; more stable, playable comb textures.
delay: 7/4 divider changed to 3/8 (=dotted 1/16), 5/4 divider changed to 2/3 (=triplet 1/4). Meanwhile 3/4 = dotted 1/8, 3/2 = dotted 1/4, 1/3 = 1/8 triplet are working as is
dividers knob action inverted to properly match the scales around the knob
dry and wet properly phase aligned with less chorusing - still any MIX with filters applied may cause phasing effects which are unavoidable
hall reverb is selected after soft reset (to defaults parameters)
fixed an issue where very fast MIDI preset switching by Program change could cause the pedal to freeze."

Get lost in Sound Effects with Nyquist Nightmare

video upload by Robots Are Red

"Nyquist Nightmare by Modular 4 the Masses
12hp Wacky FM Synthesizer designed to emulate the sounds of scanning radio frequencies and more!"

Modular for the Masses

Nyquist Nightmare

Audio Mangling Modulator/Demodulator

This module is a modulator/demodulator. The top four knobs interact with each other to take a signal and mangle it beyond all recognition, or if you're patient and lucky, let the signal come through mostly unchanged.

What is going on there? you ask. The input is used to frequency-modulate a VCO that can oscillate beyond anybody's hearing range. The resulting (possibly ultrasonic) signal frequency-modulates a second identical VCO. This leads to the kind of signal degradation you might expect from an AM radio transmission. Or a short wave signal fighting its way through a hurricane.

The rest of the knobs control filtering; high-pass to remove the truly ground-shaking rumbles the top for knobs can generate, and resonant low-pass to get the harsh high pitches out of the signal, and emphasize (for example) the frequency range of human speech, if you want to pass old movie dialogue through this.

Also included are a wet/dry control (while prototyping this module I would sometimes spend minutes looking for the perfect knob settings to allow a signal through just to realize the signal source had stopped playing), a CV input for the low-pass filter with an attenuator knob, and a effect volume knob.

Some fun things to try:

with zero input, try to get a modem sound!
connect a simple waveform and massage the top four knobs to fold the wave in surprising ways
David Lynch. Put David Lynch through this.
turn the resonance of the low-pass VCF up and use this as a VCO (not 1V/oct, I'm afraid
Turn both "Carrier" knobs all the way down, so the VCOs are stalled, and listen to the signal bash its way through

http://hivemindsynthesis.com/m4tm

Web Based Online Editor for the Original Nord Modular

video upload by Peter van der Noord

"A short update on the browser based Nord Modular Editor that I am currently working on as a fun hobby project."

Additional details via https://nordmodulareditor.com where you can try it out yourself if you own an original Nord Modular:

"Nord Modular G1 Editor

Create, edit and (soon) share your Nord Modular patches with the community.

Some quick remarks:

This is still a very early version. A lot of things don't work or don't work correctly yet.
You should be able to edit patches, browse slots, add modules and cables, adjust parameters and load patches into a slot.
You probably want to run this in the Chrome browser, i haven't tested others.
I have only tested this with a Nord Modular Keys for now, I assume the Rack version will work the same but I don't know about the Micro. I assumed it would work the same but it appears that some people have issues getting it to connect.
Parameter values are often shown as their raw 0–127 values.
None of the displays work yet.
When something is wrong, updates don't come through, or communication seems to be stuck: refresh the page.
When using a trackpad, you probably want to use "scroll to pan" navigation. You can select this in the settings.
To add a module, drag it from the toolbar on top.
To delete a module or cable, select it and hit delete.
The tab key in the editor will toggle rendering cables behind or in front of the modules.
If you were following my personal YouTube channel for updates, please follow my other channel instead.
Feedback is much appreciated, but I don't have a proper way to do that yet.
This is a personal hobby project. I am not affiliated with or connected to Nord in any way.
Peter van der Noord"

Speak & Music — Lo Fi Retro Synth as a Virtual Instrument (Decent Sampler)

video upload by A Last Picture From Voyager

"I turned a rare 1980s Texas Instruments toy synth - the 'Speak & Music' - into
a full virtual instrument. Here's the demo and a live track built entirely with it.

This little plastic relic from 1981 has one of the most unique lo-fi tones I've
ever heard: wobbly oscillators, crushed bit-depth, and a raw analog character that
no modern synthesizer can replicate. So I sampled every note, every texture, every
glitch — and built a playable virtual instrument from scratch.

─────────────────────────────────
WHAT'S IN THIS VIDEO
─────────────────────────────────
→ Overview of the original Speak & Music toy synth (1981)
→ Demo of the virtual instrument
→ Live track composed entirely with the virtual instrument and the real one
→ How this fits into lo-fi & ambient music production workflows
→ Where to get the instrument (link below)

─────────────────────────────────
🔗 GET THE INSTRUMENT
─────────────────────────────────
Speak & Music :
Patreon : / speak-music-lo-154500567
Gurmoad : https://alpfv.gumroad.com/l/speakandm...

Speak & Music Bundle with 3 other retro instruments :
Gurmroad : https://alpfv.gumroad.com/l/forgotten...
─────────────────────────────────
ABOUT THE SOUND
─────────────────────────────────
The Speak & Music was part of Texas Instruments' "Speak & Spell" family —
a range of educational toys with surprisingly musical internal hardware.
Its built-in synthesizer produces the kind of retro, degraded, lo-fi tones
that music producers have been chasing with vintage synth VSTs and lo-fi
sample packs for years. This is the real thing, captured and made playable.

Perfect for: lofi beats, ambient pads, cinematic textures, lo-fi music production,
experimental electronic music, and anyone who loves the sound of broken vintage gear.

─────────────────────────────────
⚙️ GEAR & SOFTWARE USED
─────────────────────────────────
• Speak & Music (Texas Instruments, 1981)
• Logic Pro
• IR Tool by Robomitchum"