Click the auction link on top when you get there for additional listings.
arturia matrixbrute boxed with manual, good condition, has a few marks from use, see photos, a couple of the keys sit lower than others. Knobs were changed as the original ones were slightly tacky, some of the grey buttons are slightly tacky to touch. Needs a good 15 minutes for the vcos to stabilize and stay in tune, but i think thats the same with all of the matrixbrutes.
VEMIA can collect: 6GBP."
The sound pack includes presets described as 'Fantasy,' featuring atmospheric and textured sound patches. It is designed to expand the sonic capabilities of the Arturia Minifreak synthesizer to create fantastical soundscapes.
Explore a diverse set of 65 presets, each carefully crafted to offer a unique sonic experience:
"We ride along Interstate 278 across the Triborough Bridge (also known as the RFK Bridge) from The Bronx to Queens. In between the two spans of the bridge, we are treated some scenic views of the Manhattan skyline.
Original music by Amanda Chaudhary, featuring: Cherry Audio Pro Soloist, Trident MkIII, Mercury 5 Audio Modeling SWAM Contrabass & Tenor Saxophone Arturia Piano V, Pure LoFi Vintage Minimoog Strymon Magneto and Starlab Morphor Plectrum BFD Drums with Ken Scott collection presets EastWest Orchestral Percussion Gold
0:00 Introduction 0:11 Starting in the Bronx 0:36 The truss span of the Triborough (RFK) Bridge 0:56 Manhattan Skyline from the highway 1:46 The suspension span of the bridge 2:12 Entering Queens 3:21 Continuing east on the Grand Central Parkway
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"Refine your dynamics with Bus TRANSIENT. This intuitive attack shaper gives you immediate, surgical control over the attack and body of any sound source. Add clarity, tighten your groove, and bring every element of your mix into focus."
"We try out Bus Transient, a new effect plugin from Arturia for shaping transients. It provides separate multi-band processing of transient and non-transient elements of the sound. It sharpen and soften attacks and make individual instruments pop in a mix. We will explore its features with a few different types of instrumental sounds, and also check out a few of the factory presets.
00:00 Introduction
00:25 Overview
00:51 Drum examples
05:59 Guitar examples
08:17 Electric piano
11:26 Factory presets
13:12 Conclusion
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"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.
After my recent work with the S-4, Torso reached out to see if I'd like to borrow the T-1 for a couple of months, with no expectations on me making a video or doing anything publicly with it. I found the T-1 to be an exceptional sequencer for noodling around, for both better and worse. Better: you quickly start writing song ideas you wouldn't otherwise come up with, and arranging multiple parts across different instruments is extremely fast. Worse: it was challenging for me to shape the output into a finished song; to get to the finish line, I had to work against (or ignore) some of the T-1's best features.
Together, it makes me think the T-1 would shine most as an idea generator with another sequencer (e.g. the DAW), where you could take output from the T-1 and then further refine it. Really enjoyed my time with it, though.
This also marks the return of the Moog Matriarch. I had sold off the Matriarch because it was too large for my smaller studio, or maybe too large to justify keeping around as a mono device for the table. Then I got a larger studio and immediately missed it. Happy to have it back, even if it still feels too big for what it does.
As for the rest, well, they do what they do well. The Micromonsta 2 is a great synth for filling in the gaps, and is bitimbral; the Arturia Drumbrute Impact is a superb drum machine for live performance; and the Chroma Console is a perfect little sweetener, here taking a mono instrument into the stereo space.
Performed and recorded live to a multitrack output, with EQ, compression, and limiting on the master.
"Well , this sound bank is pure, dystopian madness. If you thought your Minifreak only did friendly sounds, prepare for 45 presets that sound like a futuristic alarm in a derelict space base, like echoes from an abandoned subway in a cybernetic city, or... simply like a very, very weird but thrilling nightmare.
This is the pack for those who like their music to sound a little off, just the way it should be.
About DYSTOPIA Vol. 3
DYSTOPIA Vol. 3 is a sound design toolkit that explores deep, evolving, and futuristic textures, ideal for genres such as: Dark Electronic, Cinematic, Ambient, Trance, Techno, Industrial, and Soundtracks. Every sound has been finely tuned to utilize the unique digital and analog capabilities of the Minifreak, ensuring maximum sonic impact and quality.
🎧 Key Features:
✅ 45 Exclusive Presets: A rich palette of sounds—from ethereal, evolving Pads to aggressive, rumbling Basses. ✅ Dark & Cinematic Textures: Deep, evolving soundscapes and atmospheres that build tension and mood. ✅ Expressive Leads: Futuristic and piercing lead sounds that cut through the mix. ✅ Powerful Basses & Arpeggios: Droning basslines and glitchy, mesmerizing arpeggios for dark electronic grooves. ✅ Full Modulation Support: Most patches utilize the Minifreak's Macros, Mod Wheel, and Velocity for dynamic, real-time control. ✅ 100% Royalty-Free: Use these sounds in all your commercial music productions without any limitations.
Inspired by the aesthetic of Cyberpunk, Darkwave, and modern film scores.
🔗 Get DYSTOPIA Vol. 3 & Explore More: Purchase Link: [Insert Direct Product Link to ultimatexsounds.com here] More Soundbanks: https://www.ultimatexsounds.com Check out the full Dystopia series for Minifreak!"
"While designing a patch on the MicroFreak, I stumbled upon a strange sound — absurd in a good way — so I turned it into a jam. Now and then, it gives off a Steve Vai–like vibe (3:13-), which I love.
Starting from the init patch, pitch and timbre shift with LFO and pressure. The sequence was entered on a whim, following instinct more than logic.
"Step into the future of performance keyboards with our exclusive Music Demo featuring the Arturia AstroLab 61 —a groundbreaking stage instrument that bridges classic sound, modern workflow, and next-level flexibility for live musicians and creators.
#astrolab #arturia #musickeyboard
Timeline
00:00 Only Music ASTROLAB 61 demo with Gerard Miralpeix
00:01 Warm Awesome Strings
01:27 Choir Vibratos
02:40 Tension E Velo Keys
04:19 Studio Urban Piano
04:48 Broken E
05:57 Vocoder lines
06:32 Intimate tones
07:16 EP Hope
07:36 Brass ST crossover
09:13 Happy vocoder Outro"
"A friend and colleague surprised me today by bringing his Minifreak to me to play for a week or so. I tried different engines and patch ideas, and eventually this simple idea emerged - I have the hold button on, and the cycling envelope opens up the filter, forming this beautiful fake arpeggio-sequence. On the Linnstrument side of things I use one of my own patches for alpha-beta version of OB-XF by Surge Synth team."
"At this point I'm only curious how the things would end. Pressure is mounting, the world is an interesting place right now. Check out my second album 'No Overthinking' on bandcamp, if you're into that kind of thing."
"Enjoy a fun and nostalgic ride along Interstate 87 in New York in this beautiful 4K video! We start in southern Westchester County, where I-87 is part of the New York State Thruway. At the border of New York City, the Thruway ends, and I-87 continues into the Bronx as the Major Deegan Expressway. It has a large and perpetually traffic-clogged intersection with I-95, which connects to the George Washington Bridge to New Jersey as well as to New England. After that, I-87 and "The Deegan" continue through the south Bronx and end at I-278 and the Triboro (RFK) Bridge.
This one is particularly special, as CatSyth host Amanda Chaudhary grew up here and traveled this freeway often, including to regular visit her grandparents in the Bronx.
00:00 Introduction
00:11 I-87 & Thruway in Westchester County
02:42 Entering NYC & The Bronx. Start of Deegan Expressway
05:15 The interchange with I-95 and US 1
05:57 Continuing on the Deegan and I-87 into the South Bronx
08:12 I-87 ends. Merge onto I-278 and the Triboro (RFK) Bridge
Original music 'Big Cat' by Amanda Chaudhary
Instruments include:
Arturia Jun-6 V, Wurli V, CP-70 V
Cherry Audio Pro Soloist, Blue 3, Chroma, Atomika
AudioModeling SWAM Flute, Clarinet, Bb Trumpet, Tenor Sax, Double Bass
BFD Drums
Buchla Red Panel 158 and 156m
Strymon Magneto and Starlab
EastWest Orchestral Percussion Gold, StormDrum 2 & 3"
