"This device is an accelerometer-controlled oscillator. It works by reading the position along a 180-degree x-axis and translating to a frequency. In the fully back position, the oscillator is at its lowest note – roughly 100hz (or D3 on the musical scale). As you rotate the hammer forward, pitch increases. In this position, the frequency is roughly 2000hz (or B6 on the musical scale). That’s about a 4-octave range. The controls are straightforward: A red push button on/off switch and a knob to control volume. The ¼ inch audio output jack is located at the bottom of the handle. It’s powered by 3 AAA batteries located inside the enclosure that come included in the unit when purchased. They can be easily replaced by unscrewing the base. Vulcan’s Hammer goes on sale today and retails for $200"
Check with dealers on the right for availability.
"Like the Roman God Vulcan, what if you could generate immortal oscillations from a mighty hammer? Ponder no more. Vulcan’s Hammer by Electro-Faustus allows you to call to the Gods by simply rotating the device along a 180 degree field. Note range is roughly 100Hz (D3) to 2000Hz (B6). That’s almost 4 octaves! Powered by 3 AAA batteries.
*Like all of our devices, the Vulcan’s Hammer is noisy and glitchy by design. Have fun with it!"
Arvieux, France - April 17 2025. K-Devices, developer of creative music tools, has released Fauve, a new audio effect, as VST3, AAX and Audio Unit plugin for MacOS and Windows.
Fauve is an audio processor that collects sonic fragments and replays them — not always faithfully. It forgets, distorts, and glitches into new meanings; like the hallucination of a broken machine.
By continuously recording incoming audio, Fauve analyzes and breaks sound into small units called “collections.” When playing them back, it sometimes fails, opening space for the user to edit and shape the material according to their own sonic vision.
Fauve can be a harsh distortion, a gentle shadow, a paroxysmal dance between reality and dream, and much more. It can slightly scramble your sound, completely strip it of its original meaning, or introduce subtle, almost imperceptible variations to make it richer, yet always organic.
Fauve disrupts, but never destroys.
Fauve is a totem/series plugin, and like all totems, it follows its own logic. Timing in Fauve doesn’t rely on beats or note values — it’s driven by the material itself. Every operation is triggered by zero crossings, making the outcome deeply dependent on the source. Same settings, radically different results.
== Totem/ Series == Fauve is part of the totem/ series by K-Devices: unconventional audio effects coming in a compact format, easy to use, at a lower, convenient price. == Requirements == Available as VST3, AAX and Audio Unit plugin any 64bits compatible DAW MacOS and Windows == Availability, price, and deals ==
Imaginando Launches GRFX – Granular Effects: Turn One Sound Into a Universe
7th April 2025 – Braga, Portugal – Imaginando is proud to announce the release of GRFX – Granular Effects, a powerful new audio plugin designed to radically transform sound through the magic of granulation. GRFX takes granular processing to new creative heights—offering a flexible, expressive, and highly playable environment for sound design, experimentation, and exploration.
With GRFX, users can break down ordinary audio into micro-particles and rebuild it into evolving pads and drones, glitchy rhythms, ethereal textures, or alien soundscapes. Whether sparse or dense, shimmering or chaotic, GRFX is your sandbox for bending reality—layering, modulating, and shaping sound through time and space.
At the heart of GRFX is the Harmonic Triangle: an interactive, three-point control panel that morphs your sound into chords, arpeggios, and microtonal variations. This unique interface invites exploration and 'happy accidents,' especially when combined with the plugin’s four cross-modulatable LFOs.
Modulation is made effortless with drag-and-drop routing, instant amount control, and a global
Modulation Panel. A probability-based routing system lets users direct grains to the two
multi-effect engines, the Mixer, and dedicated Delay and Reverb sends—each with independent routing for rich, layered sonic results.
"Echolocator is a unique stereo delay with an algorithm developed by 112dB, the Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly.
Timeline:
00:03 - Take 1 / Simple Nanoloop sequence through the Echolocator
01:27 - Take 2 / Drone with monotribe through the Echo
02:36 - Take 3 / Electric guitar though the Echolocator with footswitch assigned to freeze
03:06 - Take 4 / MC-303 through the Echolocator in "dirty" mode
05:07 - Take 5 / Lapsteel freestyle through the Echolocator with footswitch assignet to Magic (patch randomisation)
06:16 - Take 6 / Moog Subharmonicon through the Echolocator
07:44 - Take 7 / Electric guitar through the Echo with pitched down shimmer
08:18 - Take 8 / LXR drummachine with MIDI synced Echolocator
09:39 - Take 9 / Casio SK-1 throught the Echolocator with pitched down shimmer
10:48 - Take 10 / Bassline DB-01 through the Echolocator
12:10 - Take 11 / Electric guitar through the Echolocator
12:38 - Take 12 / Motorsynth thought the Echolocator"
The Echolocator is a hands-on precision tool that lets you take manual and very musical control over small nuances. Like a bat navigating its environment in the dark, you can feel your way through your live performances and shape the delay response and character on the fly. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Echolocator will let your setup take flight in any live show, studio or sonic experiment.
Features
A unique stereo delay algorithm developed by 112dB
"I’ve released my new FX app ShapeStage. It has 4 stages of with drive, character, pitch shifting, time effects, stereo spread, and granular texture generator. You can morph between the stages smoothly with the crossfader at the top. Also, it has 3 LFOs, 2 EGs (MIDI triggered or looping), and an envelope follower. With the mod matrix, you can modulate the stage parameters, stage morph, and mod parameters (LFO rate, EG decay etc) and create complex modulations as well."
Please note that this plugin is part of the eXplorer-10 bundle."
"Everybody has heard the noise rises and low drops in film and contemporary music and SynFeX makes sure that you do not have to search long for your tempo-based audio FX sound!
The ‘movement’ section allows you to quickly adjust your risers and drops to suit your needs.
SynFeX not only delivers classic synthesizer noise FX sounds, but it also has built-in samples, and also allows you to load in your own samples!
Adding the different Filter types, Granular synthesis on the samples, and top-notch FX will help finalize your creative FX when used in your productions.
Last but not least, we have also added the ‘Ribbon Controller’ for dynamic changes to the sound, including the unique spring-back feature!
SynFeX is a go-to FX synthesizer for everybody who creates contemporary music, movie music, content for games, or simply because you love FX sounds!"
"Pigra 2.0 is a highly flexible and powerful delay MaxforLive device for Ableton Live users, offering a range of features for both traditional and experimental sound design. With multiple delay modes, up to ±2 octaves of pitch shifting, diffusion for added texture, and a unique Bubble mode for dynamic panning and delay modulation, it is designed to create complex and evolving delay effects. Stretch mode provides control over playback speed, while feedback and modulation options allow for truly creative and evolving soundscapes.
Pigra 2.0's main distinctive features are seamless delay change, pitch change, diffusion, LFO, and stretch, and these operations are reflected in the feedback to create more complex delay sounds.
"PinkAI HarmonAIzer transforms the simplest MIDI into captivating and rich harmonic patterns.
HarmonAIzer receives any individual MIDI note from any of your MIDI Clips, MIDI Controller Input, or from PinkAI’s Performer Module and creates anywhere from basic-to-intricate, practical-to-abstract reharmonized sequences within your pre-selected scale, using Probability, Note Offsets and Pitch-shifting Feedback loops. With 12 keys, 25 chord types, and over 30 scales to choose from, HarmonAIzer offers nearly 700 tonal colors, making it so simple to explore diverse and astonishing melody, harmony and dynamic musical patterns all the while learning and applying some fundamentals of music theory.
HarmonAIzer synchronizes output with the PinkAI Conductor module’s auto-generated or user-programmed chord sequences.
HarmonAIzer works both as a standalone device as well as with PinkAI’s Generative Composer. Turning on 'PinkAI Sync' lets your pre-recorded MIDI Clips revoice to fit with the generated chords (or chord-based Scales) from the PinkAI Conductor module. Feed HarmonAIzer with MIDI input from PinkAI’s Performer module and generate ever-changing, richly harmonized musical compositions.
Modern, flexible and responsive User Interface with 150+ quick-change presets makes it extremely easy to get started.
Add, Delete, Copy or Randomize patterns in up to 9 simultaneous harmonized voices with HarmonAIzer’s easy-to-use, engaging and intuitive user interface. Select from 9 different built-in Preset Banks to learn how HarmonAIzer excels at creating vibrant, harmonized arpeggios (“Rainbows”), elaborate melodic patterns (“Color Riffs”), polyphonic polyrhythms (“Polyrhythms”), practical strumming patterns (“Strum and Pick”), and much more! Combined with the variety of tonal colors, HarmonAIzer offers 100,000+ possibilities in MIDI output by using the same single MIDI Note input.
Batverb is the stereo reverb that dreams are made of: less of a room simulator and more of a tail generating pedal, Batverb is an instrument in its own right.
Taking inspiration from our popular tail-generating modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.
Start by setting a predelay time and adjusting Regen to set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. A variety of unique controls make Batverb sing in any signal chain:
Doom adds in chaotic suboctaves, and Shimmer brings in haunting overtones. With each on its own control, go wild and have both at the same time!
Low and high damping settings for the reverb tank
Add filtering and harmonics to reverb tails
Built-in saturation can apply to only the wet signal or the whole output Includes onboard dry/wet Blend control and input- and output-gain parameters
Unique Duck switch controls the reverb’s behavior: duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb
Create instant atmospheres with reverb-freezing Hold footswitch Route the expression input can to any parameter on the pedal
Store and recall 16 different presets and recall them in response to MIDI program-change messages.
Exploring and sharing engaging ideas in sound, music, and synthesis • Eurorack, 5U • Guitar Pedals • VST, AU, AAX plugins • Reason Rack Extensions"
Press release follows:
Noise Engineering announces Batverb, an experimental reverb, delay, and infinite-tail generator
Los Angeles, CA — Noise Engineering, known for their expansive selection of synthesizer effects and sound sources, announces Batverb, a distinctive stereo reverb with a twist.
Noise Engineering’s take on reverb has always been innovative, creating effects that are as much instruments as they are processors. Batverb is no exception: parameters allow the resulting effects to morph organically from slapback delays to infinite reverb tails.
“Batverb was inspired by our Desmodus Versio module, but when we tried to bring the Desmodus experience to guitar, we realized quickly that we would need to rethink the approach. Batverb shares concepts with Desmodus but shares zero code: the entire thing was redesigned from the ground up, with the dynamics and tonality of guitar at the forefront,” said Stephen McCaul, Chief Noisemaker at Noise Engineering. Kris Kaiser who is the Doer of Many Things at the small company added, “Working with guitar was key, but what sounds great on guitar also works really well for loads of other instruments.” Indeed, Batverb’s stereo I/O and MIDI integration make it a perfect choice for a multitude of instruments.
Kaiser continued, “I like to say Batverb isn’t your father’s reverb because it has such unique features.” She’s not wrong. Along with predelay/delay Time and Regen controls, Batverb includes a number of parameters for shaping the tone of the reverb itself. The Grit switch adds a unique harmonic distortion to the tail or the whole mix, and the Doom and Shimmer controls add in subharmonics and overtones. Batverb also has onboard adjustable highpass and lowpass filters to shape the tone to taste.
Batverb’s configurable Bypass footswitch can cut the reverb tail immediately, or simply mute the input to the reverb processor, allowing the tail to ring out while you play. The Infinite footswitch mutes the input to the reverb tank while maximizing the feedback for an infinite atmosphere.
The innovative Duck switch uses the dynamics of your playing to shape the reverb tail. Use the right setting to duck the reverb out of the way of your guitar’s tone, or the left setting to make the reverb’s dynamics match your guitar’s.
Batverb also stores/recalls up to 16 presets with MIDI Program Change messages. Batverb features a convenient MIDI thru jack, so it’s easy to patch into your MIDI control chain. In addition, all parameters can also be controlled via MIDI for automation and remote control from a DAW or configurable controllers.
Noise Engineering is a member of 1% for the Planet and has been donating a percentage of all sales to environmental conservation. Proceeds from Batverb will benefit the organization Bat Conservation International.
Batverb is available for preorder with MSRP of $499. It starts shipping March 13 from noiseengineering.us and retailers worldwide.
Batverb was designed and built in sunny Southern California.
"Start warming up your voice and get ready to robot-rock! The Behringer Vocoder VC16 combines six powerful synthesis engines with amazing polyphony and versatile oscillators and is sure to bring something new and exciting to your synth setup!"
Enzo X is a supernova expansion from the original Enzo into the highest quality and most flexible polyphonic synthesizer ever created in a pedal format (with no pickup installation required). All of our passion for pro audio has made it into both the algorithms and hardware performance of this pedal. Enzo X combines 5 synth modes and incorporates those into a modular system UI/architecture from both award winning LVX and MercuryX pedals. Including: 6 polyphonic voices (each voice includes a set of 2 oscillators, filter, filter envelope, amplifier envelope) + 3 reverbs are adapted from Mercury X (Prism algorithm) + 5 Drives (including Bitcrush) + full stereo 2.5 second Delay + 5 modulation types. To make this complex system immediately intuitive to navigate, we again leveraged the simple and easy to use UI first developed for LVX. Exploring the factory presets (and pressing the HOLD MODIFIER) will be your gateway into experiencing the power and flexibility within this instrument. As you discover all of the new ways to create with Enzo X, your own sonic visions will be unveiled.
"Demo, tutorial, walkthrough and review of the brand new Meris Enzo X synthesizer guitar pedal. The EnzoX builds off of the LVX and MercuryX workflow and top sound quality, but aims to be the most powerful synthesizer guitar pedal ever made. With midi playability, a full mod matrix and arpeggiator, and great effects, this is one powerful pedal!"
0:00 - intro jam, what is EnzoX?
2:48 - original demo song
4:37 - how I used the pedal
6:23 - can it Blade Runner?
7:29 - pedal UI walkthrough
9:17 - oscillator and voice mode section
13:28 - filter and envelope section
18:06 - drive, ambience and modulation fx
26:49 - mod matrix, aftertouch and other settings
30:26 - final verdict & who this pedal made for
34:07 - outro jam
The Pedal That Turns Your Instrument into a Synthesizer | Meris Enzo X
"At Cosmodio Instruments' first NAMM show, we caught up with Barton*, who showcased their innovative range of pedals. Cosmodio, a newcomer to the pedal scene, introduced the *Pet Yeti*, their unique dirt platform. This pedal features an all-original drive circuit, offering charismatic, high-gain sounds with miles of gain, an analog bit crusher, and diverse clipping configurations. Notably, the *Pet Yeti includes a parallel clean path, making it suitable for guitars, bass, and drum machines. Its flexible input gain and tone shaping make it ready for overdrive and wild, dirty sounds.
Barton also introduced the *Gravity Well*, a dual analog pedal featuring a wave folder and tremolo. It offers a unique modulation effect called refractor, which dynamically folds and unfolds your signal. The pedal is ideal for creating new frequencies and even science fiction-like sounds.
Both products are part of Cosmodio's expanding lineup, with availability directly from their growing dealer network.
More Info:
[Cosmodio Instruments](http://www.cosmodioinstruments.com)"
"‘MFX Dynamics’ is a pair of plugins, a unique compressor expander and a feature rich auto-panner, ported from our popular multi effect MFX module and pedal as plugins for use in your favourite DAW.
In this video we take a look at the 'TY-50 Dynamics', an extensive dynamics plugin that can act as a compressor, expander or transient shaper. It also features an automatic gain compensator, side-chain input and tilt filter. Here we process a break through compressor mode, expander mode, then both modes together to explore how transients and hits can be emphasised and shaped. We also explore the sidechain functionality and the transient shaper mode. For a demo of the Modulating Panner, please see our overview linked below.
Both plugins use enhanced DSP code from the MFX hardware with a clean, simple and expanded user interface.
‘MFX Dynamics’ is available for purchase now for macOS and Windows. Purchase to get emailed a unique download link."
"In this video we take a look at the the ’Modulating Panner’, a free-running or synced stereo panner plugin with 3 modes. The modulation shape can be edited with the interactive graph. Here we process the Motto Akemie through the panner and explore its various settings, wave shapes and modes. We recommend listening on headphones for the clearest distinction between modes. For a demo of the TY-50 Dynamics plugin, please see our overview linked below."
"At NAMM 2025, we caught up with Alexandra from Eternal Research, who introduced the *Demon Box*, an intriguing device that amplifies electromagnetic fields (EMF). Alexandra explained that this invention, developed over a decade with the help of engineers, uncovers fascinating patterns and tones from EMFs, transforming interference into auditory experiences. The device utilizes an array of 33 inductors and features controls for levels and auxiliary inputs, allowing you to blend external signals with those picked up by the inductors. It supports integration with modular systems, exporting in control voltage, MIDI, note and CV data, as well as audio across three mono channels and a unique triphonic channel.
Alexandra also highlighted the device's organic nature, enabling exploration of novel sounds with each use. The Demon Box, currently available for pre-order, has generated significant interest following a successful Kickstarter campaign, with a target retail price of approximately $700."
"What can you do with a synth that has no envelopes? It turns out to be very therapeutic. Stylophone's latest release is the CPM DS-2 (what happened to DS-1?) - it's a drone synth which can create all sorts of interesting, ambient, dramatic, demonic, lush, chilled textures and soundscapes.
The clever bit is having everything bouncing around to a single LFO with multiple waveforms, 2 outputs, different phases etc."
0:00 WTF is a drone synth?
3:12 Intro demo
4:48 What's in the box?
5:53 Oscillators 3340 VCOs
8:42 Filters 12dB LP HP 3320
11:29 ULTRA LFO
16:03 Reverb abd Delay
19:08 Final Jam
22:01 Final Thoughts
"This cutting-edge filter unit combines the precision of a smooth analog recreation of the classic 2045 Lowpass filter with the bold, dynamic character of Stylophone’s proprietary GEN R-8 filter.
Dubbed 'Beauty and the Beast,' the DF-8 offers unparalleled flexibility. The 2045 filter delivers a silky 24 dB/octave Lowpass mode, while the GEN R-8 snarls and howls in all four modes—Lowpass, Bandpass, Highpass and Notch. Together, these filters unlock three additional combination types: Bandpass+, Band Reject+, and a wide Notch+ mode, providing an expansive palette of unique filter sounds.
Both filter channels have all eight filter types and are controlled by two full ADSR envelopes with multiple trigger modes to cater for every need. They can be triggered by a gate signal, by an audio signal threshold, by a manual trigger button and they can even auto-repeat in a loop mode acting as LFOs. The DF-8 is so much more than a dual filter box—it’s a complete sound design tool. Equipped with two white noise sources, a Sample & Hold modulation source with adjustable slew, and a crunchy PT2399 delay with modulation, it serves as a sound source capable of everything from subtle atmospheres to all out sonic chaos.
Like all CPM units, the DF-8 is designed for portability and flexibility. It features: • Multiple power options, including AA batteries, external PSU, or Eurorack power bus • A built-in 2W speaker for instant listening without amplification plus stereo outputs • Stylophone’s unique enclosure design with side ribs allow multiple CPM units to be locked together, for stability like a large modular, and for easy system expansion Pair the CPM DF-8 with the CPM DS-2 to create the ultimate compact portable analog modular system for studio or stage use.
Features list:
2 Analog multi-mode filter channels with high resonance self-oscillation
8 Filter types per channel: 4 types of GEN R-8 (12 dB/oct) filters with LP, BP, HP and NOTCH modes 1 type of 2045 (24 dB/oct) filter with LP mode 3 combination types (12/24 dB/oct) with BP+, BR+ and NOTCH+ modes
2 ADSR envelopes with linear and exponential response
4 Envelope trigger/gate modes: Analog CV trigger/gate signal input Audio signal input with adjustable trigger/gate threshold Manual trigger/gate button Auto-repeat AR envelope loop mode
2 VCAs with envelope inverters
2 White noise sources with volume controls
3 Envelope depth attenuverters
4 Bypass switches for filters and VCAs
1 Sample & Hold modulation source with sync input and adjustable slew
1 Vintage PT2399 tape-style delay with modulation
14 Modular patch points for audio, envelopes, filters, VCAs and S&H
3-Into-1 mixer with stereo or mono output
2 Stereo outputs (line level/phones) with seperate volume controls
"What is it? It’s a bad thing. Tube distortion pushed too damn far.
It’s the SMALLEST product we have ever made. Shirt pocket size. Inside is a preamp with feedback controls, using two 5702 subminiature pentodes.They are real Raytheon military surplus from the 1980s, not Soviet leftovers. The quality is aces.
ONE knob. The knob controls the feedback and gain. Fully CCW is off. Turn it up about 10% and you get increasingly LOUD signal, sliding into heavy tube distortion. Keep going up and it bursts into VERY LOUD oscillation. That’s the “feature”.
The switch is the other “feature”. It applies feedback to the suppressor grid of the second tube. What does that mean? We don’t know, we’ve never done this before and neither has anyone else. It is “unique” but you get to decide if it is useful or not.
There is a CV input on the front, it basically turns the Amputator into a really awful voltage-controlled amplifier (VCA). Ideally you shouod put at least 0-10 volts into this input. Can’t damage anything because it’s an all-tube circuit and there are no transistors or chips. The output is NOT able to drive “any load” so only feed it into a HIGH impedance unbalanced input.
It’s in a transparent polycarbonate enclosure because we STILL get stupid attacks from fools claiming that there are either no tubes in our products, or else the tubes do nothing and it’s all done with a “ten cent chip”. Fuck you, buttboys.
Here’s the damn photo. No, it does not have a 'bypass switch'. It’s on all the time because you deserve it.
Power required is 12 volts dc, 2.1mm barrel plug, center positive. 700 milliamps on startup and 250 milliamps in normal operation. NOTE: the standard version includes an AC power adapter for 100v-120v countries ONLY. If you are in a 220v-240v country, a “universal” power adapter is available for $20 more. Sorry kids: inflation and supply problems.
Everything sucks. That’s why each Amputator has different offensive stickers on it.
Video demos with drum machines: one, two.
I would put insults of guitar players here, but it’s pointless, they won’t read it. Some of them can’t read at all. Did I ever tell you about my ongoing battle with the IRS over my 2023 estimated tax payments? It’s an ugly little story and most people don’t believe the IRS is that incompetent. Well, they are.
"GROTTA 3D is a Max for Live spatial audio effect that combines real-time granular synthesis with advanced multichannel spatial distribution, enabling compatibility with quadriphonic and Ambisonic systems in Ableton, to transform your sound into dynamic and immersive soundscapes.
"ScratchBud is an AUv3 FX plugin and standalone app for iOS and Apple Silicon.
You can either load your own samples, or record the audio input up to 3 seconds as your scratch source. The classic aaah and fresh samples are included! With the LFO, you can automatically scratch. The crossfader cuts the scratch sound and the control behavior could be changed on the settings menu if you’d like to tap it like a hardware crossfader. It’s also MIDI controllable."
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video upload by 60 Cycle Hum
"Back in the late 60's Maestro came out with a multi effects unit that was super weird. Fuzz, tremolo, envelope filter, low octave and even percussion settings all mashed together into a playing dynamic triggered, creativity inducing fever dream. Half a century later Templo has recreated that experience with pedalboard friendly modern convenience."
Based on a classic coveted Maestro Rhythm N' Sound effect console from the 60's, this unit has kept the original analog flavor, while adding some much needed footswitch functionality.
Combining many unique effects in a handy, pedal-board friendly version, the Templo T2 has the following features:
PERCUSSION
-A percussion synthesizer with 4 different sounds that are triggered by the instrument attack
BASS STRINGS
- A sub-octave generator with quick decay on initial pick attack
FUZZ
- A fuzz effect with parallel dry-blend option (Natural Amp)
WOW WOW
- A triggered filter effect with two fixed (cocked wah) color tone positions
ECHO REPEAT
- A percussive tremolo that resets with each note played giving the illusion of a delay effect.
The main advantage to this unit over a vintage unit (besides availability and price) is the handy footswitching arrangement:
The CANCEL footswitch true-bypasses the entire pedal.
The FUZZ footswitch toggles the fuzz effect, and:
-When the fuzz is bypassed, the Natural Amp setting is always on.
-When fuzz is engaged, the Natural Amp rocker switch toggles a dry blend in parallel with the fuzz
The WOW footswitch bypasses the modulation section, comprising the WOW-WOW, ECHO REPEAT and COLOR TONES 1 and 2 effects. These can be selected for use with the rocker switches and then bypassed using the footswitch.
This pedal is very fun, funky and colorful, imparting a vintage, somewhat lofi vibe to your sonic signature.
The T2 operates on a standard 18V DC center negative power supply.
We recommend running it from a dedicated power supply, as it may sometimes have issues with a multi-output supply.
All analog construction, with mechanical true bypass switching."
