Ena's mood

video upload by Ebotronix

Access Virus TI as a Frequency Shifter,
Frequency and Panning midi CC control by
Yamaha MCS2 and 2x Fv7,
Haken ContinuuMini with Firmware 10.51,
Waldorf Iridium,
Roland J 6,
Intuitive Instruments Exquis,
Strymon Big Sky MX controlled by,
ATO Faderbank 16 n , with Midi CC,
Line6 DL4 MK2,
Eventide Pitchfactor,
Bastle Bestie,
20.03.2025
vid # 2495

Haken ContinuuMini Firmware 10.51 Update ~ Waldorf Iridium ~ Roland J 6

video upload by Ebotronix

Haken ContinuuMini ,with Firmware 10.51,
Waldorf Iridium,
Roland J 6,
Intuitive Instruments Exquis,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
Keeley Halo,
Bastle Bestie,
18.03.2025
vid # 2494

A note on the update:

"Haken Editor and Firmware 10.51: Updated March 17 2025

This new firmware adds increased functionality and sound design possibilities to our EaganMatrix sound engine, the sonic heart of all of our Haken Audio products.

EaganMatrix BiqGraph Bank has enhanced ways to control narrowband resonances.

Control resonance using Decay Time Constants or Bandwidths

Optional use of Excitation Position for filter inputs.

Optional use of String Nonlinearity Coefficient for filter center frequencies.

EaganMatrix Additive Bank has support for Christophe Duquesne’s “Loris” Additive Overlay.

Up to 40 additive analyses, grouped into 4 decades.

Analyses and associated presets are set up by Loris, then playable within the EaganMatrix.

Continuum players have a new way to play tiny intervals or unisons: Place one finger at near side of surface and another at far side, then keep each finger at its side while sliding towards same pitch.

Fixed a variety of bugs reported by users, including:

Polyphony incorrect on certain older presets.

Damper pedal issues on some 8x Continuums.

Certain presets had incorrect voice allocation when receiving MPE.

Incorrect formula interaction with Touch Control Area and Pitch Trim Graphs.

Stuck notes when changing polyphony while playing additive presets.

Power-up inter-dsp communication improvements for multi-dsp systems (6x, 8x).

Sync-to-Incoming SPDIF digital audio.

User-reported problems in 10.50."

Torso S 4 ~ 3 Ribbon Controller ~Strymon Big Sky MX

video upload by Ebotronix

Torso S 4,
Doepfer R2m,(3x),
Mutable Instruments Midipal, (3x),
iConnectivity mioXM,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
13.03.2025
vid # 2491

AtoV Lx-Euclid 4 Channel Euclidian Sequencer // First Encounter (in Two Parts)

video upload by Genshi Media Group

"This is a first quick rough test (in two parts) of the AtoVproject Lx-euclid 4 Channel euclidean sequencer. I wanted to see how intuitive it is without looking at the manual (it's fairly intuitive!) I have it sequencing the Faselunare Vega 4 Channel Drum module, and effects from the Make Noise Mimeophon. Sorry, there is a short/crackling noise happening in the left channel on the first part of the video..."

See the announcement post here for an additional demo and details.

Make Noise ~ 0 CTRL ~ 1

video upload by Ebotronix

Make Noise ~ 0 CTRL ~ 2

video upload by Ebotronix

Make Noise , 0 CTRL , STO, DPO, MMG, Maths, Optomix,Xpan,
Doepfer R 2m,
Intellijel ,Quad Inverter,
Tunefish Modular, µ Peaks,
Ornament and Crime, Arabian Scale,
notes (in cents): 0, 100, 400, 500, 700, 800, 1100,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
06.03.2025
vid # 2486 & 2487

Torso S4

video upload by Ebotronix

Torso S 4,
Intuitive Instruments Exquis,
Doepfer R 2m,
Mutable Instruments Midipal,
Double Harmonic Scale,Byzantine scale, Arabic scale
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
04.03.2025
vid # 2485

Soma Lyra 8 ~ Mutable Instruments Beads

video upload by Ebotronix

Soma Lyra 8 ,
Mutable Instruments Beads,
Doepfer R2m , Ribbon Controller,
2x ,A 177-2, Boss EV 30,
Make Noise Optomix,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
27.02.2025
vid # 2482

Soma Lyra 8 with Moog Freqbox² and Maestro Ringmodulator

video uploads by Ebotronix

Note there are two videos in the playlist, part one and part two. You can use the controls to skip around.

Soma Lyra 8 ,
Maestro Ringmodulator,
Moog, Moogerfooger, 2x, Freqbox,
Boss PN2, SL20,2x, EV 30,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
25.02.2025
vid # 2478 & 2479

Seagulls ~ Soma Lyra 8 ~ Red Federation BPM Pro ~ Strymon Big Sky MX

video upload by Ebotronix

Soma Lyra 8 ,
Red Federation BPM Pro,
Strymon Big Sky MX, controlled by,
ATO Faderbank 16 n , with Midi CC,
24.02.2025
vid # 2477

Iridium ~ Osmose ~ ContinuuMini ~ Big Sky MX

video upload by Ebotronix

Waldorf Iridium,
Expressive E Osmose,
Haken Audio ContinuuMini,
Strymon Big Sky MX, controlled by
ATO Faderbank 16 n , with Midi CC,
Isla Instruments Kordbot,
Line 6 DL4 mk2,
Harmonic Minor Scale
18.01.2025
vid # 2458

Atov : lx euclid

Playlist (starting with supporting member Audiorial - click CC on the bottom of the player for subtitles):

1. Atov : lx euclid - A truly fun, easy and powerful euclidean sequenceur. - Audiorial
2. Euclidean rhythms made easy | AtoVproject lx-euclid - Tom Churchill
3. LX-Euclid play the Tiptop & Buchla rig - Stazma

"lx-euclid by AtoVproject & Lucas Bonvin

The AtoVproject lx-euclid is a 4-channel trigger sequencer with a standout feature: two touch-sensitive rings that redefine hands-on control. These rings, paired with full colour circular display, offer an unparalleled, intuitive interface designed for fast, real-time performance. The touch rings make it incredibly easy to interact with your sequences, allowing you to apply mutes, fills, and resets on the fly. This immediate tactile response puts creative control directly at your fingertips, making it perfect for both live improvisation and studio work.

In addition to its touch-sensitive rings, the lx-euclid boasts 4 assignable CV inputs, probability settings, and 8 save slots, offering endless possibilities for pattern creation and variation. The module also introduces new twists on traditional Euclidean rhythms, with Exponential, Inverse Exponential, and Mirrored Exponential algorithms for even more flexibility and evolving beats. Whether you're looking to unlock new creative possibilities or elevate your live set, the lx-euclid’s touch rings bring a whole new level of expression to your modular rig.

Stay weird and wired,

Lucas, Arthur & Chris"

3 cool Eurorack modules you might not know about

video upload by Tom Churchill

"This video features three of my favourite modules that I think have flown under the radar a bit: the Altered State Machines Aristotle, which is a two-channel non-linear analogue ‘additive sequencer’; the Beers DAC, which is a voltage-controllable transposer/adder; and the AtoV Project cDVCA, which is a unique kind of waveshaping, distorting, VCA, filter, combo.

What they have in common is that they’re affordable; they're the only modules of their kind, as far as I can tell; and I hardly ever see them in other people’s racks. NB: This isn’t a sponsored video, I’m just a fan!

More info on the modules:
https://alteredstatemachines.net/aris...
https://isaacbeers.square.site/produc...
https://atovproject.de/products/cdvca"

Chapters:
00:00 Preview & intro
01:37 Patch overview & Aristotle
03:53 First sequence: Plaits
06:56 Second voice: CDVCA
12:03 Transposing with DAC| 14:10 Adding drums & final patch

Verbos Harmonic Oscillator Drone with Strymon Big Sky MX

video upload by Ebotronix

Verbos Harmonic Oscillator , Scan & Pan
Strymon Big Sky in Dual Mono controlled by 16n ATO Faderbank
Happy Nerding Super Sawtor
Rare Waves Grendel Formant Filter, v1.
Toppobrillo 2x TWF .
Joranalogue Filter 8 ,Select 2.
Shakmat Aeolus Seeds
Antimatter Audio v3kt ~ Victor Joystick
Mutable Instruments Ripples
Funque Rat Distortion
MFB Fisual VCA
Feedback Modular 2x Two59 VCO
System80 2x µJove by
Tunefish Modular 2x µ Veils
ADDAC 305 Manual Latches
10.08.2024
vid # 2402

Tachyonen ~ Strymon Big Sky MX with Synthesizer's Mixolydian Scale

video upload by Ebotronix

Tachyonen ~ Strymon Big Sky MX with Synthesizer's Dorian Scale


Strymon Big Sky MX and 2x Cloudburst
Access Virus TI controlled by Yamaha MCS 2
and Yamaha FS 1 R to Big Sky MX ( Cloudburst Algo)
both Synths controlled by 2x Doepfer R2m and
2x Mutable Instruments MidiPal
Roland J 6 and Solina to 2x Cloudburst
controlled by
Conductive Labs NDLR Rotator
ATO Faderbank for Cloudburst (Midi CC)
26.07.2024
video # 2393 & 2394

Megapatch: Using an iPad and Faderbank to modulate Eurorack

video upload by Lesjamusic

"3 voices from ER-301
1 voice from Just Friends, sequenced by Norns’ Awake script, via Crow.

These go into NCL Clump, whose matrix is being modulated by øchd and Sloths. These outputs feed Nautilus, Data Bender, Arbhar, Dradd and Sealegs.

RIBN on the iPad modulates Just Friends and Sisters.

‪@atovproject‬ 16n Faderbank controls the mixer levels on Vortices, and the feedback levels on Nautilus and Sealegs."

Elmyra 2 // cLFO // Microcell // Cosmos // Poly 2

video upload by Lesjamusic

"Following Thursday’s fun playing the Elmyra directly, I wanted to try triggering a sequence. I’m using the Polyend Poly 2 to split the midi from Keystep over 4 CV/gate outputs - hence the spaghetti of wires dangling from the big case. Atovproject’s excellent cLFO is modulating various parameters on Elmyra, keeping the drone evolving. Microcell and Cosmos for texture.

Off screen, CXM 1978 and OTO Boum finish things.

00:00 Don’t melt my face
01:45 OK then melt my face"

Deep dive with the AtoVproject Dual Harmonic Oscillator

video upload by Tom Churchill

"At the end of last year I took delivery of the Dual Harmonic Oscillator, courtesy of AtoV Project. I did a ‘first patch’ type video a few weeks ago, but now that I’ve had a bit longer to get to know it, I wanted to do another video that explores it in a bit more depth. I’m glad I took my time, because this is a very deep oscillator. It’s quite different from any other VCO I’ve used, and it really rewards experimentation. I’ve been coaxing some amazing sounds and textures out of it, and in this video I break down seven patches."

Dynacord CLS 222 ~ Expressive Osmose ~ Strymon Cloudburst

video upload by Ebotronix

"Dynacord CLS 222 ~ Rotor Effect ~ Super Stereo Leslie
Expressive Osmose
Haken Audio ContinuuMini
2x Strymon Cloudburst ~ Midi CC by
AtoVproject Faderbank!
Line 6 DL 4 MK2
MACKIE the Mixer
The 'CLS 22' model was built from 1982 to 1988 and uses an exclusively analog signal. According to the manufacturer's official product brochure, Dynacord began developing the effect in the 1970s with the aim of imitating the sound of the mechanical rotor cabinet fully electronically and without wear. To do this, the manufacturer splits the input signal into a high-frequency and a low-frequency signal using an electronic crossover. Since the start-up and stop times of the two channels varied in a targeted manner, the rotor sound could be copied electronically. You could choose between fast speed (“Fast”), slow rotor sound (“Slow”) and untouched signal (“Stop”). In addition, the input level of the preamplifier, rotor balance, and output level of the signals could be adjusted between monophonic or stereophonic. On the back there is a power plug, jack sockets, XLR outputs, fine adjustments for the rotor speed and a footswitch input.

In 1989, a revised version of the device was released under the name “CLS 222”. This effect device supposedly now also uses a digital signal for signal processing, in contrast to the pioneer. However, according to the circuit diagrams in the service manuals, both the CLS 22 and the CLS 222 use purely analog circuits, including BBD chips (so-called “bucket chain memory”) for the signal delay. According to the manufacturer, the CLS 222 model could still be used for electric guitars, microphones and PA systems without any problems, although the previous model was designed more for keyboards
British rock musician Eric Clapton used a white “Dynacord CLS 222” from 1989 to 1996 as part of his Soldano/Cornish guitar routing system. The effects device came into the system for the B part of the Cream song Badge. On the original recording, Clapton recorded the part with an original Leslie speaker, but used the Dynacord as a replacement for the performances during the Journeyman World Tour and world tour in 1992.

The guitarist David Gilmour of the rock band Pink Floyd also used a “Dynacord CLS 222” in his guitar and effects device system, which, like Clapton, was also developed by the British electrical engineer Pete Cornish.

The guitarist The Edge of the Irish band U2 also used the “CLS 22” effects device. The French music producer and disc jockey Joakim Bouaziz uses a “Dynacord Leslie simulator CLS 222” in his New York Crowdspacer Studio.

16.04.2024
video # 2364"

Make the most of LFOs & Ring Modulation // with the cLFO from AtoVproject

video upload by DivKid

"Here we have the cLFO (complex low frequency oscillator) from AtoVproject and while making this a demo of the module I also wanted to make a tutorial for making the most of LFOs and Ring Modulation in a modular system. We've got patches showing LFO uses, multiple modulation destinations, ring modulating LFOs, ring mod as a VCA, ring mod for massive bass sounds ... give the patches a go!"

AtoVproject DHO Workshop at SchneidersLaden

video upload by SchneidersLaden

"The workshop by AtoVproject about the DHO – Dual Harmonic Oscillator at SchneidersLaden. AtoVproject introduce their exciting new oscillator and play a performance so you can hear the module in a musical context.

Complex oscillators are renowned for their amazing sonic potential. The DHO uses the power of digital controls to improve accessibility and inspiration. Each analog oscillator generates four octaves of triangle waves and modulates each other using through-zero FM. All of this is channeled through a four-stage diode wavefolder.

For extremely complex modulation there is the power of simplex noise implemented in the DHO. This is an algorithm straight out of the video game industry. One twist of a knob allows you to dynamically modulate 10 parameters. You can explore infinite soundscapes and give life to the whole module with just one CV input. This fantastic noise source can also direct the frequencies of up to 10 internal LFOs, injecting motion and complexity into your sound without cluttering your rack with external modulation sources."