"The Polyend Loop is a complete loop-based audio workstation that brings you 4 independent loopers alongside 4 tracks of sample-based percussion with built-in effects. Each of the 4 loopers offers up to 52 seconds of recording time in mono or stereo with the option for forward, reverse, or ping-pong playback. Add discrete effects to each channel with myriad reverb and delay options, along with classic modulation effects, like chorus, vibrato, phaser, and tape effects; shaper effects give you overdrives, distortions, and other waveshapers, use the panning option for spatialization, and the filter can give you a nice bit of sonic sculpting. Indeed, this is the perfect device to not just sketch ideas, but create an entire album's worth of sonic world-building.
"I developed a custom operating system for the Akai S900 and Akai S950 samplers which turns them into real-time signal processors. You can run audio through them and have them add that 12-bit grit without having to worry about sample time.
If you have an s900 or s950, download it for free:
"I corrected a sample rate bug and added the ability to turn off the anti-alias filter in the latest version of S900FX and S950FX.
S900FX and S950FX are custom operating systems for the Akai S900 and Akai S950 that turn the hardware into signal processors that allow you to apply their 12-bit grit to the audio signal in real-time. Pass the audio through them and record into your modern sampler.
Get them for free." [links above]
Update: new demo from Mikus Pilatus:
New Akai S950FX OS - monitoring thought converters and filter
"An axiom needs no proof and a voice needs no permission to change history. Both are driven by conviction. Axioma, our long awaited mono synth plugin for the Anagram platform, is made of it.
"Everything you need to know about the long awaited, highly anticipated new SYNTH block for the Darkglass Anagram!"
"Inspired by vintage synthesizers, our monophonic synthetizer plugin for Anagram lets you explore the sound of blending different wave shapes, mixing two oscillators, sub oscillator, shape the overall response with multiple filters, and turn notes into repeating patterns with the arpeggiator."
"Four new free effects for the Zoom MS-70CDR+ and MS-50G+: Rockstar, Pong Delay, Vortex and Duo Chorus. They run natively on the pedal, like any other effect.
Rockstar is a concert-hall reverb with a DownRez rate-crusher. I ported it from Airwindows kRockstar by Chris Johnson (MIT license).
Pong Delay is a true-stereo ping-pong delay with a resonant multimode filter. Based on mscHack PingPong by Mark Schack (MIT), with Rack 2 maintenance by @baconpaul and @pgatt.
Vortex is a twelve-mode multimode filter with resonance, drive and a dry/wet mix. Based on VortexMM and its filter DSP by wintoid and Yuriy Ivantsov (ivantsov-filters), both MIT.
Duo Chorus is a dual-line analogue-style chorus in true stereo. Based on MIT-licensed work by Charles Vestal and Peter Allwin, with hardware research by Andy Harman and Pendragon Software Limited, and a soft limiter by Emilie Gillet (stmlib).
The installer runs in the browser and backs up your pedal before it changes anything. There are fifteen free effects on the site."
"Tape Fiasco 2 is now on iPad. Not a stripped-down companion app: the same engine that runs on macOS and Windows, rebuilt for touch, as a standalone app and an AUv3 plugin.
BUILT FOR IPAD
• Standalone app or AUv3 in AUM, Logic Pro, GarageBand, Cubasis, Loopy Pro, Drambo and other AUv3 hosts.
• Load your own audio as the sound source, or start from the built-in factory loop library.
• Record the output and share or save a WAV straight from the app.
• Ableton Link for tempo and phase sync across your network.
• MIDI Learn with mappings that persist across relaunches.
• Two-finger scrolling, resizable and rotatable layouts, touch targets tuned for fingers instead of a mouse.
• Background audio, so it keeps running when you switch apps.
"Most audio plugins process your sound. Tape Fiasco performs it. Four independent time engines run simultaneously: a dual-grain stretcher that slows, freezes and scrubs in real time; a tape machine with wow, flutter, stop and scratch; a rhythmic slicer that repeats at any subdivision; and BendIt, a circuit-bent buffer mangler with a seven-zone pitch macro from subtle wobble to full DJ scratch, quantized to the host grid. Chain them in any order.
Behind the time engines sits another 30 effects, from spectral filtering and modal resonators to distortion, bit destruction, circuit bending and beyond, followed by a master stage with a three-band EQ, compressor, soft limiter and auto gain.
Routing goes deep. Animate any parameter with multiple modulators: LFOs, random sources, envelope followers, and bezier graph editors. Sequencers stretch, bend and stutter. The Perform section puts four macros and an X/Y pad on the front panel, each routing to up to five destinations with three-point crossfade curves, all recordable as host automation. If it moves on screen, you can automate, sequence, or modulate it."
"GlitchShredder is now available for iPhone and iPad — Standalone and AUv3.
No talking, no tutorial: just AUM, a drum loop, and GlitchShredder chewing through it. I load the effect, run through some presets, and play with the Chopper, Decimator and Stutter Sync controls to show what the engine does to a simple beat.
GlitchShredder is a zero-crossing chopper with a probabilistic glitch engine. It slices the incoming signal into segments and reassembles them in a different order, backwards, at the wrong speed, or completely at random — from subtle rhythmic artifacts to total deconstruction of the source.
1. Introducing Thorus XT - Video credits: Anthony H. | Music credits: Théo G.
2. UVI Thorus XT | Overview - Video credits: Venus Theory
3. UVI Thorus XT | Showcase - Video credits: Théo G.
Discover Thorus XT, a state-of-the-art chorus effect offering the best of both digital and analog circuit-modeled techniques with up to 8 variable, fully continuous voices, and deeply shapable extended analog controls.
A deep, flexible, state-of-the-art digital chorus, Thorus has long been one of UVI's best-selling effects. Thorus XT offers a brand new take, driven by advanced DSP and joined by a second engine that faithfully models the analog bucket-brigade circuits that chorus was born on. Two worlds, one plugin, from brilliant shimmer to grainy vintage modulation, and everywhere in-between.
Your Sound, Your Way
Both digital and analog engines run on the same morphable 8-voice architecture and the same set of controls. Set your modulation once, switch engines, and hear the identical movement through two very different paths, keep whichever one best suits the material.
Two Engines, Unified Control
Cutting-edge DSP drives a variable chorus architecture with continuous and morphable voice control; sweeping voices results in the last voice fading in and out smoothly, with no stepping. Speed and Depth shape the modulation, Shape sets its waveform as sine or triangle, Edge dials feedback and color, and Stereo Mode places the image. Fewer voices give pronounced, identifiable modulation; more voices blur the line into a thick, immersive wash.
Digital - Clean, Precise, Transparent
The digital engine is the Thorus chorus you know and love, refined. Clean, precise, prized for its clarity, now with a continuously variable voice count. Every voice reads a single shared delay line at interpolated positions, for a crystalline, detailed sound. When clean isn't the objective, Quality becomes a band-limited sample-rate reducer delivering a downsampled, lo-fi edge that stays musical where it counts.
Analog - Warm, Colored, Alive
The analog engine is a faithful bucket-brigade chip emulation, found in classic hardware units like the Dimension D, and Juno-6. Where the digital engine is clean by design, Thorus XT’s analog engine gives you the natural imperfections of hardware: aliasing, resonance, pumping compression, hiss, per-voice variation—all fully shapable through an extended control set.
"Storm Summoner ( https://http://stormsummoner.com/ ) grants full access to effects pedals, enabling real-time control and tweaking with its multitude of sensors and inputs. Thanks to a huge database of pedals, setting it up is quick and easy. There's also an event handling system here that can be exploited musically in several ways.
00:00 demo
00:15 hi, what's this? / disclaimers
01:00 the general idea
01:52 hardware overview
02:42 scenes, settings and user experience
03:39 demo: controlling reverb mix with the circular touch pad
04:22 managing, changing, storing and sending settings per scene
05:15 proximity sensor
06:00 tilt sensor (and examplary setup process on device)
07:53 shake sensor
08:11 ambient light sensor
08:53 actions and streams
10:22 important considerations
10:49 expression pedal input
11:36 event handling (flagging system)
14:20 conclusion
Playlist:
1. Synterra : Audio Demo : Vaemi
2. Synterra Nedir? : VAEMI’nin Yeni Enstrümanı #synth #generativemusic #sounddesign #synthesizer
3. Synterra : VAEMI’nin Yeni Generatif Enstrümanı : Tüm Özellikleri #Organic #NaturalPatterns #Plants
Click CC in the player controls for subtitles.
"We are delighted to announce Synterra, VAEMI’s new instrument, which many of you have been waiting for. We are truly excited.
Synterra is a unique device designed as a more comprehensive instrument than similar equipment created to date, capable of interacting with organic objects, living organisms, and different surfaces in its surroundings.
Synterra can use changes in the magnetic and electrical fields around it, liquid or solid organic materials, fruits, plants, fungi, trees, light, and the touch-sensitive area on its surface, allowing your own resistance to become part of the music and the patch.
Synterra also determines its initial position during startup by using the magnetic field of its environment as a reference. This allows the device to position itself according to its surroundings each time it is powered on and begin processing incoming signals based on this initial reference.
In addition to these features, the device offers 8 different scale options. Synterra converts signals received from living organisms or other sources into data. It then processes this data through probability and quantizer structures, creating an algorithmic arrangement that generates different notes at different times. In this way, the device establishes a generative synthesis structure within itself.
Synterra features 9 different synth presets. These presets include a variety of synthesis characters based on subtractive synthesis, wavetable, resonator, Karplus–Strong, drums, and noise.
The device can also be used practically without being connected to any living organism, as light and your own resistance can be incorporated into the circuit. In addition, a much wider variety of sensors can be added to the system through the clip cables and the additional sensor input.
Synterra can be powered by either batteries or USB. Battery operation allows you to use the device comfortably on nature walks, in outdoor spaces, and in creative environments outside the studio.
The onboard potentiometers allow you to adjust the output level of the internal sounds, as well as the amount and sensitivity values. This enables you to use the device comfortably across a broader range of applications and receive signals at more suitable levels from different living organisms or organic sources.
"Panacousticon by Emiliano Pennisi is one of the most unconventional plugin collections available for sound designers, electronic music producers, and experimental musicians. We explore the range of evolving textures, haunting ambiences, fractured rhythms, and cinematic industrial soundscapes it makes. Whether you're producing industrial techno, IDM, dark ambient, experimental electronic music, or searching for fresh sounds inside your DAW, this deep dive demonstrates inspiring ways to push your music beyond traditional means.
"KOSMOS3 is an interactive reverb instrument that transforms reverberation from a static audio effect into a playable, responsive acoustic space. Instead of applying a fixed ambience, KOSMOS3 continuously reshapes its internal reverb field based on incoming audio, gestural control, and real‑time modulation signals.
At its core is a multi‑parameter reverb engine capable of smooth, expressive morphing across decay, diffusion, pre‑delay, and spectral balance. These parameters respond immediately to performance input, allowing the reverb to behave like a dynamic environment rather than a background effect.
Key features include:
Interactive control via MIDI, OSC, TouchOSC, and HID
Real‑time modulation for shaping spatial texture during performance
Headless operation suitable for installations and long‑running setups
Instrument‑like behavior where the reverb becomes an active part of the performance
KOSMOS3 functions not merely as an effect processor but as a playable acoustic space—a reverb you can push, bend, and sculpt in real time."
"Liminal Space 2, the haunted digital reverb synthesizer, is here! I'm taking a deep dive into my latest retro-reverb innovations. Liminal Space 2 is a reverb plugin with deep programmability, wavetable LFO modulators (What!?), and extreme possibilities. AND... There's a FREE version! Woot! Grab your longest delay line, download Liminal Space 2, and get ready for a SHIMMER-A-GO-GO episode of your favorite talky synthesizer content show!
Liminal Space 2 is a Windows CLAP/VST3 plugin (Mac to come) built on a Householder matrix feedback delay network derived from Airwindows' kCosmos, with 2,000+ selectable algorithms from tiny ambiences to infinite tails. Nearly every component has its own dedicated wavetable LFO — so you can program a reverb the way you'd program a synth.
What you'll learn:
How a Householder matrix feedback delay network actually works
Why wavetable LFOs make a reverb programmable like a synthesizer
What the new Diffusion Matrix does — and why modulatable diffusion matters
How True Shimmer differs from pitch-shift shimmer
Recreating Lexicon 224 "mode enhancement" delay modulation from scratch
Using Derez, Random Frame, and stepped LFOs for haunted digital textures
"Shift is a frequency shifter for KORG prologue, minilogue xd, NTS-1, NTS-1 mkII, NTS-3 and microKORG2. It features two distinct models: a frequency shifter and a ring modulator. The frequency shifter model shifts each frequency partial in the input signal’s spectrum upwards or downwards by an equal amount in Hz, changing the original ratios between all frequency partials; this makes the sound more and more atonal, un-pitched. The ring modulator model uses a 2× oversampled sine oscillator as a multiplier of the input signal, producing a new spectrum with all frequency partials shifted both upwards and downwards; this algorithm makes the sound even more atonal and metallic, bell-like.
HIGHLIGHTS
Studio-grade DSP algorithms, calibrated specifically for KORG’s hardware platform.
Individually chosen mapping for every plugin parameter, providing a very natural feel.
Built-in lag filters for noise-free, ultra-smooth parameter adjustment.
Tested and optimized for maximum performance and stability on each individual device type."
"Eternal v2 is a barber-pole flanger effect, designed and developed by Sinevibes. Available as a plugin for a variety of KORG synthesizers: https://www.sinevibes.com/korgeternal/"
"Tessera is a tuned resonator effect. Feed it a drum loop, a guitar, a synth, or a voice, and it uses that signal to excite twelve parallel resonator voices, each pitched to a note of a chord or scale you choose. A single hit blooms into a full chord. A sustained sound becomes a slowly shifting pad.
Under the hood are eleven resonator models: a plucked Karplus-Strong string, a bowed waveguide String, and nine banded-waveguide bodies, from tuned bars and glass to bells, bowls, membranes, plates, and tubes. Decay, Damping, Brightness, and Spread voice each one, from tight and percussive to vast and ringing.
Five motion engines decide how and when the twelve voices speak: Contour, SEQ, Strum, Arp, and Swarm, moving from shimmering arpeggios to strummed chords to drifting swarms, all lockable to host tempo. Same as the rest of our catalog: Mac, Windows, Linux, and iOS. No DRM, no subscriptions, no dongles, perpetual license."
"We're excited to share something we've been working on: Nodes, a modular FX plugin that just launched in early access.
Here's what makes it different: instead of being locked into a single effect chain, you get 55 nodes and counting—24 modulation sources and 29 effects—that you can wire together however you want. Sound design on steroids. We've also baked in our Eurorack LFO Lowstepper and mutable instruments modules, so the creative possibilities are basically endless.
The best part? It's a one-time purchase ($50 right now, down from $100). No subscriptions, no hidden costs. The price holds until version 1.0, when we're adding Linux support and more.
We built this for sound designers and producers who love tweaking, but the macro system makes it live-performance-friendly too. And because we're an active developer team that actually listens to community feedback, this thing is only going to get better.
It's CPU-efficient, works on Mac and PC now (Linux coming at 1.0), and honestly—you can build anything with it.
Grab it here: https://okaysynthesizer.com/nodes"
"In this special Launch Day episode of Signal Colors, I'm taking a first look at the new STEREO version of the Stargazer from Hungry Robot - a spacey, etherial reverb with a unique dual control layout. Hang out with me while I try it out with the OP-1 Field and Digitakt II and let me know what you think in the comments."
"Today I'm taking a first look at the brand new Timeline MX from @strymon. This is an insanely good mega-delay with all kinds of algorithms on board, including reverb and a really vibey granular / spectral mode as well. It has full MIDI, a looper with up to 5min recording time, and really flexible send and return options to top things off. Hang out while I play through all 100 presets and explore the sounds and atmospheres this beautiful machine creates!"
Time Machine From The Future TimeLine MX delivers an extraordinary combination of premium features in a single pedal.
> 12 World-Class Delay Machines TimeLine MX features new Oil Can, Spectral, Drum, Reverb and MultiTap engines in addition to significant enhancements to the other classic TimeLine delay machines.
> Two Effects At Once Dual delays can be routed in Series, Parallel or Split modes, and individually panned per engine.
> Five Minute Stereo Looper TimeLine MX features an integrated Stereo Looper with selectable multi or 1 Button Looper modes. The looper can be placed before or after the delay effects, and in 1 Button Mode it can be used on the fly without switching to Looper mode.
> Reverb Plus Delay In addition to 11 delay engines, a stellar new reverb engine is included, allowing TimeLine MX to be your all-in-one delay plus reverb pedal.
> Full MIDI Control And More Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Access the looper controls (including reverse, redo and half speed) without entering Looper mode. Adjust controls via an expression pedal while you play. All this and more in an elegant and easy-to-use pedal.
> Stereo Input/Output Plus Stereo Send and Return All jacks are TRS stereo providing selectable I/O configurations for any professional setup, including stereo or mono effects send/return, wet/dry, and wet/dry/wet.
