Korg Phase8 Review: What happens when Physical Resonators meet Synthesis?

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"Explore Phase8 at home with my multisamples on Patreon: ► / loopop"

TIMELINE: 0:00 Intro 1:45 Overview 3:15 Vel & env 3:55 Buttons 5:30 Air fader 6:00 Shift 6:20 Pluck 6:50 Drones 7:20 Drone jam 7:50 Build & IO 8:15 In the box 8:35 Mod left 8:55 Mod right 10:25 Mod center 10:50 Settings 11:25 Center #2 11:45 Step seq 12:35 Live seq 13:55 Automation 15:25 MIDI 15:45 Pros & cons 19:00 Three jams

The Phase8 has finally made it to market. Check with dealers on the right for availability.

Press release follows:

KORG Introduces phase8, an Eight-Voice Acoustic Synthesizer

MELVILLE, NY - KORG announces the phase8, an eight-voice acoustic synthesizer designed for musicians and creators who want sound that feels alive, immediate, and deeply responsive. Using Acoustic Synthesis technology developed at KORG, phase8 merges physically vibrating steel resonators with precise electronic control to deliver an instrument that behaves like an acoustic object while offering the creative flexibility of a synthesizer. It answers the need for a new kind of expressive electronic instrument by generating sound in the physical world, responding to touch and interaction, and integrating seamlessly into today’s creative setups through MIDI, USB-MIDI, Sync, and CV connectivity.

At the heart of phase8 are eight independent electromechanical voices driving steel resonators to produce genuinely acoustic vibration. KORG supplies 13 chromatically tuned resonators with the instrument, eight of which can be installed at a time, allowing players to customize the tuning, scale, and character of their setup. Through envelope control, these resonators can move from short, percussive hits to long, sustained tones, encouraging hands-on exploration and performance. The resonators are easily swappable and tunable, making the instrument adaptable to individual playing approaches and musical environments.

phase8 has been designed not only to sound organic, but to feel interactive in use. Players are invited to shape sound directly, touching, plucking, strumming, or tapping the resonators, or even experimenting with found objects to introduce new textures. An AIR slider lets users boost or quiet the acoustic response of what they bring into contact with the instrument, enhancing its tactile, haptic character and underscoring its role as a physical instrument as much as an electronic device.

For structured creativity, phase8 features an intuitive sequencer that supports both step programming and unquantized live recording, with step skip available per voice to enable complex polymetric rhythms. Sequences can be stored and recalled across eight memory slots, while all front-panel parameters can be automated using the record function, allowing evolving passages and detailed motion to be captured directly into performance. Three modulation modes are available, including tremolo and two pitch-dependent audio-rate modulation types, with the final mode offering optional harmonic quantization. A trigger delay, controllable via the instrument’s shift knob, allows delayed resonator triggers relative to the selected or synchronized tempo, further expanding rhythmic expression. phase8 is designed to integrate effortlessly into modern creative workflows. External MIDI devices can trigger the Acoustic Synth, while the phase8 sequencer can, in turn, trigger external MIDI instruments over MIDI or USB-MIDI. Tempo synchronization is available over MIDI, USB-MIDI, and Sync, and CV input (±5V) allows parameter control from compatible analogue hardware. The instrument provides MIDI TRS-A In/Out, USB-C for USB-MIDI and firmware, Sync In/Out, a ¼-inch line audio output, and a 3.5mm headphone output.

Practical considerations match the innovation inside. phase8 runs on a 12V AC adaptor and consumes 4.8W of power. It measures 231 x 236.5 x 46 mm, weighs 1.71 kg, and ships with an AC adaptor, hex key, Quick Start Guide, Precautions Sheet, and five more resonators alongside the included chromatically tuned set. phase8 is a new chapter in expressive instrument design, bringing together acoustic behavior, electronic precision, real-time interaction, and deep sequencing control in a compact, performance-ready form. For more information, please visit NAMM Booth #6802 or online at www.korg.com.

Street Price: $1149.99 USD

Today Marks the 10th Anniversary of the Sequential Oberheim OB-6

Andrew McGowan, pictured here with Tom Oberheim, wrote in to let us know today is the 10th Anniversary of the Sequential OB-6. Andrew was a product designer at DSI/Sequential and worked with Tom Oberheim on the OB-6.

You can find a write-up on some the development of the OB-6 as well as the Prophet-6 on his website, https://www.smartbombdesign.com.

A couple of excerpts:

"I was sitting in my office at Seer Systems one day in 1997 or thereabouts when the phone on my desk rang. It was Dave Smith calling from his home. 'I’ve been talking to Tom Oberheim. He’s between jobs and wants to learn about software synths, so I asked him if he wanted to write the Reality operation manual. Can you get him set up and manage that?' I knew who Tom was, of course, but I had never met him, and now Dave was asking me to be his manager. I had no reason to believe that Tom was anything other than the warm, bright, and kind person that I now know he is, but the idea that I would be managing him made me deeply uncomfortable.

Seer Systems was in the process of developing Reality, which is generally considered to be the first 'professional' software synthesizer, though I’m not certain what makes one synthesizer professional and another not."

[Side note: Propellerheads Rebirth was also released in 1997, however the demo version was released in October 1996. A bit like The Damned vs. Sex Pistols for those in the know!]

And [thought this was funny]:

"Those Fucking Lines

Tom and I had talked about synths over the years and, on several occasions, he remarked how often people asked him to remake the OB-X, perhaps because not many were made. Or maybe Rush/Tom Sawyer? I don’t know. What little I did know about the OB-X was that it had a (low-pass only) SEM filter, and we had already made a synth with an SEM filter in it. And our hardware engineer Tony Karavidas had worked at Oberheim and owned multiple Oberheim synths. I also felt very strongly that if we were going to make two poly synths that were essentially the same except for the filter, the 2-pole, SEM state-variable filter would be complementary to the Prophet-6’s 4-pole, OTA low-pass filter.

Tom’s wish list was short. He didn’t want the Prophet-6’s analog distortion. And he wanted the OB-Xa’s blue lines."

Read the rest here

[P.S. I still own an OB-6 desktop and it's one of my most cherished synths. There is something organic about it. The demos I've heard of Sequential's new FOURM have that about them. I have enough synths as it is but the FOURM is very, very tempting for this particular reason.]

The Stylosette Keys by Dubreq

video upload by Musical Miscellany & More

"Dubreq released the Stylosette last year but I'm just now getting around to buying one. I'm not sure why it took me so long but here's a quick overview of the Sytlosette Keys and what it can do.

Intro - 0:00
Unboxing & Overview - 0:50
Basic Functions - 2:31
Delay Circuit - 4:21
Patch Points - 5:24
Final Thoughts - 9:10"

The Stylosette is the latest addition to our Pocket-sized Analog synthesizer range. It’s a monophonic mini analog synth that looks like a cassette and comes in a cool retro cassette storage case for batteries, clips, a screwdriver and cables, which are all included. It also has a built-in speaker, aux out, and an expansion port.

Use the crocodile clips provided to trigger sounds using conductive objects such as fruits, vegetables, or spoons! The Stylosette has a 13-key touch-sensitive keyboard and is played by sliding your finger along the touch-sensitive metal surface, so no need for a Stylus.

Each segment on the synthesizer keyboard plays a different note, so you can create rich, dynamic music with delay effects, vibrato, and a three-octave range.

Change the speed, depth, and delay with the screwdriver accessory to customize your sound. Even connect to another Stylosette. Buzz, twist, and warp every note in the palm of your hand – anywhere.

It’s an excellent gift for both musicians and beginners alike. All you need to do is insert batteries, turn it on, touch the keypad, and make some noise!

Check with dealers on the right for availability.


Stylophonic Fun

Bastl Introduces CITADEL Alchemist Eurorack Module

video upload by Bastl Instruments

Check with dealers on the right for availability and price.

Playlist:

1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!

We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."

2. Bastl CITADEL Alchemist - All Synth Modes preview

"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."

Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching

3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments

Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.

Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic.
Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.

5 synthesis modes
The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.

The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds.
The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode.
You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento.
You can customize its rhythms and scales with the web-based editor.
Modulate anything
All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.

CLICK FOR MORE »

OBNE Parting // An Innovative Approach to Lo-Fi Effects

video upload by

0:00 Intro
1:30 Hands on / Delay
9:54 Glitch Knob
14:23 Modulation
18:35 Dissolve
25:28 I get lost
29:44 TR-1000 / drum machine demo
34:25 Matriarch / ambient demo



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

CLICK FOR MORE »

Testing de nieuw Indian resonator 4 Bansuri eurorack

video upload by



Indian Resonator 4

is a special Eurorack module designed to generate the warm, deep sound of an Indian bamboo flute — the Bansuri. Rather than being a simple oscillator, it behaves like a resonant physical model that responds very organically to control and performance gestures. The sound can be shaped in two main ways: 1. Control Voltage (CV) All core parameters can be controlled with CV, allowing the module to integrate fully into a Eurorack system. This makes it possible to modulate pitch, tone, and expression dynamically using sequencers, envelopes, LFOs, or other modules. 2. Light-Sensitive Sensors What makes the Indian Resonator 4 truly unique is the inclusion of three light-sensitive sensors. These sensors react to changes in light and shadow and directly influence the flute sound. By moving your hands over the sensors, you can subtly or dramatically alter the tone, airflow character, and resonance — much like the finger and breath control of a real flute player. A dedicated switch allows you to turn the sensors on or off, so you can choose between: •

Pure CV control • Sensor-based performance control •

Or a combination of both Playing Experience The module rewards exploration. You typically start by finding a sweet spot in the sound — a resonant, expressive tone that feels alive. From there, you bring the sound to life using CV modulation or by performing with your hands over the sensors. There are many beautiful and unexpected sounds inside the Indian Resonator 4, but they don’t all reveal themselves immediately. It’s an instrument that invites patience and experimentation — the more time you spend with it, the more expressive it becomes. sice 15 HP

Affordable Drum Modules | Jake's Custom Shop | 808 Clones

video upload by Braintree56

"In this video, I'm sound demoing the newest drum modules from Jake's Custom Shop. These are 808 clones. No frills and very affordable!

https://jakescustomshop.com/Modules/S..."

Jake's Custom Shop Eurorack Module Demos

video uploads by Jake's Custom Shop

Jake's Custom Shop Eurorack Jams

video uploads by Jake's Custom Shop

Tembra Modular PH LFO - Phase Shifting Wavetable LFO

video upload by Braintree56

"The Tembra Modular PH LFO is a powerful Eurorack modulation source that focuses on phase shifting and uses wavetable LFOs. I love using Phase Shift for wide stereo images and complex movement.

In this video, I demonstrate the PH LFO’s core functions and build a practical Eurorack patch that uses phase-shifted LFOs to create a wide, animated stereo field—without relying on chorus, delay, or other stereo effects.

Tembra Modular:

/ tembra.modular

https://www.tembra-modular.com/phlfo/"

LFO module provides 4 outputs, 3 with phase shift.
The PH S knob controls phase:
center = no shift,
up = maximum shift (45° / 90° / 180° depending on output),
down = the same amount but in the opposite direction.
RATE controls LFO speed.
WAVE smoothly morphs between waveforms inside the selected bank.
BANK button:
Short press: switch between waveform banks (5 banks + 1 bonus).
Hold: enter rate range selection mode.
In this mode, short press cycles rate ranges:
0.05–10 Hz, 0.05–5 Hz, 0.05–3 Hz.
Hold again to exit back to bank mode.
There are CV inputs with attenuators for WAVE, RATE, and PHASE.
Range switch selects output voltage range:
0 to +10 V or –5 to +5 V.

Serendipity L-Thing vs D-Thing+: Upgrades for Moog DFAM & Labyrinth

video upload by Noisegate and Sam Stosuur

"We patch both modules together, sync them via Mother-32, and explore how they interact with DFAM, Labyrinth, and Teenage Engineering Rhythm for a wild semi-modular jam.

The D-Thing+ transforms the Moog DFAM, adding reset, swing, step control, micro-timing, shuffle, reverse, random modes, and MIDI/CV clocking — turning a brilliant but limited sequencer into a powerful performance instrument.

The L-Thing is built to pair with Moog’s Labyrinth, providing dual clocks, polymeter and polyrhythm modes, Euclidean rhythm options, and generative sequencing that pushes Labyrinth far beyond its stock behavior — while still working with any CV-capable synth.

TIMESTAMPS

0:00 — Intro: Serendipity + what we’re testing
0:23 — Why DFAM needs this (no reset, studio workflow)
2:23 — D-Thing+ reset explained (DFAM’s biggest quirk)
2:52 — Step length control (1–8 steps)
3:43 — Multi menu: step loops beyond 8 steps
4:58 — Micro menu: per-step microtiming / swing feel
5:02 — Sequencer modes overview (normal, reverse, bounce, odd/even, shuffle)
6:34 — Random mode + MIDI/CV modes
8:35 — L-Thing intro + what it unlocks on Labyrinth
10:03 — Patching L-Thing to Labyrinth (clock + bit flip)
11:06 — Sync setup: D-Thing+ clocking L-Thing + reset in sync
11:34 — LFOs + using it with other Moog (Grandmother/Matriarch)
12:44 — Polymeter setup: beats/bar + length tricks
13:42 — Polyrhythm mode (firmware note + chaos)
14:59 — Fast performance tweaks / weirdness
17:56 — Wrap-up: who these are for + closing

👉 Check out Serendipity Synths for more: https://thewessens.net/Serendipity/ma..."

The D-Thing is a device that adds significant capabilities to the DFAM (or Edge) sequencer, such as:

MIDI integration — clocking and individual step play,
Reset — manual, via CV or via MIDI,
Variations in the step order — Forward, Reverse, Bounce, Odds & Evens, Shuffle, Random and Custom,
Changing the sequence length — 1 to 8 steps (up to 16 steps for a custom step order),
Step repeat — assign a play count of up to 8 times to any step,
Off-grid timing — swing beat as well as arbitrary shifts away from the beat.

CLICK FOR MORE »

Roland Announces ZENOLOGY GX for iPad

Press release follows:

The Acclaimed ZEN-Core Synthesis System Captured in a Powerful Standalone Instrument for iPad

Anaheim, CA, January 20, 2026 — Roland announces the upcoming release of ZENOLOGY GX for iPad, the first flagship Roland instrument designed for Apple’s tablet platform. Delivering the core feature set of the recently introduced ZENOLOGY GX for macOS and Windows, this new version brings Roland’s acclaimed ZEN-Core Synthesis System to a standalone instrument for iPadOS.

ZENOLOGY GX for iPad puts thousands of genre-defining Roland sounds at the fingertips of performers and creators, complemented with a modern high-definition UI, an advanced sound browser, integrated creative tools, and much more. ZENOLOGY GX for iPad is scheduled for release in early 2026 as a free download with all features unlocked for a limited time. After the debut period ends, the instrument will be available through free and premium Roland Cloud memberships or a Lifetime Key purchase."

Introducing the CR-78 Software Rhythm Composer

video upload by RolandChannel

"The CR-78 Software Rhythm Composer brings an iconic Roland instrument into the future. Designed for modern production, it delivers expressive rhythm programming with unmistakable analog character. Introduced in 1978, the CR-78 was the world’s first computer-controlled programmable drum machine, shaping the sound of pop, post-punk, disco, and electronic music with its distinctive tonal signature and human feel.

Recreated using component-level modeling, this plug-in delivers the authentic sound of the original along with modern sound-shaping and advanced sequencing tools. The CR-78 is available now with a Roland Cloud Ultimate membership or Lifetime Key purchase.

To learn more about the CR-78, please visit: https://www.roland.com/global/product..."

Details on the New Knif Audio BBD

You might remember the quick demo of the Knif Audio 5U BBD Delay Demo posted back in September. New details are in:

BBD The analog delay to rule all analog delays

-Stereophonic analog bucket brigade delay with
-precision analog clock generators,
-variable frequency anti-alias and reconstruction filters for wide frequency response and -advanced companders and careful clock signal handling for high signal-to-noise ratio
-Superb-sounding tube distortion stage for the delay path with four NOS SQ pentode tubes
-Six 4096-step BBD ICs for 20ms-600ms (1200ms in mono) delay time
-Seven different operational modes, including X-fed feedback signals
-Versatile LFO
-Tempo divisions
-Tap tempo and external sync
-Beautiful, solid walnut housing and engraved and color-filled panels

Overview

Knif BBD is a stereophonic analog bucket brigade device (BBD) delay. It is a no-compromise device rich in features. What sets it far apart from any other device in the market are the unique self-adapting anti-aliasing and reconstruction filters which provide the widest possible frequency response for any given delay time setting without any aliasing.

The unit features in total six 4096-step BBD ICs which results in maximum delay time of 600 ms for a stereo signal and 1200 ms for a mono source. The device has got seven operational modes for different effects and comes with a wide range of control signal inputs and internal control possibilities. The unit features a microcontroller for relay switching and timing tasks such as tap tempo and time division. However the signal chain and clock generation are fully analog and built using state-of-the-art components.

The other very unique feature to the device is a vacuum tube distortion stage located before BBD circuits. It consists of four NOS Special quality pentodes in total. The amount of distortion is continuously adjustable without affecting the overall signal level. In addition to this, the spectrum of the distortion can be selected.

https://www.knifaudio.com/bbd

CLICK FOR MORE »

Polyend Synth Firmware 2.0 / Dirt Synth & Quickselect Feature

video upload by Polyend

"Polyend Synth 2.0 has arrived with the Dirth Synth engine and Quickselect scene loading.
Update Synth here - https://polyend.com/downloads/synth-d..."

Polyend Synth / Quickselect Feature

video upload by Polyend

Introducing MPC XL | The Next-Generation Flagship Standalone MPC for Sampling and Sequencing by Akai

video upload by Akai Professional

MPC XL Overview | Akai Professional

video upload by Akai Professional

MPC XL with Teddy Riley | Akai Professional

video upload by Akai Professional

And a user video by loopop:

Review: Akai MPC XL vs MPC X // MPC 3.7's biggest new feature // Using MPCe

video upload by loopop

THE FLAGSHIP OF ALL STANDALONES
MPC XL has everything you need for pro-level music making. It features ultra-responsive MPCe pads, a dedicated step sequencer, touch-sensitive Q-Links with OLED displays, a next-gen 8-core processor, 16 GB RAM, hands-on performance controls, advanced sequencing tools, deep I/O connectivity, and so much more. Integrated with MPC3 OS, this system supports up to 32 plugin instruments, 16 audio tracks, and 256 voices, making it a studio-grade workhorse.

A COMPLETE STUDIO CENTERPIECE
The flagship of all standalone music production systems, MPC XL is an all-in-one studio hub. Produce your entire album, drive your external hardware, and command your setup from one powerful instrument—no computer required.

POWERFUL PROCESSING
Powered by a new Gen 2 8-core processor with 16GB of RAM, MPC XL delivers four times the performance of previous MPCs. Load multiple plugin instruments, run complex sessions, and navigate your projects without interruption.

CREATIVE CONTROL AT YOUR FINGERTIPS
MPCe pads with 3D-sensing technology brings a new level of expression to beatmaking and production. Each pad features four distinct quadrants, enabling advanced X/Y control, sound morphing, looping, layering, and modulation for the most dynamic playing experience.

CLICK FOR MORE »

10K Audio GYRO

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/gyro-r...

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

Gyro - Official Walkthrough - 10K Audio

video upload by 10K Audio

"Gyro is a real-time loop instrument plugin (VST/AU) for creating personalized melodic loops as you play. Powered by a multi-layer hybrid engine, generative patterns & chords, and rich FX chains."

Gyro 1.1 Free Update - User Samples, MIDI Out & More - 10K Audio
video upload by 10K Audio

"Out now: Gyro 1.1 by 10K Audio
https://10k.audio/gyro

What’s new in Gyro 1.1:
• User Samples (Pro) — Load your own samples into one or more layers.
• MIDI Out — Route each sequencer lane to its own MIDI channel to drive other instruments.
• Pattern + Chord Locks — Lock your Pattern and/or Chord while browsing main presets.

This is a free update for all users.

00:00 Intro
00:14 User Samples
01:33 MIDI Out
02:53 Chord & Pattern Locks

Download the Gyro 1.1 MIDI Out DAW Setup Guide: https://download.10k.audio/gyro/docum..."

ASM Ashun Sound Machines Introduces the LEVIASYNTH

video uploads by ASM Ashun Sound Machines

Check with dealers on the right for price and availability.

Playlist:

1. Introducing LEVIASYNTH from Ashun Sound Machines
2. Leviasynth - Crystal Cove with Kaela Sinclair by Exploredinary
3. Leviasynth Journey with Dominic Au – Part 1: Classics
4. Leviasynth Journey with Dominic Au – Part 2: Soundtracks

And an overview by loopop:

ASM LEVIASYNTH Review // Keyboard vs Desktop vs Hydrasynth

video upload by loopop

Details:


From the darkest recesses of the unexplored oceans comes ASM's most powerful creation yet—a hybrid algorithmic synthesizer with sixteen-voice polyphony, eight oscillators per-voice, and a truly absurd amount of sound design potential. There are over 300 waveforms available for each voice's eight oscillator slots, giving you access to a bonafide sandbox of sonic alchemy. Each voice's oscillators can be arranged and rearranged for versatile modulation schemes using the many available algorithms. This open-ended method of crafting timbres gives you nearly-unlimited possibilities for sculpting sounds ranging from familiar tones to completely alien timbres. In addition to the ability to create your own algorithm, the Leviasynth also comes with 144 preset algorithms for quick sparks of inspiration, and the ability to morph between these oscillators non-linearly.

The oscillators can be modulated in a multitude of ways to create even more timbral variation: Frequency Modulation, Phase Modulation, Pulse Width Modulation, HTE Sync, and Phase Distortion can all be applied to Leviasynth's oscillators for nearly-endless sound design potential. These, along with nearly every other parameter, can be affected using the internal 32-slot modulation matrix. Each of the eight oscillators includes its own volume envelope, along with five additional shared envelopes and five LFOs per-voice for creating a moving sonic texture within the canvas of the expansive modulation matrix.

The Leviasynth is one of ASM's most expressive synthesizers to date, offering a 61-key keybed with full polyphonic aftertouch, MPE compatibility, and a four-octave ribbon controller for even deeper playability. Record and playback more than just audio with the internal three-track sequencer, allowing you to record note, arpeggio, and macro automation data. Control a plethora of parameters across the synth with the eight individual macro controls, which provide a deep level of expressivity given the broad timbral potential of Leviasynth's multi-algorithm design. Expand this expressiveness into your Eurorack systems with the 3.5mm CV I/O, providing two assignable Mod inputs, as well as outputs for Pitch, Gate, Clock, and two assignable Mod outputs.

Leviasynth offers both analog and digital filters for sculpting multi-layered timbres. On the analog side, you get a buttery-smooth four-pole low pass, which provides the foundation for beautiful, intimate sounding patches. On the digital-end of the spectrum there is a complex, Hydrasynth-style multimode filter with eighteen different filter types. All of these filters can self-oscillate at high resonance settings, along with pre-drive saturation for helping your patches cut through any mix. The effects section offers two independent methods for applying that extra layer of polish to your sound. In the master effects, you can shape and transform your final sound with Delay, Reverb, Distortion, Rotary, Phaser, Chorus, Compression, EQ and more. The second method provides dedicated insert effects, which offer five flavors of Delay and four Reverbs for giving your sounds that ever-important sense of space. This two-layered approach to effects gives the Leviasynth a sound all its own, and when used in tandem with the aforementioned suite of timbral shaping engines, your imagination is the only limit. Like the vast unexplored waters of the deepest oceans, the ASM Leviasynth holds an immense amount of undiscovered potential underneath its dormant surface.

LEVIASYNTH KEYBOARD FEATURES

Complex hybrid algorithmic keyboard synthesizer
16-voice polyphony with 8 oscillators per-voice
32-slot modulation matrix
Dedicated 3.5mm CV I/O
Both analog and digital filters
Master and insert effects engines
Multi-color touch screen interface
3-track sequencer for recording notes and macro automation
4-octave ribbon controller
1024 Single mode patches, 640 Multi mode patches
MPE-compatible
ASM Patch Manager for Mac and PC for patch management and firmware updates

CLICK FOR MORE »

Testing a new prototype Vco by making a psytrance track

video upload by Radical Frequencies Modular

"Testing the prototype of the upcoming Radical Frequencies Retro VCO, by making a new collaboration track with @martian_arts_official , where every sound (including the bassline), is made with the Retro VCO, recorded through various Radical Frequencies VCFs. Kick is Kick 3, drums are samples. This is the single VCO prototype but a dual VCO is planned as well with some added features. A new hard sync is added for phase re-triggered bass lines and solid tuning in FM modulation lead lines.
#radicalfrequenciesmodular #eurorack #diodedreamvcf #retrovco #psytrance #electronicmusic #analogsynth #synthesizer #modularsynth"

New ASM LEVIASYNTH Keyboard & Desktop Synths Incoming?

This one is in via an anonymous reader.

Some text from the screen grab left:

"ASHUN SOUND MACHINES LEVIASYNTH DESKTOP

From the depths of the sonic seas a new monster rears its head: Leviasynth®.

Leviasynth® is a 16-voice, 8-oscillator algorithmic synthesizer with analog filters.

From the beginning ASM has strived to create synthesizers that challenge the status quo.

Leviasynth® continues this tradition, elevating both studio and stage with a solid steel chassis, enhanced Polytouch® polyphonic aftertouch pads, and an all-new hybrid digital / analog synthesis engine. Leviasynth is an unflinching masterpiece of sonic potential. The 8 oscillators, 13 envelopes, 5 LFOs, 18 digital filter modes, and 4-pole analog low pass filters inspire creativity and live performances.

Flexibility abounds, with two layers of synthesis that can be stacked or split, the ability to pair voices into binaural stereo mode with independent modulation of carrier and modulator signals, as well as various voice allocation modes..."

Not the best pics below, but there you have it.

Update: announcement post here

CLICK FOR MORE »

RORSCHACH -TV drone jam

video upload by DecadeBridge

RORSCHACH is a video synth with "an audio output that converts the video signal into a distinctive drone voice." Full details below.

Video desciption:
"All audio from Rorschach running through a cheap delay pedal. The vertical movement on the screen is due to the faulty tracking on the TV. All patterns generated by Rorschach.
10% off pre-order.
Rorschach is available from the following places:-
https://decadebridge.etsy.com/uk/list...
https://lumaticvisual.com"



Rorschach by Lumatic Visual Devices is an analog-style video synthesizer designed for artists exploring video synthesis, live visuals, and audio-reactive image generation. It works equally well as an entry point into video synth hardware or as a creative expansion for experienced users.

Rorschach is well suited to live performance, with the ability to self-generate evolving patterns using its built-in randomisation features. Its functionality can be extended further by feeding control voltage, gate signals, or audio into the modulation inputs, making it easy to integrate into modular and experimental setups.

With a clear, functional, and immediate control layout, Rorschach is an excellent starting point for anyone taking their first steps into video synthesis, while still offering enough depth to remain engaging for more experienced users. Compact and portable, it also features an audio output that converts the video signal into a distinctive drone voice.

Rorschach generates its own black and white composite video patterns straight out of the box. Its functionality expands further when used alongside modular or Eurorack systems, or when audio signals or control voltage are fed into the CV and gate inputs. The focus is on experimentation, play, and hands-on control.

A dedicated random section allows the synthesizer to run freely, generating evolving patterns automatically and in real time. Leave it running during a performance, or introduce external signals such as a kick drum or sequencer to push the visuals into new territory.

Key features

Four main controls for horizontal position, vertical position, width, and height
– CV inputs for all four parameters
Form control selects from six pattern generator modes
– Can also be modulated via audio input or control voltage
Random control sets the amount of randomness applied to the four position parameters on each refresh
– Independent switches and gate inputs for each random parameter
– CV input for random amount
Clear screen modes:
– Clear / Random Clear / No Clear
– Gate input for clear screen
Pattern colour switching:
– White / Black / Invert
Horizontal and vertical mirroring switches
– Independent gate input for each axis
Composite video output via RCA connector
Audio output allowing the generated visuals to be used as a drone sound source
Power Rorschach is supplied with a 9V battery clip.
If you would like to run Rorschach off a wall adapter you will need a 9V CENTRE POSITIVE adapter.
Power requirements:- Minimum 70mA

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Viscount LEGEND ‘70s MODULAR STAGE PIANO w/ SYNTH-8, FM SYNTH, & Additional Modules

video uploads by Viscount International

Playlist:

1. Introducing Legend '70s MKII | Viscount
2. Introducing FM Synth Module | Viscount Legend '70s MKII
3. A.Piano Module 2G + FM Synth Module #1 | Viscount Legend '70s MKII
4. Legend 70's MKII | A. Piano 2G Module
5. FM Synth Module Sounds Demo | Viscount Legend '70s MKII
6. A. Piano Module 2G | Legend '70s MKII
7. A.Piano Module 2G + FM Synth Module #2 | Viscount Legend '70s MKII



via Viscount

LEGEND ‘70s introduces, for the first time, the concept of MODULAR STAGE PIANO. According to your needs, you can now choose the right combination of sound generating modules with dedicated knobs and buttons. Currently the modules ELECTRIC PIANO, ACOUSTIC PIANO, CLAVI and SOUND COLLECTION are available, while many others will be available in the future, within the “ALWAYS GROWING” family. Moreover to the standard PROGRAM and EFFECTS modules an optional EXTERNAL module is available to making the instrument flexible and very powerful. The design of LEGEND ‘70s Hammer Action Keyboard perfectly matches the instrument’s sound generators. The 3 contact sensors, under each key, are able to detect the corresponding movement with the highest precision.

For the more demanding musician the LEGEND ‘70s Artist-W also offers a graded hammer arrangement where their weight becomes lighter as you climb up the keyboard.

In addition, as with the traditional acoustic grand piano, the Legend Artist-W keyboard is enhanced with real wood piano keys. These keys are made of carefully selected and seasoned wood to eliminate any defect or deformation and provide maximum uniformity and stability over time.

SYNTH-8

"A real polyphonic synthesizer with character.

Synth-8 is a two-oscillators eight-voices synthesizer with a faithful reproduction of a classic American multimode analog filter with saturation, 12dB and 24dB roll off and gritty resonance. The synth architecture is easy to understand and operate but has unique features: classical waveforms with wave shaping and detuned doubling of the oscillators with “Fat” modes, dedicated envelope for the noise, Ring Mod, Hard Sync for all oscillator modes, velocity controls for filters and envelopes. Finally, the Unison modes allow stacking up to 8 voices: with “Fat” oscillators this makes a total of 32 detuned oscillators at once! The module panel provides quick access to user’s preferred parameters by four assignable knobs. These can be also used to tweak many other parameters arranged in rows that can be navigated through dedicated buttons.

The Legend ’70s Editor has a whole screen to control the synthesizer in real-time and make the editing of new patches simple as having a real panel in your hands. The synthesizer comes with lots of pre-sets that can be selected and tweaked and stored in the Legend ’70s programs.

Last but not least, the Synth-8 module also offers a dedicated arpeggiator section, capable of cyclically playing the notes in the desired order, and 4×16 sequences that can be assigned to the generation parameters."

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