MATRIXSYNTH: News

Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Thursday, October 01, 2026

Master Your Modular Rhythms! // SIGMA from Vostok Instruments


video upload by DivKid

"Sigma from Vostok Instruments takes clocks, triggers, gates, even audio (good destructive fun) and turns them into gates you can control and modulate the length of. Sounds simple, but the ability to control gate length, add NOT outputs as gate delays and the logic section which takes Sigma to a whopping 23 outputs is fantastic!"



"Sigma is a multi-channel gate processor with a strong focus on rhythm and time-event manipulation.

The module generates up to 23 simultaneous gate signals directly related to the four gate inputs, allowing you to fire an entire array of synced events in your patch by just moving pots and connecting cables.

The core of the module is composed of four identical CV-controlled gate-length processors that create exact copies of your gate signals with adjustable length.

The Logic section creates new events from each length-processed pair using analog Boolean circuits.

Pair Sigma with a trigger sequencer or clock generator, and a bunch of drum modules or voices to get a vast amount of new rhythmical patterns on the fly.

- Four CV-controlled Gate Length Processors.

- Fully adjustable Length from 1ms to infinite.

- Dedicated NOT Output per channel.

- Dedicated Logic section adding 15 extra gate outputs with AND, NAND, OR, NOR and XOR operations for each pair of channels.

- Hybrid design combining a digital length processor with fully analog logic circuits to ensure minimal latency."

Norand Mono v3 from DenverSynthLabs


video upload by manmade madman

"Here's a quick demo of the new VST from DenverSynthLabs. Showing its wide capabilities as a dual oscillator bass synth, but also much much more. Using MOD notes-- single sounds-- you can even program drum tracks monophonically."



via DenverSynthLabs

"The Norand Mono mk1 and mk2 were left unfinished — firmware issues that never got solved, a company that went insolvent before it could fix them. MONOv³ finishes the job: updated firmware for your real hardware, plus a full digital twin with infinite patch storage, easier workflow, and near bit-perfect sound. Own a mk2? Load the firmware, run the hardware as a controller sending MIDI CC to the plugin, and pair it with the software for a NORAND DUAL."

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Meet The New FLpad: the FL Studio grid controller range


video upload by Novation and FL Studio

Everything you need to know about the NEW FLpad

video upload by Novation and FL Studio

Novation FLpad vs FL Key 2 vs Akai Fire: Which is better for FL Studio? // Review & Tutorial

video upload by loopop

TIMELINE: 0:00 Intro 1:00 Overview 3:20 Sequencer 4:00 Notes 4:55 Patterns 5:35 Channel Rack 6:40 Mixer 7:10 Graph Edit 9:15 Custom Modes 10:40 Plugin Control 12:00 Performance 13:00 Pros & cons 14:05 FLkey 2 15:15 Akai Fire 16:30 Outro

"Explore our full FL range - https://novationmusic.com/fl?utm_sour..."



"Introducing the new FLpad, co-developed with Image-Line. FLpad Mini and FLpad were created for fast, hands-on beatmaking in FL Studio’s Channel Rack.

Teaming up with Image-Line once again, our latest collaboration brings you our very first grid controller made specifically for FL Studio.

Use the 64 velocity-sensitive, RGB-backlit pads to play or step-sequence drums and melodic parts, slice samples, create and edit Patterns, and more. Sequence up to four instruments at once, get creative with drums and melodic parts, and arrange your ideas.

From the user interface to the firmware and DAW scripts, FLpad has been designed with FL Studio in mind and shaped by our ongoing collaboration with Image-Line and features an array of dedicated controls for building tracks with Patterns, mode switching, transport control, undo/redo, and more.

Plus, with Novation Components, you can easily create custom layouts for specific FL Studio workflows or for working with other software and hardware."

Day Project: Meet Nibbi - CHOMPI Goes Virtual


video upload by TemeculaDSP

"Don’t mean to throw you for a loop, but… meet NIBBI.

The folks at Chase Bliss and CHOMPI Club released CHOMPI’s firmware under the MIT license [see the announcement post], so I’ve adapted it to run in your DAW as a VST, Audio Unit, and AAX plugin for Pro Tools.

Record and sample sounds, play them across the keyboard, layer tape-style loops, and get weird with lo-fi saturation, wow and flutter, delay, reverb, and filters.

Big thanks to Chase Bliss and CHOMPI Club for opening this up!

Check it out: https://www.temeculadsp.com/nibbi"

Update:

Nibbi - How to start!
video upload by TemeculaDSP

BLOT - Experimental Modal Synthesizer


video upload by Laboratory 0

"BLOT is an experimental modal synthesizer played by shaping matter instead of turning knobs: the geometry of a lump on screen is the patch.

Every piece of the lump is a modal resonator, eight damped oscillators tuned by its size. Smaller pieces ring higher, and sizes settle on just-intonation ratios of the MIDI root. How far apart the modes spread, how bright they are and how long they ring follow the piece's shape and heat. They are excited by a slow breathing noise, by strikes, by friction as you sweep over the matter, and, when it runs hot, by droplets: short tones above the ringing that rise as they burst.

Pull out a tendril and it becomes a plucked waveguide string, pitched by its length. Press in a dent and it becomes a formant filter, a mouth whose position sets the vowel. Cut a piece and its modes split into two pitches. Pieces that come close ring-modulate each other, and pieces that meet fuse back into one.

Rubbing heats the matter: the modes stretch and each piece's drive saturates. Pushed harder, a 4× oversampled multiband saturator with a feedback comb tuned to the root takes over from clipping. Memory, an eight-line feedback delay network, holds what the matter has played. MIDI notes move the root and strike every piece. Two engines play the same matter: default stays clean until the matter is rubbed or overloaded, while intense heats and drives it with every cut and strike, and makes hot pieces crackle. “Pause" freezes the matter in place while it keeps sounding.

VST+AU, macOS only
Free Download: https://laboratory0.gumroad.com/"

Wednesday, September 30, 2026

OXI Coral Firmware 3: Build Your Own Custom Firmware


video upload by OXI Instruments

"With firmware 3, Coral revolves around you. Pick the engines you need, compile your own custom firmware right in the browser, and upload it to Coral in a few clicks.

In this video we walk through the new updater and show some of our favorite new features:

FMX7: our take on the classic DX7. 6 voices, 6 operators, and support for classic DX7 patches from the SD card

OB-va: our take on the Oberheim sound, with unison, detune, and selectable filter poles

String 2: inspired by Solina-style string synths, with a new chord mode

Pianoz: house pianos, Rhodes, and organs

Acid2 and Stitcher, an experimental drone maker (more on this one soon)

On-module options menu: no more editing the TXT file

Drone mode: sustain any engine and shape it with a low pass gate

This is just the tip of the iceberg. Check the release notes and the manual for the full list of new features.

This Tiny Synthesizer Runs On Pure Light | Solarix Demo


video upload by Sid Rockett

"Introducing Solarix a tiny, self-powered synthesizer featuring an integrated solar cell that runs completely on light. No batteries, no USB power, and no external power supply needed.

In this video, we test Solarix to see how ambient light and shadows dynamically alter its pitch, rhythm, and sonic textures. As light intensity changes, the circuit reacts in real time, turning photons into raw analog chirps, evolving drones, and rhythmic glitches.

⏱️ Chapters:
0:00 - Intro: Meet Solarix
4:10 - Solarix Sound Demo & Light Modulation
6:25 - Running Solarix through Reverb & Delay
3:00 - Outro

👇 Gear & Setup:
Synth: Solarix Solar-Powered Synthesizer
Audio Recorder: [Insert Recorder Name]
Effects Used: [Insert Reverb/Delay Pedal or FX, if any]


✌️ I’m Sid Rockett, a designer and explorer of experimental synthesizers and custom noise-machines.

Reflection 2.4: modular DAW records Metasurface gestures, adds chaos modulation

Reflection DAW Showcase - Videos created by our users

Tips and Tricks

video uploads by ReflectionDAW


"Reflection 2.4 is out. Reflection is an independent modular DAW and plugin host hand-coded in C++, for Windows, macOS and Linux.

THE METASURFACE, NOW WITH TAKES
Snapshot every parameter in the whole rig, place the snapshots on a 2D surface, and drag between them. The entire setup, plugins included, morphs in one gesture. New in 2.4, that gesture can be recorded as a take and played back in 16 slots: loop, reverse, palindrome, speed and follow actions, synced to the transport.

DIY LAB, NOW WITH CHAOS
Build your own modules from 60+ blocks and bake them into a single node. 2.4 adds a Strange Attractor with 11 shapes drawn live, a Chaos Oscillator, and Boids flocking as modulation you can wire to anything.

€100 perpetual, all 2.x updates included, no subscription, no telemetry. The free 45-day demo has every instrument and effect."

You can find additional details at https://reflection-daw.com

Meet: Polyfold


video upload by Manifest Audio

"Polyfold is a multidimensional Max for Live sequencer, built for advanced polymetric MIDI sequencing and creative long-form electronic music production.

With 16 independent sequencer lanes and up to 1024 steps per lane, Polyfold enables large-scale step sequencing, generative pattern development, polyphonic output, and cross-lane interaction beyond the limitations of conventional step grids.

Available now for Ableton Live 12 and up at: https://manifest.audio/polyfold

Key Features:

• 16 independent parameter sequencers
• Up to 1024 steps per lane
• Dual rate-stage sequencing (Multiply + Divide)
• 4 polyphonic pitch lanes with per-note probability
• Internal pattern preset libraries with custom recall
• Long-form Transpose sequencer for extended progressions
• Global Chance, Velocity, Length, Hold, and Ratchet sequencing
• Modulation sequencers with OSC and MIDI CC output
• X-Relay routing for flexible MIDI distribution

Polyfold is designed for producers working with polymetric sequencing, generative composition, algorithmic sound design, and long-form musical installations."

Diosynth Live: A New Companion App for Diosynth


video upload by ASM Ashun Sound Machines

"Diosynth Live is now available for iOS and Android, bringing fast access to your favorite patches, system settings, and MIDI settings directly on your mobile phone.

Find the Diosynth Live app on the Apple App Store and Google Play Store.

0:00 intro
0:28 App organization
1:00 requirements
1:25 connecting to the app
1:40 USB connection
2:17 Bluetooth connection
3:00 Favorites
3:45 Setup tab

Learn more at ashunsoundmachines.com

#Windsynth #EWI #diosynthlive #diosynth #asm #Ashunsoundmachines"

Press release with additional details:

CHOMPI is Open Source!


video upload by chase bliss and CHOMPI CLUB

"Our little pal CHOMPI is officially being discontinued.

That's the bad news.

The good news is that we've decided to make it open source as a result. You now have everything you need to edit firmware, create your own firmware from scratch, and even physically build a DIY CHOMPI of your own.

We're also releasing a new beta firmware called WAVE – a wavetable synth – that's available for everyone to play with, and an ideal starting point for open source work.

You can find everything you need to get started on the CHOMPI website.

Open source info here:
https://www.chompiclub.com/opensource

WAVE firmware here:
https://www.chompiclub.com/firmware"

Tuesday, September 29, 2026

M-Vave FM-1| Now is VA Synthesizer | Full Tutorial Of new engine & sequencer


video upload by NatLife Sounds

"Buy 'Ambient & Dreams' FM soundbank for FM-1: https://natlifesounds.com/product/amb...

Download new custom FIrmware from BaudGirl: https://baudgirl.com/work/FM-1+VA

M-Vave FM-1 page: https://www.m-vave.com/product?id=fm-1

Hi everyone!
Just yesterday, I downloaded the new firmware from BaudGirl and started exploring it. In this video, I’ll tell you what I’ve figured out so far and demonstrate some new sounds - created using the new VA engine and the updated sequencer’s new features.

Timeline:
00:00 - 00:54 Introduction
00:54 - 02:15 A new VA engine sound "Melodic Techno" SEQ
02:15 - 04:10 A new VA engine sounds "ACID" SEQ
04:10 - 04:25 About Baud Girl custom Firmwave update
04:25 - 04:55 How I made the Demo sounds
04:55 - 05:45 Tutorial part 1: EDIT button
05:45 - 07:36 Tutorial part 2: Oscillator + Knob 1,2,3,4 update
07:36 - 08:41 Tutorial part 3: Filter
08:41 - 08:53 Tutorial part 4: LFO
08:53 - 09:01 Tutorial part 5: ENVelope
09:01 - 09:52 Tutorial part 6: FX
09:52 - 10:10 Tutorial part 7: Knobs (Macros for Knobs)
10:10 - 10:42 Tutorial part 8: The rest functions (Preset Name, Erase/Copy Voise and other)
10:42 - 12:23 Tutorial part 9: GLObal
12:23 - 13:56 Tutorial part 10: ARP
13:56 - 17:59 Tutorial part 11: SEQencer Update
17:59 - 19:30 Tutorial part 12: SEQencer - ACID
19:30 - Conclusion"

Additional demos:


Playlist:

1. New FM-1 Firmware - DECIMA1
2. Mvave FM-1 | Custom Firmware by BAUDGIRL - Overview - Stanley Gurvich
3. M-Vave FM-1 - Baud Girl Firmware Install - EASY - ElektroTV
4. almost thirty minutes with the m-vave fm-1's new alternate firmware - if…?

A Unique Eurorack Multi FX Design // FUM by Nano Industries


video upload by DivKid

"Here's FUM from NANO Modules which is a Eurorack Multi FX module with a simple, easy to use interface and powerful unique design for combining and performing with multiple FX running at the same time. There's DJ style filtering, noise and texture generators, pitch shifting, two delay flavours, chorus, flanger, reverb ... all the good stuff and there's on board modulation LFOs and stepped random too! As usual loads of examples and techniques, all in the timing index below skip around and enjoy the video."



Six stereo effects, direct control. Delay, Reverb, Pitch, Chorus/Flanger, Texture and a Color filter. Each on a single bipolar control, where the centre is off and each direction opens a different character. An internal Motion modulator animates them all while you play and everything is under CV.

Key features

- Delay: Ping-pong repeats, clock-syncable, with three time ranges. Feedback runs clean one way, or distorted the other.

- Reverb: A natural Hall one way; Gated the other.

- Pitch: an octave up into shimmer, or an octave down for weight.

- Chorus / Flanger: chorus thickens, flanger sweeps. Rate follows your delay tempo.

- Texture: white noise or granular grit, rising and falling with your audio signal.

- Color: DJ-style filter across the whole mix: low-pass one way, high-pass the other.

- Motion: Internal LFO or Sample & Hold that animates the effects you have opened. One knob sets type, speed and depth at once.

- Freeze: Holds the delay and sustains the reverb indefinitely. Keep playing on top.

- 6 CV inputs + Clock input: fully patchable.

- RGB LEDs for every parameter, with clip warning.

KAZU - New Audio VST Plugin Out Now


video upload by Phase Fiasco

"KAZU is a creative multi-FX processor focused on making your sound move and evolve.
Its smart modulation algorithms animate your effects in a single click, creating shifting textures, unexpected rhythms, and happy accidents. Stack your effects, hit ANIMATE, and explore what happens.
Go from first idea to something unexpected in seconds.

Available now: https://www.phasefiasco.com/kazu"

Monday, September 28, 2026

Synthesizers.com Introduces Q108 Amplifier DIY KIT



"We're so excited to share with you the new Q108 Amplifier DIY KIT!!

The Q108 Voltage Controlled Amplifier is a staple of any synthesizer system.

The amplitude of any waveform can be controlled by another signal such as an envelope generator, sequencer, oscillator, etc.

An Initial Gain control allows manual adjustment of the amplitude and a Level Control determines the impact of the control signal.

Both Linear and Exponential responses are available to simulate a variety of real-world sounds. Positive and negative output signal polarities are provided.

Two inputs are provided for mixing."

You can find posts featuring the Synthesizers.com Q108 here.

chipsynth OPMZ is here!


video upload by Plogue Art et Technologie, Inc.

"Video concept and production Mathew Valente (@tssf ) Music: Vectrax: Space Man / space-man"

Emulating the OPZ the HARD way

video upload by plgDavid

chipresearch episode 0x09 00:00 Intro 01:35 MSX Origins 03:05 Arcade Uses 08:02 OPM 21:32 OPP 25:38 OPZ 29:24 OPZ2 32:22 Outro rant


Once again, we've done it. We've meticulously recreated the original OPM (YM2151), OPP (YM2164), OPZ (YM2414) and OPZ2 (YM2424) sound chips in deep emulation from numerous digital captures, including the very many undocumented features. For instance, chipsynth OPMZ allows you to use the OPM's CSM mode in music. We also have a full recreation of the exact pattern and mechanics of its often neglected noise generator, and all the exact quirks of its LFO.

The OPZ chip used in the TX81Z was completely undocumented before the development of chipsynth OPMZ, and so we've done a full reverse engineering, discovering all the mysterious register overlays and previously unknown functionality such as internal volume ramping.

We've also done a deep dive on how exactly Yamaha themselves used the chips in the DX100, DX27, DX21, TX81Z and DX11 synthesizers, including their behaviour and analogue output stage and the DX21's chorus, making the whole package virtually identical.

Just as before, chipsynth OPMZ is based on human researched and programmed emulation code."

"Get chipsynth OPMZ here https://plogue.com/products/chipsynth...
Thank you!"

Free Roland D-110 Editor Librarian | Web MIDI Patch Manager


video upload by Ian Dixon

"A hands-on walkthrough of my free Roland D-110 Editor Librarian, a browser-based Web MIDI tool I developed to make the D-110 much easier to manage and edit from a modern computer.
https://thedigitallifestyle.com/w/TDL...

In the video I show how the editor reads the D-110's tones, patches, rhythm setup and system settings, then saves everything into a reusable library. I also go through tone editing, partial mute/solo style workflow, PCM sample selection, synthesis partials, envelopes, filters, patch editing, multi-timbral setups, SysEx import and why the D-110 can be more flexible than a D-50 when you want layered parts and MIDI-channel based arrangements.

The editor runs locally in the browser, uses Web MIDI, and does not send your synth data to the cloud. It is part of my free editor/librarian tools for bringing classic synths back into a modern workflow.

Timestamps
00:00 Why I am building modern editors for vintage synths
00:47 Introducing the free Roland D-110 editor
01:17 Web MIDI setup and reading tones
01:48 Reading patches, rhythm and system settings
02:23 Saving and reopening a master library
02:47 Loading presets and sending sounds to the buffer
03:14 D-110 architecture, partials and PCM/synthesis structures
04:17 Editing PCM samples and synthesis partials
05:09 Filters, envelopes and shaping the sound
06:16 Saving edited tones back to the synth
06:39 Editing multi-timbral patches and MIDI channels
07:39 Layering D-110 sounds in a way the D-50 cannot
08:25 Why editing from the front panel is fiddly
09:21 Importing SysEx and expanding the library
10:06 Managing patches, running locally and wrap-up"

Open Source Programmable Guitar Pedal using STM32


video upload by GuitarML

"Project Link: https://github.com/GuitarML/GuitarPed...
Walkthough of my custom STM32 based digital guitar pedal. I give an overview of the features, and then dive into the project hardware and software. I also show a demo of the included Reverb/Delay.

00:00 - Pedal Features
4:25 - Open Source Project Overview
5:58 - KiCad Schematic
10:35 - KiCad PCB layout
16:55 - STM32CubeIDE and code
23:05 - Reverb/Delay Effect Demo

Patreon:
/ guitarml"

DMGo! is OUT! New music program for the good old Game Boy


video upload by AudioWanderer

"Drum Machina Go!
Finally released at audiowanderer.com
A new complex drum machine for the good ol' classic Game Boy
DMGo! is the ultimate music tool for your japanese handheld
With DMGo! you can make your own music fast and easy
with its simple to use step sequencer,
and they are going to sound
cool with the FX dedicated section
EKO, STUTTER, DISTORTION, and KAOS!!!

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