1. We Made Three New Synths — The M0SS Family Kickstarter Launch
2. M0SS-201 Demo: Wave Folder Bass
3. M0SS-201 Demo: Krell Patch
4. M0SS-416 Demo: Presets
5. M0SS-416 Demo: Brian Eno's Tambura patch
6. M0SS-309 Demo: Mellow Horns and FX
"The M0SS-201, M0SS-309 and M0SS-416 are 3 new members of the M0SS line of synthesizers from UltraPalace, expanding on the flagship M0SS-101 released in 2025.
This line of instruments packs the power of an advanced synth in to a tiny, rugged enclosure, and offers a unique user interface, designed to be intuitive, hands-on, and fun. Press a button to select a parameter in the synthesis engine, and turn the encoder to modify its value.
Coloured LEDs positioned across the face will pulse and toggle to show the signal flow, indicate settings, and show the current parameters magnitude.
These synths feature USB MIDI Host, as well as 1/8" MIDI, so you can connect any MIDI controller, and map knobs or faders to any parameter using MIDI learn, allowing you to transform your inexpensive MIDI controller into a powerful and fascinating vintage-style synth, or to integrate the synth into your existing MIDI setup.
"The M0SS-201 is a west coast synth, which takes some inspiration from the Buchla Easel. This modern monosynth is packed with features that will inspire experimentation into advanced synthesis. It is capable of an incredibly broad spectrum of sounds, and diving in, you might find yourself wondering if the sounds you are creating have ever been heard before by human ears, and the answer may well be no!"
New synth day. I’ve been waiting patiently for this to arrive and it was worth every second.
Such a beautiful lo-fi melancholic sound with a load of modulation. I fell in love with the sound when I came across the Gene synths website last year.
Great solid build quality and probably the best knobs of any synth I own ❤️
The interface is unique and encourages exploration and experimentation.
According to guyd2, the Model 416.3 Meta Expander is:
"A sophisticated, stand-alone expansion unit for the Buchla Music Easel.
Contains several dedicated modules : Comparators, Dividers, Boolean, VC Slew Limiter, S/H & Noise, analog ultrastable VCO/LFO, advanced Mixer w/ Comparator, and an 8-step Sequencer.
Also expands on the 208 CV I/O's, pulses I/O and Switch inputs."
"The Behringer JN-80 brings true eighties character into a fully analog architecture.
In this video you hear what it really delivers: solid DCOs, the classic 3109 VCF, the BBD chorus and the full punch of its 8-voice analog engine.
No extra processing. No studio tricks.
Just the JN-80 recorded as it is.
In this video you’ll hear
Warm, immediate analog tones
Responsive leads and evolving textures
Tight basslines with the sub-oscillator engaged
The chorus adding width and life to the sound
The JN-80 is built for creators who want a straightforward workflow and authentic analog tone."
"We get a tour of the Chordcat. In addition to featuring "cat" in its name, this eight-track groovebox has a large library of chord progressions, and the ability to predict/suggest follow-on chords to your current harmony in a palette from which the composer can then choose. It has built-in sounds as well as the ability to export MIDI to DAWs and other software for further development of compositions.
145 Sound Presets + 16 drum kits Designed for a wide range of genres, you can spark fresh ideas during the creative process by switching between 145 sound presets and 16 drum kits. Tune your sound presets however you like them using the low-pass filter and amp envelope. These parameters can be automated for each pattern, allowing you to dynamically change the tone as well as the chord progression. This allows you to create lively phrases.
Easily make unique chord progressions
Chord Cruiser Mode Generate up to 110,000 chord combinations that you can use to create your own progressions. Put the groovebox in Chord Cruiser mode, and an exclusive algorithm selects and suggests multiple musically compatible chords from its database. You can listen to these chords and assign your favorite to a keyboard, triggering the next suggestion automatically. With this intuitive workflow at your fingertips, you can enjoy a simple process to create original tracks.
Versatile arrangement features and intuitive instrument control
3 built-in effects Manipulate 3 built-in effects intuitively using the XY pad: Arpeggiator: Creates melodies from chords. Delay: Adds depth to sounds and spatial dimension to your music. Ducker: Adds dynamics and emphasis, creating a sense of movement in your tracks.
Running Direction Feature Change the playback direction of 4×4 step-sequenced patterns by pressing a single button. Choose from 4 options — right, down, clockwise, and counterclockwise — to discover new phrases and rhythms. This feature unlocks new ideas, so you can create innovative chord progressions or explore rhythms across different genres.
Key and scale settings When you set a key and scale on Chordcat, only the notes that belong to the selected key and scale are mapped to the keyboard. The compatibility of chords suggested in Chord Play mode or Chord Cruiser mode and the selected key and scale are indicated by LED lights; perfect for beginners and professional musicians.
Versatile connectivity: Expand your creative horizons
It’s easy to integrate Chordcat with external synthesizers and DAW software on PC/Mac computers thanks to its MIDI OUT/THRU, MIDI IN, and USB Type-C ports.
Use Chord Play and Chord Cruiser modes to control and perform with your connected devices effortlessly.
SOMA LABORATORY AND THE MIDIUM® COLLABORATE ON LIMITED EDITION PULSAR-23
New circuits and custom aesthetic introduced, marking first SOMA partnership with US-based engineers STEVENSON RANCH, CALIFORNIA––23 JANUARY 2026––Local online family-run-and-operated synth shop and boutique, The Midium, collaborates with SOMA Laboratory to introduce the SOMA Laboratory PULSAR-23 1984 Edition. New bass drum and bass synth circuitry expand the current PULSAR-23 four-voice drum machine and synthesizer’s functionality, while a custom polished-steel chassis and red LED scheme accompany an all-black carrying case, red-white-and-black alligator clips, and typewritten certificate of authenticity.
“The SOMA Laboratory PULSAR-23 1984 Edition is a marriage of parallel ideas. While having aconversation with SOMA Laboratory US’s Kevin Flynn in early 2025, we forged the concept for a 1984-inspired aesthetic born from the times in which we live, as well as some well-known works of fiction we both enjoy,” says Cami Bitar, who owns and operates The Midium with their wife Erin Bitar and 4-year-old daughter Melody Nightingale Wednesday Bitar. “During that conversation, we decided that a polished-steel chassis and red LEDs would also give the PULSAR-23 1984 Edition an intensely industrial feel as seen in certain sci-fi movies of the 1980s. After its aesthetics were set, Kevin mentioned that he and Noah Jolly of Ground Grown Circuits had been developing prototypes for experimental boards for the PULSAR-23 synthesizer and drum machine. That’s precisely when the ‘1984 Edition’ looked like the perfect platform for their new circuitry. To complete the story and bring the ‘1984’ inspiration full circle, we saw that a stark black case and typewritten certificate of authenticity would round out the idea. Finally, having decided that we would work on this together, it was determined that The Midium and SOMA Laboratory would be the only authorized sellers of the PULSAR-23 1984 Edition.” Bitar adds that only 84 units will be made for the US market, according to SOMA Laboratory.
Kevin Flynn, who heads the SOMA Laboratory US Division, gets into the details. “The SOMA Laboratory PULSAR-23 1984 Edition marks the first time that the company has partnered with US-based engineers. Noah Jolly and I developed new circuit boards for the bass drum and bass synth modules onboard the PULSAR-23 in order to see how far we can push the PULSAR-23 platform.”
Flynn explains what makes the SOMA Laboratory PULSAR-23 1984 Edition’s sound and timbre unique.
“For instance, the bass drum on the PULSAR-23 1984 Edition introduces an oscillator design that produces an asymmetrically clipped triangle wave that can be driven to the point of becoming a square wave, which makes for a more aggressive and harder-hitting bass drum which is perfect for techno and other musical styles. The bass drum on the PULSAR-23 1984 Edition’s tuning range is now also wider than before, which also adds to its flexibility in use, and the “OMG” pin is now an AC-coupled FM input that enhances the bass drum’s sound design potential.” He ends by saying of the second modified module in the PULSAR-23 1984 Edition, the bass module, that it “now features a new filter inspired by the Polivoks, which is a classic analog synth made in the Soviet Union during the 1980s. That’s a key part of the ‘1984’ concept, and the bass module’s new filter has a similarly aggressive nature.”
The SOMA Laboratory PULSAR-23 1984 Edition is available now exclusively at TheMidium.com and EarwormLLC.com.
"Designed for performers who demand expressive sound, immediate control, and rock-solid reliability, the SP8 Stage Keyboard delivers Kurzweil’s legendary performance DNA in a powerful, streamlined instrument built for the modern stage. Built on Kurzweil’s legendary V.A.S.T. engine, the SP8 combines authentic acoustic realism, deep synthesis, and intuitive hands-on control—giving you everything you need to command the moment."
88-key fully weighted hammer-action keyboard 2 GB of factory sounds powered by FlashPlay® technology 1000 factory programs organized into 10 intuitive categories Over 200 factory Multis for complex splits and layers More than 4000 user locations to store your own Programs and Multis 256 Voice Polyphony German D and Triple Strike Pianos KSR – Kurzweil String Resonance, for rich, realistic piano response KB3 ToneReal™ organ modeling, with front-panel knobs acting as drawbars Classic 6-operator FM synthesis Classic tine electric pianos, clavinets, harpsichords, and celeste Bells, glockenspiel, bowed and hit crotales Vector Synthesis waveforms and classic Kurzweil textures Updated sounds drawn from the K2700, K2088/61, PC4, and iconic Kurzweil instruments 5 assignable knobs with 3-position Shift (15 virtual knobs total) 5 assignable buttons with 3-position Shift (15 virtual buttons total) Programmable Variation button Pitch wheel and assignable modulation wheel Tap Tempo with programmable tempo control Dedicated Transpose buttons (semitone or octave) 5-zone MIDI controller in Multi Mode for splits and layers Arpeggiator, CC Sequencers, and Riffs, with dedicated front-panel buttons Up to 5 simultaneous arpeggiators or CC sequences in Multi Mode Built-in Riff and Metronome—always ready when you are Audio input with FX for line, instrument, or mic sources Two assignable switch pedal jacks, supporting up to four switch pedals Half-damper pedal support for expressive piano techniques One assignable continuous (CC) pedal jack for volume, wah, and more More info coming soon!
"Nymira is a standalone harmony instrument designed around the circle of fifths. Its sonic engine draws from the overtone series, offering detailed timbral control across seven individual partials. Two distinct models explore different synthesis methods; one rooted in additive FM synthesis, the other in classic subtractive design. Together, they provide a new, expressive way to shape rich and complex harmonic textures."
Playlist:
1. Introducing Nymira
2. Nymira, by Terraphones
3. what we don't say... (ambient wooden electronic musical instrument performance)
Cheat Code for Chord Progressions • The Circle of Fifths with Terraphones Nymira
"Terraphones shows me Nymira, a new synthesizer and MIDI controller based on the Circle of Fifths that makes playing chords and advanced harmony feel like cheating."
✶ CHAPTERS ✶
00:00 – Intro
00:32 – Overview
01:22 – Learning Nymira
01:46 – Harmonic Map
02:40 – Combining Chords
03:37 – Open Voicings
03:58 – Terraphones Concept
04:19 – Additive Mode
04:53 – Subtractive Mode
05:33 – Sus Chords
06:16 – Granular Mode
06:56 – Latching Chords
07:14 – Granular Mode Jitter
07:46 – The Circle as a Path
08:27 – Resolving Chords
08:50 – Nymira as a MIDI Controller
10:22 – Relative Movement
11:21 – Free Play
11:42 – Advanced Harmonic Moves
12:47 – The Zones
17:03 – Eureka!
17:35 – Thank you
18:14 – Outro"
"Nymira is a standalone harmony instrument designed around the circle of fifths. Its sonic engine draws from the overtone series, offering detailed timbral control across seven individual partials. Three distinct models explore different synthesis methods; one rooted in additive FM synthesis, another in classic subtractive design, and one based on granular synthesis. Together, they provide a new, expressive way to shape rich and complex harmonic textures.
Nymira is the only instrument in the world that maps the Circle of Fifths to a physical interface. Nymira is designed with Western harmonic theory at the core, allowing you to discover beautiful chord progressions that are much harder to play on other instruments.
Like all Terraphones, Nymira is assembled by hand, and is housed in solid walnut. Underneath Nymira’s keys are Cherry MX Silent Red keyswitches that offer a clean, tactile experience. With the ability to run on four rechargeable AA batteries, Nymira lets you play anywhere. Inside Nymira are two surface transducers that turn the walnut enclosure into a speaker of its own. Playing Nymira in this mode allows you to hear its warm sonic engine played through the walls of its walnut housing. Nymira also excels in the studio. It is equipped with USB MIDI out, and a stereo 1/4" audio output. If you don’t want to use batteries, Nymira can be powered via USB-C with any device that supplies 4-17 volts.
~~~
Nymira is made by Thomas Adam Billings, the sole creator of Terraphones. Every part of Nymira is ethically sourced, assembled by hand, with solid walnut sourced and milled in the United States of America. By purchasing Nymira, you are directly funding the ongoing research and development of a new wave of natural, electroacoustic musical instruments.
– $1200 –
50 units available for pre-order. Expected lead time : 6-10 weeks
Shipping to North America, South America, the UK, the EU, and Australia."
"Aurelia is a wind instrument that bridges acoustic expression and electronic sound. It responds to both breath and touch, translating natural, human gestures into rich melodies. Aurelia’s key layout is unique to all other wind instruments, giving you the ability to play in every major and minor key with equal ease. Aurelia was created to feel as inviting to the novice as it is deeply expressive to the professional.
Aurelia’s keys use Cherry MX Silent Red keyswitches, giving you the accuracy and speed that can be found on the most well-tuned wind instruments. Housed in a handmade, solid walnut enclosure, Aurelia has a striking visual aesthetic that also feels extremely comfortable in the hands.
Aurelia has a unique sonic engine that uses warm, analog-modeled oscillators, creating a gradient of sound qualities that work well with both acoustic and electronic musical environments.
While playing solo melodies is at Aurelia’s core, it also has a Counterpoint Mode that will harmonize with you as you play. Just choose a key, and Aurelia will figure out the rest.
Aurelia is designed for portability. It can run on four rechargeable AA batteries, and has a built-in speaker. With USB MIDI out and a 1/4" stereo audio out, Aurelia excels in studio and live performance settings as well. Aurelia can be powered via USB-C with any device that supplies 4-17 volts.
~~~ Aurelia is made by Thomas Adam Billings, the sole creator of Terraphones. Every part of Aurelia is ethically sourced, assembled by hand, with solid walnut sourced and milled in the United States of America. By purchasing Aurelia, you are directly funding the ongoing research and development of a new wave of natural, electroacoustic musical instruments.
– $650 –
0 units available for pre-order. Expected lead time : 6-10 weeks
Shipping to North America, South America, the UK, the EU, and Australia."
At Randomwaves, we are passionate makers dedicated to crafting unique, open-source sound gadgets. Our journey began with the Drumboy and Synthgirl Mini Editions. Delivering those projects was a profound learning experience; we navigated the real-world challenges of manufacturing firsthand, turning every obstacle into invaluable expertise.
Inspired by that growth and your feedback, we channeled our passion into a new, uncompromising goal. The result is the Drumboy Pro Edition—a completely redesigned portable workstation engineered by us, and shaped by you.
We’re counting down the days! We are officially going live on March 15, 2026. While we’re saving the full story and all the exciting details for the campaign page, we wanted to give you a sneak peek. For now, sit back and enjoy our introduction video to see what we’ve been working on!
"Explore Phase8 at home with my multisamples on Patreon: ► / loopop"
TIMELINE:
0:00 Intro
1:45 Overview
3:15 Vel & env
3:55 Buttons
5:30 Air fader
6:00 Shift
6:20 Pluck
6:50 Drones
7:20 Drone jam
7:50 Build & IO
8:15 In the box
8:35 Mod left
8:55 Mod right
10:25 Mod center
10:50 Settings
11:25 Center #2
11:45 Step seq
12:35 Live seq
13:55 Automation
15:25 MIDI
15:45 Pros & cons
19:00 Three jams
The Phase8 has finally made it to market. Check with dealers on the right for availability.
Press release follows:
KORG Introduces phase8, an Eight-Voice Acoustic Synthesizer
MELVILLE, NY - KORG announces the phase8, an eight-voice acoustic synthesizer designed for musicians and creators who want sound that feels alive, immediate, and deeply responsive. Using Acoustic Synthesis technology developed at KORG, phase8 merges physically vibrating steel resonators with precise electronic control to deliver an instrument that behaves like an acoustic object while offering the creative flexibility of a synthesizer. It answers the need for a new kind of expressive electronic instrument by generating sound in the physical world, responding to touch and interaction, and integrating seamlessly into today’s creative setups through MIDI, USB-MIDI, Sync, and CV connectivity.
At the heart of phase8 are eight independent electromechanical voices driving steel resonators to produce genuinely acoustic vibration. KORG supplies 13 chromatically tuned resonators with the instrument, eight of which can be installed at a time, allowing players to customize the tuning, scale, and character of their setup. Through envelope control, these resonators can move from short, percussive hits to long, sustained tones, encouraging hands-on exploration and performance. The resonators are easily swappable and tunable, making the instrument adaptable to individual playing approaches and musical environments.
phase8 has been designed not only to sound organic, but to feel interactive in use. Players are invited to shape sound directly, touching, plucking, strumming, or tapping the resonators, or even experimenting with found objects to introduce new textures. An AIR slider lets users boost or quiet the acoustic response of what they bring into contact with the instrument, enhancing its tactile, haptic character and underscoring its role as a physical instrument as much as an electronic device.
For structured creativity, phase8 features an intuitive sequencer that supports both step programming and unquantized live recording, with step skip available per voice to enable complex polymetric rhythms. Sequences can be stored and recalled across eight memory slots, while all front-panel parameters can be automated using the record function, allowing evolving passages and detailed motion to be captured directly into performance. Three modulation modes are available, including tremolo and two pitch-dependent audio-rate modulation types, with the final mode offering optional harmonic quantization. A trigger delay, controllable via the instrument’s shift knob, allows delayed resonator triggers relative to the selected or synchronized tempo, further expanding rhythmic expression.
phase8 is designed to integrate effortlessly into modern creative workflows. External MIDI devices can trigger the Acoustic Synth, while the phase8 sequencer can, in turn, trigger external MIDI instruments over MIDI or USB-MIDI. Tempo synchronization is available over MIDI, USB-MIDI, and Sync, and CV input (±5V) allows parameter control from compatible analogue hardware. The instrument provides MIDI TRS-A In/Out, USB-C for USB-MIDI and firmware, Sync In/Out, a ¼-inch line audio output, and a 3.5mm headphone output.
Practical considerations match the innovation inside. phase8 runs on a 12V AC adaptor and consumes 4.8W of power. It measures 231 x 236.5 x 46 mm, weighs 1.71 kg, and ships with an AC adaptor, hex key, Quick Start Guide, Precautions Sheet, and five more resonators alongside the included chromatically tuned set.
phase8 is a new chapter in expressive instrument design, bringing together acoustic behavior, electronic precision, real-time interaction, and deep sequencing control in a compact, performance-ready form.
For more information, please visit NAMM Booth #6802 or online at www.korg.com.
THE FLAGSHIP OF ALL STANDALONES MPC XL has everything you need for pro-level music making. It features ultra-responsive MPCe pads, a dedicated step sequencer, touch-sensitive Q-Links with OLED displays, a next-gen 8-core processor, 16 GB RAM, hands-on performance controls, advanced sequencing tools, deep I/O connectivity, and so much more. Integrated with MPC3 OS, this system supports up to 32 plugin instruments, 16 audio tracks, and 256 voices, making it a studio-grade workhorse.
A COMPLETE STUDIO CENTERPIECE The flagship of all standalone music production systems, MPC XL is an all-in-one studio hub. Produce your entire album, drive your external hardware, and command your setup from one powerful instrument—no computer required.
POWERFUL PROCESSING Powered by a new Gen 2 8-core processor with 16GB of RAM, MPC XL delivers four times the performance of previous MPCs. Load multiple plugin instruments, run complex sessions, and navigate your projects without interruption.
CREATIVE CONTROL AT YOUR FINGERTIPS MPCe pads with 3D-sensing technology brings a new level of expression to beatmaking and production. Each pad features four distinct quadrants, enabling advanced X/Y control, sound morphing, looping, layering, and modulation for the most dynamic playing experience.
Check with dealers on the right for price and availability.
Playlist:
1. Introducing LEVIASYNTH from Ashun Sound Machines
2. Leviasynth - Crystal Cove with Kaela Sinclair by Exploredinary
3. Leviasynth Journey with Dominic Au – Part 1: Classics
4. Leviasynth Journey with Dominic Au – Part 2: Soundtracks
And an overview by loopop:
ASM LEVIASYNTH Review // Keyboard vs Desktop vs Hydrasynth
From the darkest recesses of the unexplored oceans comes ASM's most powerful creation yet—a hybrid algorithmic synthesizer with sixteen-voice polyphony, eight oscillators per-voice, and a truly absurd amount of sound design potential. There are over 300 waveforms available for each voice's eight oscillator slots, giving you access to a bonafide sandbox of sonic alchemy. Each voice's oscillators can be arranged and rearranged for versatile modulation schemes using the many available algorithms. This open-ended method of crafting timbres gives you nearly-unlimited possibilities for sculpting sounds ranging from familiar tones to completely alien timbres. In addition to the ability to create your own algorithm, the Leviasynth also comes with 144 preset algorithms for quick sparks of inspiration, and the ability to morph between these oscillators non-linearly.
The oscillators can be modulated in a multitude of ways to create even more timbral variation: Frequency Modulation, Phase Modulation, Pulse Width Modulation, HTE Sync, and Phase Distortion can all be applied to Leviasynth's oscillators for nearly-endless sound design potential. These, along with nearly every other parameter, can be affected using the internal 32-slot modulation matrix. Each of the eight oscillators includes its own volume envelope, along with five additional shared envelopes and five LFOs per-voice for creating a moving sonic texture within the canvas of the expansive modulation matrix.
The Leviasynth is one of ASM's most expressive synthesizers to date, offering a 61-key keybed with full polyphonic aftertouch, MPE compatibility, and a four-octave ribbon controller for even deeper playability. Record and playback more than just audio with the internal three-track sequencer, allowing you to record note, arpeggio, and macro automation data. Control a plethora of parameters across the synth with the eight individual macro controls, which provide a deep level of expressivity given the broad timbral potential of Leviasynth's multi-algorithm design. Expand this expressiveness into your Eurorack systems with the 3.5mm CV I/O, providing two assignable Mod inputs, as well as outputs for Pitch, Gate, Clock, and two assignable Mod outputs.
Leviasynth offers both analog and digital filters for sculpting multi-layered timbres. On the analog side, you get a buttery-smooth four-pole low pass, which provides the foundation for beautiful, intimate sounding patches. On the digital-end of the spectrum there is a complex, Hydrasynth-style multimode filter with eighteen different filter types. All of these filters can self-oscillate at high resonance settings, along with pre-drive saturation for helping your patches cut through any mix. The effects section offers two independent methods for applying that extra layer of polish to your sound. In the master effects, you can shape and transform your final sound with Delay, Reverb, Distortion, Rotary, Phaser, Chorus, Compression, EQ and more. The second method provides dedicated insert effects, which offer five flavors of Delay and four Reverbs for giving your sounds that ever-important sense of space. This two-layered approach to effects gives the Leviasynth a sound all its own, and when used in tandem with the aforementioned suite of timbral shaping engines, your imagination is the only limit. Like the vast unexplored waters of the deepest oceans, the ASM Leviasynth holds an immense amount of undiscovered potential underneath its dormant surface.
LEVIASYNTH KEYBOARD FEATURES
Complex hybrid algorithmic keyboard synthesizer 16-voice polyphony with 8 oscillators per-voice 32-slot modulation matrix Dedicated 3.5mm CV I/O Both analog and digital filters Master and insert effects engines Multi-color touch screen interface 3-track sequencer for recording notes and macro automation 4-octave ribbon controller 1024 Single mode patches, 640 Multi mode patches MPE-compatible ASM Patch Manager for Mac and PC for patch management and firmware updates
From the depths of the sonic seas a new monster rears its head: Leviasynth®.
Leviasynth® is a 16-voice, 8-oscillator algorithmic synthesizer with analog filters.
From the beginning ASM has strived to create synthesizers that challenge the status quo.
Leviasynth® continues this tradition, elevating both studio and stage with a solid steel chassis, enhanced Polytouch® polyphonic aftertouch pads, and an all-new hybrid digital / analog synthesis engine. Leviasynth is an unflinching masterpiece of sonic potential. The 8 oscillators, 13 envelopes, 5 LFOs, 18 digital filter modes, and 4-pole analog low pass filters inspire creativity and live performances.
Flexibility abounds, with two layers of synthesis that can be stacked or split, the ability to pair voices into binaural stereo mode with independent modulation of carrier and modulator signals, as well as various voice allocation modes..."
RORSCHACH is a video synth with "an audio output that converts the video signal into a distinctive drone voice." Full details below.
Video desciption:
"All audio from Rorschach running through a cheap delay pedal. The vertical movement on the screen is due to the faulty tracking on the TV. All patterns generated by Rorschach.
10% off pre-order.
Rorschach is available from the following places:- https://decadebridge.etsy.com/uk/list... https://lumaticvisual.com"
Rorschach by Lumatic Visual Devices is an analog-style video synthesizer designed for artists exploring video synthesis, live visuals, and audio-reactive image generation. It works equally well as an entry point into video synth hardware or as a creative expansion for experienced users.
Rorschach is well suited to live performance, with the ability to self-generate evolving patterns using its built-in randomisation features. Its functionality can be extended further by feeding control voltage, gate signals, or audio into the modulation inputs, making it easy to integrate into modular and experimental setups.
With a clear, functional, and immediate control layout, Rorschach is an excellent starting point for anyone taking their first steps into video synthesis, while still offering enough depth to remain engaging for more experienced users. Compact and portable, it also features an audio output that converts the video signal into a distinctive drone voice.
Rorschach generates its own black and white composite video patterns straight out of the box. Its functionality expands further when used alongside modular or Eurorack systems, or when audio signals or control voltage are fed into the CV and gate inputs. The focus is on experimentation, play, and hands-on control.
A dedicated random section allows the synthesizer to run freely, generating evolving patterns automatically and in real time. Leave it running during a performance, or introduce external signals such as a kick drum or sequencer to push the visuals into new territory.
Key features
Four main controls for horizontal position, vertical position, width, and height – CV inputs for all four parameters Form control selects from six pattern generator modes – Can also be modulated via audio input or control voltage Random control sets the amount of randomness applied to the four position parameters on each refresh – Independent switches and gate inputs for each random parameter – CV input for random amount Clear screen modes: – Clear / Random Clear / No Clear – Gate input for clear screen Pattern colour switching: – White / Black / Invert Horizontal and vertical mirroring switches – Independent gate input for each axis Composite video output via RCA connector Audio output allowing the generated visuals to be used as a drone sound source Power Rorschach is supplied with a 9V battery clip. If you would like to run Rorschach off a wall adapter you will need a 9V CENTRE POSITIVE adapter. Power requirements:- Minimum 70mA
LEGEND ‘70s introduces, for the first time, the concept of MODULAR STAGE PIANO. According to your needs, you can now choose the right combination of sound generating modules with dedicated knobs and buttons. Currently the modules ELECTRIC PIANO, ACOUSTIC PIANO, CLAVI and SOUND COLLECTION are available, while many others will be available in the future, within the “ALWAYS GROWING” family. Moreover to the standard PROGRAM and EFFECTS modules an optional EXTERNAL module is available to making the instrument flexible and very powerful. The design of LEGEND ‘70s Hammer Action Keyboard perfectly matches the instrument’s sound generators. The 3 contact sensors, under each key, are able to detect the corresponding movement with the highest precision.
For the more demanding musician the LEGEND ‘70s Artist-W also offers a graded hammer arrangement where their weight becomes lighter as you climb up the keyboard.
In addition, as with the traditional acoustic grand piano, the Legend Artist-W keyboard is enhanced with real wood piano keys. These keys are made of carefully selected and seasoned wood to eliminate any defect or deformation and provide maximum uniformity and stability over time.
SYNTH-8
"A real polyphonic synthesizer with character.
Synth-8 is a two-oscillators eight-voices synthesizer with a faithful reproduction of a classic American multimode analog filter with saturation, 12dB and 24dB roll off and gritty resonance. The synth architecture is easy to understand and operate but has unique features: classical waveforms with wave shaping and detuned doubling of the oscillators with “Fat” modes, dedicated envelope for the noise, Ring Mod, Hard Sync for all oscillator modes, velocity controls for filters and envelopes.
Finally, the Unison modes allow stacking up to 8 voices: with “Fat” oscillators this makes a total of 32 detuned oscillators at once! The module panel provides quick access to user’s preferred parameters by four assignable knobs. These can be also used to tweak many other parameters arranged in rows that can be navigated through dedicated buttons.
The Legend ’70s Editor has a whole screen to control the synthesizer in real-time and make the editing of new patches simple as having a real panel in your hands.
The synthesizer comes with lots of pre-sets that can be selected and tweaked and stored in the Legend ’70s programs.
Last but not least, the Synth-8 module also offers a dedicated arpeggiator section, capable of cyclically playing the notes in the desired order, and 4×16 sequences that can be assigned to the generation parameters."
Amanda Birkenfalk performs 'Brain' combining the brand new Nord Electro 7 73 and Nord Electro 7 HP, live at Atlantis Studios in Stockholm, Sweden.
2. Introducing the Nord Electro 7
Song: Escapade by Joshua Domfeh
Keys: Joshua Domfeh
Bass: Rubem Farias
Drums: Morgan Ågren
Audio Engineer: Calle Gustavsson
Mixing/Mastering: Calle Gustavsson
Video production: Jonas Embring
Executive Producer: David Sjöqvist
Location: Atlantis Studios, Stockholm
Gear: Nord Electro 7 73 and Nord Electro 7 HP
3. Nord Electro 7: Joshua Domfeh
"The Nord Electro 7 elevates the Electro series with a powerful new Synth Section, dedicated per-section effects and a refined panel design with a high-resolution color display. Combining our latest piano features with the Organ and Rotary Speaker from the acclaimed Nord Organ 3, the Nord Electro 7 offers exceptional versatility in a lightweight, stage-ready instrument. Read more at nordkeyboards.com. #nordelectro7"
Highlight features
General
New Panel design and new large color display Physical Drawbars on all models HP 73 - new Kawai Triple Sensor Hammer Action keybed Expression Pedal Assign, enabling pedal control of Synth Filter and effect parameters Organ Section
B3, B3 Bass, Vox, Farfisa, Soft B3 and Pipe organs from Nord Organ 3 Rotary Speaker emulation from the Nord Organ 3 3 mic positions for Rotary Speaker Physical Drawbars with LEDs on all models
Piano Section
Compatible with the Nord Piano Library Push Encoder for selecting Category and Sounds Dynamic Compression, Unison, Timbre Effects Section
Dedicated effects per section Rate and Amount for Modulation Effects New Spring reverb New Amps (Brit and Suitcase) Global Reverb with per layer Send
Synth Section
Samples, Analog waveforms and FM synthesis Push Encoder for selecting Category and Sound Vibrato with adjustable rate, amount and delay Mono, Legato and Glide Unison Low-pass filter with Resonance control FM Partial and FM Amount Dual envelope for Amp and Filter/FM Compatible with the Nord Sample Library
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https://stylophone.com/stylophone-voice/
Record sounds from the world around you. Bend the audio with multiple effects and turn it into music. From quick melodies to wild sound experiments, the VOICE makes creating music fast, fun, and completely hands-on—wherever you are.
Intro: Capture and play your own samples using 3 voices and shape your sound with 12 built-in effects.
• Capture and play your own samples
• Shape your sound with 12 built-in effects
• Sample anything directly via mic or aux input
• Built-in sequencer and 4 pattern memory slots
• Add rhythm with integrated drum sounds
• Take it anywhere — runs on 3× AA batteries
• Play across a two-octave stylus keyboard with transpose
• Multiple listening options with built-in speaker or headphone output
• Connect to other gear using sync in/out"
STYLOPHONE VOICE - PORTABLE SAMPLER
SAMPLE THE WORLD
Meet the Stylophone VOICE, the latest edition to our Pocket Range Series. Record sounds using the Stylophone VOICE from the world around you and then bend the audio with multiple effects and turn it into music. It’s really simple to capture and play your own samples using three different voices, which you can then shape with 12 built-in effects. Create quick melodies and wild sound experiments. The VOICE makes creating music fast, fun, and completely hands-on.
Get creative wherever you are!"
"We are drawing back the veil on what is now unfolding within our laboratory :)"
"ENIGMA is an innovative synthesizer fully controlled by the position and movement of metallic objects.
Through a unique interface developed by SOMA, every metal object placed on the surface is transformed into sound."
