"Cloud Chamber is a small 6HP CV recorder (16s recording time at a 1KHz sampling rate) capable of generating 11 phase & time shifted variants of its buffer material.
It has a range of +10V/-10V (with a 0.1V error deviation) .
It is controlled by a console style joystick (X axis time, Y axis phase), and can speed up to 24 times or slow down up to 48 times, its outputs stay always in a nice synced/harmonic relationship.
When no CV recording material is available, the joystick itself can be used as a +5V/-5V CV source.
CC features also a FREEZE mode, which turns it into a 11 x fixed voltage source.
It is a door to the multiverse, giving you access to all the multiple realities lying within your CV source material.
"I recently reread a lot of chats I saved from the early 2000s and they cracked me up. Reflecting on them I seem almost like an entirely different person, my tone, the jokes I made, a small streak of anger that must've run through me. It's amazing to see how much I've changed as a person.
"*Watch in HD* *Turn it UP!* *No Talking!!!*
My Etsy store: AhnyxianSoundDesign https://www.etsy.com/shop/AhnyxianSou...
selling Synthesizer Sample Packs, UP NOW!"
"This is just a prototype demo of the sequencer I am building for my next synth project. The main goal was to have a 16 step 'step' sequencer -- allowing notes to be played in and recorded. As it went along, I implemented more things--Split, Looping, Ratchets, Accents, Gate length, and Mutes. I'd love to expand it with pages so I can do longer sequences, but for now, this is what I have. I have maxed out the boards that run this, so if I add more, I will need to either delete features, or figure out a way to expand it all to give me more.
Lately I have been really kicking around starting my own business in the realm of what I have been doing...Let me know if you are interested in that and hearing more. I have the full plan drawn out and think it is an interesting one. Maybe I will make a video testing the waters on interest and viability. We shall see.
I'm not sure if anyone even reads these descriptions, but here we are."
The Sequential Prophet VS was a masterpiece in design and sound in 1986. 4 digital oscillators that you could mix between in realtime via a handy joystick forever changed what a synthesizer could sound like, all running through analog filters downstream. It wasn't really a wavetable capable synth, but it felt like it and sounded like it. It was digital, with an analog heart. Unfortunately, it was released during the heyday of the Yamaha DX7, and that won the publics heart. It was Sequential's final synthesizer, before the company went into bankruptcy. Dave Smith would eventually go to work for Korg, where he would design the Wavestation, a fully digital synth that was a next-gen version of the VS. Whether you know it or not, you've heard its sound on early NIN Pretty Hate Machine era and even rock bands entered the synth domain with its sounds.
Enter VICTORY: the ultimate evolution of Vector Synthesis.
VHIKK X, VOLTAGE BLOCK, recorded live thru Syntakt delay and reverb
New algos bank ! This is center-up (phase-coupled sine cluster with dispersor delay)
"How the UNA Performance Demo was put together, step by step. Every sound is the Roland JUNO-X. Every note comes from Midicake UNA and ARP, with the solo played live over the top.
Watch the performance first: • Midicake UNA: building a track live on a R... [posted here]
In this video: The four JUNO-X parts, and why Local Control is off How UNA sits in the middle of the MIDI chain, and how ARP joins in on clock Capturing a melody with step record and DERIVE The Bass track's mute pattern and a touch of velocity IMPROV How a captured melody follows every chord you play Recording a chord chain Drums from ARP's arpeggiators The key split: chords to UNA on one side, a live solo on the other One-shot Modulators for a hands-free ending
UNA is a hands-on hardware composer for keyboards, synths, and the people who play. Hold a chord and the band starts. Change the chord and everything follows. Every pattern is parametric and playback is deterministic, so a pattern you like is a pattern you can repeat.
Midicake UNA is out now. The price you see is the price you pay, with duties and taxes included for the UK, EU, US, Canada, Switzerland and Australia. https://www.midicake.com
CHAPTERS 0:00 Intro 0:24 The sounds: four JUNO-X parts 0:54 MIDI setup: Local Control off, UNA in the middle 1:25 Adding ARP: clock, drums and a MIDI splitter 2:27 Capturing the melody (step record, DERIVE) 4:17 Bass track: mute pattern and velocity IMPROV 5:17 The melody follows the chords 6:33 Recording a chord chain 7:35 Bringing in ARP drums 8:25 Key split and the live solo 9:49 One-shot Modulators for the ending 11:16 Wrap-up"
"Here are my Midi Editor for the Yamaha DX7 / TX7 Synth. The DX7 Editor gives you direct access from the DAW to the Yamaha DX7Synth parameters, allowing you to integrate it into the DAW project. In the PlugIn version you can record the controller movements and so the sound change can be saved.
Editor Features: Random Funktion: Can generate an endless variety of random sound effects, which you can control yourself. X-Y Pad: You are free to choose which four parameters you wish to control with the mouse, allowing you to make complex changes to the sound. Simple handling of the DX7 / TX7 without menu surfing. Complex sound changes can be made easily and quickly. Change DX7 / TX7 Sounds directly from Editor. Many controllers can be automated. You can use your DX7 / TX7 Synth as a sound module in your DAW The Editor has a wide zoom range so it can be adjusted to suit any display. A Editor sound bank with Factory sounds is included.
The Editor are available for: PC: As VST2 and Standalone for 32bit and VST2, VST3 and Standalone for 64bit Windows. MAC: As VST2, VST3, AU and Standalone, compatible with MAC Intel and Silicon (MAC OS 28 ready).
"I wanted to make something you could start and spend a little time with. Itinera gives the FM-1 fourteen dreams that run from half an hour to four hours. The Biomes move on their own, and the rhythm, harmony and effects take their time changing with them.
You’re hearing Silva Nocturna, Mare Nebularum and Terra Pluvia straight from my FM-1. The display comes from the same device. Thank you for sharing your music, trying the builds and telling me what could feel better. It makes me want to keep building this.
Hold HOME to open Itinera. Pick a dream and set its length, pace and space before pressing PLAY. Version 2.1 also improves USB and TRS MIDI timing, keeps your FULL setting when temporary ECO kicks in, and smooths the tails on the six USB mono stems.
"Performance Garden brings the Mutable Dreams sound from the M-VAVE FM-1 into VIBE FM and gives you a bigger surface to play it on. In this walkthrough I start on the main page, pick a Biome, build a chord pattern, tune a lo-fi kit and record my pad moves. The sounds are all from the instrument.
There are 271 Biomes and 47 instrument pages, as well as 16 performance pads, 14 Itinera dreams, an eight-section Journey arranger and a dedicated Dream Console. The film also shows the CUSTOM and STANDARD views in anyDAW.
Thanks to everyone who has played, tested or sent feedback, and to Sven for the VIBE FM SDK. I’d love to hear what you make with it.
00:00 The main page
00:16 All 47 pages
00:28 Choose a Biome
00:46 Voice, envelope, LFO and mixer
01:07 Engine, filter, links and drift
01:22 Chords and six-track sequencing
01:40 Space, grains and pad settings
01:58 Lo-fi kits and rhythms
02:13 Record and loop a pad gesture
02:37 Itinera, Journey and project banks
02:54 Radio and MIDI Learn
03:06 CUSTOM, Dream Console and STANDARD
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If you’d like to help us keep developing Mutable Dreams, you can support the project here. Donations go into firmware updates and new synth software. https://www.paypal.com/donate/?busine...
