Union Audio Area 6 - Analog Eurorack & Desktop Performance Mixer!

video upload by Dave Mech

"Union Audio is releasing a brand new mixer soon. Come check it out at Superbooth 2026!

Fully Analog, 6 mono/stereo channels
Perfect for live perfomance
Both Eurorack compatible & standalone
Beautiful resonant master filter (HP/LP) with drive, aux send and CV control
Channels can be individually routed through filter
Master compressor with special features
2x mono aux send and 2x stereo return
Master insert
Level, aux, pan CV
Tilt EQ
Cue & Mute system

And as expected: incredible summing and overal sound.
Release date tbh !"

Überding - Multi Functional Eurorack Module

video upload by NoisyFruitsLab

"A multi talent around synthesis, effects, sampling and many more ...

High quality audio creation and processing. Assignable potentiometers and encoders. Multiple inputs and ouputs.

A charming colored display interface and stunning RGB animations.

Überding is an excellent multi effects chain, a massive synthesizer engine, a drum synthesizer and sampler,

a MIDI controller, an audio recorder / player and something we havent thought about yet ..."

noisyfruitslab.com

CLICK FOR MORE »

Future Sound Systems ENV1 CFG

Future Sound Systems ENV1 CFG Percussion Demo
video upload by Future Sound Systems

Additional demos below.

"What happens if we pair an ENV1 Cyclical Function Generator module with our FIL4 Timbral Sculptor, the super-flexible Westlicht Performer sequencer and a slinky Eventide Space reverb? Watch this video and find out - it's a ton of fun.

2:17 - a basic kick
4:13 - using the Loop input
5:30 - extra modulation from the CFG
6:22 - modulating the modulation
7:48 - wavefolding the kick
8:54 - more sequencing

CLICK FOR MORE »

Befaco Introduces Iroi Stereo Effects Processor Eurorack Module

video upload by Befacosynth

"A Shortcut for Atmospheric Processing
Iroi is a compact, 18 HP stereo effects powerhouse designed to turn any external signal into a deep, evolving soundscape. It inherits the sophisticated processing chain of its predecessor, Oneiroi. Combines a unique signal chain composed of a multimode filter, a VCA, a unique character resonator, a versatile delay, and an experimental Reverb. The filter - VCA act like a block that can be placed at any point on the signal chain"

Atmospheric FX Processing in Eurorack // IROI from BEFACO

video upload by DivKid and Befacosynth

"Here's Iroi from Befaco, which is the right hand side of Oneiroi standing alone at 18HP as a stereo atmospheric sound FX processor for Eurorack. There's improvements made and more processing headroom with Iroi and it offers stereo multimode filter, 3 band resonator, 2 tape delay and ambience reverb and reverse FX. Lots of CV, on board modulation and randomisation."

Press release follows:

"BEFACO's NEW MODULE: IROI

The Oneiroi, in Greek mythology, were dark-winged spirits of the night who emerged to bring dreams and nightmares to mortals. Our ambient synthesizer, Oneiroi, takes its name from them, evoking that shifting, dreamlike realm of sound.

​IROI is derived from 'Oneiroi' and carries that same essence forward, distilling it into something more compact and open to external signals, while preserving its cinematic feel that connects us to the world of dreams and the unknown.

What is IROI?

IROI is a stereo effects module based on the right half of the original Oneiroi. It applies Oneiroi’s sonic character to external sources in a more compact format, while incorporating subtle improvements developed throughout the Oneiroi project. Designed to shape, transform, and immerse sound, Iroi carries forward the dreamlike essence of its predecessor into a dedicated effects processor.

Audio Core: Powered by OWL mk3, featuring 24-bit 48 kHz stereo audio resolution (with 32-bit internal processing) and a full stereo signal path.

Filter: Multimode filter offering low-pass, band-pass, high-pass, and comb filtering, with flexible positioning within the effects chain.

Digital VCA.

Resonator: Three-band resonator with dedicated tune and feedback controls.

Delay: Two-tap echo (delay) with adjustable time and density.

Reverb: Comprehensive reverb effect with macro control over size, filtering, and direction.

Modulation: Various types of self-modulation, offering configurable routing and control over level and speed.

Control Voltage (CV): CV inputs for all primary parameters. Four of these inputs are dynamically assignable to secondary parameters.

Synchronization: External sync input supports clock speeds from 30 BPM to 300 BPM.

Randomization: Powerful randomizer with a flexible mapping system, including undo/redo functionality.

IROI is set to be released on April 30th, 2026 and the launching price will be 275€ (assembled version) and 210€ (DIY Kit).

Find us at Superbooth 2026, in BoothZ180 to see IROI live and take a peek at our upcoming products, we're pretty sure you'll love them."

THIS EURORACK MODULE BREAKS TIME | ADDAC System - ADDAC406 Clock Bender

video upload by DANIELE

"The ADDAC406 Clock Bender by ADDAC System, it turns simple rhythms, into complex syncopated patterns through unconventional clock divisions."

0:00 Intro
0:19 Overview
0:50 Clock input and BPM detection
1:17 A & B channels
1:43 BPM multiplier
2:09 Beats duration
2:26 B channel and white background
3:07 Resetting one or both channels
3:43 Curves duration and progress bar
3:53 Balance control
4:12 Left and right curves
4:37 One shot mode
5:21 Loop Mode
5:39 Fine: pause and bpm fine-tuning
6:03 Rest, hold and infinite rest/hold
7:51 Save settings
8:13 First patch
9:21 Second patch

Update:

Diving deep into Clock Bender, a novel trigger generator from ADDAC System

video upload by Perceptes and ADDAC System

"In this video, we'll be diving deep into Clock Bender, a new Eurorack module from ADDAC System that generates constantly changing trigger patterns from an input clock signal."

"This module introduces a unique approach to rhythm, it can add complexity to any pattern by superimposing extremely odd divisions creating syncopation and rhythmic complexity. It provides extensive possibilities for rhythmic creation, transforming static rhythmic patterns into dynamic and complex rhythmic layering enhancing the rhythmic foundation set by the primary clock. It allows users to explore and generate rhythms in previously unattainable ways.

The module operates by taking an input clock signal and generating two new independent outputs that dynamically accelerates or decelerates the BPM toward a user-defined destination BPM over a specified number of beats. Meaning that the output generation is never constant, they will always be dynamically accelerating or decelerating, where no interval between two pulses is the same, the current interval will always be shorter or longer than the previous interval.

This principle will generate unique metrics that when played against the main clock will create extremely unique patterns, from simple swing /syncopation to beyond free-jazz completely unexpected while mathematically justified metrics.

Tech Specs:
8HP
4.5cm deep
110mA on +12V
20mA on -12v"

CLICK FOR MORE »

Patching Exciting Modulation for Filters // FIRST PATCH with Swell from Bartola Instruments

video upload by DivKid

"Here we have the new Swell Eurorack filter and valve gain stage from Bartola Instruments. We'll be exploring this in the usual in depth DivKid demo style in the future but wanted to share our literal first patch playing around with saturating, character oozing valve distortion and filtering ... and in doing so, share some modulation tips about how we like to patch modulation, mixing sources and making things feel exciting and dynamic. I hope the patch notes below are useful and let us know what you'd like to see more of with Swell."

"*PATCH NOTES*

The simple bit first - AUDIO PATH - two saw wave oscillators, changing the octaves between them at points, mixed into 'Swell' and then output into some stereo FX for background ambience.

The modulation is where this gets exciting going into the FM input (which modules filter cut off frequency) is my main envelope, a simple decay envelope. Resonance is modulated by a step sequence (external attenuation is the key here). Then the v/oct input is used as a place to input a mix of modulation. The first is an accent envelope, patching a less dense gate rhythm into a second envelope and patching that into a mixer. Then outputting the mixer into the v/oct input of the filter. The second is then the same step sequence as the resonance.

So with the mixer into the v/oct and the FM input I have 3 modulation sources modulating the filter frequency - main envelope, accent envelope & step sequence.

Modules used - Thonk Synth VCO, Joranalogue Cycle 5, TINRS Next Tuesday, Making Sound Machines Multiplikand, Bartola Instruments Swell, WMD + Infrasonic Audio Cosmis Debris, Vostok Instruments Fuji, Apollo View IOU, Thonk Synth dual VCA.

THIS VIDEO IS SPONSORED BY BARTOLA INSTRUMENTS* they have funded the creation of this first patch video and future demo video with Swell. Any questions just ask."

New maker sbrk devices Introduces zerua nahasi 4-voice granulator eurorack module

From the creator: "My name is Dani and I am about to release my first Eurorack module, which I have been working on for the last few years: it is called zerua nahasi, and it is a 4-voice granulator with multiple internal and external modulation options, various ways to combine and synchronize the 4 voices, multiple grain engine types (varispeed, (paul)stretching...), and an integrated convolution reverb with custom impulse responses. You can learn more about it at sbrkdevices.com.

The module will be released in automn this year, but in a few days I will be showing it at Superbooth in Berlin. If you plan to be there, you are more than welcome to come visit us, we are in the headphones only area, at booth W241."

Additional details via sbrk devices:

zerua nahasi is a polyphonic granular synthesizer for the eurorack modular format, with a wide range of granulation possibilities. it features 4 stereo granular engines that can be used independently or in combination, opening a whole palette of possibilities. samples can be loaded from an SD card, or recorded via the stereo audio input. each granulation engine can use the same or different samples as sources for granulation. a live mode is also available, where the device works as a granular delay. zerua nahasi aims to work as a granulation l a b # r & t @ @ !.

furthermore, this device also includes a stereo convolution reverb, with some built-in impulse responses with barcelona's most iconic spaces, and the possibility to load custom IRs from the SD card.

- features -
4 stereo granular engines - each slot can hold over 20 seconds of audio.
the 4 engines can be synchronized and combined in multiple ways.
main granulation parameters with CV control and randomization: grain position, grain length, density, pitch/speed, envelope shape, stereo image.
multiple granulation modes: varispeed, stretching, and more to come.
onset/transient detection.
granulation sources: stereo input audio (live or pre-recorded), or samples from SD card.
integrated convolution reverb. IRs can be loaded from SD card.

CLICK FOR MORE »

New FREQY, EPILOGUE VCF, & Rong Mid modules by nonlinearcircuits

FREQY video upload by cirtcele

"Frequency Shifter without dome filters"

EPILOGUE VCF

video upload by cirtcele

"Low pass filter with some unusual feedback paths"

Rong Mid

video upload by

"Ming Rodulator with VC phase control"

BEFACO's NEW MODULE: IROI - Sneak Peek

video upload by Befacosynth

Introducing Drum Farm by Knobula

video upload by knobula

Drum Farm is a Eurorack module dedicated to the cultivation and un-ethical treatment of drum sounds. It combines real-time drum synthesis, effect processes and sampling into a hands-on, multi-engine instrument, delivering up to four simultaneous voices and three effects at once."

Press release follows:


Knobula cultivates new ground in drum voice design with Drum Farm performance-focused Eurorack module

LONDON, UK: advanced modular synthesiser developer Knobula is poised to cultivate new ground with its upcoming Drum Farm Eurorack module — merging synthesis, sampling, and real-time effects into a single, hands-on instrument built for fast, intuitive sound design, empowering users to relentlessly sculpt, process, sample, and re-sample sounds grown from its wide range of virtual analogue and physically modelled drum and effects algorithms — readily representing the latest addition to its growing lineup of control-centric instruments embodying a no-screen, no-preset philosophy, as of April 21…

As an appropriate appellation, Drum Farm was inspired by Knobula Technical Director Jason Mayo’s background in computer animation, where vast ‘render farms’ generated thousands of realistic images with minimal human input; as a performance-focused Eurorack drum module occupying 24HP of rack space, it is organised into three core sections: a Drum Synth with 16 virtual analogue and physically modelled drum algorithms, an Effects engine offering 16 different realtime processes, and a digital Sampler with up to three playback voices — capturing the combined output of everything a creative user could conceivably do with it. By bringing all the essential building blocks together, Drum Farm allows for the creation of original sounds quickly and intuitively — whether shaping punchy kicks, layered snares, tuned percussion loops, cymbals, CV/Gate-controlled samples, or physically modelled drum membranes.

Moreover, Drum Farm’s onboard sampler can run automatically in the background, sampling into one of 16 sequential audio buffers. Ultimately, users can capture the drum synthesiser on its own or record hybrid combinations of synthesis, effects, and samples, which can themselves be resampled into richly layered percussion structures or loops. Additionally, an EXT (external) input opens the gate to the world of field recording or sampling directly from elsewhere in a Eurorack system and a row of CV and trigger inputs allows further influence to any assignable control, including the ability to switch samples, drum algorithms, or effect types on the fly.

Duly designed for fast, intuitive sound creation, Drum Farm positively encourages an immediate, iterative workflow — simply select a drum model, sculpt it, process it live through the effects, sample the result, blend it with another model, and repeat. As a result, complex and evolving sounds quickly emerge.

Embodying Knobula’s philosophy of promoting experimentation and tactile control reminiscent of classic real-world instruments, Drum Farm features no screens and no sub-menus. Instead, it is a performance-focused module that rewards hands-on exploration, invites happy accidents, and provides a fertile environment for sounds to flourish and grow.

It is possible to create fully hands-free generative patches, self-building sample libraries, or access to round-robin multi-samples since all controls are CV- or trigger-assignable via five CV/Gate inputs. Sensibly, sounds can be saved to a microSD card alongside a complete snapshot of the module itself, whereby buffers, knob positions, samples, and settings are stored together as a session — with up to 32 sessions per card — allowing users to return to their work, exactly where they left off. It is fair to say, therefore, that Drum Farm is always ready for both studio experimentation and live recall.

Thanks to Knobula cultivating new ground with Drum Synth, the relentless creation of drum parts in Eurorack has never been more immediate or rewarding. Attendees at London Synth & Pedal Expo 2026 may recognise the farm-themed product tease, with ‘alien cow abduction’ subsequently forming the core of Drum Farm’s promotional campaign video.

Shipping scheduled for June 2026, Drum Farm will be available to purchase — priced at £449.00 GBP (including VAT), with a choice of two faceplate colourways on offer — directly through the Knobula shop (https://www.knobula.com/shop), as well as via Knobula’s growing global network of resellers.

For more in-depth information, please visit the dedicated Drum Farm webpage here: https://www.knobula.com/product-page/drum-farm

Supra brings Temporal Synthesis to the Masses!

video upload by Musical Miscellany & More

"A while back, I took a look at the Pet Rock temporal synthesis module. Supra is the follow up to that module. It produces different rhythms, CV, and melodies based on the passage of time. It actually pairs nicely with Pet Rock.

You can purchase one here: https://synthcube.com/supra-time-trav...

Intro - 0:00
Build - 1:10
Pet Rock Demo - 2:03
Supra Demo - 3:40
Final Thoughts - 10:01

Learn more here here: https://suprasynth.site

Buy Me a Coffee: https://buymeacoffee.com/musicalmisce..."

Introducing Supra (the Eurorack time travel playground - from the maker of Pet Rock)

video upload by Jonah Senzel

Time Travel CV Playground
A new Eurorack module from Jonah Senzel, creator of Pet Rock

Input & Output Jacks
The top of the module features eight jacks labeled for dual-hand control:
Left Hand in 1 & 2 (Top left)
Left Hand out 1 & 2 (Bottom left)
Right Hand in 1 & 2 (Top right)
Right Hand out 1 & 2 (Bottom right)
Core Controls
SWAP BUTTON: * Switches which hand you're viewing and controlling.
The other hand continues to run in the background.
Hold to place a new object in the current hand.
JOYSTICK: * Up, Down, Left, Right, and Click (Push In).
MENU: * Menu with extra features of current mode.
OPT: * Extra button for use in some modes.

SEOK - PLUTNIK – Complex Dual VC-LFO [DEMO no talk]

video upload by SEOK synthesizers

"This is a pure modulation party in a small footprint. The Morph and Merge functions provide access to complex waveforms for a wide range of modulation. Distribute them across your rack via nine outputs.

Each LFO offers fast or slow cycling, with selectable square and triangle shapes. The fast cycles reach into audio territory at around 100 Hz, making it useful for percussive modulation and low-end movement. In slow mode, cycles extend up to ~35 seconds. With external negative CV, this can be pushed into the range of around 10 minutes.

Blend the LFO signals, or any external signals (including audio), in the Morph section. Or use the signals in the relational logic section, Merge, which opens up a wide set of derived waveforms by slicing, combining or rectifying. Pseudo waveshaping.

Designed and hand-built in Sweden."

00:00 Intro
00:10 Patch 1 Tri Cross-Mod
00:47 Patch 2 Square FM Drone
01:55 Patch 3 Mandatory Pings
02:25 Patch 4 Merge Section Riff
02:59 Patch 5 Straight LPG
03:18 Patch 6 Sample Triggering
03:52 Patch 7 Bass Voice
04:32 Patch 8 The Ambient Ender
07:10 Outro

New Blukač Fractalist - Sound Samples Ep. 1

video upload by Blukač Instruments

"In this sketch, we demonstrate how a pair of Fractalists is working together in a timbral progression.

The left one is responsible for the bass sound, where, with each iteration, the waveform is unfolded, becoming more and more complex and rich in harmonics.

It is also modulated a bit with a built-in LFO patched into the WARP input to add some movement.

The right one produces a percussive part. The actual base frequency is very low, and with a standard oscillator, there will be no sound or only a rumble. Here is a different story. As the generated waveform is very complex and contains a lot of harmonics, they become audible as rhythmic patterns.

With each iteration, this effect is more prominent. WARP is not modulated to have this specific pattern to be fixed, but if you were to change it, there are a lot of different patterns to look for. In future episodes, we will explore this in more detail.

Audio is intentionally captured raw, without any filters, VCAs, or effects."



via Perfect Circuit

Fractalist from Blukac is a unique digital oscillator that creates complex waveforms and rhythmic undulations using fractals, generating captivating sounds that evolve and grow into digital chaos. Start by selecting a core waveform, either triangle or trapezoidal, and expand its fractal dimension with the Iter control to create iterations on this shape, adding harmonics to the sound that bloom in digital bliss. Through all these fractal transformations, Fractalist's output maintains its periodicity, with a Frequency control that can be used to shift in octaves, semitones, or fine-tuned between notes. At low frequencies, Fractalist becomes an oddball rhythm machine, churning its mathematical movements in unique patterns according to the waveshape created through fractal expansion.

Select your desired degree of digital artifacting with the Alias switch, inviting or omitting the unique sounds of system failure as your harmonics grow beyond the bounds of Fractalist's digital structure, folding frequencies back on themselves for inharmonic results. The onboard Warp control can be used to further modulate the timbre of your sound, alongside dedicated inputs for frequency modulation and hard Sync. Finally, a saturating boost is available to add heat to the cold digital output, while a friendly adjustable LFO provides an onboard source for modulating Fractalist's bevy of CV inputs. With its unique synthesis engine and plentiful opportunities for creative patching in a broader Eurorack environment, Blukac's Fractalist is sure to expand your sound palette, and perhaps, your mind.

CLICK FOR MORE »

Arplus: Max Pluck for your Buck - Quantised Arpeggiated Karplus Strong Eurorack Module

video upload by Kronofonika

"Introducing Arplus, a six voice Karplus-Strong Synth with a quite advanced Quantised Arpeggiator built in. A lot of Pluck for your Buck.

Thanks Zlosynth Instruments for letting me do a synth demo wearing chainmail."

00:00 - Intro
02:15 - Karplus-Strong History and What is it?
03:28 - Polyphonic Spree
04:03 - Sound Parameters
07:16 - External Input
09:25 - Pure Ambient Bliss
09:56 - Quantiser
12:52 - Arpeggiator
16:04 - Swap 2 Infomercial
16:33 - Spicing things up

via Perfect Circuit

The Arplus module from Zlosynth Instruments is a robust Karplus-Strong 6-voice resonator that gives you a bevy of musical scales at your fingertips. The Arplus works by selecting a particular chord based on the scale you select, stepping through the notes of that chord via the Trigger input and button. Use the Tone control to set the root note, and use the Chord control to select the particular chord. Both controls have corresponding CV inputs that let you create intricate sequences or melodic randomness. Choose from 31 different types of scales that include Western, Arabic, Indian, Japanese, and even quarter tones.

Internally, a burst of noise gets generated to create the sound, however, if you want more control over your noise bursts, an external input is available for you to patch in whatever you'd like. Use the String control to adjust how many virtual strings remain resonant after the trigger—up to 6 strings can resonate at a time allowing for soaring expanses of ambience and gorgeous clusters of notes. Sculpt the sound right on the module with a built-in filter, including resonance and cutoff, along with a Contour control that moves from short percussive bursts to long swells of washed texture.

Of course, no resonator would be complete without a stereo output, and the Arplus doesn't disappoint. Choose from three different stereo spreads: Ping Pong, which alternates voices between left and right, Root, which sends the Root to the Left and everything else to the Right, and Haas, which creates a stereo spread using the psychoacoustic Haas effect. The Arplus from Zlosynth is more than just your typical resonator, with an easy-to-read scale selector and a lovely sound that's sure to win over your heart and ears.

ARPLUS FEATURES

6 Voice Karplus-Strong resonator
External audio input for custom excitation sources
31 Different scales
Customizable chords up to 8 notes
CV-Controllable arpeggiator patterns
Quantized 1V/Out output
3 Stereo output modes
Built-in filter

TTMC Analog Rhythm Card , Buchla Easel Command

video upload by Tokyo Tape Music Center

New Analog Rhythm Card from Tokyo Tape Music Center. No info on their site as of this post.

https://tokyo-tape-music-center.com

Maneco Labs - Dark System M1 [Will it Drum?]

video upload by NOISEBUG

"Yes, it very much will drum. The M1 dark system is a fully modular (Eurorack compatible )system in conveniently compact desktop format. No external modules or effects are used in this video.

Head over to Noisebug to pick up one of these feature packed boxes.

#synth #modularsynth"



Dark System M1

Dark system M1 is an analog modular monophonic synthesizer voice, in eurorack format, completely patchable with 8 step sequencer , fuzz and delay effects.

Modules:

1-Sequencer 8 , a modern version of the classic Baby8 analog sequencer.
2-Sub Vco , sawtooth and pulse oscillator, 1 v per octave compatible, also includes a noise source and one or two octaves sub square waveforms, selectable with toggle switch.

3-Transistor ladder VCF , modern version of the classic moog ladder filter, capable os self oscillating

4-EG2 , dual ASR envelope generator, with loop capabilities for use as a sort of low frequency oscillator.

5-VCA4 , quad voltage controlled amplifier, with per channel gain and summed output for use as a voltage controlled mixer

6-Delay , pt2399 based , with modulation input and self oscillations

7-Crash Fuzz , a wild square wave fuzz , with modulation over pulse width (color) , and internal triangle LFO for modulating color

8-HRmixer , 4 channel mixer with global gain, vu meter led level indicator, and headphone output.

Specs :

dimensions : 58HP width m 3U height in Eurorack standards

Power requirement : 9VDC 0.5mA center negative (included)

Introducing Kaona Fractaos

video upload by Kaona Modular Music

"Fractaos est un oscillateur polyphonique stéréo fondé sur la synthèse fractale.
00:00 – 02:17 : une présentation rapide pour expliquer les grands principes du module
02:17 – 17:04 : découverte de quelques presets
17:04 – fin : exploration libre et... improvisée

Fractaos is a stereo polyphonic oscillator built around fractal synthesis.
00:00 – 02:17: a quick introduction to the main ideas behind the module
02:17 – 17:04: a walkthrough of a few presets
17:04 – end: free exploration and improvisation

http://www.kaona.fr/"

4/9/26 Metasonix RK7 RK2 RK8 + Beers Melakarta & DAC + ALM Pamela’s New Workout + Alesis MIDIVERB II

video upload by Cfpp0

This is the first post to feature the Beers Melakarta.

"Feeding the Beers DAC and Beers Melakarta several triggers from ALM Pamela’s New Workout, and then modulating the pitches of the two Metasonix RK7 VCOs and the CV on the Metasonix RK8 Filterwall. Gated reverb from the Alesis MIDIVERB II."

"The idea for this module came from my friend Rodrigo Kendrick. He was a bit burned out on western tonal structures, and had recently missed out on an electronic lehra machine in a facebook marketplace deal which fell through. These machines are a kind of practice tool for carnatic musicians that plays a wide variety of different raga. Think that 'casio auto-chord' function on old casio keyboards, but for carnatic music.

Unwilling to wait for another one to come up on the used market, he did some cursory research, and sent me an early-morning design document, expanding the functionality of DAC with a scheme of two rotary switches and one toggle switch to select the pitch sets for all 72 Melakarta ragas and specified a clock input that would run up and down the selected raga in ascending then descending order, with the ability to turn around or reset on command. In theory this would allow the complex rhythmic and sequence rules of the raga to be implemented with external logic and sequencers, but still give the module enough sequencing functionality to explore the pitch sets of these raga on it's own.

I got excited and went a bit silly 'helping' until we had shoehorned in a pile of other features like binary addressability of the selected swara (interval), gate outputs for each swara, an 'inhibit' input that mutes the transposition voltage while the clock continues in the background, CV controlled halving of the clock frequency, extra +1oct input, and the logic-inverting toggle switches from the DAC on several inputs.

This design is all analogue using discrete MOSFETs and 0.1% tolerance resistors in a weighted DAC driven by a 4000-series CMOS based sequencer.

Yes, it might have been simpler to use a microcontroller."

Déjà vu: Flexible Fader Control for Audio & CV│Bastl Instruments

video upload by Bastl Instruments

"Bastl Déjà vu is a Swiss knife for your Eurorack System that adds fader control to your modular system for many scenarios. It stands out as a simple yet powerful utility module that can do crossfading, mixing, signal boosting, voltage processing, attenuation or attenuversion. All that in 4HP and with the possibility to chain several of them to mix even more signals."



Powerful Voltage Utility module for voltage processing, attenuation, signal boosting, crossfading, and mixing

Déjà vu adds fader control to your modular system and it stands out as a simple yet powerful utility module that can do voltage processing, mixing, attenuation, attenuversion, signal boosting, crossfading and mixing.

All that in 4HP and with the possibility of chaining several units to mix even more signals.

SWISS KNIFE FOR YOUR RACK

Déjà vu has two almost identical channels A and B. Each channel has the FADER input and the ADD input and an output with light indication. The FADER MODE switch alters the behavior of the module, either attentuating or attenuverting the FADER input where the ADD input will be added to the processed FADER input. The last option is crossfading between the FADER Input and the ADD input which is great for creating performance oriented macro controls.

CLICK FOR MORE »

Q DRM - 4 – Four Analog Drum Voices for Eurorack Modular

video upload by HOX808

"Q DRM - 4 is an analog Eurorack module with four independent drum voices. Its Twin-T resonator design delivers 808-inspired bass, tom, and percussion sounds when triggered — from claves and rimshots to bongo- and conga-like tones. The color-coded controls let you dial in each voice’s fundamental range, while separate outputs per voice provide maximum flexibility for patching, mixing, and further sound shaping. More info and sound examples: https://www.orpho.de/qdrm4/"