Hans Zimmer NEW UPDATE! The Legend HZ Synthesizer

video upload by Kevin Schroeder

"Available at: https://www.synapse-audio.com/thelege...
Out now! Here is 'THE LEGEND HZ' by Synapse Audio Software.com
A collaboration between Hans Zimmer, Kevin Schroeder and Synapse Audio.

We have updated The Legend HZ to version 2.1.

The main addition is a paragraphic equalizer on the back panel, giving more tonal shaping options directly within the instrument. The compressor section also receives an upgrade with a new saturation feature, adding warmth and character to the final output.

For users working with alternative tuning systems, the updated version introduces microtuning support via MTS-ESP, opening up The Legend HZ to a wider range of musical styles and experimental workflows.

Rounding out the update are 50 new factory presets crafted by professional sound designer Kevin Schroeder, ready to use straight out of the box"

Introducing Kaona Fractaos

video upload by Kaona Modular Music

"Fractaos est un oscillateur polyphonique stéréo fondé sur la synthèse fractale.
00:00 – 02:17 : une présentation rapide pour expliquer les grands principes du module
02:17 – 17:04 : découverte de quelques presets
17:04 – fin : exploration libre et... improvisée

Fractaos is a stereo polyphonic oscillator built around fractal synthesis.
00:00 – 02:17: a quick introduction to the main ideas behind the module
02:17 – 17:04: a walkthrough of a few presets
17:04 – end: free exploration and improvisation

http://www.kaona.fr/"

Introducing Glou-Glou "Bien Jolie !"

video upload by Glou Glou

Playlist:

1. Glou-Glou "Bien Jolie !"
2. Glou-Glou "Bien Jolie !" Introducing
3. Glou-Glou "Bien Jolie !" - Controlled Randomness
4. Glou-Glou "Bien Jolie !" - Mineapolis Beat
5. Glou-Glou Bien Jolie ! - Sound Only / No Talk by Stazma
6. Explaining and testing Bien Jolie ! by Glou-Glou by Stazma
7. Glou Glou's Bien Jolie! as an insert with Tonverk. So many tones. by keinseier



Details:

9V DC 200mA PSU (not included)

Relay-bypass available via external footswitch (no built-in bypass switch)

Passive expression pedal input for direct performance control of parameters

Analog signal path: Filter → VCA → Output

6-mode rotary switch: Banjo, SuperTri, Audio In, Fuzz, Octave −1, Octave −2

Banjo + SuperTri modes generate sound internally (audio input not used)

Audio In / Fuzz / Octave modes use the audio input with adjustable input Gain

3 analog VCOs (triangle + square outputs, 2 modulation inputs each)

Resonant low-pass filter with PEAK control up to near self-oscillation

Rungler shift-register modulation with patchable inputs: Rung Clock and Rung Data

Semi-modular patch system with default internal routings (overridden by patch cables)

Patch-point signals normalized to ±5V (external CV should not exceed 5V)

Envelope follower outputs from audio input: Envelope + Envelope Invert

Octave down generator from audio input: −1 and −2 (best with monophonic sources)

3 MIDI Squares (clockable square oscillators) sync to incoming MIDI Clock

MIDI Squares also work without MIDI Clock via internal tempo setting, plus Random mode

Optional Desk-Sides for vertical station

New Kodamo Mask1EX MK2 Bitmask Synthesizer ~ Jade Vine Limited Edition

video upload by Kodamo

"The Mask1EX desktop synthesizer is back, with new looks and new features! Mask1EX MK2 offers 14-voice polyphony with two Bitmask oscillators for each voice - Bitmask Synthesis is exclusive to all Kodamo's Mask synthesizers, it produces a wide range of unique tones by using a single number as parameter. Mask1EX MK2 also has built-in effects, a looper, an arpeggiator and much more."



"It is back, with a totally new design, more powerful than ever! The Mask1EX is a desktop synthesizer that you can use with your keyboard, DAW, sequencer or any other gear with MIDI. Like other Mask synths, it is based on our exclusive Bitmask synthesis technology which generates up to 512 different waveforms for oscillators. It offers 14-voice polyphony with two Bitmask oscillators per voice and 2x2 parts of multi-timbrality (two parts of single or dual layered voices). Each part comes with stereo effects to make the sound warm and rich, plus a master effect with delays and reverbs. Like the Mask1 keyboard, the Mask1EX MK2 offers an incredible playing experience with its dynamic articulation system. Try the slurred, poly-mono and hybrid modes, they add a new dimension to keyboard playing, changing how the sound behaves as you play legato, staccato, neighbor notes or wider intervals.

Mask1EX MK2 is powered by USB-C and is extremely efficient with 1.5W of power consumption, which makes it easy to power by a battery, laptop or smartphone. USB supports class-compliant Audio and MIDI. We also included good old DIN MIDI ports for compatibility.

Mask1EX MK2 offers high-end features at a fair price, with balanced stereo outputs, 200 memory slots for your own sounds, 377 factory presets, full CC mapping of all synthesis parameters, customizable velocity and aftertouch curves, and a lot more.

Inspiration does not wait, so we optimized the Mask1EX MK2 to be extremely quick at startup, it starts in 0.5 seconds. Press ON and play! And it remembers the last sounds you used.

This Jade Vine limited edition gets you a stylish turquoise steel enclosure and a colorful front panel.

Your unit is fully assembled by hand in France, except for surface-mount electronics.

What's in the Box:
Mask1EX MK2 synthesizer

Printed quick start guide (refer to MASK1's user manual for detailed operation)
USB Power supply with EU, UK, US/CA/JP and AU/NZ plugs. If you have no matching plug for your country, you have to use your own power source. Any phone charger or device with USB port will work.

USB-A to USB-C cable"

New Fairlight CMI Lightpen USB Mouse Interface

Overview video upload by DeftAudio

"The Fairlight CMI USB Lightpen Interface replaces (or complements) the original lightpen with a standard USB mouse, making navigation faster, easier, and far more accessible. Designed specifically for Fairlight Series I/II/IIx, this compact interface bridges vintage hardware with modern usability."

https://deftaudio.com/store/tproduct/...



The Fairlight CMI USB Lightpen Interface replaces (or complements) the original lightpen with a standard USB mouse, making navigation faster, easier, and far more accessible. Designed specifically for Fairlight Series I/II/IIx, this compact interface bridges vintage hardware with modern usability.

Originally designed in 2010 by Joe Britt, in 2026 Joe and Deftaudio have redesigned it for better look and feel, added an extra cursor mode, aluminum enclosure and powder coated side panels with silkscreen.

KEY FEATURES:

USB Mouse Control
Navigate your Fairlight interface using a standard USB class-compliant mouse
No drivers, no setup, plug and play
Designed for simple, reliable mice (no special features required)

Works Alongside Original Light Pen
Keep your existing light pen connected
Seamlessly switch between light pen and mouse—or use both simultaneously

Dual Cursor Modes (NEW)
Mode A: Small, precise cursor for detailed work
Mode B: Large, highly visible cursor for navigation
Switch instantly via front-panel toggle, no reboot required

Buffered Video Output
Additional RCA composite video output on the rear panel
Drive a second monitor simultaneously with the original display
Ideal for expanded viewing, demonstrations, or studio setups

Premium Build Quality
Custom-designed PCB with fully assembled components
Rugged metal enclosure matching Deftaudio’s Luma One production standards
High-quality silkscreened front and rear panels
Built for durability and long-term use in professional environments

Simple Setup
Connect the interface between your Fairlight system and monitor
Plug in a USB mouse
Power on—LED confirms device recognition
Start navigating instantly
Optional: connect a second monitor via composite output for dual-screen operation.

Compatibility Notes
Supports USB class-compliant mice only
Not compatible with advanced gaming or feature-heavy mice
Requires monitor(s) with composite video input for video output feature

You'll receive:
1. Lightpen USB Mouse Interface
2. Video Cable
3. USB-B power cable
4. Power adapter

4/9/26 Metasonix RK7 RK2 RK8 + Beers Melakarta & DAC + ALM Pamela’s New Workout + Alesis MIDIVERB II

video upload by Cfpp0

This is the first post to feature the Beers Melakarta.

"Feeding the Beers DAC and Beers Melakarta several triggers from ALM Pamela’s New Workout, and then modulating the pitches of the two Metasonix RK7 VCOs and the CV on the Metasonix RK8 Filterwall. Gated reverb from the Alesis MIDIVERB II."

"The idea for this module came from my friend Rodrigo Kendrick. He was a bit burned out on western tonal structures, and had recently missed out on an electronic lehra machine in a facebook marketplace deal which fell through. These machines are a kind of practice tool for carnatic musicians that plays a wide variety of different raga. Think that 'casio auto-chord' function on old casio keyboards, but for carnatic music.

Unwilling to wait for another one to come up on the used market, he did some cursory research, and sent me an early-morning design document, expanding the functionality of DAC with a scheme of two rotary switches and one toggle switch to select the pitch sets for all 72 Melakarta ragas and specified a clock input that would run up and down the selected raga in ascending then descending order, with the ability to turn around or reset on command. In theory this would allow the complex rhythmic and sequence rules of the raga to be implemented with external logic and sequencers, but still give the module enough sequencing functionality to explore the pitch sets of these raga on it's own.

I got excited and went a bit silly 'helping' until we had shoehorned in a pile of other features like binary addressability of the selected swara (interval), gate outputs for each swara, an 'inhibit' input that mutes the transposition voltage while the clock continues in the background, CV controlled halving of the clock frequency, extra +1oct input, and the logic-inverting toggle switches from the DAC on several inputs.

This design is all analogue using discrete MOSFETs and 0.1% tolerance resistors in a weighted DAC driven by a 4000-series CMOS based sequencer.

Yes, it might have been simpler to use a microcontroller."

Meet the Glitch Boy - 8-bit AV synthesizer

video upload by melt dream

"Kickstarter: https://www.kickstarter.com/projects/...

Meet Glitch Boy: a compact instrument that turns 8-bit games into live glitch visuals and doubles as a chiptune synthesizer.

Inspired by hacked consoles, Glitch Boy recreates those hardware corruptions and lets you control them precisely"

Some additional info via Martino, the creator of Glitch Boy, followed by the press release:

"Glitch Boy is an hardware instrument that turns NES-compatible ROMs into glitch video synthesis material and also doubles as a 4 voice chiptune synth.

Basically a hacked retro console, both desktop standalone and for a Eurorack system.

It has hands-on controls for real-time glitching, MIDI, audio reactivity, composite video out, CV input, and both standalone and a few more fun things.

It's a project I have been developing since last year for my brand Melted Electronics, under which I have released glitch devices for 5+ years."

We’re launching it on Kickstarter on April 14th."

Press release:

"Glitch Boy by Melted Electronics

Glitch Boy is an audiovisual instrument for glitch artists, musicians, and experimental image makers.Inspired by hacked retro consoles, It loads NES- compatible ROMs from microSD and lets users manipulatetheir graphics and sound in real time using onboard controls, MIDI, audio input, or CV.

It also functions as a 4-voice chiptune synthesizer, and is available in both standalone and Eurorack versions.

Quick facts
Loads NES-compatible ROMs from microSD

Real-time glitch control via knobs and buttons

MIDI input for automation and controller mapping

4-voice chiptune synth engine playable via MIDI

Audio-reactive glitching via line input

2x CV inputs for Eurorack / modular integration

NTSC and PAL composite video output

Open and hackable firmware

Available in standalone and Eurorack versions

Launch details
Launches on Kickstarter: April 14, 2026
Early Bird price: €150
Standard price: €170
Estimated shipping: Early Bird June 2026, general July 2026

Kickstarter

https://meltedelectronics.com

Using the New Public Domain SIDs in MIDISID

video upload by MIDI IN

"This is the new Public Domain SID or PDSID by Matthias. I hope to be able to make and supply these with MIDISID. In the mean time, they're available direct from him and can easily be fitted.

Public Domain SID at uni64.com:
https://uni64.com/shop/index.php?syst...

MIDISID:
https://peacockmedia.software/midisid/"

Déjà vu: Flexible Fader Control for Audio & CV│Bastl Instruments

video upload by Bastl Instruments

"Bastl Déjà vu is a Swiss knife for your Eurorack System that adds fader control to your modular system for many scenarios. It stands out as a simple yet powerful utility module that can do crossfading, mixing, signal boosting, voltage processing, attenuation or attenuversion. All that in 4HP and with the possibility to chain several of them to mix even more signals."



Powerful Voltage Utility module for voltage processing, attenuation, signal boosting, crossfading, and mixing

Déjà vu adds fader control to your modular system and it stands out as a simple yet powerful utility module that can do voltage processing, mixing, attenuation, attenuversion, signal boosting, crossfading and mixing.

All that in 4HP and with the possibility of chaining several units to mix even more signals.

SWISS KNIFE FOR YOUR RACK

Déjà vu has two almost identical channels A and B. Each channel has the FADER input and the ADD input and an output with light indication. The FADER MODE switch alters the behavior of the module, either attentuating or attenuverting the FADER input where the ADD input will be added to the processed FADER input. The last option is crossfading between the FADER Input and the ADD input which is great for creating performance oriented macro controls.

CLICK FOR MORE »

Q DRM - 4 – Four Analog Drum Voices for Eurorack Modular

video upload by HOX808

"Q DRM - 4 is an analog Eurorack module with four independent drum voices. Its Twin-T resonator design delivers 808-inspired bass, tom, and percussion sounds when triggered — from claves and rimshots to bongo- and conga-like tones. The color-coded controls let you dial in each voice’s fundamental range, while separate outputs per voice provide maximum flexibility for patching, mixing, and further sound shaping. More info and sound examples: https://www.orpho.de/qdrm4/"

How's the Serenity?

video upload by cirtcele

"Quad reverse sigmoid chaos module with CV inputs, sync controls and mixed outputs
https://www.nonlinearcircuits.com/mod...

single 1U version - https://www.nonlinearcircuits.com/mod..."

"This module is a set of 4 reverse sigmoid chaos circuits, running at different frequencies, there are pots to feed each section into another and influence, sync – sort of, the action. There are also CV inputs for each section which affect the reset or crossover timing, for the faster ones the results are obvious. For the slower ones, give it a few hours.

The reverse sigmoid circuits are similar in concept to the mackey-glass based design used in the NLC Frisson, but are greatly simplified to a bare minimum of parts. Simply an integrator, two all pass filters and a nonlinear stage with two feedback paths. The nice thing about them is you can use any capacitors you like, so long as all three are the same, and the circuit will work with no other mods required. The sections in this module use 1uF, 10uF, 2x 1000uF in series (so 500uF) and 2x 2200uF in series (so 1100uF).

They work quite differently to the Sloth chaos circuits, with a number of ripples or rolls between each attractor, also the three outputs track each other, the faster ones are delayed by a few seconds, the slower ones by minutes. The intent of having 4 different circuits running together with pots to get them to influence each other is to have a module that can create longer tracks with many different but related musical events happening and, of course, weird delayed CV effects. Think of a band where the members all do their own thing but every now and then the sounds and patterns connect and achieve structure, which slowly scatters and reforms in new ways.

Feel free to change the 1uF caps to a higher or lower value, similarly for the 10uF. Stack capacitors on top of each other to get 20uF, or use Tayda 22uF caps and stack them. See pictures on pg6 for info on which caps to change. Make sure the capacitors have at least a 25V rating or higher.

If you want to use larger values than 1000uF and 2200uF, make sure they will fit on the PCB and/or thru the panel holes (1000uF on PCB are 10mm diameter, 2200uF panel holes are 16.8mm)

There are also two difference rectifier circuits which output complex mixes of the individual chaos circuits."

1U REVERSE SIGMOID
DESCRIPTION/USAGE

6hp

This module is a reverse sigmoid chaos circuit; it can be built to run as a fast or slow CV source, or even as an audio/noise source. This is a single version of the four chaos circuits in the NLC How’s the Serenity module.

The reverse sigmoid circuits are similar in concept to the mackey-glass based design used in the NLC Frisson, but are greatly simplified to a bare minimum of parts. Simply an integrator, two all pass filters and a nonlinear stage with two feedback paths.

The nice thing about this design is you can use any capacitors you like, so long as all three are the same the circuit will work with no other mods required. The capacitors are marked ‘C’ on the PCB, 1uF is a good mid-range value to install, but 10uF, 22uF are good too albeit much slower. Lower values than 100nF get you into audio rate territory. Make sure the capacitors have at least a 25V rating or higher.

This works quite differently to the Sloth chaos circuits, with a number of ripples or rolls between each attractor, also the three outputs track each other, the faster versions are delayed by a few seconds, the slower ones by minutes.

The Input expects a positive CV, negative going CVs won’t hurt but will have no effect. The CV signal feeds into the first all-pass filter stage via 10k and a diode, this is different to the method used on How’s the Serenity. On slower builds, using 10uF caps, the effect of the CV will be washed out to some extent. It will still have an effect but not as noticeably as on the faster versions.

UVI Introduces Vintage Vault 5 & Vintage Casio Legacy

video uploads by UVI



Playlist:
1. UVI Vintage Vault 5 | Trailer
2. UVI Vintage Vault 5 | Showcase
3. UVI Vintage Casio Legacy | Showcase
4. UVI Vintage Casio Legacy | Overview

"Vintage Vault 5 - The Ultimate Vintage Synth Collection
https://www.uvi.net/vintage-vault-5

Discover a living collection of synthesis drawn exclusively from real hardware bringing together 43 UVI instruments spanning five decades of electronic sound, from the warm, evolving textures of early polyphonic analog synths, to the crisp digital voices that defined the '80s and '90s, to the obscure prototypes and cult machines that quietly shaped entire genres, this collection captures the true sound of the hardware that defined modern music.

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass

Video credits: Anthony Hak
Music credits: Harel Tsemah"

"Vintage CASIO Legacy - Legends of Digital Instrument
https://www.uvi.net/vintage-casio-legacy

A premium collection built to honor a generation of iconic instruments, while unlocking their full potential in a modern workflow. With six classics, a Multi groove engine, deep editing, and a huge preset library, it’s a uniquely CASIO sound world for today’s producers, composers, and sound designers.

Also included in the new Vintage Vault 5 ➡️ https://www.uvi.net/vintage-vault-5
Also included in SonicPass ➡️ https://www.uvi.net/sonicpass"

UVI Vintage Vault 5 - FIRST LOOK and Synth Demo!

video upload by MATTHS

"Massive demo of several of the new synths inside of UVI's Vintage Vault 5."

https://www.matthsmatthsmatths.com

UVI Vintage Vault 5 | No Talking | ‪@UVIofficial‬

video upload by DKS SYNTH LAB

"Welcome to DKS Synth Lab! In this video, we explore UVI Vintage Vault 5 with some of the new instruments included in the collection!

Video recorded in collaboration with ‪@UVIofficial‬"

AIR Music Tech & Akai Professional Introduce Fabric Vintage Synths Vol. 1

video upload by AIR Music Tech

"Three legendary analog synths. One modern synthesis environment. https://inmusic.to/2p977r6r

From lush pads to punchy basses and soaring leads, Fabric Vintage Synths, Vol 1 channels the sonic character of three iconic hardware synthesizers, bringing new creative inspiration to your MPC or DAW-based workflow.

Inspired by three of the most influential analog polysynths ever created, this collection includes the Fabric Vintage Pro, Fabric Vintage Jup, and Fabric Vintage Memorymoog. Each instrument in this collection captures the sonic DNA of cherished 1970s and 1980s polyphonic synthesizers and places it inside a powerful, modern instrument designed for how producers, composers, and synthesists work today.

These instruments have been reimagined through the AIR Advanced Multi-Sample Synthesis Fabric Engine for flexible, intuitive music-making. This shared engine allows each synth to retain its unique identity while benefiting from a common, modern workflow across MPC hardware and desktop DAWs."

Coming to Soundpaint: 505 String Machine

video upload by Soundpaint

"Vangeli's Secret Weapon, the other half of Blade Runner, the warmth machines can’t fake. The 505 String Machine brings the legendary RS-505 back with ultra-deep sampling and unmistakable analog motion.

Coming soon to Soundpaint with a custom 505 C.A.F™ modeled filter.
Soundpaint™ is a new analog-style sampling technology.

Soundpaint renders all instruments in real-time in 127 dynamic velocity layers. It shortens the distance from idea to realization. Instantly morph a waterdrop with a violin. Play the most iconic instruments of all time in exquisite realism and fidelity. True analog-modeled effects. Advanced and organic arpeggiator. A deep matrix for those who desire.

Welcome to the dawn of Real-Time Sampling™

Soundpaint is available at www.soundpaint.com"

Elektron Acquired by Bonnier Capital

via Elektron

The Swedish company will continue to operate from its headquarters in Gothenburg and its subsidiaries in Los Angeles and Berlin, with its team, brand, and product development focus intact.

Gothenburg, Sweden — April 8, 2026 — Elektron, the Swedish instrument maker behind a range of electronic musical instruments and performance tools, today announced that it has been acquired by Bonnier Capital, the long-established Swedish family-owned media group with international operations.

The acquisition of Elektron Music Machines AB from a consortium led by EMM Intressenter AB provides long-term support for Elektron’s continued development, international growth, and future expansion. Elektron will maintain full independence and continue to operate from its headquarters in Gothenburg, as well as its subsidiaries in Los Angeles and Berlin, with its existing team, brand, and commitment to creating instruments and tools for music makers worldwide.

In connection with the transaction, Jonas Hillman, Alexander Hellström, together with the management team, will reinvest alongside Bonnier Capital, reaffirming their ongoing commitment and active participation in Elektron’s journey.

Since its founding in 1998, Elektron has established a distinct position in electronic music through its unique approach to sound, sequencing, and performance-oriented design. As part of Bonnier, the company will gain access to broader strategic resources while preserving the focus and identity that have defined Elektron over the years.

“Elektron has built a truly distinctive position at the intersection of technology, creativity, and music culture. We are deeply impressed by the team’s craftsmanship and vision, and we see strong alignment with our long-term approach to building enduring, creative businesses in the music industry. Our ambition is to support Elektron’s continued growth while preserving the unique identity that has made it so respected by artists worldwide,” said Jonas Von Hedenberg, Investment Director at Bonnier Capital.

Alexander Hellström, CEO of Elektron, added: “Joining Bonnier marks an exciting new chapter for Elektron. It gives us the support and strategic backing to keep doing what we love most—creating inspiring instruments and pushing the boundaries of sound and performance. At the same time, this is just the beginning of a more ambitious journey ahead. Together with Bonnier Capital, we see strong opportunities to grow further, as we expand our role in shaping the future of electronic music creation.”

For customers, partners, and the wider Elektron community, day-to-day operations continue as usual. Ongoing product development, support, and existing business commitments remain unchanged.

SPIKES 2026 prototype special edition only 50 made

video upload by errorinstruments paul tas

Cuckoo Teases a New Hardware Synth from Auxy

video upload by True Cuckoo

"I put my heart and sounds into this new keyboard!"

👀 https://auxy.co/

Tour dates: https://www.truecuckoo.com/

HAPAX 3.00 – IMPROVED MPE + VIRTUAL CABLES

video upload by Squarp instruments

"✨ We’re excited to announce that hapaxOS 3.00 is now available for download!

This major update introduces powerful new features, including MPE support and Virtual Cables, along with a range of bug fixes and performance improvements.
This opens up exciting new workflows for integrating the Hapax with your DAW or other gear.

To fully support the complexity and data demands of MPE, we’ve deeply reworked the system architecture. This is why we’ve moved to version 3.00: it marks a significant milestone for Hapax. The result is a more robust and reliable experience than ever before, including when working with classic Poly tracks.

A big thank you to all our beta testers who helped us refine this release over the past two months!

If you're a Hapax user—or considering becoming one—this update is definitely worth checking out."

🕘 Timestamps
0:00 Intro : jam
1:40 How to export a pattern
2:00 How to import a pattern
2:47 How to mix & match patterns

ALT synthesizer first major update

video upload by cyma forma

"ALT is upgrading to version 2.0.

this update brings many requested features:

ADSR envelope
microtonal scales
microtuning edit per note
chord progression midi mode
portamento
and more...

thanks a lot to Chapelier Fou for giving us the idea of the midi mode 4.

read the release note: https://cymaforma.com/v2-release-note/"

Parapulse – Morphing Noise Generator for Eurorack Modular by Orpho

video upload by HOX808

"Parapulse is a Eurorack noise generator with an integrated filter and frequency modulation. From crisp white noise to warm pink noise, it opens up a wide range of textures, atmospheric layers, and organic impulses.

From icy fog and cosmic dust to Geiger counter clicks, paranormal intergalactic tones, and fine vinyl crackle, *Parapulse* puts noise in motion.

In this demo video, Parapulse is used together with the Bode Frequency Shifter for sound manipulation. CV control is also provided by the [Orpho Voltglider (https://www.orpho.de/voltglider/) and a CV joystick.

More information at [www.orpho.de](https://www.orpho.de)"

Googlish (original German below):

The Parapulse Noise Generator—equipped with an integrated filter, frequency modulation, and the ability to transition seamlessly from white to pink noise—offers a rich palette of soundscapes for experimental musicians and sound designers. The module provides a wide variety of noise types, ranging from crisp, high-frequency white noise to soft, deep pink noise, making it ideal for generating atmospheric textures or serving as a foundation for percussive elements and effects. The built-in filter allows users to precisely shape the frequency content of the noise, enabling the creation of both subtle timbres and dramatic effects. Frequency modulation further expands the sonic spectrum by facilitating dynamic shifts and modulations within the noise, resulting in complex sonic textures. The seamless adjustment between noise colors—free of audible steps or interruptions—offers a unique level of flexibility and control that would not be possible with a conventional white noise generator.

Original German:

Der Parapulse Noise-Generator, ausgestattet mit einem integrierten Filter, Frequenzmodulation und der Möglichkeit, nahtlos von weißem zu rosa Rauschen zu wechseln, bietet eine reiche Palette an Soundlandschaften für experimentelle Musiker und Sounddesigner. Das Modul bietet eine Vielzahl von Rauscharten, von klarem, hochfrequentem weißem Rauschen bis hin zu weichem, tiefem rosa Rauschen, ideal für die Erzeugung atmosphärischer Texturen oder als Grundlage für perkussive Elemente und Effekte. Das eingebaute Filter ermöglicht es dem Benutzer, die Frequenzanteile des Rauschens präzise zu formen, um sowohl subtile Klangfarben als auch dramatische Effekte zu erzielen. Die Frequenzmodulation erweitert das klangliche Spektrum zusätzlich, indem sie dynamische Veränderungen und Modulationen im Rauschen ermöglicht, was zu komplexen Klangtexturen führt. Die nahtlose Einstellung zwischen den Rauschfarben ohne hörbare Schritte oder Unterbrechungen bietet eine einzigartige Flexibilität und Kontrolle, was mit einem herkömmlichen White-Noise-Generator so nicht möglich wäre.