LinnStrument's New Low Row Transpose Feature

video upload by Roger Linn

"Roger Linn demonstrates the new LinnStrument feature called Low Row Transpose, which permits instant mid-song changes in musical key or mode."

Erica Synths PĒRKONS Keys | It just makes sense

video upload by Erica Synths

"We are proud to present Pērkons Keys. We’ve poured a lot of work into developing it, and we hope this will help you unleash the creativity."

"Over the years, hundreds of you have asked for an integrated keyboard on Pērkons. We kept coming back to the idea - and eventually decided to build it and see how it feels in practice.

We are proud to present Pērkons Keys. We’ve poured a lot of work into developing it, and we hope this will help you unleash the creativity.

Same 4 hybrid voices

Semi weighted premium keyboard without aftertouch

No mod wheel, no pitch wheel

No battery

No screen

Unlimited creativity unleash guaranteed"

Additional details at Erica Synths

CLICK FOR MORE »

ŅōĨşÈ Múśİç / experimental music / Diogens Lantern synth / Universe Zen VOSKHOD-2 / by GIPNOZER

video upload by G I P N O Z E R

"Cold sand creaked beneath limbs I couldn't remember having acquired. Metal and flesh, woven into an inconceivable construct, pulsed with a dim, inner light. The planet was dead, scorched to the bone, only rusted rock and endless dunes on the horizon. I didn't know who I was, what I was, or how I had ended up here. My memories held only fragments of alien sensations, echoes of long-forgotten knowledge that didn't add up to a coherent picture. I was a mechanism, not crafted by hand, but grown like a mushroom on the rotting wood of space. My purpose? Nonexistent. My past? Emptiness. I simply wandered, driven by an instinct I couldn't explain, across this lifeless land, like a ghost forgotten even by death. And with every step, with every breath, I felt this planet, this emptiness, creeping into me, erasing the last vestiges of what could have been.
. . .
sound gear:
_ Diogenes' Lantern by Kakos Nonos / ‪@kakosnonos4541‬
_ Universe Zen ВОСХОД-2 / www.universe-zen.ru
_ Tascam DR40x
. . .
musician's account:
Bandcamp: https://gipnoz.bandcamp.com
Instagram: / gipnozer.sound
Telegram: https://t.me/gipnozer_sound
VK: https://vk.com/gipnozer"

And from Kakos Nonos:

Шумовой синтезатор Фонарь Диогена

video upload by Kakos Nonos

Googlish:

"Diogenes' Lantern" is a 12-voice drone synthesizer. However, it is capable of generating noise, ambient textures, and melodies alike.
The synth features a unique control system designed to eliminate the need for a thousand knobs to manage every parameter; instead, it works as follows:
One knob sets the value for the first oscillator, while a second knob determines the *offset*—how much the value of each subsequent oscillator differs from the one preceding it.
This method is used to control all parameters: frequency, waveforms, and signal combination types.

Link to the VK group:
https://vk.com/musicnoisebox

Features:
12 oscillators with adjustable waveforms
16 waveforms that morph smoothly into one another
8 signal combination schemes (for pairs of signals) that morph smoothly into one another
3 filter types with resonance (HP, LP, Res)
Filter LFO with selectable triangle, square, or oscillator/combiner-derived waveforms
A second LFO featuring complex waveforms, capable of modulating synthesis parameters—including the filter (providing two dedicated LFOs for the filter)
Tone quantization capability (quantizing to the tonic or fifth)
6-button keyboard interface; individual keys can be custom-configured, or a layout can be selected from 63 presets
Attack, Release, and Glide controls
Killswitch with smooth fade-out/fade-in functionality
Randomize button, allowing for independent randomization of synthesis parameters and LFO settings
"Move" mode: each key is assigned its own unique synthesis preset
Polyphonic mode with 6, 4, or 2-voice polyphony
Support for 432 Hz tuning
Distortion effect
Smoothly adjustable "Mass" parameter ...of sound, where the number of operating units can be regulated.

Original Russian:

CLICK FOR MORE »

Genki KATLA - THE VOLCANO SYNTH!! Now Available

video upload by Starsky Carr

"What happens when a synthesizer completely breaks the rules?
In this video, we explore the Genki KATLA — a truly unique polysynth inspired by Icelandic volcanoes, featuring a rotating voice architecture, hybrid signal path, and some of the most unpredictable sound design possibilities I’ve come across.

This isn’t your typical analog polysynth. Each of the five voices can run independently with different waveforms, octaves, and modulation — creating evolving textures, harmonic movement, and generative-style sounds that feel closer to modular synthesis than traditional keyboards.

🎛️ What makes the KATLA special?
• Rotating voice polyphony (round robin-style synthesis)
• Independent per-voice oscillators & tuning
• Digital oscillators + analog filter signal path
• Looping envelopes reaching audio-rate modulation
• Phase distortion, wavefolding & multiple distortion types
• Tape-style wow, flutter & pitch instability effects
• Stereo voice movement & evolving spatial modulation
• External inputs for processing other gear

From lush ambient pads to aggressive, evolving sequences — this synth can go places most instruments simply can’t. It’s not about recreating vintage sounds… it’s about discovering entirely new ones.

💸 At around €5000, this is definitely not a beginner synth — but for sound designers, and anyone looking for something truly different, it well worth a look."

Genki Katla Sound Design: Making sounds from scratch and exploring
video upload by MR TUNA Music

Chapters: 0:00 - Intro 0:16 - Init patch 0:44 - Filter sounds 1:26 - Raising 1 voice 1:43 - Creating a basic pluck sound 2:24 - Aftertouch controls 2:45 - Bring in a little reverb 2:56 - LFO to filter cutoff 3:16 - LFO to reverb mix 3:46 - Keyboard cutoff 4:00 - Osc 3 Square wave 4:23 - Sub oscillator 4:54 - KATLA parameters 5:01 - Rústir wavefolder 6:08 - Rökkur stereospreader 6:37 - Skriða envelope randomizer 7:27 - Aska random modulations 7:57 - Glóð tape stops and flutters 8:35 - Skjálfti ??? 9:14 - Kvika slow tape modulations 9:38 - dark pads 10:20 - Móða voice detuning 11:20 - Katla sounds with aftertouch 13:28 - Thanks for watching

"Hey guys! Very very excited to be presenting the Genki Katla to you all... I am truly in awe of the sound of this very unique and powerful instrument.

I thought the best way to get to know the synth is to start from scratch so in this video we'll go full hands-on with the Genki Katla, exploring (almost) every parameter and building sounds from an initialized patch.

From some raw drone layers and gritty textures to evolving pads, rhythmic sequences, and atmospheric beds, we will see just what this instrument can do, discover new sounds, and maybe make some friends along the way 🙏

If you're into sound design, unique synths, or just love discovering new instruments, this one is for you!

HUGE thanks to Genki for letting me a part of this with them and showing off this super cool synth.

No money was paid, no agreements were made... these are my real thoughts on this very premium synthesizer and I will be sharing lots more."

Press release follows:


Genki Instruments announces availability of Katla as Voice Rotating Polyphonic Synthesizer inspired by its natural namesake

REYKJAVIK, ICELAND: having twice blown European musical minds thanks to show-stealing showcases at SUPERBOOTH25, May 8-10, Berlin, Germany and Machina Bristronica 2025, September 27-28, Bristol, UK, before adventuring across the pond for a repeat performance at Buchla & Friends 2026, January 24-25, LA, CA, USA, Reykjavik-based instrument developer Genki Instruments is proud to announce availability of the eagerly-awaited Katla as a Voice Rotating Polyphonic Synthesizer inspired by Iceland’s largest subglacial volcano as its natural namesake — readily representing the company’s first foray into analogue synthesis, albeit one that uniquely utilises a set of wildcard parameters to infuse it with organic, unpredictable behaviour as an instrument that is worthy of that legacy, excelling at generating rich, evolving, multi-layered textures, where each note stirs, swells, and erupts in its own distinct way — as of March 31…

Clearly Katla’s inspiration runs through its ‘volcanic’ veins. After all, it is framed by side panels and knobs forged from authentic Icelandic lava, giving each instrument a tangible connection to the volcanic forces that inspired it. That this synth should surely roar is a given. Genki Instruments inevitably chose, therefore, to kit Katla out with four independent distortion destinations, the most unruly of which is a stereo CMOS (Complementary Metal Oxide Semiconductor) Drive effect — a characterful saturation stage, pushing tones from warm and rounded to fractured and snarling.

CLICK FOR MORE »

Cherry Audio Introduces Crumar DS-2 Software Synthesizer

video upload by Cherry Audio

Cherry Audio Crumar DS-2: Full tutorial by CatSynth TV

Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth

Playlist:

1. Cherry Audio's DS-2 Part 1 | DCOs, Polyphonic Engine & Factory Presets
2. Cherry Audio's Crumar DS-2 Part 2 | VCF, VCA, voice modes
3. Cherry Audio's Crumar DS-2 Part 3 | Effects, Arpeggiator, Presets

Press release follows:


Cherry Audio Launches Crumar DS-2 Synthesizer

Based on the original 1978 hardware, this value-packed emulation revives the digital control and analog soul of an often forgotten landmark in synth history.

(March 31) Cherry Audio is excited to announce the release of the Crumar DS-2 synthesizer, a virtual instrument that faithfully replicates and significantly enhances the original 1978 hardware synth that was ahead of its time. This release marks the latest collaboration with Crumar Instruments, following last year’s acclaimed Spirit synthesizer, revisiting a groundbreaking Italian synth and infusing it with Cherry Audio’s signature style.

Crumar DS-2 by Cherry Audio is available now for only $59 at cherryaudio.com and through authorized resellers, bringing its rare and legendary “vintage digital” sound to the modern production environment at an exceptionally low price.

The Crumar DS-2 was a unique synthesizer that combined a monophonic Synth engine alongside a fully paraphonic Poly section. The “DS” in its name stood for “Digital Synthesizer,” and it featured two Digitally Controlled Oscillators (DCOs) designed to prevent tuning drift. However, the resulting waveforms were completely stair-stepped, giving the instrument a gritty character and wild harmonics. Together, the two sections provided the DS-2 with a distinct sound that set it apart from both early digital synthesizers and classic analog models.

Building upon the foundation of the vintage hardware, Cherry Audio’s virtual Crumar DS-2 introduces several powerful modern enhancements to expand its creative potential. The monophonic Synth section now includes unison and multi-voice modes, providing panning and tuning options, as well as polyphonic functionality with 4, 8, or 16 voices. The Poly section supports full 32-note polyphony, and DS-2 now features a keyboard split mode in addition to the layered mode.

The Synth section now includes a stair-stepped sine waveform option, and oscillator sync has been added. A third LFO has been introduced, and LFO options now include discrete delays, sync, retrigger, reverse wave, and one-shot capabilities. The five-part LFO Mixer, previously hardwired to specific destinations, now offers six assignable destinations with 33 options each, providing unparalleled modulation flexibility.

The envelopes have been enhanced with an initial delay stage (DADSR) and velocity sensitivity, and now include looping functionality. Additionally, the Poly section now features VCA release control, making it better suited to powerful string-synth sonics. Touch control has been added with four slots and simple click-to-assign functionality, supporting both channel and polyphonic aftertouch with compatible MIDI controllers.

The VCF has been upgraded to include a 12dB 2-pole in addition to the original 24dB 4-pole option, along with polarity and key-follow adjustments. Other enhancements include an assignable bend range, a dedicated mod wheel, and a dynamic arpeggiator that can be applied to either or both sections. DS-2 also offers three customizable effects chains with 20 studio-quality effects, allowing users to arrange, save, and recall their settings. Over 300 professionally designed presets are organized into 14 categories to inspire instant creativity.

Cherry Audio is also offering the Deep Space Preset Pack for DS-2 for only $9.99. This pack includes an extra 100 presets that provide an in-depth exploration of DS-2's sophisticated modulation routing, expressive performance features, layers and splits, arpeggiator, and studio-quality effects.

Crumar DS-2 reflects Cherry Audio’s ongoing dedication to delivering high-quality sound at an unbeatable price, even in uncertain times. Priced at just $59, the DS-2 is an ideal choice for synth enthusiasts who value both exceptional tone and affordability. Furthermore, until April 13th, producers can purchase the Crumar DS-2 as part of Cherry Audio’s “Build Your Own Bundle” options. Customers can select a Pick 3 bundle for $99 (regularly $119) or a Pick 6 bundle for only $149 (regularly $169), allowing you to mix and match any of their award-winning instruments for as little as $25 per plugin.

Cherry Audio’s Crumar DS-2 synthesizer is available for macOS (10.13 or later) and Windows (7 or later) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive introductory video, system requirements, and an extensive collection of awe-inspiring sound demos.

TAL Introduces TAL-J8X - Roland JX-8P Based Soft Synth

video upload by TAL Software

"This video shows some original JX-8P factory sounds. It compares the plug-in with the hardware device (revision 2 / OS v3.1). For the test, we imported the factory presets with sysex. A MIDI sequence is played alternately between the plugin and the hardware. Sometimes it clicks when the output switches and…

The demo was recorded in one take without any modifications or cuts. Don't expect identical results. DCO, LFO, and Chorus phases are freely running on both devices. The cutoff frequencies vary slightly for each voice."

5 things to like about TAL-J8X

video upload by Solidtrax and TAL Software

"For more info about TAL-J8X, point your browser here: https://tal-software.com/products/tal...
For more info about sounds I’ve made for other TAL products, please visit: https://www.solidtrax.nl/shop

My soundbank for TAL-J8X is still in the works…"

0:00 Intro
0:24 1. The Oscillator Section.
03:20 2. The Filter Section.
05:28 3. The Modulation Options.
09:20 4. Individual Voice Tuning.
10:36 5. The Effects.

"TAL-J8X is an instrument plug-in that emulates the sound of the analog 80's synthesizer with additional features that add a fresh touch to this synth.

Emulation of the 80's hardware synthesizer (rev 2 / OS 3.1).
Modern filter mode that allows self-oscillation.
Create and play chords.
Arpeggiator with different modes.
High Quality EQ, Delay and Reverb FX.
Aftertouch and MPE support.
Microtuning support (tun file import and MTS Client).
Original factory banks included.
More than 600 presets by Electric Himalaya, Saif Sameer, Sound Author, Empty Vessel, VIC-20, TAL, Heat Audio, FMR and others.
Individual tuning for every voice converts the synths DCO into a VCO.
Reads Sysex files and Sysex MIDI from the hardware device (tone data from JX-8P, JX-10, MKS-70).
Can also control a hardware device. If enabled, it sends Sysex through the plug-in MIDI output (only possible when supported by the DAW)."

Exploring unique FX with synthesisers, modular & more // TRAILS from Poly Effects [PEDALS & PATCHES]

video upload by DivKid

"Join us for an exploration of TRAILS as part of our Pedals & Patches series of videos, exploring pedal FX with modular gear, synthesizers, around the studio and with some other instruments too. Pedals aren't just for guitarists, so lets get creative with them!

Trails offers 7 FX that make your sounds sustain and grow, there's resonators (think Rings) with sympathetic strings, bell like chord generation, live and frozen buffer granular processing, a unique distortion like nothing I've used before, micro loopers, pitch shifting delays, vinyl record emulating delays and more!"

CLICK FOR MORE »

REVNET algorithmic reverb

video upload by sonicLAB

"sonicLAB REVNET is an algorithmic reverb with uncompromising sonic quality."

"WHY ANOTHER REVERB ?

There are already hundreds of reverb plugins on the market. The question is, why do you need another one?

Because sonicLAB offers a unique approach to defining control and modulation across multi-scale elements—from sound processors to MIDI event generators—delivering uncompromising sonic quality.

We are happy to introduce REVNet, a complex algorithmic reverberation and spatial sound design instrument. Rather than simply emulating traditional plates or rooms, REVNet is designed to create unique reverberations. By combining dynamic feedback topologies, stochastic modulation, and pitch-tracked harmonic resonance, REVNet operates as much as a synthesizer as it does a spatial effect.

REVNet is for uncompromising sound design. Crucially, unlike static reverb algorithms, REVNet allows you to manipulate its internal reflection network on the fly."

Twin Tropiques - Anti Rave Frosty & Slopes Edition Rhythmic Percussive Drone Synthesizers

video uploads by Twin Tropiques



Note the above is a playlist for the the Anti Rave Frosty Edition. The listing below is for the Slopes Edition. Not sure how or if they differ. This appears to be the first post to feature Twin Tropiques.



via this eBay listing

"Fully Analog Patchable Synth with Aligator clips included.....Very unique sound and is perfect for Noise, Odd Glitchy sounds....All all the available patch opportunities, you can get some really sync'd Percussive Rhythms...Nice squishy Textures and lot's of Clocks, Gates, Noise, Logic, Dividers...it really is packed with features...You can also interact with other Eurorack Gear.

Specs below.......

2 VCO's (pulse and triangle outputs

Unique capacitor switching low pass filter capable of a wide range of sounds

- percussive pinging, metallic sounds, additive and comb synthesis, lush and mellow to harsh and abrasive mayhem

-3 XOR gates which can generate logic outputs from pulse inputs or can be used to ring modulate pulse waves

-pseudo random chaos generator inspired by the famous rungler module by Rob Hordijk, has clock and data inputs and chaos output, great as a sound source or for modulations + 4 circuit bending touch sensitive patch points)

-The circuit bent patch points allow a range of WTF type of non linear and unpredictable modulation, depending on how and where you patch them

-2 slope generators with voltage control on attack and release, end of cycle pulse output, and trigger, hold, and loop inputs

-2 waveshapers with 2 voltage control inputs each, for overdriving and mangling internal or external signals

-2 gates

- 1 high pass with diode clipping, 1 low pass

- very clean

CLICK FOR MORE »

Roland to Celebrate 404 Day with SP‑404MKII Update & Worldwide Events

Press release follows:

Roland Celebrates 404 Day and Global Beat Culture with Worldwide Events, Partnerships, and a Major SP‑404MKII Update

Los Angeles, CA, March 30, 2026 — Roland is celebrating 404 Day, the annual global moment honoring the creators, communities, and cultural movements shaped by the SP‑404 and its modern successor, the SP‑404MKII. For nearly two decades, the SP series has been the engine of the underground beat scene. What began as a subculture has evolved into a worldwide force through sonic experimentation and community‑driven expression.

The SP lineage has shaped scenes across Los Angeles, Tokyo, London, Berlin, Melbourne, and beyond. Producers including Dibia$e, Knxwledge, MNDSGN, and the late Ras G have expanded the sampler’s creative vocabulary, inspiring generations of beatmakers to develop their own voices through sample‑based music.

404 Day 2026 Around the World

SP-404 celebrations are building around 404 Day, with partner activations, events, and creator-led moments across the global beat scene. This year’s celebration is anchored by a cornerstone collaboration with Berklee College of Music, and a 404 Day livestream at the Roland Studio in California, alongside workshops and performances.For more information on worldwide events: https://articles.roland.com/ultimate-guide-404-day-2026

CLICK FOR MORE »

LARIX-ELEKTRO NEW MODULES: MACRO

video upload by LARIX ELEKTRO

"Soon a new serie of eurorack modules: MACRO.

Simply having bigger knobs and switches, to have a better experience with your rack ;)

Meet them at SYNTHFEST an SUPERBOOTH !"

Redshift 6 - Firmware 1.6 Demo - Sequencer and Macros

video upload by Supercritical Synthesizers

"Redshift 6 Firmware 1.6 in action — no talking, just pure playing.

Firmware Update 1.6 introduces a new polyphonic sequencer engine and macros.

The update also includes new factory presets designed to showcase the Poly Seq engine and macros. Each multitimbral part in Redshift 6 supports its own sequencer, allowing up to six independent sequencers to run in parallel.

The Poly Seq engine handles per-part sequencing, making it easy to build polyphonic sequences across multiple parts.

Macros provide access to eight assignable controls. Each Macro can control multiple parameters simultaneously, including parameters across different parts. This enables complex changes with a single knob and makes Macros especially useful in live performance.

All synth sounds and FX are from Redshift 6 — no external effects were used."

Additional details:

"REDSHIFT 6 FIRMWARE VERSION 1.6

ADDED
New sequencer engine: SEQ: POLY
Macros

IMPROVEMENTS
Drive is now a modulation destination
8 new factory presets

FIXED
Fixed all known bugs

Supercritical’s Redshift 6
Redshift 6 is a true Sonic powerhouse. With 16 analog oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs, combined with complex yet easy-to-assign modulation possibilities and the 32-slot mod matrix, offer endless possibilities for sound design.

Each of the Redshift 6’s six voices features a Demon Core Oscillator, capable of generating up to 16 simultaneous analog oscillators per voice. These oscillators can be assigned in various ways, from lush polyphonic textures to a massive 96-oscillator unison.

For more in-depth info, including technical specifications, please visit the Redshift 6 webpage: https://supercriticalsynthesizers.com/redshift6/"

Thephonoloop Announces Availability of Outlines VI

video uploads by THEPHONOLOOP

https://www.native-instruments.com/en/products/komplete/samplers/kontakt-8-player/

Press release follows:


Thephonoloop announces availability of outlines VI, beautifully blending raw acoustic gestures with tape loops and modular-processed tonal experiments

KATOWICE, POLAND: Thephonoloop is proud to announce availability of outlines as its latest NKS (Native Kontrol Standard) ready VI (virtual instrument) for Native Instruments’ Kontakt Player free sample player — beautifully blending raw acoustic gestures with tape loops and modular-processed tonal experiments to spark musical momentum as the sample-based instruments with character-producing Polish two-person team’s approach to a collection of tonal variations designed to be combined and explored, each preset being an outline of a musical idea ready to be expanded and reshaped into something larger — as of March 12…

CLICK FOR MORE »

BlueARP v2.8.7: resizable GUI, sample-accurate timing & more

video upload by graywolf2004ru

"Video explanation for BlueARP v2.8.7 update
https://omg-instruments.com/wp/?page_...
Main features here: resizable GUI, sample-accurate timing, clock offset in milliseconds, some fixes for Mac users. Check the timecodes:
00:00 Intro
00:48 Resizable GUI
01:54 Sample-accurate setting
03:20 Clock offset setting
04:33 Fine GatePerStep scale
05:39 One personal thing"

😂 sometimes all you need is a pokey

video upload by errorinstruments paul tas

Pokey — Passive CV Performance Switch & Router (6HP) Pokey is a passive Eurorack module designed for expressive switching, routing, and mixing of two signals — whether audio or CV. At its core, Pokey is a hands-on performance tool: • Smooth manual crossfading between two inputs • Voltage-controlled switching and blending via CV or trigger • Works equally well with audio and control signals Because it’s fully passive, it requires no power and integrates easily into any system. What You Can Do With It • 🎛 Manual performance mixing — Blend two oscillators, textures, or modulation sources by hand. • ⚡ CV-controlled switching — Animate transitions using envelopes, LFOs, or triggers. • 🥁 Lo-fi “Lopez gate” style drum shaping — Use triggers to rhythmically open audio sources for percussive effects. • 🔀 Creative signal routing — Build evolving audio paths or modulation networks in compact systems. Specs • Width: 6HP • Passive design (no power required) • Skiff-friendly depth • Audio & CV compatible Pokey is simple in concept but powerful in practice — perfect for small performance systems and modular setups where space and immediacy matter.

EMW - Patch Synthesizer – Create & Modify Sounds Instantly (Juno, DW-8000, JX-8P & More)

video upload by EMW Synthesizers

Previous incarnations of the EMW Patch Synthesizer were featured here back in 2014 and 2011.

"Discover the Patch Synthesizer, a powerful tool designed to generate and transform sounds on classic MIDI synthesizers. In this video, I demonstrate how it works, including both Create and Modify modes, and how you can quickly explore new sounds without complex programming.
More info: info@electronicmusicworks.com
www.electronicmusicworks.com"

Birds by Aylesim -- Generative Melody Sequencer for Ableton Live (MaxforLive Demo)

video upload by Isotonik Studios

"Birds by Aylesim is a MaxforLive instrument that generates and evolves 16-step melodic sequences in real time -- no note programming required.

Get Birds here: https://isotonikstudios.com/product/b...

In this demo we walk through everything Birds offers: four generative styles (Stormo, Ostinato, Cantabile, and Puntillista), eight pitch mutation algorithms, and independent gate evolution controls that keep both the melody and the rhythm moving as the sequence plays.

The core idea is straightforward. Generate a sequence, set your Difference Limit, and Birds will drift away from that original reference and back toward it -- creating variation that stays musical. The bird-on-wire interface shows you exactly which notes are original, which have evolved, and which are inactive, so you always know where the sequence stands.

Whether you're building evolving loop beds, generating melodic material for a live set, or just breaking out of patterns you've played a hundred times, Birds gives you a sequence that works with you rather than sitting still.

Birds reads Ableton Live's scale and root key directly. Use it diatonic for in-key lines or switch scale mode off for chromatic and atonal results. Drive it from Ableton's transport or use MIDI Trigger mode to sync it to external hardware."



BIRDS BY ALESSANDRO AYLESIM MIRACAPILLO

WHAT IF YOUR MELODY COULD WRITE ITSELF?
MAKE YOUR OWN TRIPLE PACK: Buy any three or more Aylesim products at the same time and get a 20% Discount (automatically applied at checkout)

Static sequences repeat. Birds evolves. This MaxforLive instrument generates 16-step melodic sequences and mutates them in real time -- drifting away from the original idea and back again, creating melodies that breathe, shift, and surprise without losing their thread.

Inside you'll find:

Four generative styles -- Stormo, Ostinato, Cantabile, and Puntillista -- each producing distinct melodic character

Eight pitch evolution algorithms including Chromatic, Gravity, Smooth, Drift, Interval, and Rotate

Difference Limit control to set how far the sequence drifts from the original reference

Independent gate evolution with Shuffle, Density, and Chaos controls for rhythmic mutation

Generation tab with full control over density, note range, velocity range, and motif length

CLICK FOR MORE »

Lunacy Audio BISMUTH

video upload by DATABROTH

"This video is sponsored by Lunacy Aucio
Read my full review here: https://www.databroth.com/blog/bismut..."

"Crystallize your sound with Bismuth, a new Lunacy effect designed in collaboration with one of EDM’s most respected and iconic producers, Virtual Riot.

Bismuth is an iridescent color resonator which can transform raw sound into something tonal, melodic, and alive. By introducing resonant filters to any incoming sound, Bismuth generates lush harmonic layers tuned to specific chords and scales. Like light passing through a prism, what goes in clean comes out fractured into hidden harmonics, shimmering tones, and vivid, colorful textures. Designed for BEAM, our multi-effects engine, Bismuth, is also offered as a standalone effect plugin."

Introducing BLEASS Peaks: The Playable Polyphonic Filter Is Here (MIDI Performance Revolution)

video upload by BLEASS

"Meet BLEASS Peaks, a new generation audio filter that turns traditional filtering into a fully playable performance instrument.

➡️ In Internal mode, you can shape the sound using up to 32 resonant peaks/notches.
➡️ In MIDI mode, the plug-in becomes a playable polyphonic filter, where MIDI notes control the filter frequency. You can run up to 8 filter voices at the same time.

This lets you play filter movement using MIDI notes or chords, shaping drum loops and synths in real time. You can create evolving filter patterns, rhythmic effects, and perform filtering like a musical instrument.

🎨 Additional tools include 5 FX slots (distortion, delay, compression, bitcrush, and filters), plus LFOs, envelopes, and macros.

Discover its full features right now: http://bleass.com/peaks/"

BLEASS Peaks unites classic audio filtering with the spontaneous spirit of performance to deliver an entirely new class of creative filtering effects.

The plugin is built around BLEASS’ advanced multi-peak polyphonic filter design. When set to Internal control mode, this creates a single bell-filter curve containing up to 32 resonant peaks/notches. Details of the filter curve, such as the quantity, root frequency, and spread of the peaks/notches, are set parametrically, making it easy to shape the filter’s response and bring it to life via the plugin’s synth-style modulation sources.

BLEASS Peaks truly comes into its own when operating in MIDI mode. In this configuration, the filter’s root frequency is controlled via MIDI coming from live-played notes or a recorded track. Better still, BLEASS Peaks can generate up to eight such filters simultaneously, making this a true polyphonic filter.

MIDI control makes the filter fully playable and performable, opening up a whole new constellation of original and compelling filtering effects. Drum loops can be tuned to follow chord progressions, rhythmic harmonic pulses can be added to pads, arpeggios can be brought to life with complex frequency-shifting chorus effects… the creative possibilities are endless.

Additional colour and detail can be added to Peaks’ filtering via a set of five assignable Effects slots. These allow you to enhance the filtered sound with distortions, dynamics processors, delay, and even conventional low- and high-pass filters.

As with the filter itself, Peaks’ effects can be brought to life by the plugin’s various modulation sources, with each modulator mappable to up to four destination parameters. There are three LFOs, three envelopes triggered by the incoming audio plus a fourth triggered via MIDI, and four Macro controls. Alongside these internal modulators, the plugin also recognises various realtime MIDI CC and MPE sources.

Used as a conventional single-voice filter, BLEASS Peaks is at the top of its game, allowing easy-yet-deep control over the spectrum of your audio, and offering many ways to inject life and movement into the effect. Enabling MIDI control makes that advanced filter behave as a playable instrument, unshackling you from the limitations of conventional filtering and giving you direct hands-on control over the effect.

However you choose to use it, BLEASS Peaks is a uniquely creative, intuitive and fun tool for shaping, colouring, and injecting originality into your music.

Elastic OSC iOS MPE Update & Android Release

video upload by Elastic Instruments (Oliver Greschke)

"Elastic OSC 1.3 adds long-awaited MPE support to iOS.
Unlock expressive control and shape sounds with polyphonic aftertouch and per-note gestures.
Map Glide (X), Slide (Y), and Pressure (Z) to synthesis parameters and control them with external MPE controllers or the built-in keyboard (X and Y). As with any MPE instrument, all gestures work polyphonically, meaning each note can control parameters independently — for example different gains or timbres depending on the pressure applied to each key.

The Android version offers the same features as iOS — just at a much lower price!!

The update comes with more than 100 new presets by @JakobHaq , @redskylullaby , Nerk and others — lots to explore!

Update video by ALEXANDER EWALD

Mobile devices used in this video:
iPhone 13 Pro Max, iPad Pro 11.9", Samsung Galaxy S22+, Samsung Galaxy Tab S9 Ultra

MPE Controllers used in this video:
‪@intuitiveinstru‬ Exquis, ‪@Ableton‬ Push3, Roli Seaboard M, Embodme Erae

Elastic OSC download:
Google Play Store Link: https://play.google.com/store/apps/de...
Apple Store: https://apps.apple.com/us/app/elastic..."