Testing Nakst Integrate - Classic Hardstyle Lead

video upload by Eyezer Productionz | Synths & Audio

Note Nakst was first introduced a year go.

"Introduction (from the manual):

As technology has improved, it has become possible for manufacturers to produce increasingly complex synthesizers. This has led to the creation of synths that trade off easeof-use for maximum sound design potential, spreading hundreds upon hundreds of options and parameters throughout dizzying interfaces, full of tabs and menus. They provide oscillators and filters with such immense algorithmic precision that any soul or character is stripped away before it has a chance to flourish in the sound. Integrate is not like that.

Integrate has been designed with the goal of creating an old-school virtual analog that has just as much personality as any of the classics, paired with a fantastic user interface that makes exploring the sonic possibilities an effortless pleasure. It cannot do everything, but this is intentional; limitations breed creativity. No longer will you spend hours scrolling through lists of wavetables, paralyzed by the impossible task of deciding which is the best to use – a question that has no right answer. Instead, Integrate has a simple two-page layout where every parameter has been selected for its unique axis of inspiration. Every dial, slider and button is waiting to delight you as you delve into a world of aural possibilities.

Many thanks to fdigl for providing me a NFR license for this plugin! Next video will feature some custom patches made by me.

https://nakst.gitlab.io/integrate/"


video upload by nakst

Integrate — Factory ROM Demo (unscripted, no talking)

video upload by nakst

Timestamps:
00:00 — Arps
01:17 — Basses
04:00 — Drums
04:30 — Effects
05:16 — Keys
06:40 — Leads
14:42 — Organs
15:15 — Pads
18:32 — Plucks
19:34 — Synths
23:08 — Trancegates

"The old-school virtual analog synthesizer: reimagined and perfected, optimized for creativity. Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine."

"The old-school virtual analog synthesizer: reimagined and perfected.

A synthesizer optimized for creativity.

Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine.

Four mighty oscillators.
The four main oscillators come equipped with a selection of 74 waveforms and a flexible noise generator.
The traditional waveforms (sine, sawtooth, square and triangle) all have a specially chosen parameter that can be modulated, allowing you to creating evolving sounds. The noise generator has tweakable color, and it also supports key tracking for an effect reminiscent of early game consoles.
Also featuring FM, RM and hard sync, there's a world of possibilities waiting to be unlocked in these oscillators.
There's also a sub oscillator sporting three waveforms, ready to quickly beef up your patch.

Have it your way.
Integrate lets you configure the character of the oscillators, giving you the power to shape the sound of your patches from the very start of the signal path.

Pick between the “Clean” rendering mode for a modern touch, or the “Digital” mode to add a gritty punch to your sound.

Make anything super.
Oscillators A and B both sport a unison section, letting you turn a simple waveform into a 7 voice beast. Configure the detune and mix, or enable “Stereo” to spread the voices across the channels. You'll soon discover how much of a monster Integrate is at fat, anthemic sounds, perfect for mesmerizing listeners of any genre.

The latest technology.
Integrate is available in the new CLAP plugin format, boasting advanced features like non-destructive polyphonic parameter modulation and note stacking. We're proud to join its community of developers who are pioneering the latest in audio technology.

Information, only when you need it.
To keep the interface compact and free from distractions, Integrate keeps extra information about parameters neatly tucked away in popups that only show when you're interacting with the relevant controls.

Waveforms, envelopes, frequency spectrums all pop up as soon as you need them, and then instantly hide away once you're done with them.

Explore new territory.
Integrate isn't an emulation of an existing synth. Instead, it's a brand new design, waiting for you to explore what it's capable of. Dive into a world of characterful oscillators, screaming filters, chaotic LFOs, and dreamy reverbs. There's bound to be something that'll captivate your imagination.

ZIRCOTHC ESP32 DRUM SYNTH LOFI MACHINE

video upload by zcarlos zc

"ESP32 drum synth Lofi machine.
Sound demo of my DIY drum (or noise) machine.

Hardware:
- Lolin S2 Mini (ESP32 S2)
- PCM5102A I2s dac
- 24 push buttons (8x3)
- Rotary encoder
- OLED display I2c
- 32 LED WS2812B

Synth engine:
- Wavetable synthesizer based on DZL Arduino library "The Synth" (github.com/dzlonline/the_synth)
- 16 sound polyphony
- Sound parameters: Table, Length, Envelope, Pitch, Modulation, + Volume, Pan and Filter.
* Filter (LowPassFilter) comes from Mozzy library (github.com/sensorium/Mozzi)

Sequencer:
16 step/pattern editor and random generators (pattern, sound parameters and notes)

Soon schematics and code."

Previously:

ESP8266 DRUM MACHINE V2

video upload by zcarlos zc 5 years ago in 2019

"ESP8266 DRUM MACHINE V2
2 MPR121 modules (24 keys)
1 I2S DAC
4 potentiometer (i2c ADC ADS1115)
RGB neopixel style leds

More info: https://zircothc.wordpress.com"

ESP8266 DRUM MACHINE

video upload by zcarlos zc also 5 years ago in 2019

ESP8266 DRUM MACHINE
2X MPR121 modules
1 MAX7219 module
1 I2S DAC
24 Green/Red LEDS

More info: https://zircothc.wordpress.com

Modular Multi-Tap Delays // OAM Time Machine (FIRST PATCH EXPLORATION)

video upload by DivKid

"Here's my raw, unedited and literal first patch and experience with the Time Machine Eurorack module from OAM (Olivia Artz Modular). I've been excited for this one since I first saw it, I'm a huge delay fan and a multi-tap delay with loads of control was bound to have me interested!"

via OAM

Time Machine is a tactile interface for mixing together 8 delay lines with an input signal. At least that was the plan. We made a prototype and got like 300% funded on kickstarter, so we got to work.

As the DSP engine was refined a sonic character emerged that howls like guitar feedback while granulizing like the grey goo at the end of the universe. We leaned into this. The resulting module can create clocked rhythmic glitch effects, reverbs, chaos, and ego-death.

22 HP
25 mm deep
122 mA +12V, 8 mA -12V
24-bit audio in/out (-5V to +5V)
16-bit CV control (-5V to +5V)

Easyplay 1s - a toy piano with ambitions!

video upload by

"Summertones' #easyplay 1s (currently in it's Kickstarter phase https://bit.ly/3OOoED6 ) looks and sounds like a #toypiano at first, but there may be more to it than it seems at first. If one specific feature was added before release, this could be a rather useful thing to have... Table of contents:

00:00 hi
00:14 hardware overview
01:47 demo #1
02:03 demo #2 (the kids vs floyd jam)
02:19 patch overview
03:22 multitimbral?
03:40 midi?
04:17 multitimbral demo
05:01 velocity sensitivity when using external controllers
05:37 bluetooth
05:50 conclusion
07:01 ambient jam with Source Audio collider
10:17 bye-bye

Easyplay 1s facts
10 preset patches (release version will have more) | MIDI support｜Bluetooth speaker & MIDI｜25-key 3x5 keyboard layout, C3-C8 (with semitones)
More information: https://signup.summertones.fun/ #midicontroller

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

New ALT 5 Voice Desktop Analog Synthesizer from cyma forma in the Works

via cyma forma

Update: 1st video posted here.

"soundscape synthesizer

some sounds resonate with us in mysterious, intriguing ways, as if they were part of something bigger, as if they were holding answers.

ALT is an analog synthesizer designed to expand the realms of sound design, through intricate motion.

preorders available on kickstarter on may 22nd.

Voices

ALT hosts five voices, each with different waveform shaping possibilities, each offering stereo panning, enabling a rich, spatial audio experience.

a harmonic quantizer lets you chose scales, and play beautiful melodies, either with the faders, or with quantized pitch modulation.

Alter

sound alteration can be achieved with a stereo filter inspired by the Korg MS-20, and a wild stereo delay with infinite feedback.

Movement

initiate sound motion with a modulation pin matrix.
the matrix has 4 adjustable modulation sources: 2 LFO, 1 random step generator, 1 envelope follower; and 17 destinations.

light and sound sensors make it react and evolve with environmental stimuli.

all of which allow for complex rhythmic patterns, unheard harmonies, and precise sound design.

more details to come."

CLICK FOR MORE »

Randomwaves Introduces Drumboy & Synthgirl

video uploads by Randomwaves



"Unleash your creativity and explore the world of sound with Randomwaves. Our new handheld instruments, Drumboy and Synthgirl, put the power of music-making in the palm of your hand.

www.randomwaves.io"

Drumboy packs a powerful punch in a compact design. Featuring an ARM processor and intuitive controls, you can create dynamic beats and percussion patterns with ease.

10 Instrument Layers

Mix and match to build unique rhythmic textures

Parametric EQ

Sculp your sound with precision for perfect beats

2 Effect Channels

Add depth, texture, and character to your grooves

Reverb Engine

Create immersive and atmospheric soundscapes

---

Synthgirl is a powerful wavetable synthesizer that empowers you to craft a vast sonic palette. With 2 versatile oscillators, you can explore a world of evolving sounds and textures with just your fingertips.

2 Wavetable OSCs

Craft unique and evolving sonic creations

4 LFOs

Explore endless modulation possibilities

2 Effect Channels

Add depth, texture, and character to your sounds

Reverb Engine

Create immersive and atmospheric soundscapes

JCS BN-1 "Bakery of Noise" Digital PCM Synthesizer – One of a Kind

Note: Auction links are affiliate links for which the site may be compensated. "JCS BN-1" 4-Bit Linear PCM Synthesizer - Part 1 (Prototype)

video upload by blarrer20

"JCS BN-1" 4-Bit Linear PCM Synthesizer - Part 2 (Finished)

video upload by blarrer20

"This video demonstrates the final version of a 4-bit Linear PCM synthesizer that I have designed and built over about two months. It makes use of mostly Soviet clones of 7400 and 74LS series TTL chips, with no microcontrollers involved. It has a 256 x 4 SRAM chip that allows the user to program whatever waveforms may be desired, with looping capability, and starting at whatever point desired. Most importantly, it is able to be controlled by an external source, for example a keyboard instrument. It also has a frequency doubler circuit. This video is part 2 of 2, showing the finished product.

If you want to skip right to the sounds, go to 27:08"

via this listing

Pics of the inside below.

Details from the listing:

CLICK FOR MORE »

VEKT - Portable Drum Computer V.4

video upload by uszymyszy

"Hi! Here is v.4, I redesigned the enclosure to be more rugged, we have also a battery and speaker. Most of the errors are solved, the UI is quite cluttered yet and I make a lot of missclicks/wrong shortcuts but after some tweaks everything should go fluent.

The idea is to have a pocket version of Ableton workflow, simplified but easy enough to create sketches for further polishing in DAW. I plan to build several units for testers but is still a lot of work to do and I cannot guarantee anything at the moment. I will try to progress as much as possible to finish this in this year."

And from one year ago:

Vekt - Portable Drum Computer

video upload by uszymyszy

"I built a Pocket Operator alternative. It can now record and play internal synths. There are 4 engines:
- Bass (Roland TB-303 mod),
- Lead (8bit style),
- Braids (implementation of Mutable Instruments eurorack module),
- Wavetable (several waves mixed by knobs)

I hope the UI is self explanatory, it is focused on simplicity and uses Ableton-like mini session view to launch clips"

The first prototype was shown 3 years ago on reddit.

It looks like a Dirtywave M8 tracker, but is different in both build layout and function. From the creator:

"M8 is a stunnig device for complex projects, I plan to keep my Vekt operator more like pocket op where you can quickly create sketches/ideas and polish them later on DAW. And the main idea for me personally was to quickly create rhythmic sequences which I can use with my visualization app instead making them in DAW, this will speed up the process."

4/4/24 (swarm) Gieskes Klok & No Drum + Zerosum Inertia PLXNA2 + OAM Uncertainty + Lexicon PCM 70

video upload by Cfpp0

"Butterflies, bats, 16mm swarm: Gieskes Klok modulates itself and No Drum and Olivia Artz Modular Uncertainty, which modulates No Drum, while Klok gates No Drum."

You cand find additional Gieskes Kok module posts here.

This appears to be the first post to feature Olivia Artz Modular. Details on their modules follow via Perfect Circuit and Noisebug.

"Uncertainty from Olivia Artz Modular is a 2hp coin toss module; it is open source, with new, user-swappable firmware being developed. So, it will continue to grow and offer new functionality!

In the standard firmware, the top input accepts gates, triggers, or any signal between -5V and +5V. Based on whether the input is positive or negative, it uses two different types of logic to produce gates at the corresponding eight outputs. If the input is above +1V, then the module does eight differently-weighted "coin tosses"—one for each output. If the outcome of the toss is "heads," a +5V signal is output for as long as the input stays above 1V. If the input signal is -1V or lower, a slightly different coin toss algorithm is used, where the outputs are paired—if the result of the toss is "heads," the upper output of the pair in question sends out a signal, and if it's "tails," the lower outputs sends out a signal.

Alternate firmwares are available for free, and loading them is as easy as plugging in your module via the rear PCB USB connection, dragging on a file, and you're done. The first new official firmware is a VU meter—with the panel LEDs displaying the current voltage level, and each LED getting a dedicated gate output—somewhat like a multi-window comparator! Olivia Artz's Uncertainty module is a great way to add chance operations to your rack without sacrificing space.

UNCERTAINTY FEATURES

2HP chance module with alternate firmwares available
Default firmware uses two distinct coin toss algorithms to convert incoming bipolar signals into eight streams of outgoing gates
Open source
One CV input with 10-bit resolution
Eight gate outputs"

CLICK FOR MORE »

Ksoloti Gills Open Source DIY Desktop Unit

via Ksoloti

"Gills is a standalone desktop unit using the Ksoloti Core

Ksoloti is an environment for generating and processing digital audio. It can be a programmable virtual modular synthesizer, polysynth, drone box, sequencer, chord generator, multi effect, sample player, looper, granular sampler, MIDI generator/processor, CV or trigger generator, anything in between, and more.

Ksoloti is an environment for generating and processing digital audio. It can be a programmable virtual modular synthesizer, polysynth, drone box, sequencer, chord generator, multi effect, sample player, looper, granular sampler, MIDI generator/processor, CV or trigger generator, anything in between, and more.

The Ksoloti Core is a rework of the discontinued(?) Axoloti Core board. In short, Ksoloti aims for maximum compatibility with the original Axoloti, with some layout changes and added features. The Axoloti Core hardware board became unavailable at some point, but because Johannes graciously open-sourced the schematics (and since the global part shortage somewhat improved) it was possible to recreate a board nearly fully compatible to the original: enter the Ksoloti Core.

Using the Patcher software on your computer, you create your own sound patches by placing and connecting sound objects, or explore patches other users shared. You can edit any existing patches and even objects, or write entirely new ones from scratch. When you are satisfied with your patch, you can upload it to the Ksoloti Core’s internal memory – or save a collection of patches on SD card – so you can play it without your computer connected.

The fun really starts when you connect pots, buttons, LEDs or displays, sensors and more to control your patches and make Ksoloti a tactile and highly playable hardware instrument.

Board dimensions and layout aside, the two main hardware differences to the original Axoloti Core are:

Ksoloti Core does not have any audio and MIDI jacks on-board.
Ksoloti Core has more pins and functions broken out to headers.
Full information on getting started with the Ksoloti can be found on Ksoloti github here: https://ksoloti.github.io/"

CLICK FOR MORE »

Introducing the Fauxhundred

Details from the brochure:

IN THE HANDS; WHO MAKES THE RULES? HIERARCHICAL PERCEPTIONS GRASPING ELUSIONS OF CONTROL WITH THE LIGHTEST TOUCH ON SENSITIVE PROBLEMS, MIDAS IS HANDLING - HANDLING POSSIBILITIES.

SYSTEMS OF KNOWLEDGE OVERLAP, REVEALING ZONES OF CONFUSION, THE SOURCE ABSURDITY MANIFESTS TO SUGGEST REVISITATION: TO CONTEMPLATE CERTAIN ANGLES OF REPROGRAMMING THE METAORGANISM.

TO CLOSE A KEY IS TO RELEASE THE QUESTION, EXPLORING OTHER CORNERS OF PYCSHOTELEMETRY: MEASURING KNOWN STEPS - INSERTING REPEATING INGREDIENTS - YET FACILITATION THE DEVELOPMENT OF NEW RANGES, LOCATIONAL DYNAMICS IN UNMAPPED ENCOMPASSING DIMENSIONS, AND VITAL - ALMOST IMPERCEPTIBLE - DIFFERENCES TO THE ORIGINAL MEDIA.

THE OBSERVER MAY ABANDON THEIR ROLE TO INSTEAD DEFINE THEIR EXPERIENCE; THUS, DESPITE INDUCTIVE DUST INDICATIVE OF ONE MILLION REPETITIONS, THE NEXT INSTANTIATION YIELDS SOMETHING GREATER THAN ITS SUM.

WAHT IS REAL?
FAUG GOLD IN THE HANDS?
SIXTEEN RECTANGLES NEATLY ARRANGE TEN-STAGE CURVES BY SIX MOON'S PHASE FOUR TIMES. ONCE UNDER LEAD LAMPS, THE EXTINGUISHED LIGHT BREACHES AN OLD WINDOW AND THE SCOPE NOW FRAMES THE NEIGHBORING FIELD, WHERE THE RAM RETRIEVES A MEMORY OF THE BREAKING POINTS.

SO UNREAL: AN INDEX OF CONTINUOUS IMPLICATIONS THAT THE DEFINITION OF THE EDGE IS STILL SUBJECT TO VARIATION, N-DIMENSIONAL TRAJECTORIES TRACING AXES STILL UNKNOWN.

TECHNIQUES ARE EMPLOYED, FROM WHICH UNUSUAL LINKS AND PROCESSES JUMP FUTURE ELEMENTS AN EXAMINATION OF STRUCTURE; INDIVIDUAL MUSIC; INDIVIDUAL LANGUAGE. IN TIME, EMERGENT NONLINEARITIES MERGE TO DEFINE THE USER PROGRAM: A NEW SENSE OF PERCEPTUAL MECHANICS; A SPECIAL RELATIONSHIP TO YOUR OWN EXTERNAL FEEDBACK SYSTEM; A DEPARTURE OR CONTRAST.

TO MATURE IN EXISTENCE, TO FLOWER IN PERCEPTION, EVALUATE RELATIONSHIPS, REDUCE LOGICAL ASSUMPTIONS, SKIP THE NEXT ACTION, AND CHECK THE SUM.

STOP; DON'T LOOK UP; TRANSFER OPERATIONS, SCORE MANIPULATIONS, AND UNFOLD THE OTHER PLANS.

ANOTHER ITERATION, THE TASK'S NEW BRANCH, NOW EMERGING: ADDRESS THE SEQUENCE - THE DEFAULT PERCEPTUAL HIERARCHY PROCESSION, SUCCESSION, AND CHANGE.

WHAT IS REAL?

FAUX GOLD IN THE HANDS.

- Except from Faux Gold

Djupviks Beneath The Bush of Ghosts // Data Bender // Cocoquantus

video upload by LesjaMusic



Two pics via Reverb

LOFI quad sampler ISD1820 ic

DIY pcb and panel only as of 03 MAR 2023.

Beneath the Bush of Ghosts is a 26hp Quad Lo-fi sampler based on the ISD1820 IC chip which is an old answering machine chip. This module is inspired by several other projects based on the ISD1820 chip. Each of the four channels are identical to each other with some sneaky normalisation going on between the channels for extra fun!

There is a mix output which combines all the dry inputs with the sampler outputs, while the individual outs of each channel only contain the sampler output. Each individual output is cross modulated with the channel next to it in pairs, so 1-2 modulate each other and 3-4 the same way. Each output is also normalled to the following input, 1-2-3-4 and 4 goes back to input 1. This means you can do generation loss (i.e. disintegrating loops) with some clever patching. Each channel has a filter with lowpass to the left and high pass to the right, as well as a pitch knob with a dedicated cv input and attenuator. There is also a dedicated trig input for each channel, and control buttons for the following functions: record in, momentary play and full play of the sample. The trig inputs need a +5v gate to operate. Samples can be played on loop by engaging the ‘Loop’ switch at the top of each channel.

Recording instructions: In order to record you need to turn the loop switch off, set the pitch to around the 10 to 2 o’clock (you can experiment with this), the CV knob will usually influences the sample speed so make sure it is fully CCW. Insert an input signal (or use the looping sampler next to it) and hit record, the LED will turn off while recording, and light up again when the memory of the chip is full. It’s a simple as that!

Lunacy Audio BEAM

video upload by DATABROTH

"Pick it up here: https://bit.ly/49b4zOH
you can read my review of BEAM here: https://www.databroth.com/blog/beam-r..."

Three videos from Lunacy:

video uploads by Lunacy

Playlist:
Launching BEAM - Interactive Effects Playground
BEAM - Preset Highlights
BEAM - Walkthrough Tutorial

"BEAM is an interactive multi-effects plugin featuring a cutting-edge granular engine, convolution reverb, and filters with an innovative dynamic audio graph system. Sparkle your keys, spice up your vocals, reshape your drums, and launch your synths into outer space."

Introducing... The Swarm, By Artium Instruments

video upload by Artium Instruments

"Artium Instruments is thrilled to introduce its very first offering, The Swarm, a polyphonic desktop synthesizer."

via Artium on Kickstarter

At Artium Instruments, we approach our designs with the understanding that musicians cultivate intimate connections with the gear they employ to create their art. We firmly believe that instruments ought to possess not just functionality, but also personality, character, and a distinct identity that inspires its user. First and foremost, we've dedicated significant effort to ensuring that the synthesizer and onboard effects produce exceptional sound quality akin to professional studio-grade equipment. The Swarm features a SuperSaw oscillator with 8-note polyphony, curated onboard effects, and a full-featured arpeggiator.

At Artium Instruments we are committed to knob-for-knob functionality in our desktop synths. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated button presses to access features; everything is conveniently accessible at your fingertips.

With over a decade of experience in the effects industry, we have carefully curated a selection of effects that complements the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the input jacks on the back.

We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is nearly as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every detail of The Swarm, from its sonic capabilities to its design aesthetics.

The Swarm is controlled by MIDI through a USB-C port. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility.

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic happens when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

The Swarm employs this SuperSaw oscillator through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns.

All onboard effects can be used with external equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time—a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing you to capture a fresh sample.

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighth notes, eighth notes, and triplets.

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Quord: Harmony Exploration Machine

video upload by Sound Workshop

"Music to wake up to

Quord is a droning harmony synthesizer. It has four sawtooth oscillators followed by a mixer, filter, and distortion.

Circuit by Decapod Devices. Layout by Sound Workshop. Work in progress."

MON2: Soundscape Machine by Monkhum

video uploads by Monkhum.CC

spotted this one via:

New Soon  something interesting from Asia 🙌

video upload by errorinstruments paul tas



Google translated from Thai via monkhum.cc

MON2 : Soundscape Machine 16-bit synthesizers 6 Oscillator is a combination of functions such as GrooveBox Omichord Drone Noisebox designed to be able to mix a variety of sounds, divided into 3 groups, 2 oscillators per group A(1) B(2) C( 3) And each group can adjust parameters independently. It creates new sound mixing and it's quite functional. There are 30 waveforms, random step, CV in, LFO, Tremolo, LPF, ECHO, Sub Oscillator and many more. Suitable for people who want to understand sound synthesis. Players will gradually Learn to customize the characteristics of each sound group through a unique, easy-to-understand and playable vertical screen. It's like we have 3 synthesizers in one box, with 2 main modes: Voice mode and Chord mode. MON2 : Soundscape Machine will definitely give you new ideas.

The design approach remains unique to the brand. Stainless steel plates and buttons made from quality grade silicone plates. Gives a good feeling of use The keys are designed in size and distance to be similar to the keys on a MIDI keyboard used for making music, so finger placement is comfortable. Vertical screens are something that designers really want to present. It is both unique to create an instrument that has This new type of workflow The screen divides the parameters to display 3 parameters at all times. Corresponds to the number of 3 left knobs when the user wants to adjust any parameter in the screen and the 3 parameters in this vertical screen. Also related to the 4 touch sensors placed under the screen. There is a system to lock parameters to prevent discrepancies. Because we use the same knobs for all 12 menus.

6 Oscillators - 30 Waveforms
Support 6 Oscillators and more than 30 different audio waveforms. for variety in sound creation

Random Step and CV In
Independent control with Random Step and CV In helps you create unique sounds.

Voice Mode and Chord Mode
You can switch between Voice Mode to create independent sounds or Chord Mode to create chords that sound like playing a keyboard.

LOOP sound freely
MON2 comes with the ability to record playback on 3 separate channels, allowing for lots of creative playback.

"A World of Heritage" (Heritage Modular Synthesizers) - 8 Voice Digital Modular Synth

video upload by

"Présentation of the prototype 'HERITAGE SYNTHESIZERS' from Frédéric Rible.
Digital modular 8 voices synthesizer with complete legacy analog interface & analog like sound!
All sounds and effects are made by the Heritage Synthesizers in 6 lives sessions.
Sounds created by Frederic & kurtz.
Up left camera : Heritage Modular main stéréo sequence live work / Keystep pro Arturia.
Down left camera : Mister M across Heritage modular filter, "PPG like" pads & effects & Bigbass end line
Up Right Camera : Heritage Modular second stéréo sequence rythm noises, strings like pad, bass line.
Down Right camera : 'Inside' the Heritage, first Triangle solo , second Formant solo and big analog end pad.
Track by Jean-Luc Briançon.
Links :
https://www.heritagesynthesizers.fr/
https://kurtzmindfields.bandcamp.com/
Title will be availble on Bandcamp april 2024 on new EP."



"The Heritage Modular synthesizer has been designed to mimic the typical look and feel of an early 1970s modular synthesizer but with full polyphonic capabilities. The feasibility is tightly linked to the usage of digital technologies available in 2020 to DIY enthusiasts.

From a musician perspective, the system should provide the illusion of using a classical analog modular synthesizer with knobs, switches and patch cables.

The core of the synthesizer is based on Pure Data: a powerful sound engine for the generation and processing of audio signal. The underlying algorithms has been chosen for faithful emulation of analog circuitry characteristics. As the goal is to provide with hardware user experience, the Pure Data GUI is only used during the software development phase.

A dedicated set of hardware modules has been designed to act as controllers for Pure Data. These modules are populated with knobs, switches, lights and jack sockets, as for any other classical modular synthesizer. The communication between Pure Data and these hardware modules is done via an I2C bus implemented over a standard 16-pin Eurorack connector.

This project has started in July 2020 as a DIY effort, with a first version up and running in July 2022."

What is the Oct Tone & who are the Glasgow Synth Guild?

video upload by DivKid

"Here's something a little different ... a 'remaster' of an older design and a new synthesiser guild that act as a crack team super group of modular builders who are handling this exclusively.

The Oct Tone is a remaster of an early design by Jason Lim (Instruo) that has been brought back to life by the Glasgow Synthesiser Guild. In this video I'll demo the Oct Tone, in my usual style with musical approaches to the features and uses. But we'll also have a little story time looking and who and what the guild are and why they exist.

You can purchase an Oct Tone exclusively from the Guild here // https://www.glasgowsynthguild.com"

Mutineer Synthesizer Demo - Tone Generator Span & Wavetable Editing

video upload by René Feuerlein

"In this demonstration of my synthesizer software programming project Mutineer, I am showing briefly showing a Tone Generator's capability to Span waveform over to the next Tone Generator, as in a Wavetable synth. Also I am briefly showing some of the wavetable waveform editing tools. I then add a lowpass resonance filter, a Chorus plus a Delay effect module, and later include a second Tone Generator, on which I also edit its waveform. The final result is a dreamy pad sound."

Body Synths introduces the Metal Fetishist

video upload by Body Synths

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive."

Four Body Synths Metal Fetishist percussion synths playing together

video upload by Body Synths

"Sequencing 4 Metal Fetishist units with an Arturia Beatstep Pro. Spring reverb from Roland VX-55. Analog delay from Roland DC-20."

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.

Random sequencing with control
The Metal Fetishist features two randomness generators. At every trigger step of the sequence, the Random Step Mod section creates a new modulation value that can modify the Pitch, the amount of Noise or the filter Cut-Off value, while the modulation amount can be selected manually. At every sequence step, the Random Skips control decides if the current step will trigger or not, based on the skipping amount selected. The big STEPS knob won't do anything at its OFF position, leaving the synth in completely random mode! But as you turn it right it will lock the previously generated random step values into repeatable sequences of length 2, 4, 8, 10, 16 or 32. Have fun with it!"