MATRIXSYNTH: News


Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Thursday, December 18, 2025

Haken Audio: Eurorack-based CVC (Control Voltage Converter) Summary


video upload by EaganMatrix Programming

"Here's a summary of the new Eurorack CVC card now available from Haken Audio for use with all EaganMatrix based instruments running 10.61 or later firmware (currently does not support Osmose as it is running 10.52 DSP firmware). This is 100% compatible with the function of the previous Stand-alone CVC but now can be placed in your Eurorack chassis - or it can be ordered as a stand-alone unit that comes in a small 5V USB-C powered enclosure. Supports 4 channels (voices) of WXYZ CV as did the previous models. A dual version is also available using two Eurorack CVCs that can give you 8 voices of WXYZ CV outputs (either as a pre-constructed enclosed unit or as two separate modules that can be joined with a connection kit allowing you to place them in your Eurorack chassis. What a great new addition for Eurorack and Haken Audio instrument owners."

EaganMatrix 10.61/10.62 Firmware Testing with Multiple Instruments & CVC

video upload by EaganMatrix Programming

"Testing a number of the 10.61/10.62 EaganMatrix firmware MPE + CV interfaces with Haken Continuum, EaganMatrix Eurorack Modules, ContinuuMini, Osmose (as MPE controller running older 10.52 firmware) and the new Eurorack based Control Voltage Converter (CVC). Everything seems to be programmed and outputting as expected. A great set of Haken Audio products now available supporting the new features of this firmware (mostly ability to program independent Master Section parameters, support for new CVC and ability to run Microtonal Tuning grids again - plus a few other features detailed in the 10.61 Continuum manual)."

Solarinstruments: Kick


video upload by

https://gieskes.nl/instruments/?file=...

Wednesday, December 17, 2025

A new Minimoog VST controller: SFC-mini V4 Intro


video upload by mylarmelodies

"The SoundForce SFC-mini V4 is a new dedicated physical hardware controller for Minimoog-style VST plugins. This video introduces the device and how it works, what's new in this model, the special bonus features that work with the Arturia Mini V4 plugin, and much more.

This video serves as an official intro to the SFC-mini V4, and was funded by SoundForce. Based in the Netherlands, SoundForce have been in business for more than 10 years making controllers and eurorack modules."

CHAPTERS:
00:00 - Why Does this Exist?
02:23 - Minimoog: From Bass to Pad
04:39 - Whats new in V4?
06:59 - Build and Feel
07:25 - How does the integration work in a DAW
08:02 - Mini V4 Smoothing Catchup
08:55 - Mini V4 Jump & Pick-up Catchup Modes
09:43 - Hopping between plugin instances
10:28 - How do you set up a Plugin?
10:52 - UA Minimoog
11:34 - Dump (Manual Control)
11:56 - UA Minimoog Play
14:01 - Extra Control at the Bottom
14:54 - Changing Presets (Mini V4)
15:46 - User 1 & 2 Mapping
16:41 - Mapping Another Plugin (MS-20)

Press release follows:


SoundForce is introducing the SFC-Mini V4, a high-end, dedicated MIDI controller designed for the world’s leading Minimoog software emulations. Featuring more than 65 hands-on controls arranged in an authentic Minimoog-style layout, it delivers a true analog-inspired workflow for modern producers. Representing over a decade of SoundForce MIDI-controller innovation, the SFC-Mini V4 is the most advanced and accurate Minimoog-focused controller yet.

Build quality
The SFC-Mini V4 is assembled in the Netherlands using high-quality components sourced from Europe and Asia. Its case is built entirely from powder-coated sheet metal. Both sides are fitted with elegant 8 mm walnut wood panels for a vintage-inspired look.

Backed by over ten years of MIDI-hardware expertise, the SFC-Mini V4 is part of SoundForce’s newest generation of controllers. Its pots, sliders, and switches were chosen after extensive research and experimentation to deliver outstanding tactile response, long-lasting performance, and rock-solid reliability during assembly.

Plugin support:
Because the SFC-Mini V4 outputs standard MIDI CC messages, it can be paired with any software or hardware that supports MIDI CC mapping. However, since each plugin has its own UI and MIDI implementation, the firmware provides dedicated plugin modes to ensure proper integration. The SFC-Mini V4 has specific plugin modes supporting the following plugins:

Arturia Mini V4 (incl 2-way)
Arturia Mini V3/iMini
GForce Minimonsta 2
Cherry Audio Miniverse
UA Minimoog
Softube Model 72
NI Monark
Synpase Audio The Legend HZ
Plugiator Minimax

2-way communication:
Two-way communication means the SoundForce controller and a supported plugin can talk to each other in both directions, instead of the controller only sending MIDI data one-way. At this point, this feature is supported with the Arturia Mini V4.

In practice, that creates a far more “hardware-like” experience when using software synths. Change a preset, load a new instance on another track, move a parameter with your mouse and the controller automatically syncs its LED switches, and ingest the pot data in memory. When the received pot data from the plugin differs from the actual pot position on the controller, 3 options similar to Ableton take over modes can be chosen from: jump, pick-up and smoothing.

For more technical details: consult the manual.

Where to buy:

EU: SoundForce store

UK: Signal Sounds

US Perfect Circuit

Introducing SQUID-3 by Acustica Audio


video uploads by Acustica Audio

Playlist:

1. SQUID-3 - You don’t need make-up when the sound is this good.
2. SQUID-3 Explained | Complete Walkthrough

Quick No-Talk Synth Demo

video upload by Autodafe

"Here’s a fast, no-talk demo of SQUID-3 (SQ-3), the new synth by Acustica Audio. This video is all about listening: no voice-over, no explanations — just sounds and visuals so you can get a first impression of what this synth can do.

In this demo I’m simply showcasing a selection of patches and musical textures. I’m not going into technical details or deep sound-design features this time — think of this as a relaxed, musical overview rather than a tutorial.

If you’re curious about the engine, workflow, or a more in-depth breakdown, feel free to leave a comment and I may cover it in a future video. For now, just sit back and enjoy the sound."



SQUID-3 is a forward-thinking synthesizer born from Acustica’s groundbreaking MAREA series, available in VST3, AU, and AAX formats. Built to respond better than a real instrument, SQUID-3 gives you the speed to create instantly, and the depth to design without limits. It’s fluid, focused, and sonically honest.

This isn’t a vintage emulation, or a collection of pretty presets under reverb.

SQUID-3 fuses algorithmic modeling with advanced convolution, capturing the behavior of analog gear - better than gear does.

SQUID-3 is not another virtual synth.

It’s a new breed - designed to sound finished, even before the FX.
Every stage of its engine, from oscillator to output, was built to make raw synthesis sound like a mastered record.

SQUID-3 is available in two separate editions:

• the Standard (3-D, multi-page) edition, hardware-inspired interface with depth, lighting, and tactile realism for an immersive studio feel.

• a Flat (2-D version, single-page) edition, A clean, flat design optimized for speed, built for maximum graphic efficiency, where all controls are summarized on a single page"

You can find additional details at https://www.acustica-audio.com/shop/products/SQUID3

Tonverk 1.2.0 OS Upgrade


video upload by Elektron

"Tonverk 1.2.0 is here! With some lovely little festive additions to put under the Tonverk tree. We’ve got two new FX to play with, even more options with the existing FX, random mode for the arpeggiator, and further fixes and improvements.

Find out more and download Tonverk OS 1.1.0: https://bit.ly/48T1BjG"



"OS Upgrade: Tonverk OS 1.2.0
We know Grainer, and the 1.1.0 OS that fixed the sync issues, are still fresh on the block, but we had some pretty neat dishes in the oven that didn’t quite make that release. So here is OS 1.2.0, a chance to put a few more little festive additions under the Tonverk tree. We’ve got new effects, even more options with the existing effects, a random mode for the arpeggiator, and some other little additions alongside further fixes and improvements.

New effect: Steel Box Reverb

A third reverb comes to Tonverk, and it’s a whole other flavor. Steel Box Reverb draws on early digital and ’90s plate reverbs, with deliberately wide parameter ranges that let you push sounds from tight metallic rooms to sprawling, resonant spaces. It can clang, bloom, or decay endlessly, making it equally suited to metal can tails or big, characterful ambience.

New effect: Filter Folder

Filter Folder combines wavefolding with filtering and distortion to reshape sound at a more fundamental level. By folding the waveform before it passes through a multimode filter and drive stage, it adds harmonics, grit, and movement that go far beyond traditional filtering. From subtle edge and density to aggressive, overtone-rich transformations, Filter Folder excels at turning simple signals into something far more complex.

More FX availability

If those two additions weren’t enough (for now) we’ve also extended Tonverk’s FX powers in other ways too. Daisy Delay can now be used on all tracks - and Frequency Warper can now be wielded on all audio tracks, bus tracks and mix. Use these two awesome options wherever your echoing, warped heart desires.

Random Arp

Random Arp introduces controlled unpredictability to arpeggiated patterns, reshuffling note order on the fly to generate evolving melodies and unexpected variations.

And more

There’s a few other stocking fillers too. Pattern mute, improved gain reduction and new sidechain sources for the compressor, shorter samples available to use on Grainer, and improved tempo stability when simultaneously receiving clock and large amounts of MIDI data from an external source, such as Octatrack. Plus various other fixes and improvements."

BEHRINGER UB-1 MICRO - This Tiny Synth Sounds Massive


video upload by Behringer

"The Behringer UB-1 Micro is a compact analog-style synthesizer designed to deliver classic sound in a modern, ultra-portable format.

In this video, we take a first look at the UB-1 Micro, exploring its sound, key features and hands-on control. Despite its small size, UB-1 Micro delivers powerful tones and an intuitive workflow, making it ideal for studio, live and mobile setups.

Whether you’re creating basses, leads or experimental sounds, UB-1 Micro is built to inspire fast and creative music making.

▶ Compact analog-style synth
▶ Hands-on control
▶ Portable design
▶ Ideal for modern music production"

Previously:

Behringer Introduces UB-1 Micro

Behringer Introduces the UB-1 Spirit for $49

Tuesday, December 16, 2025

Nopia Update 3


video upload by Martin Grieco

"The pieces start coming together.

After 2+ years of development. Meet Nopia MK1

We’re super grateful for living the dream of engineering this instrument to the highest level possible. Fascinated by the thought of each of you playing it.

Nopia is a semi-modular harmony generator. It features an onboard multitimbral sound engine, a hybrid of sampled instruments and onboard virtual analog synths. A 5 step effects chain, dedicated per module MIDI outs, multitouch strum plate, the list goes on! You’re welcome to visit our refreshed website nopia.io and check out the final spec sheet if this is something you’re curious about.

Muchas gracias amigues!"

New Open Source Virtual Pipe Organ Project: Rusty Pipes



This one is in via DS:

"Hey Matrixitians!

I'm writing in to announce a new MIDI-controlled Virtual Pipe Organ software called "Rusty Pipes".

It's a sample-based organ synth with support for GrandOrgue and (unencrypted) Hauptwerk sample sets. It features 32 bit internal audio mixing, full MIDI support with extremely flexible channel routing, integrated audio and MIDI recording of performances, convolution reverb, and an innovative sample streaming mode that makes it possible to play very large sample sets with a minimal amount of RAM, yet without increasing latency!

Other unique features include a REST API for things like pulling stops - great for people who like to build physical consoles - and optional text mode support (via Ratatui) which makes this ideal for running on headless setups or on a RaspberryPi.

Rusty Pipes is a clean-room implementation written 100% in Rust, available free and open source under the GPL v2. Version 1.3.0 supports over 20 languages including Latin and Klingon, and is available for Linux, Mac and Windows. Debian and Arch (AUR) packages are provided as well.

Project page
Downloads

There's a bunch of sample recordings on the project page, but here's some standouts:
https://playspoon.com/files/RustyPipes-Vierne-Symphony-No2-Finale.ogg
https://playspoon.com/files/RustyPipes-Bach-Klavier_Uebung_BWV-669-Strassburg.ogg

Stay loud!"

Arturia Introduces Pigments 7


video upload by Arturia

"Join Alex for a walkthrough of Pigments 7, exploring the redesigned Play View, expressive new filters, the Corroder effect, engine upgrades, and fresh factory sounds - all designed to push Pigments further than ever."

And a couple of supporting member user videos:

What's new in Arturia's Pigments 7? Filters, effects, play view, more

video upload by CatSynth TV

"We take a detailed look at Arturia's newly released Pigments 7, including the updated Play View and the new filters and effects. We also explore several of the new factory presets that take advantage of these features."

00:00 Introduction
00:32 Play View
04:09 Set up a simple sound for filter demos
04:47 Rage filters
09:56 Ripple filters
17:28 Reverb filter
21:23 Corroder effect
28:33 Factory presets
42:27 Conclusion


_________
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"

PIGMENTS 7 update: NEW Filters and Corroder effect

video upload by

"Read my review of the update here: https://www.databroth.com/blog/pigmen...
Rad my full Pigments review here: https://www.databroth.com/blog/pigmen...

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon / databroth"

Kraftor hosting Nexus


video upload by Polaxis

"Sentence prepared with https://www.polaxis.be/nexus-serial-m...
and triggered via MIDI using a custom MIDI keyboard designed by https://learn.adafruit.com/usb-keyset"

Info on the USB Chorded Keyset #3dprinting #circuitpython
video upload by Adafruit Industries

"Build a 3D printed USB chorded keyset inspired by the original Doug Engelbert "Mother of all Demos" keyset from the 1960's. This 5-finger keyset lets you type without moving your hand, entering full words and phrases by pressing multiple keys simultaneously as a chord."

nonlinearcircuits Introduces 4HP NEURON


video upload by cirtcele

"This module is a 4HP version of the NLC 8HP Neuron & Difference Rectifier.

The differences are half the panel real estate, SMD components, LEDs to indicate activity and one less input on the Neuron (2 instead of 3).

From the original version description -

The Neuron was inspired by a paper on neural computing and is a variation of a typical analogue neuron circuit. It can be used as a complex audio waveshaper, gate or pulse generator, CV shaper or to generally mess things up. The diff-rect is a hybrid of two basic op amp ‘building blocks’ – a difference circuit and a rectifier. Not sure if I have ever seen the two merged together before. It is probably a bad idea except for synth use, where it is a wonderful idea!

The Difference Rectifier has 4 inputs (two + & two -) and two outputs. The Neuron has 3 2 inputs and one output, the pots control when the neuron will react to incoming signals and how much it will react."

Introducing Polarity Modular by Soniccouture

Polarity | Modular: Sound Design Preset Preview

video upload by Soniccouture

"A tour of a small selection of the 250 presets included with Polarity | Modular. These were created by Ian Boddy, Nigel Mullaney, James Thompson & Dan Powell.

What you hear in the video is the direct output of a single preset, with no additional effects or processing."

https://www.soniccouture.com/en/produ..."

Polarity | Modular: Product Tour

video upload by Soniccouture



"Polarity | Modular is a dual-layer granular engine loaded with 250 custom waveforms crafted by Ian Boddy, utilising his extensive collection of modular gear - including a Roland System 100M, Serge Modular, Buchla Sound Easel and much, much more.

Featuring a sound design library of 250 presets, NKS2 compatibility and the ability to load your own samples, Polarity | Modular redefines the sound of analogue synthesis."

OP-1 Field Firmware 1.5 Explained: Multi-Channel USB Audio, Amp Synth & Tape Updates


video upload by Noisegate

"Teenage Engineering have dropped a huge firmware update for the OP-1 Field, and it might be the most important one yet. In this video, we take a hands-on look at firmware 1.5, covering multi-channel USB audio, the new Amp input synth, count-in recording for tape, tape and drum crossfades, and other workflow improvements.

We also show how the OP-1 Field now works as a 10-channel USB audio interface, including routing individual tape tracks into a DAW or a USB-compliant mixer like the TX-6. If you are already using the OP-1 Field, or thinking about adding one to your setup, this update seriously changes what the instrument can do."

00:00 Firmware 1.5 Overview
00:26 Why This Update Matters
00:58 Multi-Channel USB Audio
01:16 OP-1 Field + TX-6 Setup
02:03 Enabling Multi-Channel USB Mode
03:33 Routing Tracks on the TX-6
03:46 OP-1 Field as a 10-Channel Audio Interface
05:26 New “Amp” Input Synth
05:50 Processing External Instruments
07:42 Using OP-1 Field as an Effects Processor
07:59 Count-In Recording for Tape
09:37 Tape and Drum Crossfades
09:47 Quality of Life Improvements
10:02 Final Thoughts on Firmware 1.5

Szumofon. Шумофон.


video upload by VladimirRadiomay

"Звуковой инструмент Шумофон. С добавлением тональности.
Когда-то в польском журнале Радиоэлектроник, в 1984-м году была
опубликована схема клавишного инструмента Szumofon.
Потом её опубликовали в журнале Радио. (1985. N10).
И вот по идеям этого Шумофона сделан такой инструмент.
Как соло и отдельно, он вряд ли самодостаточен и интересен, но с ревербератором
и в комплекте с какими то другими инструментами и для эффектов в какой то композиции
вполне может быть использован."

Googlish:

"The Szumofon sound instrument. With added tonality.
Back in 1984, the Polish magazine Radioelektronik published a circuit diagram for a keyboard instrument called the Szumofon.
Later, it was published in the magazine Radio (1985, No. 10).
And this instrument is based on the ideas of that Szumofon.
As a solo instrument, it is unlikely to be self-sufficient or interesting, but with a reverberator and in combination with other instruments, and for effects in a composition, it can certainly be used."

Monday, December 15, 2025

F*ck With Sound ships Break On Through and Bring It On Eurorack Modules



Press release follows:

F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name

GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…

As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”

Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”

Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.

NEW Project Development Update: 700 Complex Function Generator Demo – Quick Overview


video upload by Gm Xe

Also see: 700_funtion_M4L with 700 voice system

"700 – Complex Function Processor (Demo Version)

This video shows a demo of the 700 Complex Function Processor, currently in active development.

Features include:

4 independent channels, each running its own app

4 independent pulse managers (one per channel)

2 independent random and expressive modulation channels

4 configurable pulse outputs

2 editable noise outputs

Most operations are performed directly via analog knobs and buttons, without deep menus.

⚠️ This video demonstrates a test / prototype version.
The core DSP algorithms and hardware functionality have been successfully tested.
A more complete and refined version of the product will be updated in the near future.

Thanks for watching.
For the latest updates, please visit the official website:
https://gmxe.org

#Buchla
#700FM VOICE
#Module synth
#Buchla FORMAT
#synthesizer
#Function Generator
#modularsynth"

OMNICYCLONE 1.3 Firmware long chill demo


video upload by SPHERICAL SOUND SOCIETY

"New firmware for OMNICYCLONE. It fixes a bug in the clock in of the previous release. It´s free for all OC users, if you have one, send us a message with your name/order number and mail to send you the update.

Clock in/out were swapped, this firmware fixes it too, now IN is IN and OUT is OUT :)

You can order your unit here:
https://www.tindie.com/products/jc204..."

Sounds of Creative Chords Massive X Expansion | Native Instruments


video upload by Native Instruments

"Discover the sounds of our free holiday gift – Creative Chords. Play, explore, and spark new ideas this season with a harmony-driven Expansion for Massive X and the free Massive X Player.

Discover Massive X Player: https://www.native-instruments.com/pr...

Discover Massive X Player Expansions: https://www.native-instruments.com/en...

#NativeInstruments #MassiveX"

Sunday, December 14, 2025

Innerclock Systems Introduces GRIDLOCK II & New Website



via Innerclock Systems

"More than a MIDI interface, GRIDLOCK II brings MIDI, USB, Din-Sync, and CV together in a single unified device. Engineered for precision, reliability, flexibility, and seamless integration across all DAWs."

You can find full specifications under the documents section here.

Check out the new Innerclock Systems website here.

Tangible Waves Introduces WAEVE82 - Polyphonic Wavetable Oscillator in PPG Blue



"The WAEVE82 is not only a polyphonic wavetable oscillator, but actually a complete 8-voice polysynth! It combines the unmistakable charm of early digital wavetable instruments with a modern, performance-oriented workflow and a clear, page-based interface that invites exploration.

Its conceptual DNA is inspired by the PPG Wave 2 synthesizers of the 1980s — iconic instruments known for glassy timbres, animated spectra, and futuristic character.

Yet, the WAEVE82 is far from being a clone.

It draws inspiration from that lineage but follows its own path, with a unique audio engine, expanded modulation options, modern randomization tools, and a streamlined interface tailored for the AE modular format.

At its core, WAEVE82 provides:
· Two independent wavetable oscillators, with 64 internal wavetables plus support for external tables loaded from micro-SD card.
· Three envelopes and four LFOs, each with defined primary and secondary roles; LFOs can be free-running or tempo-synced
· An extensive modulation matrix, enabling both traditional and experimental routing.
· Dual operating modes:
Edit Mode for deep sound design
Perform Mode for live playability with direct access to eight favorites
· A powerful Randomize & Mutate system that generates entirely new sounds or gently transforms sounds while keeping them musical; always with restorable history. This absolutely hot; endless inspiration, endless fun!
· Save/load presets from micro-SD card
· Full IMDI/MIDI and CV/Gate integration, including an eight-voice MIDI engine and flexible chord generation from CV,, plus additional CV/Gate inputs for additional control. IMDI and CV control can run parallel.

Shipping starts in second half of January 2026."
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