"This is Endless, a user-defined stompbox and platform that helps turn your ideas into effects. Endless turns your description into an effect without any coding in our Playground effect builder, or lets you code your own."
ENDLESS MODULE OVERVIEW
Swappable front plates
Blank plate included with additional designs available.
Premium design
Custom-machined aluminum enclosure and knobs.
High-quality audio
Stereo 48 kHz / 24-bit audio with a clean, low-noise, studio-grade analog input and output preamps.
Any Power
9–12 V DC, center-negative or positive polarity, 200 mA required.
Customisable expression
pedal input
TRS expression pedal support.
Easy USB file transfer
Simple drag-and-drop patch loading.
Runs one effect at a time
Use existing effects or create new ones and share them with the community.
Real-Time DSP Core
720 MHz ARM Cortex-M7.
GitHub Repository
SDK and examples to get you started with fully developing effects.
0:00 Intro
1:30 Hands on / Delay
9:54 Glitch Knob
14:23 Modulation
18:35 Dissolve
25:28 I get lost
29:44 TR-1000 / drum machine demo
34:25 Matriarch / ambient demo
"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together. Controls
Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.
Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.
Depth sets the depth of the LFO.
Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope
Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.
Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.
Glitch creates various clock subdivisions.
Time sets the timing of the delay/reverb, as well as the reverse.
Filter sets the cutoff point of the post-dissolve filter.
Mix sets the blend of dry and wet signal.
Aux switch for tap tempo, half speed, or preset switching.
Soft-touch On/Off footswitch with relay switching for minimal switch noise"
KORG Introduces KAOSS PAD V: A Touch Evolution for Modern Performance and Production
MELVILLE, NY - Korg announces the new KAOSS PAD V, a reimagined evolution of its expressive touch-based effects platform, designed for the way musicians, producers, performers, and content creators work today. Building on the iconic KAOSS approach, the new unit arrives as a powerful real-time sound manipulation tool for vocalists, instrumentalists, producers, and performers delivering an advanced dual-touch control surface with expanded effects and sampling on stage, in the studio, and in streaming environments today by reacting instantly to gestures, shaping sound through intuitive touch interaction, and integrating seamlessly into contemporary setups. The KAOSS PAD V centers on a redesigned touch interface capable of responding to two simultaneous gestures, allowing users to control paired parameters at once and create evolving textures, layered movement, and dynamic transitions in real time. Filter and delay, pitch and reverb, modulation and feedback, and many other combinations become fluid, tactile musical expressions rather than static settings, helping performances feel more alive and interactive. Connectivity and integration play a key role in this new generation. KAOSS PAD V supports MIC, LINE, and USB inputs simultaneously, enabling vocals, instruments, and computer audio to blend into a unified performance system. A balanced microphone preamp ensures clean vocal input, while a dedicated high-impedance input allows electric guitars and basses to connect directly without added hardware. An integrated USB audio interface streamlines recording, processing, and streaming, making it equally suited to DAW workflows, livestream setups, and headphone monitoring. A newly designed power circuit and refined audio path support low-noise, stable operation whether used in performance venues, studios, or creative spaces anywhere music is made.
Vocal creativity takes a significant step forward with the new Voice FX engine, providing harmonies, vocoder-style layers, pitch-morphed tonal shaping, and expressive textures applied in real time. The platform even allows users to control external MIDI equipment with their voice, opening distinctive performance possibilities that extend beyond traditional effects processing. Guitarists and bassists also gain a powerful new performance partner. With direct connection via the dedicated high-impedance input, KAOSS PAD V offers fingertip-controlled ambient swells, rhythmic modulation, time-based glitch elements, atmospheric reverbs, and other expressive textures, all shaped by movement across the pad rather than menu navigation or fixed parameter adjustment.
Sampling and looping are built directly into the creative workflow. Users can capture up to eight bars depending on tempo, overdub layers as they perform, keep precise loop positioning during playback, and keep performances rhythmically grounded through BPM-synced Step Hold operation. Multiple playback and slicing options support creative rearrangement, making KAOSS PAD V a capable tool for remixing, live improvisation, and evolving pattern creation. Honoring its lineage while expanding its scope, KAOSS PAD V provides access to a curated range of classic KAOSS effects alongside refreshed modern processing, from filters, delays, reverbs, and modulation to advanced voice shaping and contemporary textures. Users can further refine their sound using onboard editing tools, tailoring parameters, creating customized variations, saving personal presets directly to the device, and even adjusting pad-LED color and program behavior to suit their workflow. With 300 total programs available - 200 factory presets and 100 user location - plus support for external SD or SDHC cards, the platform balances immediacy with depth.
Compact, robust, and designed for real-time expression, KAOSS PAD V measures 210 mm wide by 226 mm deep by 49 mm high and weighs approximately 1.3 kg (excluding power supply). It includes RCA line input and output connections, balanced/unbalanced MIC/GUITAR input, headphone output, MIDI In/Out, USB connectivity, and ships with an AC adapter and Quick Start Guide. Operating stability from 0 to +40°C ensures reliability across environments. With KAOSS PAD V, Korg advances the KAOSS concept into a new era, keeping the immediacy and visual interaction that made the series a staple while deepening control, expanding sonic capability, and aligning the platform with today’s creative demands. For more information, please visit NAMM Booth #6802 or online at www.korg.com.
By combining faithfully modelled classic filters with newly developed modern designs, and giving you powerful ways to combine and modulate them, Filter Ark becomes a deep, expressive environment for contemporary sound design."
"A new world of classic and modern filter design
For decades, the KORG Collection series has recreated KORG’s most iconic instruments using CMT (Component Modeling Technology), preserving the sound and character that shaped generations of synthesis. Filter Ark builds on that foundation and takes it further, placing the filter at the centre of the creative process. By combining faithfully modelled classic filters with newly developed modern designs, and giving you powerful ways to combine and modulate them, Filter Ark becomes a deep, expressive environment for contemporary sound design.
Combine up to four legendary filters at once to unlock sound design possibilities that were previously out of reach. Stack multiple iconic filters, blend vintage character with newly designed filter types, and build complex signal paths that evolve over time. With a powerful modulation system including LFOs, an Envelope Follower, and a Step Sequencer, Filter Ark gives you the tools to create movement, depth, and expression far beyond traditional filtering.
Faithfully modeled legendary filters
At the heart of Filter Ark are the filters that helped define the sound of synthesizer history. From the raw drive of the MS-20 and the smooth sweeps of the Polysix, to the warm thickness of the miniKORG 700s and the sharp resonance of the ARP ODYSSEY, these iconic designs are faithfully recreated with exceptional accuracy.
Each filter features its original user interface, allowing you to shape classic tones intuitively while preserving the distinctive character and response of the instruments that made them legendary.
Innovative modern filter types
Filter Ark also introduces a new generation of modern filter designs. Newly developed types include physically modelled resonators and a vowel filter that simulates human vocal formants, expanding the creative possibilities far beyond classic approaches. These filters invite experimentation and open up distinctive new ways to shape sound, from subtle tonal colour to highly expressive and unconventional textures.
Flexible routing with up to four filters
Flexible routing sits at the core of Filter Ark’s design. Combine up to four filters in series, parallel, feedback, and other configurations to build signal paths that simply aren’t possible with conventional filter plug-ins. Whether you’re shaping subtle tonal detail or creating complex, evolving effects, the routing architecture encourages exploration and rewards experimentation. Ready-made routing templates are also included, providing a clear starting point while still leaving room to go deep.
A unique and powerful modulation system
Filter Ark features a flexible modulation system designed to bring movement and expression to your sound. It includes a morphable LFO, an Envelope Follower with side-chain input, a customisable Step Sequencer with adjustable steps and playback modes, and a Random Generator. Together, these modulation sources make it easy to create evolving textures, rhythmic motion, and dynamic response that go far beyond static filtering."
In this video, we share the first real world tests of Concrete, without aiming for a polished or final demonstration.
We explore how the device works as the final stage in the signal chain, as a master effect, and within a mix on an individual instrument. Throughout the video, moments where bypass is engaged are clearly marked, so it’s easy to hear exactly when Concrete is affecting the signal.
Special attention is given to saturation. We’re exploring how different drive modes interact with dynamics, not as an obvious effect, but as an integral part of the signal path.
We also demonstrate sync mode and stereo operation. The filter reveals a particularly interesting character in stereo, where the interaction between channels adds depth, movement, and a sense of space that is difficult to achieve in mono.
Preorders for Concrete are now open on our website at a reduced price for the first drop. The price will increase for future batches.
"Concrete is a next generation compact effects processor that combines digital sound engines with a true analog filter.
Each channel features its own analog high pass and low pass filters, designed for precise and musical sound shaping.
Several drive types come preloaded, while additional engines can be downloaded from our website and loaded into free slots, allowing users to build a truly personal sound.
Channels can be used independently or linked together for cohesive stereo processing.
Concrete supports full MIDI control and naturally pairs with Monolit as part of a unified studio and performance ecosystem.
During the preorder phase, Concrete is available at a reduced price for those who want to support the project from the start.
The price will increase at release.
The first Concrete drop is planned for the first half of 2026."
"The lovely folks at Valhalla DSP have released a new plugin called FutureVerb.
As you know I'm a big fan and I had the honor to also be part of the beta testing crew for that one and here is a bunch of test with it (with synths and breakbeats mostly).
Oh and here are some presets I've made during the demos (those tested with Seashell).
https://bit.ly/ftvrbprst
Have fun!!!"
00:00 Intro
02:15 A bit of history about 'pre-delay'
06:57 FutureVerb walk through w/ Tiptop 200t System
18:10 Bonus Supermassive 'Sirius' test
20:14 Breakbeat Torture
23:12 Playing with some preset I've made w/ Instruo Seashell
"The future belongs to those who believe in the beauty of their dreams.
We are excited to introduce our brand new reverb/echo plugin: Valhalla FutureVerb™!
FutureVerb was designed from the ground up to give you the most transparent and realistic reverbs we’ve ever made. 8 years of research and development have gone into creating new and innovative algorithmic reverb topologies. The FutureVerb reverb modes are as close to perfect as we have ever heard.
And, since we don’t actually believe in perfection, we added a colorful and powerful Echo section that can add color and warmth, or keep things as clean as you wanna be.
With 8 original Reverb modes and 12 flexible Echo modes, FutureVerb gives you the sonic power you need to create your own future."
Soft Memo is a hybrid stereo multi effects desktop unit with eight digital CV controlled FX programs, two analogue feedback paths and two complex voltage-controlled LFOs.
It has patch points to integrate external synthesisers and sequencers and it is designed to creatively reshape your sounds with a menu-free hands-on approach.
You can create patches by connecting inputs and outputs with eurorack-standard 1/8" jacks.
All its inputs are protected from potentially dangerous voltages.
It generates (and reacts to) control voltages in the 0-5V range: when a CV signal is patched into an input, its knob becomes an attenuator for the incoming signal.
The patch points are visually divided between inputs and outputs: the inputs are placed in the middle of a white circle while the outputs are not.
Soft Memo is powered by a 9V center-negative (500 mA) power supply, the standard PSU used with most guitar pedals.
Features:
Eight FX programs
A total of 25 patch points
Two high gain preamps
Two feedback paths made of analog VCAs and resonant analog VCFs
Two complex voltage controlled LFOs with clock division and phase offset control
An envelope follower
A→B buttons to set how the two channels controls interact with each other"
DoP: Hans Bauer (ravir)
Edit & Grading: Jonny Polka"
2. ginTronic – transparentSea (stutter with a volca beats)
3. ginTronic – transparentSea (development demo)
"I’m very proud to introduce you to our new digital multi effects unit, the transparentSea.
It’s designed for live table top musicians who like to go DAWless but also works well in a studio environment.
The basic idea is to have an all in 1 FX solution without a screen and with minimal hidden features. Dedicated knobs for every parameter and responsive Buttons with RGB LEDs.
Check with dealers on the right for availability and price.
"Xenodrive is unique stereo distortion/overdrive/waveshaper FX unit with an algorithm developed by 112db and Erica Synths – from nuanced harmonic enhancement to total sonic destruction.
Timeline:
00:01 - Take 1 / Move waveshaped and distorted
01:45 - Take 2 / Kaossilator synth line waveshaped and distorted
02:29 - Take 3 / ER-1 compressed, distorted and waveshaped
04:22 - Take 4 / Bass guitar waveshaped
06:31 - Take 5 / Kaossilator hardcore kicks
07:25 - Take 6 / Bassline waveshaped
09:19 - Take 7 / Wave Bard wave shaped (peset switching with footswitch)
10:22 - Take 8 / Dub guitar with boost and Echolocator (pedal is used to modulate EQ shift)
11:30 - Take 9 / MC-303 destroyed with Xenodrive
12:30 - Take 10 / Monotribe distorted and waveshaped
14:33 - Take 11 / Guitar shredding
15:15 - Take 12 / Motor Pedal drone waveshaping with Zen Delay on top"
"Xenodrive is a hands-on tool for shaping your sounds in the studio or during live shows – from nuanced harmonic enhancement to total sonic destruction. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Xenodrive will elevate your sound in any live show, studio or sonic experiment."
if you're already planning on purchasing any software and want help support me,
purchasing any software via the above link helps me out with a %15 commission
00:00 Glockenspiel
01:49 Piano
03:20 Pad
05:41 Drums"
Rob Papen announces availability of DelGrain as creative granular delay, extending effect plug-in product line with yet more out-of-the-box thinking
ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of DelGrain — duly thinking out of the box to extend its effect plug-in product line as a creative granular delay featuring fanciful routings, a distortion feature, and FILTER, while also featuring the same DISRUPT spherical slider shared by its DelSane (stereo delay demonstrating ‘Dr. Jekyll and Mr. Hyde’ behaviour) and LowSane (‘lo-fi’ sound sculpting-specialising effect) software siblings, aimed at experimental artists, mixers, and producers — as of November 28…
It is fair to say that DelGrain has a lot in common with its DelSane software sibling, the main difference obviously being that — as its name implies — it offers a delay that plays back audio in a granular or grainy way. With that in mind, then, the granular change to the audio can be placed ahead of the delay, inside the delay, or parallel to the delay. But better still, the size of the ‘grains’ can be adjusted (GRAIN SIZE) — even in a tempo-based way, the length of the ‘grains’ (GRAIN LEN) can be be tempo-based as well, while the GRAIN SEMI tune feature has a 12-semitone range, both up and down; by being tempo-based, the granular delay itself is ideally suited to rhythmic usage on drums and percussion loops.
Reveals Rob Papen himself — both in his capacity as a virtual instrument and effect plug-in developer par excellence and also as his namesake company’s Managing Director: “DelGrain can produce some sweet-sounding delays with swirly granular sound, but its real power lies in its special sounds — not only on drums and percussion, but also on vocals, for instance. Its DISRUPT sphere with the tempo-based SPRING BACK feature allows you to change DelGrain’s parameters dynamically, and there is also a tempo-based LAZY MODE…” — meaning that the movement of that DISRUPT spherical slider can be automated in different directions, allowing users to also create new types of creative modulation sounds.
Speaking of creative sounds, Rob Papen saw fit to add a FILTER featuring a high-pass and low-pass combination, a band-pass filter, and a vocal/vowel filter that can be placed after the delay/granular combination at different spots. But before the audio even enters the granular delay, an added distortion module makes the sound options even more exciting.
Evidently excited by his namesake company’s latest creation, Rob Papen takes pride in rattling off several more exciting-sounding features that floats his creative boat by adding, “There is a self-explanatory DRY/WET MIX dial and an FX MIX dial that can mix between the ‘granular delay’ and ‘tape delay’ sounds — by the way, the ‘delay’ inside DelGrain is based on a tape delay algorithm; an AUDIO FOLLOWER input is available for side-chain control, and it can also be used to control the DISRUPT sphere; there are four different modulation slots for those who want to control DelGrain via MIDI; and last, but by no means least, DelGrain comes with the BANK MANAGER and many presets — perfect as a starting point.”
Put it this way: while it is understandable that some might take the idea of another delay plug-in promising to be different to so many others already out there with a GRAIN of salt — pun intended, it would be surely seriously remiss of Rob Papen not to assure them that DelGrain definitely delivers on that well-worn claim!
DelGrain is available — as a 64-bit AAX-, AU-, VST-, and VST3-compatible virtual instrument plug-in for Mac (OS X 10.15 or higher, ARM processor compatible) and as a 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an attractive price of only €35.00 EUR/$35.00 USD from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for that same price via its dedicated webpage, which also features more in-depth information, here: https://www.robpapen.com/DelGrain.html
DelGrain is included in eXplorer-10 (https://www.robpapen.com/explorer-10.html), the latest version of Rob Papen’s all-encompassing bundle, at no additional cost; existing owners only have to download the latest installer and run it to add WirePluck to their Rob Papen virtual instrument and effect plug-in collection.
0:00 - Intro
0:35 - Guitar
1:20 - Feedback
2:03 - Chaos
2:54 - Melodic Jam
5:30 - Outro
"This is Quad Creek, a resonant modular synthesizer based around four band pass filters. It uses 4mm banana jacks for connections. There are three 3.5mm stereo outputs, one for the main mix and two for the Creeks. There are two 3.5mm stereo inputs, one for each set of Creeks. The unit runs off of a 2.1mm center positive 12V supply. Cables and power supply not included.
ASSEMBLED UNIT INCLUDES: - Fully built synthesizer with wood back panel
DIY KIT INCLUDES: - PCB - Front Panel - All electronic components, including pots and jacks - Does NOT include wood back panel
"Transfigure is your creative partner in sound. With just a few clicks, it turns any track into a living, breathing sonic landscape full of depth, motion, and emotion. Its clean, intuitive interface makes complex processes feel effortless. Whether you’re refining details or creating entirely new textures, Transfigure gives you the freedom to shape sound your way. The central XY pad allows for simultaneous parameter control and expressive automation, perfect for performative sound design and evolving texture.
Runs on macOS & Windows (AU, VST2, VST3, AAX, Standalone)"
2nd video timestamps:
00:00:00 Overview
00:09:02 The Modulators
00:32:09 The Sound Processors
01:08:58 The Effects
"We present Vari-Amp, a new effects plugin from Rhodes that models a variety of preamps from Rhodes electric pianos, various amps and microphones, and several reverb types. We'll try it out with Rhodes' on Wurli virtual instrument, then a synthesizer (Cherry Audio Elka-X), and a virtual guitar.
"Soniccouture is pleased to announce the next in the Polarity series: a collaboration with Ian Boddy, UK synthesist and DiN label boss.
Polarity is a series of instruments exploring granular synthesis with different artists and sound designers.
Polarity | Modular is a dual-layer granular engine loaded with 250 custom waveforms crafted by Ian Boddy, utilizing his extensive collection of modular gear, including a Roland System 100M, Serge Modular, Buchla Sound Easel and much, much more.
Featuring a sound design library of 250 presets, NKS2 compatibility and the ability to load your own samples, Polarity | Modular aims to 'redefine the sound of analogue synthesis’.
"Ascent is a sophisticated dual-reverb plugin that combines two powerful algorithms into one fluid interface: a lush, expansive hall reverb and an innovative pitch-shifting particle reverb that creates evolving, granular shimmer effects. Layer spacious, long-decay reverbs with dynamic pitch-shifted textures to craft everything from subtle ambient spaces to dramatic, otherworldly atmospheres. With intuitive controls, and built-in dynamic ducking that keeps your mix clean, Ascent delivers the acoustic character and creative possibilities of premium hardware reverbs in a streamlined, CPU-efficient plugin that works seamlessly across all major formats and platforms.
Features
Dual reverb engine architecture combining a spacious hall reverb with an innovative granular pitch-shifting particle reverb.
Particle engine features pitch transposition from -12 to +12 semitones with dual overlapping grains for artifact-free shimmer effects.
expanse control offers three room size modes (Small, Medium, Large) with carefully tuned delay networks for natural spatial imaging.
Built-in dynamic ducking compressor keeps reverb tails from swamping your dry signal, maintaining mix clarity.
Cross-platform preset manager with XML-based presets compatible across all plugin formats and operating systems."
if you're already planning on purchasing any software and want help support me,
purchasing any software via the above link helps me out with a %15 commission
"Welcome to EVIL PET - your granular processor with built-in FM radio.
EVIL PET can be a synthesizer, an effect unit, a radio FM tuner, a
reel-to-reel recorder, a sampler and more.
https://endorphin.es/evil-pet
EVIL PET bites incoming audio into tiny grains and plays them in new,
playful, or unexpected ways. Stretch, shrink, or flip the grains to create
unique sounds, textures, and effects. Layer grains to make dreamy,
glitchy, or swirling soundscapes. It works with any input - guitar, voice,
synth, or drums - turning ordinary sounds into something magical.
Audio can either come from: the input jacks, the built-in microphone,
the built-in FM tuner or loading samples from a microSD card. Grains
can be triggered by tactile PLAY key or via connected MIDI or
MPE keyboard, allowing for expressive polyphonic performance and live
experimentation.
Performances in that video by @JuliaBondar and @warrenwalkermusic "
User videos:
Playlist:
1. Review: EVIL PET by Endorphin.es // Live granular techniques explored - loopop
2. Endorphines EVIL PET Granular Pedal - No Talking. - mylarmelodies
3. endorphin.es Evil Pet Granular Synth and Effects Pedal Demo (no talking) - Limbic Bits
Today we've got the Solarfaze on the bench, by Vongon. It's a stereo saturation and detune (aka chorus) effect. Here's how it works and what it sounds like.
00:00 Intro
01:43 Chorus
05:23 Saturation
09:45 With Subharmonicon
11:40 With Pulsar 23
14:10 Multiband Guitar Loop"
"Warmth. Movement. Glow.
This is the new Vongon SOLARFAZE — a stereo chorus fused with saturation.
Joined by Replay, Ultrasheer, and Polyphrase, here’s how it dreams.
Enjoy."
00:00 Jam
02:36 Intro
03:59 How to support me
04:30 Overview of SOLARFAZE
05:45 Saturate
08:15 Detune
10:04 Bringing in the other pedals
11:15 A different effect chain
15:13 Bonut tip : Transposing arpeggios with Replay
16:10 Solarfaze on Pads
20:05 Conclusions
Vongon Solarfaze is beautiful (harp, guitar, synth, drums)
The Solarfaze from Vongon is a stereo 3-band saturator and detune/chorus pedal that gives you exacting control over the frequency landscape of your signal. Whether you're adding a bit of undulatory warmth and saturation or assaulting the frequency spectra of your choice, Solarfaze as you covered, often surprising you with its tonal complexity. The heart of the pedal is a 3-band Bass, Mid, and Treble saturation mixer with each section offering three levels of gain: Soft, Boost, and Hard. Each band can be finetuned to one of five different frequencies, making this pedal as versatile as you are.
The Detune section offers a simple interface for adding movement and interest to your signal, affecting the stereo field, as well for a satisfying binaural experience. Adjust the Amount and Mix to your taste and turn up the Envelope control for dynamic expression that is based on your playing. Size can be adjusted as well to create a smoother or tighter detune effect. Other features include a built-in Noise Gate and an effect rerouting option. Indeed, the Solarfaze is a wonderful addition to the already incredibly Vongon lineup and is sure to find a use in any pedalboard.
SOLARFAZE FEATURES
Stereo multi-band saturator and chorus Soft-clipping waveshapers for smooth transition from subtle warmth to heavy breakup Bass, Mid, and Treble drive sliders Selectable gain level per band: Soft (0dB), Boost (+6dB), Hard (+12dB) Each band has 5 different frequency options Stereo detune chorus with independent left/right pitch shifts Envelope modulation of detune amount for dynamic stereo animation Route Saturation into Detune and vice versa Built-in Noise Gate with adjustable threshold MIDI Input for parameter control and 9 preset storage
