Korg PS-3300: Favorites

video upload by App Sound (by Matt Sour)

"Playing some cool factory patches - a first contact with the Korg PS-3300.

0:00 Vibrato Lead
0:55 Dotted Dots
1:37 Cassini
2:16 Ring Popp Redux
2:46 Earth, Wind & Bird
3:12 Droner
3:53 Solo - Ens Rich Choir
4:29 Metallic Wind
4:58 Soft
5:33 Dinosaurus Walk
5:58 Beauty in Sustain
6:31 Dry Pad"

SONICWARE Meets Waldorf — The ELZ_1 play V2 Is Here

video upload by SONICWARE

ELZ_1 play V2 [Preset Jam by Yu Endo]
video upload by SONICWARE

User videos:


Playlist: (you can use the player controls to skip around)

1. ELZ_1 play V2 (version 2.0) Quick Guide - Waldorf Wavetables, Layering, New Effects + More - ChrisLody
2. Wavetables, Layers & Total Transformation // Sonicware ELZ-1 Play Just Went PRO - Starsky Carr
3. NEW SONICWARE ELZ_1 play V2 synth!! (WALDORF wavetables and 18 engines) - sound demos - FutureMusic.es

via SONICWARE

"Pack. Play. Perform.

Wavetable power, to go

We are accepting preorders for shipment in mid-November.

V2 Launch Edition with Special Case (limited to the first 300 units)

Sound – Power – Portability

■ Wavetable × Layer Mode
Spark experimentation, and transform sound beyond limits.
Featuring Original Waldorf Wavetables!

■ Creative Arsenal
18 distinctive synth engines, 48 diverse effects, a flexible 4-track looper, and a sequencer for limitless sound creation.

■ Carry Your Creativity
From spark to sound everywhere you go."

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

X1L3 - THE WRETCHED - circuit bent drum machine - eurorack module - final rev test

video upload by X1L3

"Testing the first complete unit of the first build run.
Placed in my rig as my personal unit to replace the solder bridged and wires around the back mess that i used for fault finding and tweaking that's lived in my rig for over a year.

No frills demo cycle - just the machine lazily cruising along doing a good impression of a circuit bent Yamaha DD drum machine without using the resonant filter and ruiner sections that were a part of my old circuit bending works. Using those things are where you can really go dark and mess things up, but you don't necessarily need them to do the whole 90s drum rompler bent thing.

You could probably do a lot worse than use this as your go to circuit bent drum machine, but to use it as your main driver in a track is i think a matter of taste. If you don't mind your drums sounding like they're done on an Amiga tracker, which i don't, then it works. If fidelity is your thing i'd probably pair it up with something a bit more hifi to pin down the 8 bit cronch.

Anyone familiar with a circuit bent and midi retrofitted Yamaha DD will know how close this thing is at recreating the sound of one. Except it does what they do better, with more control, more finesse, and without the annoying toy footprint of one of those machines. A circuit bent Yamaha DD14 was used heavily in the creation of what this module has become.

I'd go head to head with a flag ship bent TR505/707 with this thing and feel pretty confident in coming out the other side on top. It takes all that is good about a bent drum machine and leaves behind the compromise that's often inherent to them.

Will be released when the Alleykat SID module is complete. Alleykat, the AY/YM chip module and this will all come out at the same time. I'm taking time out to have a break and chill before i put these new machines out there."

Update:

X1L3 - THE WRETCHED - circuit bent drum machine - cat rom

video upload by X1L3

Custom Gold Plated Yamaha DX7

video upload by 마스터뮤직_MasterMusic

Wait for it.

This one was spotted and sent in via supporting member Ivan Trajkovic aka dejayiwan.

Update: looks like the artist is french producer Dabeull. He definitely likes the DX7:

Dabeull - 'DX7' Song of the Week

video upload by Cynical Music

Hans Zimmer Next Level Giorgio III Monumental 5U Modular System

Hans Zimmer 2025 - Batman Dark Knight - Opening - Cologne / Köln - Next Level Live

video upload by C3|Nik

Pics and details below. First the video description:

"Some thoughts regarding the "Hans Zimmer - The Next Level" concert:

Amazing! Amazing! AMAZING!

I went to all shows of Hans Zimmer, some I've seen even multiple times. The sound quality of "Next Level" blew them all out of the water. It was louder, it was more intense, really top notch sound engineering. That part at 5:50 in the video was extremely intense, I have never experienced that kind of bass before. I sat close to the front, there was a line of subwoofers right in front of me, I would not be surprised if that part causes some anxiety for people, that's how intense it was.

Some pieces were re-arranged which was an interesting touch, it added a nice new dimension to it.

I can recommend it. It is expensive but a one-of-a-kind experience in my opinion."

Update: SynTesla video below added.

GIORGIO III, Hans Zimmer's monumental synthesiser manufactured by SynTesla

video upload by SynTesla

"SynTesla is the manufacturer of the gigantic GIORGIO III modular synthesiser commissioned by Hans Zimmer for his world tour 'Hans Zimmer Live The Next Level'. Discover the unboxing and assembly of this fabulous instrument."



This one is in via John L Rice.

via pidjyman on Mod Wiggler:

"The Giorgio III is a monumental 5U Modular synthesiser created by SynTesla (Pierre-Jean Tardiveau, aka pidjyman on MW) for composer Hans Zimmer for his world tour.

This synthesizer is undoubtedly the largest modular synth in the world, consisting of 12 cabinets measuring 5 x 5U + 1 x 3U in height. Only 10 cabinets are installed on stage, with two others serving as back-up behind the scenes.

This monster represents 10 months of hard work in total. 23 types of modules were designed and produced in large numbers. To give you an example, the synth is composed of 3 separate units of 4 voices each, for a total of 12 voices, with 2 VCOs, 2 DCOS, 2 filters, 6 DADSRs, 6 VCAs, 1 resonator, 4 LFOs, buffered multis, logic, attenuators, attenuverter, mixers, wavefolders, gate delays, summing mixers, etc. etc...

The modules were manufactured in France by Syntesla and designed by Yusynth and SynTesla. They were assembled in Los Angeles at Hans Zimmer's studios and then shipped to Germany for final assembly on the tour stage.

When the synth arrived in Oberhausen, Hans Zimmer had never seen it before (he was rehearsing in London while it was being assembled in LA), and I can promise you that his smile in the photo is not fake (neither is mine).

The electrical part of the cabinets was also designed and built by SynTesla. It includes an oversized power supply with a capacity of 10 amps, an active filter that provides perfectly stable and clean voltage, and a power distribution board in SynTesla and DotCom format, as well as an integrated voltmeter and ammeter. The whole system has several levels of safety.

This made it possible to connect each cabinet to a solid-state relay socket controlled by DMX from the lighting console. The robustness of the device allows the whole or part of the system to be switched on and off in sequence, depending on the pieces being played on stage."

RMIF TI-3 The Last Soviet Polyphonic Synthesizer Part.1 (Bank D)

video upload by Eternal Engine EMI

"Playing presets on Rmif TI-3 upgraded to pathced TI-5 firmware (Bank D)"

0:00 - Bank D1
6:18 - Bank D2
11:11 - Bank D3
15:36 - Bank D4
19:43 - Bank D5
23:37 - Bank D6
25:03 - Bank D7
25:05 - Bank D8

RMIF TI-3 The Last Soviet Polyphonic Synthesizer Part.2 (Bank B and C)

video upload by Eternal Engine EMI

Behringer Introduces CZ-1 Mini | The Rebirth of Phase Distortion in a Compact Powerhouse

video upload by Behringer

"Experience the Behringer CZ-1 Mini — a stunning rebirth of the legendary phase distortion synth, now re-engineered into a sleek and portable form.
Same iconic sound. Smaller size. Bigger inspiration.

🎹 Highlights:
• Authentic phase distortion engine inspired by the classic Casio CZ series
• True 8-voice polyphony for lush, vintage tones
• Real-time hands-on control with intuitive interface
• USB-powered and ready for studio or stage

The CZ-1 Mini brings the warmth and punch of the ‘80s into today’s creative workflows — at a price that changes everything.

⚡ Watch now and rediscover the sound that shaped a generation."

Update:

Behringer CZ-1 Mini | Compact Phase Distortion Powerhouse

video upload by Behringer

Roland TR-1000 compared to OG TR-808 TR-909

video upload by Antony Fewster

"Quick compare of the new Roland TR-1000 to the TR-808 and TR-909. Not intended to be a shootout, more so side by side examples of how the engines compare.

The TR-1000's 808 engines are all analog in this example. The TR-1000's 909 kick and clap are analog, the hats are ACB.

Recorded from main outs on all machines into Apollo x8 into Logic. Normalized audio, exported uncompressed to AIFF. Finally degraded by imovie and youtube."

Update: some additional info via Antony:

"In trying to match the levels (tuning etc), something that was really apparent was that there originals had nowhere left to go - both the 808 and 909 were set to max on the available settings (other than tone for the 808 was was around 12 o’clock). The TR-1000 had headroom for days across every parameter - decay, tuning etc before you even get to the extended parameters, effects, filter etc

I find in the same room the TR-1000 is crisper, clearer, heavier, punchier. I imagine most folks will be dialing things back to sit in the mix vs adding stuff (i.e. when compared to the originals) to make them do their thing.

I know the originals do what they do, but having played the TR-1000 I find myself wondering why the tuing stops ‘here’, or why I can’t add a delay to the hats, and a compressor to the kick as I’m in the flow with the machine - vs going back to the daw, or having to use separate outs into outboard stuff - it’s all very immediate."

New UDO Synth DMNO, 8-voice, 2-part Multitimbral Synthesizer Incoming

Update: full details & intro video posted here.

"DMNO is an 8-voice, 2-part multitimbral powerhouse with a highly flexible and dynamic signal architecture. It features two independent 4-voice analog-hybrid synthesizers, each equipped with our new Dynamic Multi-Core Stereo VCF. With its eight creative Play Modes, DMNO unlocks dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity makes it a truly expansive and immediate sound design sandbox.

Play Seriously."

New Roland TR-1000 RHYTHM CREATOR Incoming

Update: teaser videos added below.

This one was sent in via an anonymous reader. It's apparently from a Sweetwater catalog.

The text reads:

"NEW!

Meet the TR-1000:
Roland's Legacy Rhythms Reborn

Blueprinted with unprecedented potential, the Roland TR-1000 Rhythm Creator marries historic heat, analog presence, and digital precision into a polychromic powerhouse built on the masterfully re-created circuits of the legendary TR-808 and TR-909 drum machines. Its hybrid architecture houses a trio of synth engines, bringing a prismatic palette of FM, PCM, and VA possibilities to the TR-1000's analog foundations, with ACB modeling supplying the coveted circuit-bent sonics of the 8X and 9X models. Over 2,500 onboard sounds join a wealth of digital and analog effects while the suite of classic-to-contemporary connectivity effortlessly integrates the TR-1000 into any arrangement. Add in cutting-edge Morphing performance controls, next-gen TR-REC sequencing. true-stereo re/sampling, and an unbridled array of sonic contouring tools, and you've only scratch the surface of the TR-1000's kaleidoscopic capabilities — vintage heart, modern soul. and endless exploration waiting to be discovered by you."

If legit, I'm curious how it will compare the the TR-8S. Note the change in design aesthetic. Reminds me of the GAIA with a touch of Elektron gear. Note the Morph slider on the bottom right and display on the top right.

Update2: Roland announcement post here, additional posts with demos here.

CLICK FOR MORE »

Introducing the Sequential Fourm

video upload by Sequential

Update: the first user videos added below. Note: this post is pinned on top, see below for new posts going up throughout the day.]

"Fourm 4-voice analog synth with polyphonic aftertouch

Fourm is a compact analog synthesizer that invites you to play, shape, and perform with unprecedented expression. With its legendary Sequential tone, hands-on modulation, and uniquely responsive Tactive™ keybed, Fourm is a creative partner helping to bring your musical ideas to life.

Synth sounds and drums exclusively by Fourm. Composed by Peter Dyer."

https://sequential.com

See the dealers on the right of the site for availabily.

User videos:



Playlist:

1. The new Sequential Fourm in 60 seconds! #analogsynth #synth - Available at Signal Sounds
2. Sequential FOURM -- J3PO demo & overview
3. Sequential Fourm Analog Synth INHALT Demo & Discussion
4. Sequential FOURM Review — Classic synth sounds in a small package! - BoBeats
5. Introducing the Sequential Fourm Synth | First Look & Demo - Gear4music Synths & Tech
6. Sequential Fourm: Poly aftertouch, stacked waves, expressive arps – First look and sound demo - MusicRadar Tech
7. Sequential Fourm Performances & Overview - Sweetwater Soundcheck
8. SEQUENTIAL FOURM: the synth we’ve ALL been waiting for? - Projet Home Studio

Press release and pics follow:


Sequential Introduces Fourm: A Four-Voice Analog Synth with Polyphonic Aftertouch

A New Fourm of Expression

San Francisco, CA — September 23, 2025 — Sequential has announced the release of its most affordable, synthesizer to date. Fourm is a compact, 100% analog instrument that redefines expressive electronic performance. With its warm, organic tone, hands-on modulation routing, and a uniquely responsive polyphonic aftertouch keyboard, Fourm is ready to bring your musical ideas to life.

At its core, Fourm delivers four analog voices of genuine Sequential sound, derived from the legendary Prophet-5 — complete with dual oscillators, a classic 4-pole lowpass filter, and envelope curves modeled after the 1978 original. The result is unmistakable Sequential warmth and punch, now with overdriven feedback for a performance-ready edge.

For the first time in 40 years, Sequential has returned to polyphonic aftertouch. The team developed the new Tactive™ slim-keys poly AT keybed to work in concert with Fourm’s analog synthesis engine. Every element was co-designed and precisely calibrated to unlock new levels of expression, enabling a deeper connection to our signature sound that no off-the-shelf keybed could deliver. The result is a more expressive bond between player and instrument, energizing new modes of creativity.

“Wowww holy smokes: this thing sounds and feels amazing,” said Bryn Bliska, (keyboards for Chappell Roan, Maggie Rogers, Jacob Collier). “The polyphonic aftertouch is seriously so fun… Sequential nailed it.”

“We’re so excited to bring this innovative all-analog keyboard into the world,” said David Gibbons, Sequential CEO. “At a price-point that most people expect to pay for a monophonic synth, we think this product will invite legions of musicians who have longed for the magic of polyphonic analog sounds to start their journey of discovery with Sequential.”

Notably inspired by the Pro~One, Fourm’s top-panel modulation matrix puts deep sound design at your fingertips—no menu diving required. Modulation sources and destinations are clearly labeled, connections are made with a button press, and color-coded indicators make even complex routings easy to manage.

With its compact footprint, professional-grade build, and a sound engine rooted in Sequential’s most iconic instruments, Fourm is a powerful new voice in analog synthesis.

About Sequential
Sequential has been at the forefront of synthesizer innovation since 1974, creating instruments that inspire musicians and shape the sound of modern music. With a legacy built on the iconic Prophet synthesizers, Sequential continues to push the boundaries of sound design with cutting-edge technology and exceptional craftsmanship.

CLICK FOR MORE »

Oberheim Two Voice + Tubbutec MIDI (Sequences)

video upload by Synth Tailor Electronics

"OBERHEIM TWO VOICE + TUBBUTEC MIDI just installed! The @tubbutec uniMatrix Midi kit adds filter control for each SEM independently, and it’s great being able to use a modern midi controller with such an early vintage synth.

Shoutout to Rob Rosen for figuring out the SEM filter controls/making the installation manual for this kit!

The Two Voice/FVS is one of my top 3 favorite vintage synths of all time. This two voice has been fully overhauled and it sounds incredible!
If you have a vintage synthesizer that needs midi or repaired/restored please reach out through our website! www.synthtailorelectronics.com"

Update:

OBERHEIM TWO VOICE + TUBBUTEC MIDI (Arpeggios/Duo-phonic)

video upload by Synth Tailor Electronics

The Festival of Electronic Sound Returns to Brandon, Manitoba, Canada September 19–20

Press release follows:

The Festival of Electronic Sound Returns to Brandon

“Canada’s only festival focussed on the art and music of the modular synthesizer”

Brandon, Manitoba, Canada, September 8, 2025 — This September 19–20, electronic musicians of all styles—from classical to punk, and everything in between— will gather in Brandon Manitoba to share their art, music and technology over two jam-packed days of innovative performances, informative presentations and interactive activities at six free-to-attend, family friendly concerts and events spread across downtown Brandon and the BU campus.

CLICK FOR MORE »

New Tiptop Audio & Buchla 230t Tips and Tricks

video upload by Todd Barton

"Just a few ideas for patches with the Tiptop Buchla 230t Triple Envelope Follower. Also, checkout Stazma's video on the 230t:"

[The new Tiptop Audio & Buchla 230t announced in May is now out. Check with dealers on the right for availability.]

Tiptop Audio & Buchla 230t Demo

video upload by Stazma

"Today we are going to check out the new module from the Tiptop & Buchla 200t serie: the Triple Envelope Follower Model 230t.

It's a fantastic addition to the 200t echosystem, that will let you control dynamic or timing with external audio such as, microphone, samples, drum pads, electric instruments, field recording or anything in that spirit. It can also be used as an decay envelope in the system or in compression / expansion patches."

TipTop Buchla 230t – Triple Envelope Follower // Interact with your patches!

video upload by Dexba

"The Buchla 230 is here, and while it might not be the shiniest module (I know you're lusting after the tenth granular effect or the twelfth tape-inspired contraption), it's quite a useful and FUN one!
Not only does it stop the modular from being this separated entity, and it gives it back the ability to listen and interact with the real world, but analysing the internal signals can be a productive endeavour too.
In this video, I'll show you some cool patches, and I will introduce the concept of sidechain in the Buchla system, which in this case was used in the most common way we associate with the term, but it can also be a powerful tool to swell reverbs, make multiple voices arise in a sea of notes, and, in general, make more lively patches :)"

Check with dealers on the right for availability.

Additional 230t posts

PMS Performance Music Systems SYNTAR

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Don't miss the demo in the listing, previously posted here.

"This is the very rare 1980 Performance Music Systems (PMS) SYNTAR. The SYNTAR licensed the Electronic Music Systems EML designs made famous in the ElectroComp EML 101 and arranged them as a two oscillator synth with a multimode filter, Sample/Track & Hold, LFO, two EGs: ADSR and AD. All of the pots are sealed Type-J and some of them use the unique center 0 style for mixing in LFO or ENV. The oscillator wave forms are selected using a pot rather than a switch, which allows for a full range of shapes and you can go through low pass, bypass and highpass modes in the same linear fashion.

Sonically the SYNTAR is its own beast though most similar to the EML ElectroComp 101 and capable of growly moog style bass and leads with colorful resonant filter sweeps to very subtle pure tones thanks to how wave forms are variably dialed. The two printed pages are excerpts keyboard magazine's analog synthesizers features some details and pictures of the SYNTAR being shown at NAMM.

The left hand controls feature 9 wood blocks that control pots to allow for:

pitch up, pitch down
pitch modulation
sustain
filter up, filter down
filter modulation
amplitude modulation
nose. [sic]

Portamento control can be set to be directional and has a linear or exponential glide.

The power was rebuilt and includes a few modifications for CV and GATE out so that the SYNTAR could be used to drive modular analogue synthesizer. The Pratt-Reed keyboard has new bushings.

The original ATA flight case and a one off custom vinyl gig bag are included as well as a 50' and a 25' cable and stack of original patch sheets. The cable handles power, audio, external audio in, CV and gate so that you only plug in the 10 pin milspec cable to the SYNTAR.

The flightcase foam is collapsing, but fortunately the velvet covering is intact over it. The flight case is solid. This synth is now 45 years old with components from the mid 1970s. The original type-J sealed pots are all working, but are scratchy."

CLICK FOR MORE »

Crossing the threshold: New Systems Instruments’ “discrete map”

video upload by Electrum Modular

"New Systems Instruments sent me their new module, Discrete Map. It’s a deep module, with lots of potential uses, so I’ll be dedicating the next few videos to it. This first, introductory video uses it as a generative sequencer, extracting an evolving melody from a Lorenz chaos trajectory."

"Novum! New Systems Instruments has created a unique and innovative approach to generating sequences with Discrete Map.

New Systems Instruments consistently surprises with innovative designs! Discrete Map fits right in, taking a simple concept and turning it on its head. At its core, it’s an 8-step sequencer that can output a traditional step-by-step sequence. The pitch values are set using the eight upper faders, but what makes it truly special are the eight lower faders, which determine which step is played at any given moment.

The sequencer’s X input accepts any signal, a clock, an LFO, or even another sequence. The lower faders set threshold values, and the switches below them define whether they react to a rising or falling edge. This means the sequence jumps to different steps based on the incoming signal, creating a highly controllable form of randomness! The results are striking! Complex rhythms and surprising melodies that become even more dynamic when paired with the expander for voltage-controlled step selection.

Discrete Map also includes an onboard oscillator. A switch toggles between a slow and fast frequency range. When slow, it functions as a standard step sequencer. Another switch changes from Position mode (explained above) to Length mode, where the lower faders control step duration. When switched to the fast mode tho, it becomes a graphic oscillator that tracks V/Oct.

To round out the package, Discrete Map includes additional utilities for better integration with other modules. The precision adder for example allows an external voltage to transpose the entire sequence.

The A/B/C Expander further enhances functionality, adding three assignable groups for the steps. Each group gains CV-controllable threshold values and dedicated gate outputs for active steps. And because that´s not enough there's also a sequential switch. Several discrete maps and A/B/C expanders can be linked together!

Overall, an incredibly well-thought-out and entirely fresh approach to sequence generation!

Features:

8-step sequencer for a single track
Generates sequences based on any input signal
8 lower faders to position steps in time
8 upper faders to set step values
One-shot mode
Oscillator mode with V/Oct tracking
Adjustable output voltage range (-5V to 5V / 0V to 5V / 0V to 2.5V)
Precision adder for transposing sequences
Gate output
Ramp output for internal clock signal"

And an overview from DivKid:

Bend & Twist Time with Voltage Addressed Sequencing // Discrete Map from New Systems Instruments
video upload by DivKid

"Here’s the new Discrete Map and expander from New Systems Instruments. Deeply routed in influence from the Buchla MARF & a Serge Modular style approach to sequencing, coupled with a heady mix of physics and electronics (as New Systems Instruments do so well) the Discrete Map allows you to use voltages to bend and manipulate a time map across 8 stages of voltages. From basic to more advanced sequencing, unique time and rhythm creation to some bonkers graphic VCO applications there’s a lot we get into in the video."

Tutorials | MiniFreak - Firmware Update 4.0 | Vocoder Edition

video upload by Arturia

"Explore the new MiniFreak Vocoder Firmware 4.0 - a powerful update for transforming voice, drums, and other audio sources into wild textures. Learn how to set it up, tweak its unique parameters, and push your sound into new territories, from classic roboticized vocals to futuristic sound design."

Daniela Pes | MiniFreak Vocoder Performance | ARTURIA

video upload by Arturia

"From Sardinian ritual incantations to surgically-shaped vocoder choirs, Daniela Pes ( / daniela___pes ) makes electronic music that is both personal and ethereal. We met the Gallura-born singer, composer and sound explorer at a special location near her hometown in an abandoned silver mine to see how MiniFreak Vocoder keeps her ideas mutating in real time."

Update: pics of the new white Vocoder Edition.

"A bright white chassis, orange accents, and a 30 cm gooseneck mic/stand turn MiniFreak into a self-contained performance hub—plug, play, and freak out."

CLICK FOR MORE »

Moog Muse and the unfortunate case of some mildly dodgy waveforms?

video upload by Tim Shoebridge

"In this video I compare the basic waveforms on my Moog Muse with another Moog synth (a Matriarch) to illustrate some potential issues I am having with my particular unit. Do you have any of the issues I describe? Have you needed to contact Moog support for assistance with your Muse and, if so, what was the outcome? I'd love to hear your experiences."

Update: and a response:

The waveforms on my Moog Muse looks fine to me

video upload by TjimmyChonga

"I came across this video by Tim Shoebridge where we showed that on his Moog Muse, the waveforms are all out of whack. I haven't noticed anything of the kind, so I decided to take a look at mine."

Clatters Machines Introduces SONORA Spectral Mixing Output Module

Video Manual upload by Clatters Machines

Chapters:

0:00 Meet Sonora
0:09 What's Sonora?
1:15 Headphones on!
1:30 12 pre-panned inputs summing mixer
1:59 Dive into stereophony possibilities
4:18 Pro Line outputs
4:28 Headphones output and loudness indicators
4:35 LED meter and soft clipping limiter circuit
4:53 Why Sonora?
5:15 Ciao!

"Sonora is a 6HP, skiff friendly, spectral mixing output module designed to be the ultimate sound stage of your eurorack setup.
A place where all your mixes meet and find a stereophonic solution for your final track thanks to its twelve fixed panning inputs that allow you to give each track its own space and importance in the stereo field. While being a 12 inputs summing mixer, Sonora also features a LED meter, a soft clipping limiter circuit at the output stage, a headphone output section with loudness indicators and 3.5mm pro line output jacks.

Features:

12 pre-panned audio inputs:
2 hard left inputs;
2 hard right inputs;
2 mid left inputs;
2 mid right inputs;
1 low left input;
1 low right input;
2 mono inputs;
3.5mm stereo headphones socket (300mW headphone amp @200Ω impedance) with dedicated volume control and stereo LEDs loudness indicators;
3.5mm pro line outputs jacks (+4dBu);
master volume control;
stereo LEDs meter with 0dB reference indicator;
soft clipping limiter circuit;"


Update: press release follows:

"Clatters Machines announces availability of Sonora spectral mixing output module as ultimate sound stage for Eurorack setups

SAN BENEDETTO DEL TRONTO, ITALY: small town lovers of music and electronic instruments Clatters Machines is proud to announce availability of its Sonora spectral mixing output module — aimed at acting as the ultimate sound stage for Eurorack setups by being marketed as a place where all of a user’s mixes meet to find a stereophonic solution for the final track, thanks to 12 fixed panning inputs that allow each track to breathe in its own space while also determining its importance in the stereo field — as of May 23…

Translated to generally meaning sound (in English), sonora is actually an Italian feminine adjective that stands for loud, resonant, ringing, and sonic — depending on the context in which it is used; however, in the context of Sonora being aimed at acting as the ultimate sound stage for Eurorack setups as Clatters Machines’ latest module, who better, then, to introduce it than company Co-founder, engineer, designer Michelangelo Nasso. “A compact, final sound stage module was an obvious — and needed — choice for us,” he begins, before briefly detailing how it came into being: “As musicians, we’ve always struggled with headphone/output/mixing modules. Most modules in this field take up way too much space inside a case — space that we’d prefer to fill with other effects, sound sources, and utilities. And although some other output
modules are super-small, which is nice, they usually lack features, so we tried to solve this problem with what we think is the
perfect combination of what’s already out there.”

Think 12 pre-panned audio inputs — including two hard-left inputs, two hard-right inputs, two mid-left inputs, two mid-right inputs, one low-left input, one low-right input, and two mono inputs. “So Sonora has 12 pre-panned audio inputs, which is great if you’re composing with multiple sound sources,” says Michelangelo Nasso, continuing: “We came up with the idea of additionally assigning a fixed panning space to each input, so the possibility of creating a perfectly stereo balanced final track is pretty straightforward.”

Further features abound, as Michelangelo Nasso notes: “Once we created what is basically a spectral 12-input summing mixer, we decided to go all in and added all the features we think are a must for an end-of-chain module, such as a 3.5mm stereo HEADPHONES socket, with dedicated volume control and stereo LED loudness indicators; 3.5mm pro LINE outputs; stereo LED meter, with a 0dB reference indicator; and a soft clipping limiter circuit, which we believe is always handy, both to protect your gear and spice things up!”

And as if that is not an exciting enough prospect in itself, all those features fit neatly into a 6HP-wide module with an anodised brush aluminium front panel that is available in either black or silver, so standing out from the sound of the crowd with what is surely the ultimate sound stage for a Eurorack setup also applies to what a Sonora purchaser prefers that proposition to look like.

Sonora is available worldwide — with a choice of silver- or black-coloured aluminium front panels — from Clatters Machines’ growing global network of retailers (https://clattersmachines.com/retailers-3/) or directly via its online Store (https://clattersmachines.com/shop/) for €245.00 EUR (plus VAT). For more in-depth information, please visit the dedicated Sonora webpage here: https://clattersmachines.com/prodotto/sonora/"

Check dealers on the right for availability.