"We are proud to present Pērkons Keys. We’ve poured a lot of work into developing it, and we hope this will help you unleash the creativity."
"Over the years, hundreds of you have asked for an integrated keyboard on Pērkons. We kept coming back to the idea - and eventually decided to build it and see how it feels in practice.
We are proud to present Pērkons Keys. We’ve poured a lot of work into developing it, and we hope this will help you unleash the creativity.
"Jamming with the Leploop Arpoloop through a Roland VG-8 effect and an old guitar through the Erica Synths Steampipe physical modeling synthesizer.
Direct recording with mastering."
"Compressor hiss? Meh, the world's full of noise and hiss. Levels pushed, why not? Some limiting on the output - sure. We're just having fun here, not trying to educate anyone on noise levels or production techniques. And as usual this video has completely mutated from its original form. The intention was to show the new Nightverb gated reverb option and blather on about drum machines. Then I started playing with Hexdrums' compressor. So instead of my long diatribe on drum machine programming I chopped that all out and just kept the actual drums.
Compressor's aren't my thing. Yet with the Hexdrum compressor I had fun. Pushed past noon it will start giving an audible hissy noise floor but if you're cranking lots of other things that that just disappears :D If I was making an album track I'd probably try to get rid of it but for now every noise is welcome.
On the routing: Voice 1 (bass drum 1) and Voice 3 (snare) are on separate outs and are completely dry - although I was severely temped to do some processing on them. All the other voices go to the Hexdrums stereo out, then to the Nightverb on the gated reverb option; then to the Echolocator. With either effect unit turned to 100% wet it's up to the dry voices 1 & 3 to keep things together.
At times I turn up the release on Voice 2 (bass drum 2) and that's what upsets the compressor and holds it open so long that the gated reverb doesn't get a turn.
The main reason I like this setup is that you can get variations on a single drum pattern without having to program any new drum patterns :)
The main out from the DAW has some mild limiting to catch stray spikes but otherwise this is an unedited one-pass twiddlefest.
"First #dawless jam with the #Steampipe by #EricaSynths!
This thing pairs so well with the Novation Peak.
Came up with these sweet melodies on the Steampipe and some deep bass from the Peak. No beats today – just pure, dreamy vibes ❤️"
"KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.
Timeline:
00:01 - Patch 1 / Electro beat with BBD on the send
01:58 - Patch 2 / Wonky beat with FM drum triggering the Hi-Hats
03:57 - Patch 3 / Classic Untz Untz beat
06:01 - Patch 4 / Raw beat, with Feedback bass
07:55 - Patch 5 / Jam together with DIY Synth System"
KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.
KONSTRUKT-8 includes four fully analog drum voices:
• Snare Drum. A burst of filtered transistor noise layered over a tuned resonator creates a crisp snap.
• Hi-Hat. Six dissonant square-wave oscillators are mixed, filtered, and overdriven to create metallic percussion.
• FM Drum. Two interacting oscillators form a versatile percussion voice capable of kicks, toms, bells, and cymbal-like sounds.
A four-channel drum sequencer lets you tap in rhythms that loop automatically. Under the hood, shift registers store the pattern as a circular sequence of binary data.
All voices feed into a four-channel mixer with per-channel FX sends and a master insert, allowing you to shape the entire beat with external effects or the built-in distortion and compressor.
Two effects modules complete the system: an analog bucket-brigade delay (BBD) with flanger and delay modes, plus a diode-based compressor with sidechain capability.
"Watch me try to be like Phil with the new firmware 1.02 for Erica Synths' amazing NIGHTVERB reverb unit!
More info here: https://www.ericasynths.lv/news/post/...
I made a whole song, "In the Water Today" :)
Stay Noisy!"
"Why does the Xenodrive not want to let me go? I've had all sorts of good intentions for other content and other devices, stuff that I'm really impatient to show, yet here are we are with the Xenodrive again. I suspect it's down to two things: First that I've cycled through loads of dirt pedals and effects and rarely found one that has more than a single good sound. The Darkglass B3K for example has a brilliant effect on synths, but despite having four knobs and two buttons, it only has one sound. The Xeno has loads of flavors to explore. Second reason I am fixated on this device is that it's finally given me the 'punk synth' sound I've always wanted. Which is largely what we have in this video.
I originally had a big blabfest at the start of this video talking about the Xenodrive in detail but on sudden impulse I cut it all out. I think I was mesmerized by the Xeno and it was giving me instructions. I must exert my free will while I can. If my next video features the Xeno, send help.
Routing here is the MIDI out from the master DB-01 (left) to the rightside DB-01. The master DB-01 has an 8-step random-generated pattern, the leftside DB-01 is empty. Audio goes from each DB-01 to the Xeno left and right. As usual there is absolutely no other processing.
"In this video I take a full deep dive into the Erica Synths Hexdrums – exploring every voice, tone, pattern function and performance feature to see just how powerful this drum machine really is.
From 909-style kicks and 808-inspired hats to dirty punchy snares, claps, rim shots, crashes and rides, we’ll go through all 10 drum voices in detail. I’ll show you how easy it is to build patterns, record live, use step programming, adjust exclusivity/fade between hats, and shape everything through the master distortion section for those gnarly, meaty, fat techno rhythms.
We’ll also look at:
✔️ Pattern selection & step sequencing
✔️ Live recording workflow
✔️ Multi-bar patterns (up to 4 bars per channel)
✔️ Individual outs on the rear panel
✔️ Master distortion section
✔️ Sample selection for cymbals
✔️ Performance tricks & groove ideas
If you’re into drum machines, analogue rhythm design, techno, electro, synthwave, or classic 808/909 workflows — this one’s for you.
This isn’t just a quick overview… it’s a proper hands-on demo so you can hear exactly what Hexdrums can do in real-world use."
"This update adds a compressor and a noise gate, making it possible to create a true gated‑reverb effect. Famous from the 80s productions, gated reverb is an audio processing technique that combines reverb with a noise gate to create punchy sounds while keeping the mix clean.
"Synth Headz | Synthesizer Music Documentary - Opening Minutes.
Featuring: Vertigo Blue, Spike the Percussionist, and August Befort. Directed, produced, and edited by Danny Stygion. Music by August Befort. Sponsored by Erica Synths. Cinematography by Danny Stygion. Drone cinematography by Schaef Shockley. Produced by Brittany Stygion and Cimmerian."
Update: full doc now released. You can find it here.
"UNTZKITS for LXR-02 delivers 16 new high-impact drum kits engineered for the dancefloor and sonic experimentation. Each kit features heavy-hitting voices and percussion paired with deep modulation routing for evolving, rhythmic textures. The pack includes 16 carefully crafted demo patterns composed by Hrtl to kickstart your exploration.
"Starting a new series where, the focus isn't on one particular modules details on sound and how it works, but a focus on pure sound, melody and patch experimentation. A song, a track, something to play in the background while you work. A longer version of my instagram sketches.
Here I have the @GlasgowSynthGuild Octone and the @EricaSynths Black Sequencer running the @afterlateraudio Pixie and @bastlinstruments Pizza, through the @nano.modules St Font filter and Serra ADSR, with the above modulated by the @MAKEN0ISEMUSIC Multimod, with EVERYTHING effected by the @busycircuits MFX and @tiptop-audio Z5000.
"Pristine to Filthy ... 11 Erica Synths Hexdrums Patterns covering different styles from gabber to Whitney Houston! I wanted to show. range of tones - from dirty fat techno juice to silky 808 style smoothness. With a lot of tweaking in an attemot to show the full range.. those kicks are MASSIVE!
It comes with some preset patch sheets to get you up and running as well as some empty ones to record your own favourite settings. I play most of the 'presets' and make some of my own to show it doesn't have to be a wall of sound. simple and sparse sounds amazing too."
We are proud to present Pērkons Keys. We’ve poured a lot of work into developing it, and we hope this will help you unleash the creativity.
