CONTENT
00:00 What is the Wave Bard?
00:50 Overview & sound demos
03:28 Sample specs
03:42 Making some rhythms with Wave Bard
06:20 Can you use it to make actual music?!
09:05 How to load samples
09:38 My thoughts about Wave Bard
Check with dealers on the right for availability. Details and pics follow:
KASTLE 2 WAVE BARD
Experimental, patchable stereo sample player
The Kastle 2 Wave Bard is an experimental, patchable stereo sample player that empowers you to discover new rhythms and riffs through modulation and modularity.
"Hi everyone. In this video...I announce MIDI Goblin 1.5!
It's MIDI Goblin - but with audio output and a polyphonic synthesizer firmware I've been working on for the past few months called Pingler.
Owners of the original MIDI Goblin will be pleased to hear that they can upgrade their Goblin to 1.5 at home!
pre-sales for MIDI Goblin 1.5 will begin April 30th 2025 and a VERY limited number of them will be available if our neighbors to the south go through with their tariff 'plans'
visit https://www.midigoblin.com to join the mailing list."
"The Theremon+ is the successor to the kit-built Theremon by Groovesizer. While the original was limited to a single voice, the Theremon+ adds a second wavetable-based voice with an arpeggiator, and a drum section with various styles and 4 kits. The original was intended exclusively for the DIY market, but the plan is to sell the Theremon+ fully built. We hope to offer the Theremon+ at the same price point as the original (around US$130) - would you back it on Kickstarter?
https://groovesizer.com"
0:00 - Flute Samples / Granular Synth Mode
0:42 - Piano Sample Playback / MIDI Control Mode
0:57 - Synthesizer and Effects / MIDI Control Mode
1:18 - Lights Out / Granular Synth Mode
1:45 - Tiny Magnets / Granular Synth Mode
2:18 - Spoken Voice / Granular Synth Mode
2:49 - Duet / Both Modes
"Breeze Block is a magnetic granular synthesizer and MIDI CC controller. The surface of the instrument is divided into eight zones that are each independently sensitive to permanent magnetic fields. By interacting with the instrument using a neodymium magnet, you can capture audio which is split into grains and manipulated. Different zones and positions on the instrument have different effects on the pitch, density, and character of the granular texture."
Aberfine Aeon dual VCF development video upload by Vladimir Salnikov
#aberfine
#aberfine-dev
#dev-diaries
#dualvcf
This one is in via an anonymous reader who had the following to say: "Vladimir Salnikov, the freelance developer behind Waldorf's M synthesizer, is starting his own synthesizer company with a kickstarter for a polyphonic analog synthesizer."
Some details from Vladimir Salnikov himself (Note a 1.09 update for the M is also coming):
"Hi guys. I have a good chance now to dive deep into my synth project, which I want to present soon on Kickstarter. However, I need to ask you, what do you, guys, want it to be?
I have for now actually 3 nice-sounding synths in different design phases. All these activities are for financing the 4th synth, which I see as a promising shiny new direction in the industry. But to develop this properly, I need to hire two extra developers - and I do not have money for this right now. So the idea is fairly straight - make a 'simple' synth, back its production by crowdfunding (developing costs are on my side), and reinvest the profit into the development of a fully new synth, based on some new technologies and concepts.
What is the development right now, all on the working prototype phase :
1. 4 voices 'classic' hybrid, based on Shruti / Ambika from Mutable Instruments and it's concept - intercheangable filter boards, simple control, rich sound. An engine has lot of additions and upgraded to the modern 32bit platform from original 8 bit. Target price is 459 Euro / 499 USD for the complete factory built synth (min 100 units should be backed). DIY TH kits may follow if needed (one is yet designed).
2. A Mono/Paraphonic hybrid, based on dual MI Braids as an oscillators section, and multimode VCF (triple core) of my own design. High quality digital FX (reverb, delay, flanger) are onboard (per synth). Flexible VCF 'cores' routing in analog domain. Sample-precise concept for CVs in analog domain. Target price is 399 Euro / 459 USD for the complete factory built synth (min 100 unit should be backed).
3. A 6/12 voices hybrid polysynth based on idea of OBX, but with digital oscillators. Dual VCF design (Polyvoks + CEM), base version is a 6 voices desktop module, expandable for 12 voices with voice card (USERS INSTALLATION IS WELCOME BY DESIGN). High quality onboard FX (per layer) - shimmer reverb, delay with looper, flanger, phaser, distortion etc. Dual Layer mode is possible with installed expansion. Target price is 969 Euro / 999 USD for a 6 voices desktop module, 399 Euro / 469 USD for the expansion (again, min 100 units should be backed to achieve target prices).
What will you prefer to launch first? The design readiness and software readiness are in the same order as variants, i.e. 'PolyShruti' is most ready, 'Dual Braids + flexiVCF' is on case design phase, 'PolyPolyvoks-OB6' is built on the board, working with modified M software.
Fist two synths will be equipped with an 2.23 inch OLED display (same as on Kyra) and mixed potentiometers / encoders / buttons / LEDs controls. For the last also keyboard version is desired but will be possible only in second / third batch (if any occured). Display for the last now is a question, but 4,5 inch hi-res IPS (no touch) is desired (waiting for sample delivery).
Perhaps it is a bit naive, but I am believe in the POWER of GS community, and, at least know some of you guys personally. I do love design synths, I do love how they sounds, and I would be happy to make something new in collaboration with you guys, as it was (partially) with the M. I was really happy to do this.
And again, this project is actually for financing real breakthrough. Can't manange to do this on my own, unfortunately.
So, all opinions are welcome! Thank you in advance, dear community.
Greetings from Remagen your Vladi.
p.s. 1.09 for M is in development no abandonned abyss for the M.
p.p.s In Hybrids We Trust!"
Followed by:
"So I finally did the VCF prototyping - CEM + Polyvoks VCF dual with flexi routing (serial / parallel / serial + parallel). It's sound such an unique and reach. So, the variant 3 is finally chosen and development began on full gas."
Looks like it will be the Aberfine Aeon based on the video above?
"It’s the synth that started it all and the legendary secret sauce of all the 70s’ greats – It’s the Behringer 2-XM!
2-XM is a classic polyphonic analog synthesizer with 4 VCOs, 2 multi-mode VCFs, 2 LFOs and 4 envelopes in a Eurorack format."
"Classic Polyphonic Analog Synthesizer with 4 VCOs, 2 Multi-Mode VCFs, 2 LFOs and 4 Envelopes in Eurorack Format
2-XM
It’s the polyphonic synth that started it all and one that’s sure to jumpstart your legendary synthesizer adventure! The Behringer 2-XM is a classic polyphonic analog synthesizer inspired by iconic '70s designs used by the greats such as Vince Clarke, Jan Hammer, and Vangelis.
Faithful Recreation and More
The original design consisted of two single-voice modules coupled together. With its 37-note keyboard, it was a considerable size but introduced a feature no other synth was capable of at the time: polyphony. The 2-XM combines all the features of the original with all the awesome stuff that we’ve all come to love in modern synths, such as MIDI and USB implementation, stereo, as well as a ton of CV and GATE ins and outs that’ll allow you to transform and shape sounds any way you want!
Double Everything!
The 2-XM comes with 4 VCOs, 4 envelope generators, 2 LFOs, and 2 multi-mode VCFs across two synthesizer expander modules. These two voices can be combined for some sweet two-voice polyphony, split, or have the 4 oscillators in unison for some truly intricate layering and rich, vintage analog tones!
Starting Your Sonic Sculpture
Each VCO can be shaped in many different and exciting ways with their adjustable frequency, modulation and pulse width controls. And when you want a spicy lead sound, the oscillators can be synced to add even more nuance to your waveforms.
Just the Right Frequency
Of course, the 2-XM doesn’t stop there. The VCFs provide another slew of adjustable settings! Aside from the Frequency, Modulation and Resonance controls, each VCF comes with an amazing multi-mode filter; turning the knob all the way to the left selects the low-pass filter, turning it the other way selects the high-pass filter and setting it at 12 o’clock selects the notch filter. You can even set the VCF to band-pass mode with the flip of a switch.
Quadruple Envelopment!
Along with all the controls at your fingertips the 2-XM also includes a total of four envelope generators to help further craft your sound and introduce subtle nuance or percussiveness with the included Attack, Decay and Sustain controls. In addition, the VCA switch allows you to toggle between envelope control or VCA which overrides ENV 1. You can even plug in an external VCA control to really dial it in.
2-Channel Mixer
Speaking of dialing it in, we’ve also included a 2-channel mixer section where you can control level and pan controls for each module. They even feature a portamento function for some cool pitch gliding effects.
Extensive Modulation
With all the 2-XMs extensive controls, we just couldn’t help but add more, and we mean a lot more! Each module comes with a huge amount of CV and GATE Ins and Outs as well as extensive modulation capabilities from both internal and external sources. And because the 2-XM is so compact, you can easily integrate it into your existing setup, patching in your favorite modules to create some awesome waveforms!
Eurorack Ready
Designed to handle the rigors of life on the road or in the studio, your 2-XM can easily be transferred into a standard Eurorack case for the perfect integration into your existing system."
"At beetlecrab.audio, we have always been committed to pushing the boundaries of what’s possible. Tempera has seen an incredible response from musicians, sound designers, and experimental artists who have embraced its unique interface and deep sonic capabilities. However, one question has persisted: what is the absolute essence of Tempera?
This question led us down an ambitious path of innovation, culminating in our latest development—Tempera MINI. A radically compact version of our flagship granular synthesizer, Tempera MINI distills the essence of expressive polyphonic synthesis into a form factor so small, it defies reason.
Development Progress & Challenges
The development of Tempera MINI has been an exercise in extreme engineering. Our team faced several core challenges, including:
Interface Miniaturization – The original Tempera features a spacious multi-touch surface designed for expressive playability. Shrinking this down while compromising playability required rethinking the user interface entirely. Through meticulous touch calibration and adaptive gesture detection, we managed to preserve a highly playable surface area despite the drastic size reduction.
Component Density – Packing almost none of Tempera’s synthesis engine into a fraction of the space posed significant electronic and thermal management challenges. After extensive board redesigns and custom component sourcing, we successfully achieved a form factor that maintains basically no functionality of the original Tempera—albeit at a radically compact scale.
"On The Run" de Pink Floyd avec un clone amélioré du module SEM d'Oberheim, fabriqué par NRSynth, une lutherie éléctronique made in France #pinkfloyd #ontherun #oberheim #sem #NrSynth
2. Tangerine Dream Intro "Ricochet Part 1"
Le module SEM de NRSynth est vraiment parfait pour reproduire l’intro de « Ricochet Part 1 » de Tangerine Dream. https://nrsynth.fr
3. Module SEM NrSynth Démo 1
00:00 Midnight Express
00:57 Star Cycle
01:41 Dervish D.
02:06 Stranger Things
02:44 Il était une fois le Prophet
4. Module SEM NRSynth Démo 2
00:00 Basse 1
00:13 Basse 2
00:26 Fun For Me
00:38 ABACAB
00:54 Welcome To The Machine
01:24 Caverne
02:33 Tange FX
02:49 Chinox
03:04 Percox
5. Tangerine Dream « Monolight (Part 2) » With the Sequential Prophet 6 & Korg Kronos
Oberheim Legacy: In 1974, Tom Oberheim imagined a small synth as an accessory to his DS-2A digital sequencer. But it was Dennis P Collins, a gifted ARP engineer, who designed the multimode filter of the Synth Expander Module (SEM). This unique filter is a 12 db filter that cannot deny its lineage with the ARP 1047 (ARP 2500) and ARP 2023 (white Odyssey MK1) filters, 12 db filters also designed by Dennis P Collins. With two very fat VCOs and a devastating sync (also close to the Odyssey VCOs), the small SEM offers a powerful sound, very present in the mix and very different from Moog and other synths with 24 db filters. So despite its simplicity and a filter that does not enter self-oscillation, we can get a lot of sounds out of it. Accessible and easy to use, the SEM is a success. In 1975, Tom paired first two, then four, into a huge keyboard case, creating the first "true" polyphonic instrument in history, the "Four Voices." In 1976, the SEM was even expanded to eight. Nicknamed the "White Elephant," its sound was as enormous as the instrument itself! But in 1978, the brilliant Prophet-5 made it obsolete, and Tom designed the OB-X, whose channel cards were also clones of the SEM. Subsequently, the OB-XA and OB-8 used Curtis chipsets and no longer had quite the same sound. In 2010, Oberheim reissued the SEM identically, but with all surface-mount components. In 2011, the SEM PRO added just a MIDI interface.
NRsynth "Solo": This is an "extended" version of the SEM, handcrafted with traditional through-hole components. Only the envelopes have been modified for a punchier result; the rest is identical to the original synth. Additionally, the Solo features a sub-oscillator, a glide, white noise, and many more modulation options than the SEM. MIDI velocity is also supported. Finally, the white metal case gives way to a luxurious, classically crafted cabinet with waxed oak sides and black tolex, similar to a Marshall amp.
A patchbook of all Séraphin Palmeri's sounds is included with the device.
Specifications:
VCO: Two discrete VCOs with hard sync, saw, pulse + PW (same as SEM)
Sub-oscillator: Pulse wave – 1 octave below VCO1.
Noise: 100% analog white noise
Multimode 12 dB filter: Same as SEM with LPF, HPF, notch, and bandpass mode. VCA: Analog (same as SEM)
LFO: Analog, triangle wave (same as SEM)
Envelopes: Analog (same as Pro-1) with deactivatable "Release".
Digital LFO: 8 waveforms + tilt, 3 frequency ranges, sync.
Sample and Hold: Analog, sync.
Glide: Analog portamento circuit at the input.
Patchbay: 15 I/O points on 3.5mm jacks (Eurorack compatible).
Rear Connections: Audio I/O and sync on 6.35mm jacks. Reset button.
Dimensions: 30x24x15 cm
"I'm excited to present the new Weevil to mark 20 years of BugBrand and Weevils - it's the first regular production since the 2015 BoardWeevil and, I think, the first 'cased' design since 2008! Quite a change from the old cigar boxes of the early days ;)
The main listing for the 20/25 is here - I'm doing a run of 50 for now, which will be built up in batches of 10 over the coming months. The 2nd batch should appear in early April.
The overview video features a load of pics of old Weevils after the callout last time -- thanks so much to everyone who sent in pics & memories, it meant a lot to me 💚💚💚
Next week I'll do another mailout to mark the actual 20 years - stay tuned!
All best! Tom"
"Weevils were the first designs I made as BugBrand and, between 2005 & 2015 I made a whole slew of them – you can see some on the Weevil Archive page. So it seemed apt to make a special one to mark 20 years – the first regular production for 10 years and the first ‘housed’ one since perhaps 2008!
The core is a simple little circuit I found in a library book – a cymbal sound synthesiser made of some CMOS 4000 series logic gates to make squarewaves that are quasi-ringmodulated together. Back in my early days I was doing a lot of circuit bending, so I tried out adding power starvation and body contacts and discovered a deep & chaotic sonic world. This Weevil Heart has stayed pretty constant over the years while I’ve played extensively both with the surrounding circuitry and how to present an instrument. For example, the STEIM Cracklebox was always an inspiration as an almost acousitc electronic instrument that had to be played in a truly experimental manner. It has really been a case of iterative refinement and the developments nicely highlight how my build techniques have evolved.
The 20/25 Weevil is really quite similar to the last BoardWeevil of 2015 – we’ve got the 3 Oscillators, 2 RingMods and State-Variable Filter – but I wanted something cased so took the existing modular boxes and fashioned a new PCB frontpanel with accompanying side-cheeks that could hold a speaker, battery box and line output. Smart!
For further details, have a read of the Instruction Sheet & refer to the Block Diagram – but really the best way to learn is to dive in and experiment!"
March 26, 2025 - Crows Electromusic, a small synth company from Vancouver, Canada, is thrilled to introduce Lore, a standalone all-analog tool for exploratory sound synthesis, ambient, drone, and noise music. With individual controls for each function, Lore gives direct control of two independent triangle-core oscillators and can be switched to an FM synthesis mode to unlock a wide range of complex tones. The instrument’s unique un-quantized interface is perfect for exploring pure tones, drones, and FM sound textures.
Features:
• 100% analog circuitry
• Two triangle-core oscillators
• Crossfade between triangle and square waves
• One-control-per-function interface
• Fully standalone, just add headphones
• Transparent bioplastic enclosure
• USB powered
• Handmade in Canada
Lore is our second release, building on what we’ve learned making our first product OVUM analog sound explorer. We had two goals in mind during development: first we wanted to make something that could create a harsher and more aggressive sound, and second, we wanted to see how small a synth we could make. On both fronts we think Lore is a success - it measures under 3 x 3 inches, and the FM mode gives you access to a whole range of shimmering, grinding, and metallic sounds. Just like with OVUM, we prioritized immediate control and ease of exploration. No understanding of oscillators, wave shapes, or FM synthesis is required to pick it up and start creating interesting and inspiring sound. We think people of all ages, musical abilities, and experience levels are going to love this instrument.
Lore is available now for $79 CAD / $59 USD.
Crows Electromusic is a small synth company based in Vancouver, Canada. Started by Cory Alder in 2022. Crows’ goal is to develop new hardware instruments that challenge the established ways we interact with sound and music creation. Their first product, OVUM was released in 2023, and their second product Lore is available now.
For more information, please visit Crows’ website at https://crowselectromusic.com or follow us on social media (Instagram, Bluesky) at @crowselectromusic.
Brochure spotted by Andrew Ward at the Synclavier booth at this weekend's London Synth & Pedal Expo.
Visible text from the brochure:
"For over four decades, Synclavior hos defined the pinnacle of digital audio innovation, shaping music history.
Today, we merge our legendary sound with modern technology, delivering tools that empower creators to push sonic boundaries.
INTRODUCING THE SYNCLAVIER ORK II KEYBOARD The ORK Il is envisioned as a groundbreaking instrument that builds on the acclaimed capabilities of Synclavier Il and Regen. Designed for professional musicians, producers, and sound designers, this keyboard fuses cutting-edge technology with legendary Synclavier sound quality to deliver an unparalleled creative tool.
Core Features at a Glance Synclavier Heritage, Expanded Power Enjoy all the features that made the Synclavier Il and Regen revolutionary, now enhanced with even greater flexibility and control. The ORK II combines iconic additive and FM synthesis with subtractive synthesis and intuitive hands-on performance controls.
Next-Level DSP Effects Suite Transform your sound with a curated set of premium DSP effects, including: Reverb: Create lush, immersive soundscapes. Delay: Add rhythmic echoes and intricate time-based effects Modulation Effects: Enhance your tones with..."
"TM32 is Serdaco's latest external MIDI synthesizer! It's very compact, runs mt32-pi and great for DOS games with compatibility of Roland MT-32, Roland CM-32L and General MIDI.
Disclosure: Serdaco sent me this product for free to create a video review. I am not getting paid, but I do get to keep the product.
Use PHILSCOMPUTERLAB discount code for 5% discount on any purchase!
Buy the TM32: https://www.serdashop.com/TM32
Buy the PicoGUS: https://www.serdashop.com/PicoGUS
Buy the DB15MIDI: https://www.serdashop.com/DB15MIDI
Buy the MIDI cable 1m: https://www.serdashop.com/MIDI-Cable-1m
Buy the MIDI cable 1.5m: https://www.serdashop.com/MIDI-Cable-1.5-m
"TM32 is a MIDI synthesizer that supports General MIDI / GS SF2 soundfonts and optional MT32 emulation
The software is based on the open source MT32Pi, with a tweaked configuration for excellent live performance, preloaded with default GeneralUser GS soundfont.
Complete fully built and tested unit, including enclosure.
You can download the sd card files here.
TM32 is the successor to MP32L which is still available until end of stock.
Features :
High Quality Stereo DAC, 3.5mm stereo line out
Standard DIN MIDI input
Micro SD card slot for MT32Pi based software
USB-C connector for power (for 5V 2A adapter)
Uses Pi zero 2W, 512 mbyte of RAM
High quality enclosure with TM32 led glow logo, dimensions : 81mm x 75mm x 26mm , 74g
Supports SF2 soundfonts up to 400mbyte, 16 part multitimbral (all 16 midi channels)
Optional support for MT32 emulation (need to supply your own ROM files on the micro sd card)
128 voices polyphony
Low latency
Switch between soundfonts with the press of a button"
"We are proud to introduce the Geddy Lee Minimoog Model D - A tribute to Progressive Rock’s legacy featuring a custom satin red finish, hot-rodded VCA circuit, modern MIDI integration, an exclusive red translucent 10 in vinyl EP, and more. This release offers musicians and fans the opportunity to own a synthesizer inspired by Geddy Lee’s legendary artistry and enduring legacy.
Watch as Geddy Lee reflects on this new synthesizer, sharing his thoughts on its craftsmanship, sonic character, and how Moog’s legendary sound has played a role in shaping iconic @rush tracks like "Xanadu", "Tom Sawyer", and "Subdivisions".
Rush icon Geddy Lee—synthesist, bassist, and singer for the rock legends—has teamed up with Moog to release the Geddy Lee Minimoog Model D, available for sale exclusively in the US and Canada right here on Reverb.
Video includes excerpts from Rush songs 'Xanadu', 'Tom Sawyer', 'The Trees'."
Press release follows:
GEDDY LEE MINIMOOG MODEL D
Combining the legendary analog sound of Moog with a distinctive aesthetic that honors Rush’s iconic legacy.
The Model D in the hands of Geddy Lee has delivered legendary basses, melodic leads, and rich analog tones that are iconic and indicative of the Minimoog’s creative influence on musicians. Musicians and Rush fans can now tap into a piece of music history that was instrumental in shaping the band's signature sound.
Hand-signed by Geddy Lee and individually numbered, each Geddy Lee Minimoog Model D is a collector’s item to be cherished for decades to come.
"It’s a thrill to see the Minimoog Model D in that stunning red, so representative of one of the most fertile periods in Rush’s creative history.” —Geddy Lee
ICONIC SOUND QUALITY Originally released in 1970, Minimoog Model D was the world’s first portable synthesizer and served as the archetype for all electronic keyboards that followed.
It was quickly embraced by a diverse roster of performers, including Rush frontman Geddy Lee who enraptured generations with his and the band's unique style of prog rock.
CLASSIC ELECTRONICS WITH MODERN TOUCHES In addition to Geddy’s signature red finish, this model of the Minimoog offers a hot-rodded VCA circuit, dedicated LFO controls, top panel CV jacks, spring loaded pitch wheel and MIDI integration.
A UNIQUE COLLECTOR’S ITEM For musicians and collectors seeking both inspiration and history, the Geddy Lee Minimoog Model D combines the legendary analog sound of Moog instruments with a distinctive aesthetic that honors Rush’s iconic legacy. More than a collector’s piece, this powerful synth—celebrated for its playability and unique sonic character—features modern enhancements for today’s music creators.
The Doppler is a polyphonic, 2-operator FM synthesizer with a unique approach to sculpting, tweakability, and has 8-note polyphony. It's designed for sonic exploration, where every knob twist reveals a new sound that's uniquely your own.
Ultra-tweakability is at the core of the Doppler. It features a single, powerful algorithm, but the magic happens when you start adjusting its parameters. Even the subtlest tweaks lead to big shifts in the overall sound, making every turn feel like a discovery.
At the heart of the Doppler areThe Doppler is controlled via MIDI through a USB-C port, making it easy to integrate into your setup. Most modern, class-compliant MIDI controllers with USB functionality will plug in and work instantly with no setup required. Plus, the Doppler powers your controller, simplifying your cord management. For older controllers with only DIN connections, a USB-to-DIN converter works wonderfully.
two sine waves that form the foundation of its sound. The modulator wave is quantized and can modulate both the carrier's phase and frequency—or both at once for even more complexity. The carrier wave can even be sent through a feedback loop to modulate itself. Plus, there's a 9-octave pink noise source to modulate the carrier, adding texture and a lo-fi grit.
The modulator sine wave features two rotary switches that control its frequency through a quantized octave and semitone shift. The Octave rotary switch offers a 5 octave range, allowing you to go two octaves above and two octaves below the carrier’s frequency. The Semitone rotary switch gives you a 12-semitone range, from the base note up to 11 semitones above. Both switches click into place and are perfectly quantized in relation to the carrier's frequency.
The Doppler features a standard ADSR envelope, but there are a couple of cool nuances that really enhance its functionality. By default, the ADSR envelope only affects the carrier wave. However, when you flip the Env Mod toggle on, the envelope also influences the amount of frequency modulation applied to the carrier. On top of that, the Mod Trail knob lengthens the attack value, but only on the modulator wave. This gives you the ability to make the modulation swell in, adding an extra layer of depth.
"What’s black, white, gray and sounds incredible? It’s the new Behringer MS-1 MK II-Gray!
MS-1 MK II-GY features 32 full-size keys, 4 simultaneous waveforms, improved VCF and VCA designs, dual-mode portamento in a new stylish gray enclosure."
"The T-16 is a custom semi-modular synth largely based on the analog circuits of the original ARP 2600 and ARP Odyssey, with additional modifications and modules.
Here's an initial sound exploration I recorded shortly after completing the project (with no added effects or processing).
Special thanks to Stefan Hambleton for helping with the build of this instrument!
Check out my music: linktr.ee/nitecaller"
"After two years of designing, soldering, assembling and a looot of troubleshooting, this mighty thing is finally finished (aside from some minor tweaks). I can’t really believe it yet, but it’s extremely exciting nonetheless. I’m not entirely sure what to do now that it’s done, but I suppose it is time to start making some cool sounds and writing new music? Anyway, stay posted for more T-16 content!
And big thanks to @hot.chip5 @alyndyh and @xavier.joseph.dlmh for the help and support along the way."
