"I make instruments at Tunary Instruments, and I built ARGISH — a synth that scores itself.
The part I care about most: there's no AI in it. No trained models, no 'make me a track' button. It's real synthesis and real music theory — you pick a few chords and draw the shape of the piece, and ARGISH does the craft: voicing the pads, weaving the arpeggios, laying bass and a real sampled guitar, building and resolving like an actual score. You stay the author — it just takes the grind off your hands. In a world flooding with AI-generated music, this one stays organic: human-directed, made by ear.
It's pretty self explanatory. Just give it the ID of any YouTube video in the top YouTube URL field and trigger the pads for different clips, then explore the rest of the controls. Essentially you can sample splice any YouTube video and audio. I'm not seeing the ability to loop samples or the ability to set the length individually - the sample length appears to be global for all pads.
"Shift is a frequency shifter for KORG prologue, minilogue xd, NTS-1, NTS-1 mkII, NTS-3 and microKORG2. It features two distinct models: a frequency shifter and a ring modulator. The frequency shifter model shifts each frequency partial in the input signal’s spectrum upwards or downwards by an equal amount in Hz, changing the original ratios between all frequency partials; this makes the sound more and more atonal, un-pitched. The ring modulator model uses a 2× oversampled sine oscillator as a multiplier of the input signal, producing a new spectrum with all frequency partials shifted both upwards and downwards; this algorithm makes the sound even more atonal and metallic, bell-like.
HIGHLIGHTS
Studio-grade DSP algorithms, calibrated specifically for KORG’s hardware platform.
Individually chosen mapping for every plugin parameter, providing a very natural feel.
Built-in lag filters for noise-free, ultra-smooth parameter adjustment.
Tested and optimized for maximum performance and stability on each individual device type."
"Eternal v2 is a barber-pole flanger effect, designed and developed by Sinevibes. Available as a plugin for a variety of KORG synthesizers: https://www.sinevibes.com/korgeternal/"
"Presented by A. G. Cook, SuperStarSaw pushes stacked saw synthesis to its extremes. Create huge supersaws, impossible glides, blissed-out harmonies, and controlled chaos from a single playable instrument – without the need for endless layering and automation."
Playlist:
1. A. G. Cook presents SuperStarSaw | Native Instruments
2. Discover SuperStarSaw with A. G. Cook | Native Instruments
3. SuperStarSaw synth walkthrough | Native Instruments
Native Instruments and A. G. Cook turn his signature supersaw into a custom instrument you can play
The PC Music founder and 2025 BRIT Producer of the Year brings the stacked saw sound known for Charli xcx, and Caroline Polachek to a single synthesizer — built from his own patches
Berlin, July 16, 2026: Native Instruments has today launched SuperStarSaw, a synthesizer co-created with GRAMMY-winning A. G. Cook, British producer, PC Music founder, and one of the key architects of contemporary pop's defining sonic palette.
Supersaws, multiple sawtooth waves layered and slightly detuned against each other, are responsible for some of modern pop's most immediately recognisable textures: the wide, lush, harmonically dense quality running through Cook's work with Charli xcx, Beyoncé, Caroline Polachek, and Oklou. Building them has always meant painstaking multi-instance layering, a process Cook had refined over years of his own production work, and which became the starting point for what followed. The instrument grew out of a two-year collaboration with Native Instruments' design team, who worked directly from Cook's patches and production sessions to turn one of modern pop's most coveted sounds into something you can actually play.
"Meet LOON, a new software instrument from Jamstik built for musicians, producers, composers, and sound designers.
LOON combines multiple sound sources—including oscillators, sampled instruments, FM synthesis, and more—into a single expressive instrument. Layer sounds, shape them with powerful effects, and assign macros to create dynamic presets that are as simple or as deep as you want them to be.
Whether you're starting from scratch or exploring the included factory library, LOON is designed to make inspiring sounds quickly without sacrificing flexibility.
Features
• Layer multiple sound engines in a single preset
• Powerful macro controls with flexible modulation
• Built-in effects and creative sound design tools
• 200+ factory presets
• Standalone application plus VST3, AU, and AAX plugin support
"AstroLab 61 Silver is the same avant-garde stage keyboard in a premium silver finish. Perfect for musicians who want AstroLab’s powerful sounds, expressive controls and seamless studio-to-stage ecosystem with a distinctive, performance-ready look."
"The LF-AMP module combines two modules in one chassis:
First, on the left, is a precision triangle wave LFO, featuring:
Two pairs of outputs, each with its own amplitude control ('amount' as most would call it);
Direct and Inverted outputs in each pair;
A precision BIAS control for each output which determines the center of the voltage swing;
HI/LO range for rate, for a total range of about 20Hz down to about 1 cycle every minute.
Easy to see rate indicator LEDs showing the positive or negative swing of the output.
Second, on the right, is a high gain utility amplifier for headphones or line level sources, featuring:
Stereo inputs and outputs, with Normalled output for two individual outputs, or signals combined into one stereo jack ('2/MIX')
A bit more about the rationale...this module was designed for use with our Stereo Ensemble instruments. We needed a specialized LFO for our phaser modules, and an amp for final output, so they were combined into single unit. It's the peanut butter and anchovies of the modular world! The LFO output can be reduced down to a very tiny voltage swing, and then precisely located to work with devices needing those conditions...but it can also be used to give an exact range to a VCO, or an exact amount of depth to a VCA, etc. And since there's an inverted version of each output, two of something can work inthe exact opposite direction if desired. There isn't much to say about the amp; it's just a high quality amp for headphones which works to drive line level sources as well, using the LM4580 amplifier chip."
1. DevOcean Modular | OUT NOW | Fast forward modular synthesis #modularsynth #sounddesign #synthesiser
2. DevOcean Modular - Artificial Echo Book - Patch Example #modularsynth #sounddesign #synthesiser
3. DevOcean Modular - Create A 3 Osc Synth Patch From Scratch #modularsynth #sounddesign #synthesiser
"Ocean Swift releases DevOcean Modular - a modern modular synthesis and sound design platform. Offering a growing collection of 145 modules which include dozens of nods to the open source DSP community, DSP and MIDI scripting, an educational and UX mindset and more.
The developer quotes:
'It sounds compelling. The DSP is written from scratch, in the way that shows - filters with weight and bite, effects that behave like hardware, an oscillator section with real dynamic range.' - Yaron, Product Manager @ Ocean Swift.
'It is a system built for discovery. Complex where you want it, inviting from the first minute, and generous with what it teaches you as you go. Thousands of patches, presets and snapshots to pull apart and learn from. It doesn't ask you to move in - it offers.' - Fernando, Sound/UX Designer @ Ocean Swift.
On intro for €129.99, 35% off €199 MSRP until September 1 2026.
"Tessera is a tuned resonator effect. Feed it a drum loop, a guitar, a synth, or a voice, and it uses that signal to excite twelve parallel resonator voices, each pitched to a note of a chord or scale you choose. A single hit blooms into a full chord. A sustained sound becomes a slowly shifting pad.
Under the hood are eleven resonator models: a plucked Karplus-Strong string, a bowed waveguide String, and nine banded-waveguide bodies, from tuned bars and glass to bells, bowls, membranes, plates, and tubes. Decay, Damping, Brightness, and Spread voice each one, from tight and percussive to vast and ringing.
Five motion engines decide how and when the twelve voices speak: Contour, SEQ, Strum, Arp, and Swarm, moving from shimmering arpeggios to strummed chords to drifting swarms, all lockable to host tempo. Same as the rest of our catalog: Mac, Windows, Linux, and iOS. No DRM, no subscriptions, no dongles, perpetual license."
"We're excited to share something we've been working on: Nodes, a modular FX plugin that just launched in early access.
Here's what makes it different: instead of being locked into a single effect chain, you get 55 nodes and counting—24 modulation sources and 29 effects—that you can wire together however you want. Sound design on steroids. We've also baked in our Eurorack LFO Lowstepper and mutable instruments modules, so the creative possibilities are basically endless.
The best part? It's a one-time purchase ($50 right now, down from $100). No subscriptions, no hidden costs. The price holds until version 1.0, when we're adding Linux support and more.
We built this for sound designers and producers who love tweaking, but the macro system makes it live-performance-friendly too. And because we're an active developer team that actually listens to community feedback, this thing is only going to get better.
It's CPU-efficient, works on Mac and PC now (Linux coming at 1.0), and honestly—you can build anything with it.
Grab it here: https://okaysynthesizer.com/nodes"
We didn't want to generate infinite soundscapes from a prompt.
We built small worlds that act as infinite ambient sound engines with weather patterns, underlying narratives, and a society of hundreds of tiny agents moving and interacting.
What you hear and see is an endless stream of situations, turned in real time into a soundscape that's never the same."
"Mur mur is not a world you play or control. It plays even without you. Sit back and listen, or peek in to see what's happening. Just don't shake it — there are living agents inside."
"The folks at @synidotech asked me to help launch their latest MIDI controller, the TempoKey K32. It's unique in that it's not just a MIDI controller but also includes a synth engine. In this video, I take a look at a pre-release model."
Intro - 0:00
Unboxing & Overview - 1:26
Internal Synth Engine - 3:31
Using the Editor - 5:24
Direct Audio - 6:47
Using with Soft Synth - 8:15
Using the Arpeggiator - 10:08
Additional Features - 11:30
Using with Hardware Synth - 12:45
Final Thoughts - 14:24
And one from 2-Minute Warning:
The Key - 4-Minute Jam (TempoKEY K32 Play + Taiga + DFAM)
"This video is a little different for two reasons!
First, it's the first time I'm featuring an instrument kindly provided by a manufacturer. Synido sent me the TempoKEY K32 Play to explore in my own workflow and share my honest impressions.
They didn't ask for a scripted review, so I simply approached it the same way I approach every other instrument on this channel: by making music with it.
Secondly... this is exceptionally a 4-minute jam!
Think of it as two consecutive 2-minute performances before I take a short summer break. 😊
Rather than trying to showcase every feature of the K32 as a MIDI controller (Bluetooth MIDI, battery power, USB/MIDI connectivity, pads, knobs, etc.), I wanted to focus on what intrigued me the most: its built-in General MIDI sound engine.
For this performance, the Hapax sequences the entire setup. The Taiga handles the bass, the DFAM takes care of the analog drums (synchronized by the Hapax), while the K32 Play provides everything else: guitars, strings, bells, plucks, additional drum sounds… and occasionally runs through the Eventide H90 for a bit of extra space and texture.
As always, the musical performance itself was recorded in a single take. Mixing/mastering was done afterwards in Ableton Live, but the performance you hear is exactly as it happened.
A sincere thank you to Synido. Without their message, this musical experiment probably wouldn't have happened."
✅ PLAY THE MOMENT INSPIRATION HITS
Most MIDI keyboards need a computer and software to make a sound. K32 doesn't. Built-in sounds and speakers let you play instantly--couch,classroom, anywhere.
✅ 32 KEYS, MORE ROOM
25 keys feel cramped for chords and melody together. The K32's 32-key layout gives your hands space to play naturally.
✅ WIRELESS, GO ANYWHERE
BLE MIDI + Battery. Create from the couch, backstage, in class, or on a plane.
✅ GROWS WITH YOU
Connect another MIDI controller and use the K32 as a standalone sound module. Compact setup, maximum flexibility.
✅ INSTANT SOUND SWITCHING
Save favorite instruments to the KEY Sound buttons. Jump from piano to synth to bass with one press. No menu-diving.
✅ HANDS-ON CONTROL
8 assignable knobs, 8 drum pads, and a clear OLED display. Adjust, beat, and perform in real time—no mouse needed.
✅ FOR EVERY STAGE OF YOUR JOURNEY
From first beat to live performance, K32 adapts to your workflow. Start simple. Grow into it. Create without limits.
We are proud to present the very first edition of Modula, a two-days and two-nights celebration of synthesizers, electronic music, and the creative minds shaping the future of sound. Across the weekend, you’ll discover an immersive experience featuring leading exhibitors, cutting-edge gear, inspiring talks, and live performances that push the boundaries of electronic music. From intimate showcases to late-night sets, this is your chance to connect, explore, and be inspired. Whether you’re a musician, a producer, a collector, or simply a curious listener, Modula 26 is the place to meet fellow enthusiasts, learn from pioneers, and lose yourself in the limitless possibilities of electronic sound."
You can find additional details and how to attend at Modula 26.
"In this special Launch Day episode of Signal Colors, I'm taking a first look at the new STEREO version of the Stargazer from Hungry Robot - a spacey, etherial reverb with a unique dual control layout. Hang out with me while I try it out with the OP-1 Field and Digitakt II and let me know what you think in the comments."
"DS8 v0.5 is the biggest update yet, turning your PS Vita into a surprisingly capable portable music workstation.
This release introduces a full Playlist Sequencer for arranging complete songs, Live Performance FX with an XY pad, real-time automation recording, workflow improvements across the app, and dozens of quality-of-life enhancements that make building and performing tracks much faster.
Whether you're sketching beats on the couch or performing live, v0.5 is a massive step forward.
What's new:
• Playlist Sequencer
• Live Performance FX (XY)
• Real-time Automation Recording
• Improved Arranger
• Workflow & UI improvements
• Much more
1. NEW!! Polyrex Synthesizer Breakdown | Features That Matter
2. PolyRex: The Synth Everyone's Talking About - Mixed by Jellz
3. Is PolyRex the Ultimate Juno-Inspired Synth Plugin? - wil maker
Meet PolyRex, the vintage polysynth of our dreams! It captures everything we love about the classic Juno series- the lush chorus, organic movement, warm character, and nostalgic vibe that makes you want to keep playing.
In this video, Noam and Orel take a deep dive into PolyRex, exploring its features, and the wild sonic possibilities.
Inspired by some of our favorite analog polysynths from the early 80s, POLYREX was built around a simple idea: make a synth that feels immediate, fun, nostalgic, and filled with inspiring sounds.
We loved the spirit of classic Japanese polysynths: the glowing chorus, the drifting movement, the soft-but-punchy filter, and the way one simple chord can suddenly feel emotional.
But we didn’t want to build a museum piece. POLYREX is our version of that world, pushed through the weird, colorful Safari lens. Faster, stranger, more playful, and made for modern producers who want to create instead of menu dive.
From dreamy pads and unstable tape keys to punchy basses, glassy plucks, warped chords, and cinematic nostalgia, POLYREX gives you vintage-inspired poly synth sounds with its own Safari personality.
VINTAGE-INSPIRED OSCILLATOR SECTION Square Oscillator - Classic poly synth bite and harmonic weight Sub Oscillator - Adds deeper body and low-end support Noise Generator - Great for air, texture, percussion-style sounds, and grit PWM Control - Pulse-width movement for animated vintage tones LFO Pitch Modulation - Adds motion, drift, and slightly unstable character
"Korg DW-8000 / EX-8000 patch editor and librarian — it runs in your web browser.
A tool I built to edit and organise sounds on the DW-8000 (and the EX-8000 rack).
Tweak every parameter on screen, pull single patches or whole banks off the synth, back them up as sysex files, or load sysex files from your computer and into the hardware.
I added a little on-screen keyboard too, handy if you're using the EX-8000.
It runs in a web browser (Chrome or Edge — not Firefox or Safari) with a MIDI interface connected to the synth. It works on PC and Mac, and under Linux.
It's my personal tool, shared as-is for anyone who wants it. Setup instructions come in a short readme with the file.
