06.10.2025 Mos-Lab 2500 [02]

video upload by batchas

Eliane Radigue Has Passed Away

Eliane Radigue - IMA Portrait documentary video upload by

Pictured: 1st image of Eliane Radigue on Discogs

Video description:

"Eliane Radigue

Her life journey has been remarkable. At the end of the fifties, she studied in Paris with musique concrète pioneers Pierre Schaeffer and Pierre Henry, whom she also assisted, notably for the premiere of L'Apocalypse de Jean. During the sixties she began composing with primitive electronics (feedback and asynchronous tape loops), but found little recognition for her research in France.

In New York in the early seventies, she found understanding and emulation, exploring emerging minimalism with James Tenney, Charlemagne Palestine, Phillip Glass, John Gibson, and Steve Reich. Her absolute allegiance to electronic sounds began during this period. Since then she has composed on the best synthesizers of the time: Buchla, Moog, Serge, and then ARP, which would become her fetish instrument. She collaborated with Robert Ashley, who sang on Les Chants de Milarepa. She has composed about two dozen works, which she has presented and continues to present at numerous prestigious venues and festivals in the United States and Europe.

In 2004, upon Kasper Toeplitz´s request, she started instrumental compositions for one or more performers, with whom she works in a close collaboration during the compositional process. This work gets quickly focused on pure acoustic sounds, in an incredibly delicate timbral way, which extends, without aesthetic rupture, her electronic work. Notably between 2004 and 2009, she completed a cycle in three parts 'Naldjorlak', for Charles Curtis on cello, Carol Robinson and Bruno Martinez on basset horns. She has now stopped her electronic work."

Emmanuel Holterbach (Translation Leslie Stuck)"


The following is a collection of some of her works:



Playlist:

1. Eliane Radigue | Feedback Works 1969-1970 [2012, Full Album]
2. Éliane Radigue - Opus 17 (1969) (Full Album)
3. Eliane Radigue – Vice - Versa, Etc (1970) (Drone / Experimental) [Full Album]
4. Eliane Radigue ‎– Chry-ptus (1971) (Drone / Experimental) [Full Album]
5. Eliane Radigue - Biogenesis, 1973
6. Eliane Radigue - Arthesis, 1973
7. Eliane Radigue - Songs Of Milarepa (1983) / Drone / [Tibetan Buddhist influence]
8. ELIANE RADIGUE : "Jetsun Mila" - 1986 [Tibetan Buddhist influence]
9. OCCAM DELTA XIII - Eliane Radigue

"In Buddhism, the number 9 signifies spiritual completion, ultimate enlightenment, and the highest level of consciousness (the ninth consciousness, or Buddha nature). It represents the culmination of the path to Nirvana, the 9 virtues of the Buddha, and is often associated with auspiciousness, progress, and the 9 states of delusion (nine worlds)."

Some history on Eliane Radigue via Wikipidia:

"Radigue was born in a modest family of merchants and raised in Paris at Les Halles.[5] She later married the French-born American artist Arman with whom she lived in Nice while raising their three children, before returning to Paris in 1967. She had studied piano and was already composing before hearing a broadcast by the founder of musique concrète Pierre Schaeffer. She soon met him, and in the early '50s became his student, working periodically at the Studio d'Essai during visits to Paris. In the early 1960s, she was assistant to Pierre Henry, creating some of the sounds which appeared in his works.[6] As her own work matured, Schaeffer and Henry felt that her use of microphone feedback and long tape loops (as heard in Vice-Versa and Feedback Works 1969-1970) was moving away from their ideals, though her practice was still related to their methods.

Radigue's death was announced on February 24, 2026. Her cause of death was not stated.[7][8]

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ArpoLoop at the Peppo Lab #4 - Extended Textures #arpoloop

video upload by LepLoop

"Day 4 of 7: Extended Textures
Some videos to test the Arpoloop sonic territories. No external effects, audio straight from the synth—just raw analog synthesis and internal sequencing. Exploring patches, modulation, and rhythmic shifts.

https://www.leploop.org/2024/05/14/th...
#dawless #analogsynth #peppolab"

RetroSound Studio Tour: Analog Polyphonic Synthesizers

video upload by RetroSound

"RetroSound Studio Tour
Classic Analog Polyphonic Synthesizers from the 1970s and 1980s

In this episode of RetroSound Studio Tour, I explore the sound, design, and history of legendary analog polyphonic synthesizers from the golden era of electronic music. These vintage poly synths defined the lush pads, warm brass sounds, and cinematic textures heard in synth-pop, progressive rock, disco, film scores, and early electronic music.

This studio tour focuses on true analog polyphonic instruments featuring multiple voices, voltage-controlled oscillators , classic analog filters , and rich modulation systems. Unlike monophonic synths, polyphonic synthesizers allow full chords and layered harmonic textures — making them essential in 1970s and 1980s music production.

In this RetroSound Studio tour, you’ll discover:
0:07 Roland Jupiter-4
5:54 Roland Juno-60
9:49 Roland Juno-106
14:10 Roland Alpha Juno 2
15:42 Roland JX-3P
18:21 Roland JX-8P
21:28 Korg Polysix
24:48 Korg Mono/Poly
26:59 Oberheim OB-X
32:32 Oberheim OB-Xa
35:35 ARP Quadra
37:11 Sequential Prophet-600
39:48 Tiracon 6V
41:56 Oberheim Matrix-1000

Full Studio Tour playlist:"

2/15/26 ARP 1613 + Roland System 100m + Alesis MIDIVERB II + CXM 1978

video upload by Cfpp0

"We recently traded an ARP 1623 for a freshly serviced 1613 and this video was a first test. ARP 1613 Quantized output A controls one Roland 110 VCO and quantized output B controls another. Gate Bus 1 controls a 140 envelope, which controls both 110 VCAs. The ARP 1613 also modulates the 110 VCFs, as do two LFOs. Anyways, I like the look of the ARP 1623 much better, but the Roland System 100m won the post-Pandemic format wars here and the 1613 looks most excellent with the 100m. Plus the big wooden end cheeks on the 1613 allow you to position the 1613 vertically (if you’re careful). Last year we got a great deal on a 182 sequencer for the 100m, with another 191j and another 150, so now we have six 191j cabinets (actually, one is by e-licktronic). They’ve been stacked in two sets of three and are topped with two ARP 1613 sequencers. It’s pretty luxurious. Or, as YLF says, Imperial.

We also moved the Blueberry 5200 (two clones of the ARP 2600 Blue Marvin by Behringer) and two DeltaLab Effectron II BBD delays next to the System 100m and 1613s, creating another angle in the octagon. A Mazzatron Eurorack patch bay interfaces the Effectron II delays and connects the wing to the Addac x911 bays."

Arp 2500 - Overview

video upload by Ian Nieman

Self Playing Patches by BENGE

video upload by Memetune Studio

"This series of studies explores an idea that Benge has been working on over the past year or so, namely that of Cybersynthesis. This involves programming self-contained patches on various modular systems which, once set in motion, will produce dynamic, evolving soundscapes, sometimes purely abstract in nature, at other times veering towards the more melodious

Many different methods were deployed in the patches, depending on the system being used, but normally multiple sequencer and switching devices were combined to give varying degrees of control over long time periods, often without repetition

Other things like random control signals and semi-random events were combined with the sequencers and switching units to bring variation to the performances the machines were making

The key idea at the heart of Cybernetics is the concept of bringing control to chaotic processes. To do this, some kind of feedback loop would ideally be established that can monitor and limit events that might otherwise spin out of control. The Serge and Modcan systems featured here each have various comparator circuits that can, to a certain extent, achieve this highly advanced synthesis feature

In the absence of such sensor paths, it is sometimes possible to use audio or voltage mixers and feedback chains to set various parameters to be on the very edge of chaotic behaviour, an approach used in many of the patches on display here

Other techniques such as the quantisation of voltages and the forcing of notes to play within certain predetermined musical scales were also employed in some of the pieces, which is another way of taming chaotic elements into into a more musical realm

Overall, a wholly experimental approach was applied to the various setups, with the intention of providing an insight into how these machines can behave. Of course, each system has an almost limitless depth to the complexity of patches available, and each track on the album provides just a single snapshot of each instrument used. But hopefully it provides an interesting glimpse into the wonders that these self-playing systems can achieve

Tracklist:

01 - Buchla 100 and EMS VCS3
02 - Serge Paperface
03 - Modcan A-Series
04 - ARP 2500
05 - Buchla 200 and DK Synergy
06 - Serge and LW Comparator
07 - Moog Modular 3C
08 - Roland Discrete System
09 - Buchla 200

MORE INFO HERE:
https://modular-station.com/modulisme...



Synthesiser programming and recording, design and concept: Benge (B D Edwards)

Made at Memetune Studios, England

(c)+(p) 2025 Memetune Recordings

Special thanks to Philippe Petit at Modulisme (modular-station.com/modulisme) for his continued support"

Songlines (soundscape) for Arp 2600, VCS3 and Gong

video upload by R. Reger

"Original soundscape for analogue instruments."

RetroSound Studio Tour: Analog Monophonic Synthesizers

video upload by RetroSound

"Welcome to RetroSound Studio Tour: Analog Monophonic Synthesizers & Duophonic — a deep dive into legendary mono synths from the 1970s and 1980s, including rare East-Bloc classics.

In this new episode, I showcase iconic instruments such as the Minimoog, ARP Odyssey, Roland SH-101, Maxi-Korg, Sequential Circuits Pro-One, alongside Soviet and East German synthesizers like the Polivoks, Alisa 1377 and Vermona mono synths.

These analog monophonic synthesizers defined the sound of electronic music — from the fat Moog and cutting ARP to aggressive Polivoks and raw Eastern European character.

This video explores the sound and architecture of true analog mono synths built around VCO, VCF, and VCA signal paths, highlighting their distinctive basslines, lead sounds, and modulation capabilities. From the Moog basslines to the aggressive Polivoks filter sound and the unique character of East German Vermona synthesizers, each instrument demonstrates why 1970s and 1980s monophonic synthesizers remain highly sought after by collectors, producers, and electronic music enthusiasts."

The Monophonic Analog Synths:
0:07 Maxi-Korg 800DV
3:17 Sequential Pro-One
6:30 ARP Odyssey Mk. III
8:39 Roland SH-101
11:56 Moog Prodigy
15:24 Moog The Source
17:34 Moog Micromoog
18:16 Moog Minimoog
20:56 Moog Taurus
22:21 Formanta Polivoks
24:44 Rodina Alisa 1377
26:48 Vermona Synthesizer

ARP QUADRA PROGRAMABLE SYNTHESIZER

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

Pics of the inside below.

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Guess the movie title ;) #udosupergemini, #rolandd50 #arpaxxe

video upload by Zed AudioLab

He Hates This Synth Because…

video upload by Anthony Marinelli Music

"In this video, I pick one thing I think I hate about 12 classic synthesizers—and then follow that feeling wherever it leads.
We’re talking about legendary instruments:
Minimoog, MS-20, Prophet-5, Jupiter-8, ARP 2600, Moog IIIc ('Plantasia'), Oberheim 4-Voice, Oberheim OB-X, Synclavier III, Elka Synthex, and Yamaha CS-30.
What starts as frustration with a workflow choice, a knob, or a design limitation slowly turns into something else entirely.
Along the way, I realize this video isn’t really about hating synths at all. It’s about relationships.
Every one of these instruments has limitations—and so do we. In any good relationship, not everything is perfect. But when you stop fighting what something isn’t and start understanding what it is, those limitations can become the very thing that leads you somewhere creative and unexpected.
Instead of endless options, boundaries create focus.
Instead of frustration, they create identity.
And in learning to understand these instruments more deeply, I ended up learning something about myself.
This is a video about synthesizers—but it’s also a small morality tale about creativity, acceptance, and finding freedom inside constraints.
Let me know in the comments:
Which synth do you love… even though it drives you crazy? 🎛️"

https://anthonymarinellimusic.com/pages/about

ARP Foundation NAMM & Buchla & Friends Pics

via The Alan R Pearlman Foundation newsletter:

"Our West Coast Whirlwind!

Still feeling the synthesizer love from last month’s California visit to NAMM / Buchla & Friends!

At NAMM:

Anthony Marinelli visited our booth
The Blue Meanie was at our booth for a whole day!

ARP 2600: Drew Schlesinger demonstrated patches using the 2600 software included in the Korg Collection VST 6. 2 Lucky folks won a signed CD and poster from Martin Gore

And Congratulations to Violet Burns who won the Korg Collection 6!

Then it was off to Buchla & Friends – January’s biggest two-day collection of hands-on synths on the West Coast!

Remember: The Most Creative Part of an ARP synthesizer is You!

NAMM 2026 would not have been possible without the help of the following people and companies:

Thank you to Korg, Inc for the Korg Collection Giveaway and helping us make NAMM possible.

Thank you to Sean Weizmann of Arturia for the midi controller

Thank you to Beyer Dynamics for the headphones

Thank you to Ryan Hawkins of Hawkins Restorations for use of his Blue Meanie, Tonus 2600, OMNI and Odyssey, and for being the best Booth volunteer along with his assistant Miles.

Thank you to Julie Lewis for volunteering at the booth and for her donation last year of a rare ARP Soloist that was owned and played wonderful late husband synth legend Don Lewis.

Thank you to our Board Member and booth volunteer Stephen DeJesus for selfless assistance at both NAMM and Buchla & Friends.

Thank you also to Chris Cardone, Joe Castronovo, Tom Cusimano, Deanna DelVino, Rich Formidoni, Martin Gore, Andy Joyce, Brian Kehew, Ruperto Ifil, Mary Lock, Anthony Marinelli, Mark Marshall, Mike Metlay, LaMar Mitchell, Tony Notron, Drew Schlesinger, James Terris and Brianna Tortino,

View our West Coast photo dump!"



Pictured:

Top: The great Stevie Wonder w/ ARP Foundation's Dina Pearlman-Ifil.

Middle: "Richard Devine giving the Blue Meanie a run for its money." Check out the video here.

Bottom: ?! :)

Serviced ARP Omni 2 Synthesizer with Synthchaser MIDI, LED Sliders & Road Case

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Here's a nice, restored ARP Omni 2... with MIDI!! This synthesizer has just been fully serviced by Synthchaser, the United States' top ARP specialist - recapped, new key bushings, new LED sliders, clean, fully functional, calibrated, in tune and sounding great. And best of all, this has been fitted with the Synthchaser MIDI Adapter! This keyboard is the sound of Joy Division and is all over The Cars' "Moving In Stereo", and many other late 70's/early 80's albums. It produces the lush Solina/String Ensemble sounds plus has a polyphonic synthesizer section with a voltage controlled filter, LFO, and ADSR, and a dedicated bass synthesizer section.

Excellent condition, with some marks on the right leather side panel. Includes a road case that needs new foam and to be aired out as it smells musty. See photos for condition. This synth was serviced by Synthchaser (the top ARP specialist) in February 2026. Work done included:

Synthchaser MIDI Adapter - Supports MIDI IN and THRU (only an "IN" jack has been fitted on this synthesizer). Configurable MIDI channel and starting key on your MIDI controller.

Synthchaser Precision LED slider upgrade. All 15 of the old original sliders have been replaced with new, smooth, high precision LED illuminated sliders (purple color--think Prince!). The difference in the way these sliders feel and perform compared to the originals is a huge improvement.

Power supply rebuilt - All tantalum and electrolytic capacitors in the power supply have been replaced, and high quality, high temperature 105 deg C capacitors have been used for the power supply filter capacitors.

All tantalum capacitors replaced - The tantalum capacitors in ARP synths are ticking time bombs. All of the over 100 tantalum capacitors in this synth, including the power supply and filter submodule, have been replaced with electrolytics to help provide stable operation for years to come.

Synthchaser 4075 Filter Enhancement Kit Installed - The ARP Omni uses the same 4075 filter submodule found in the Odyssey, Quadra, Avatar, and Pro DGX. This has been recapped, and enhanced to provide superior frequency response.

Keyboard rebuild - New key bushings installed, buss bar & key contacts cleaned and adjusted, keybed leveled, keys cleaned

Oscilloscope calibration - Fully calibrated to factory spec using oscilloscope and frequency counter."

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RetroSound Studio Tour: Classic Analog String Machines from the 70s and 80s

video upload by RetroSound

"Step inside RetroSound Studio for an in-depth studio tour focused on classic analog string machines from the golden era of the 70s and 80s.

In this video, I showcase my collection of vintage string synthesizers, legendary analog ensemble keyboards that shaped the sound of disco, prog rock, synth-pop, ambient, and early electronic music. These iconic instruments are known for their lush chorus effects, warm analog tone, and unmistakable vintage character.

From rare string machines to well-loved classics, this studio tour is a deep dive into the history, sound, and vibe of analog synth technology that continues to inspire modern music production today.

Whether you’re a synth enthusiast, producer, collector, or just love retro sounds, this tour of RetroSound Studio highlights why analog string machines remain timeless.

Stringmachine list:
0:07 Logan String Melody 2
1:30 Roland VP-330 Vocoder Plus Mk2
4:38 Crumar Performer B
7:53 Korg EPS-1
10:03 ARP Quadra
13:50 Rmif Opus
15:29 Elektronika EM-26

The analog string machine playlist:"



Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/"

Couple's night - Synth style

video upload by Mutt Retro

"Maybe one day I'll record this track...."

Ambient electronic Meditation 04 - winter sonata - #arturia #minifreak #moogsynthesizer #solina

video upload by RandomVoltage

"Instruments/ setup

Arturia Minifreak - pad sounds

Moog dfam - bass rhythm

Moog mother32 + Moog subharmonicon - brass lead Patched back and forth for filter modulation/ also used the mixer and lfo from Moog labyrinth

Moog spectravox - mainly using the lfo to modulate the solina vca/ noise rhythm to the end- triggered with Moog labyrinth

Behringer Solina- String Sound played with Arturia keystep (vca lfo modulation)

Arp2600 - self running percussion rhythm

Analogue Solutions Nyborg- noise fx

Effects

Eventide Blackhole, strymon bluesky and el capstain, Boss Space Echo

Recorded live with Zoom livetrak l6"

Richard Devine on a Tonus ARP 2600 (1971) #namm2026

video upload by SynthAddict

SWITCHTRIX ELECTRONICS KS SEQUENCER WITH INTERFACE/ARP ODYSSEY

video upload by SWITCHTRIX ELECTRONICS

"Our recreation of the classic KS sequencer using the output interface to connect to an ARP ODYSSEY.

This allows the KS to connect to 1V/oct synths or MK1 EMS Synthi/VCS3

For more info contact

mail@switchtrix.co.uk"

Red version in previous posts here.

ARP Pro-DGX Monophonic Analog Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This ARP Pro-DGX is a thirty preset monophonic analog synth with digital controls. The 37-note keybed has aftertouch for volume, brilliance, vibrato, wow, growl, and bend effects - and even all at once if you desire! A few basic filter, envelope and LFO controls allow some tweaking of the preset sounds. Get your classic Tony Banks sounds with this unique Arp - no other synth sounds quite like it."

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