Behind The Drums Ep 16 - The Cars "Drive" Linndrum

video upload by

"An in depth look at the making of The Cars' classic single 'Drive.' Video includes a re-creation of the drum beat + synthesizer arrangement using a Linndrum, Roland Juno 106, and Roland JX-8P."

Drum Processing
Kick - Teletronix LA-2A + Lexicon 224 (Room Setting)
Snare - Teletronix LA-2A + Lexicon 224 (Plate Setting)
Hat + Crash - Teletronix LA-2A + Lexicon 224 (Hall Setting)
Clave - Teletronix LA-2A + Lexicon 224 (Hall Setting)
Tambourine - Teletronix LA-2A + AMS DMX + Lexicon 224 (Hall Setting)

Batchas "Hummingbird"

video upload by batchas

"All sounds: Mos-Lab 2500. Higher notes: Oberheim Matrix 1000.
I invite you to watch the original video from where I took the excerpts seen in my short clip:

He created a hummingbird paradise in his backyard

video upload by The Nature of Things

"Window salesman Eric Pittman's life changed forever the day he noticed a Anna's hummingbird buzzing around his backyard in Esquimalt, B.C. in the summer of 2009.

After a flurry of sharp turns caught his eye, the bird came to rest on the branch of a pear tree. It looked around to check for danger and met Pittman's gaze, yet she seemed unbothered by his presence. Pittman looked closer. Then, two pea-sized black orbs began bobbing up and down. It was a pair of newborn hummingbird chicks. He'd discovered Sweetie Bird (as he later named her) returning to her nest to feed her babies. Overcome with curiosity, Pittman stayed under the tree for the rest of the day, binoculars stuck to his face. He bought a video camera and began filming the bird in his backyard. He hasn't stopped in fourteen years.

Today, Pittman is a citizen scientist and hummingbird expert. But he didn't formally study ornithology, or even any biology. His skill at capturing footage of hummingbird behaviour has earned him 50,000 followers on his "Hummingbirds Up Close" Facebook page, where he shares daily updates. The BBC Natural History Unit has even turned to Pittman as a subject matter expert when they’ve needed to film elusive hummingbirds.

The short documentary The Bird in my Backyard follows Eric throughout the spring of 2024 as he documents two mother hummingbirds raising their chicks. It’s a story about the childlike curiosity in all of us, and the doors it can open if we just lean in a bit closer.

Filmed and Directed by Ryan Wilkes."

TR-909: The Beat Goes On

video upload by Alex Ball

"An in-depth look at Roland's classic TR-909 from 1983.

Beaotic discount code: ALEX909
This gives buyers 50% on their entire order, including the XT-909 mentioned in the video. The code expires 31 Aug 2025.
https://beaotic.com/

For sample packs, Q&As and more:
www.patreon.com/AlexBallMusic

0:00 Intro Jam
0:58 History
6:18 Demo 1: Monsieur Donk
7:17 808 vs 909
10:23 Demo 2: Just 303 and 909
11:28 Ext Inst
12:57 Demo 3: Friday 1992
14:12 What now?
15:46 Outro Patron Jam"

Behind The Drums Ep 15 - Flashdance "Maniac" - Michael Sembello Linndrum

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Michael Sembello's number one hit 'Maniac,' from the Flashdance movie soundtrack. Video includes a re-cretion of the drum beat using a Linndrum."

Drum Processing
Kick - Teletronix LA-2A (No Reverb)
Snare + Tamb - Teletronix LA-2A + Lexicon 224 (Plate Setting)
Cowbell - Teletronix LA-2A (No Reverb)
Clap - AMS Reverb (Non Lin Short decay)
Stick - Teletronix LA-2A (No Reverb)
Hat - Teletronix LA-2A + Lexicon 224 (Room Setting)

The “Thing” The Great Seal Bug.

video upload by Behind Designs

This one is in via John L Rice.

"WW2 & Cold war weapons and spy gadgets were truly amazing! Have you ever wondered about the history of RFID and how it works? It was originally developed and first used as a Soviet cold war spying device. The Thing or The Great Seal bug as it was known, sat on the wall of a US ambassadors office for 7 years completely undetected listening into American secrets. The technology behind this revolutionary device now resides in your pocket in the form of Radio Frequency Identification. or RFID. Thank you so much to everyone who has subscribed and supported the channel so far.

Music Credits Lord of the dawn - Jesse Gallagher
Maestro Tlakaelel - Jesse Gallagher

Research, Script, Voice Over, Animations, 3D Modelling, Rendering, Editing. - Me"

Interesing bit of history regarding Leon Theremin.

Korg's Abandoned Music Computer

video upload by Alex Ball

"A look at Korg's abandoned music computer system from 1985, part of which was found in Italy recently after being lost for 40 years.

0:00 Intro Jam
1:03 History
3:18 Demo 1: Imaginary Sitcom
3:51 MU-5000 Sounds
7:42 Demo 2: MU & MS
8:42 Why was it abandoned?
10:05 Outro Jam

Huge thanks to Riccardo Pietroni, Korg Japan, Adam Douglas and Hideki Ishikawa"

Behind The Drums Ep 14 - Tom Petty "Don't Come Around Here No More" Oberheim DMX

video upload by Controlled Voltage Sound Labs

"An in depth look at the making of Tom Petty's "Don't Come Around Here No More." Video includes a re-creation of the drum beat using an Oberheim DMX drum machine.

Join us on Patreon! - / cvsoundlabs
INSTAGRAM - @CVSoundLabs

Drum Processing...
Kick - Teletronix LA-2A + Lexicon 224
Snare - Teletronix LA-2A + AMS Reverb
Hat + Cabasa - Teletronix LA-2A + Lexicon 224
Toms - Teletronix LA-2A + AMS DMX Delay + AMS Reverb"

Cherry Audio Introduces Yellowjacket EDP WASP Inspired Synthesizer

video upload by Cherry Audio

"Cherry Audio is proud to introduce Yellowjacket, an innovative virtual synthesizer that pays tribute to the legendary 1978 EDP Wasp synthesizer. Yellowjacket perfectly replicates the Wasp's distinct buzzy tone and its hybrid analog/digital design, while incorporating modern features that enhance its creative possibilities. The outcome is an affordable synthesizer plugin that combines a rich historical legacy with cutting-edge functionality for today's musicians and producers. "

Cherry Audio | Hive Mind for Yellowjacket Preset Pack

video upload by Cherry Audio

"Additional extraordinary sounds for Yellowjacket synthesizer plugin are available exclusively from Cherry Audio! The Hive Mind for Yellowjacket Preset Pack features 100 more presets by sound design wizard James Dyson, designed to further showcase Yellowjacket's arpeggios, effects, modulation, extended multi voice modes, and aftertouch.

Get the Hive Mind for Yellowjacket Preset Pack and check out more audio demos at: https://store.cherryaudio.com/presets..."

Cherry Audio | Introducing Yellowjacket with Tim Shoebridge

video upload by Cherry Audio

Introduction to Yellowjacket with Tim Shoebridge:

00:00 - Opening
00:45 - Introduction
01:48 - History: EDP and The Wasp
03:24 - Yellowjacket - Keyboard Controls
04:50 - Oscillators and Mixer
05:33 - Control Osc (LFO)
11:28 - Filter
16:54 - Envelope Generators
19:57 - Effects
23:30 - The Speaker Effect
26:30 - Arpeggiator
30:33 - FX Output Controls
33:00 - Keyboard Pressure Panel (Aftertouch)
35:08 - Root/Diatonic Scales
35:37 - More on Keyboard Modes
37:35 - Background: EDP and LINK
40:08 - Multi Voice, Cycle, and "Mini Synths"
45:21 - Conclusion: "Tick Tock"

BUZZ! Cherry Audio Yellowjacket recreates the infamous Wasp synth

video upload by CatSynth TV

"We buzz around in Cherry Audio's new Yellowjacket, a recreation of the infamous Wasp synthesizer from Electronic Data Plant. We examine all of its features in detail, and explore a few of the presets from both the Factory bank and the Hive Mind expansion bank.

To find out more, please visit https://cherryaudio.com

00:00 Introduction
00:24 History
01:12 Overview
01:42 Oscillators
05:42 Filter
10:08 VCA Envelope
11:27 LFO (Control Oscillator)
14:29 Keyboard & Voice modes
18:42 Keyboard pressure
21:41 Wasp speaker emulation
23:04 Octafuzz
25:18 Other effects
32:45 Arpeggiator
37:11 Factory presets
40:40 Hive Mind presets
43:51 Conclusion"

Press release follows:



PRESS RELEASE -- April 22, 2025 --

Cherry Audio is proud to introduce Yellowjacket, an innovative virtual synthesizer that pays tribute to the legendary 1978 EDP Wasp synthesizer. Yellowjacket perfectly replicates the Wasp's distinct buzzy tone and its hybrid analog/digital design, while incorporating modern features that enhance its creative possibilities. The outcome is an affordable synthesizer plugin that combines a rich historical legacy with cutting-edge functionality for today's musicians and producers. Yellowjacket synthesizer is available immediately for only $49. Additionally, Yellowjacket can be purchased as part of Cherry Audio's "Build Your Own Bundle" value options, Pick 3 (on sale for $99) and Pick 6 (on sale for $149), for a limited time.

Yellowjacket perfectly embodies the appearance and charm of the original Wasp, as well as the distinctive sound of its unique oscillators and signature state-variable filter. At the same time, it pushes the limits with Cherry Audio's characteristic innovations to bring this cherished classic into the 21st century. Highlights include:
16-voice polyphony alongside monophonic, unison, and cycle modes
Two oscillators with options for sawtooth, pulse, or square waveforms, as well as the enhanced modulated pulse-wave based on EDP's Gnat synthesizer
Innovative multi-voice modes that provide per-note variation with "chained" mini-synth panels, each featuring its own settings for dynamic tonal options that can create subtle or extreme timbres, single-finger chords and arpeggiated patterns, and more
A new advanced arpeggiator featuring probability and humanize controls adds randomness to patterns. When combined with cycle modes it can create transposable and even unpredictable four-note step sequences with the touch of a single key
Enhanced performance features, including support for polyphonic aftertouch, diatonic scales, transpose functions, and more
Studio-quality integrated effects, including reverb, delay, phaser, chorus, and a new Octafuzz distortion
A vintage-style onboard speaker emulation with adjustable hiss and hum for nostalgic, lo-fi tones
The original Wasp, developed by the late Chris Huggett and Adrian Wagner for Electronic Dream Plant (EDP), was a groundbreaking instrument that combined affordability with innovative design. Introduced in 1978 for just £200, it made electronic music creation accessible to a whole new audience and influenced the sound of artists such as Nick Rhodes (Duran Duran), Dave Greenfield (The Stranglers), Dave Stewart (Eurythmics), and Thomas Dolby.

Considered Britain's foremost synthesizer designer, Yellowjacket is a celebration of Chris Huggett's pioneering spirit. Cherry Audio has incorporated its latest features into Yellowjacket inspired by his innovations, ensuring his legacy resonates with new generations of musicians.

Yellowjacket features more than 270 professionally designed presets across a dozen categories, providing limitless creative possibilities right from the start. Yellowjacket also supports velocity, channel and polyphonic aftertouch with compatible USB/MIDI controllers, and seamless DAW integration for any studio environment.

Alongside the launch of Yellowjacket, Cherry Audio is introducing the Hive Mind Preset Pack for just $9.99. This pack features an additional 100 presets designed to further showcase Yellowjacket's advanced capabilities, with a deeper dive into arpeggios, effects, modulation, and aftertouch.

Yellowjacket exemplifies Cherry Audio's commitment to providing high-quality sound at an unbeatable price. At just $49, Yellowjacket is an excellent choice for synth enthusiasts who appreciate both exceptional tone and affordability. Additionally, until May 5th, Yellowjacket can be purchased as part of Cherry Audio's "Build Your Own Bundle" options. Customers can choose the Pick 3 bundle for $99 (regularly $129) or the Pick 6 bundle for $149 (regularly $169), allowing them to mix and match any of Cherry Audio's award-winning instruments for as low as $25 per plugin.

Cherry Audio’s Yellowjacket synthesizer is available for macOS (10.13 and above) and Windows (7 or above) in AU, VST, VST3, AAX, and standalone formats. A free 30-day demo is available. Visit cherryaudio.com for additional product details, a deep-dive introductory video, system requirements, and an extensive collection of awe-inspiring sound demos.

TMP-3-03 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:17 Introduction
01:27 Switched On 80s
16:14 Synthesiser Club
19:48 Commercial Break
23:57 Patching Today
35:04 Little Black Boxes
38:53 Video Lab
44:22 Outro

////////////////////////////////////////////////////////

Episode three of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

////////////////////////////////////////////////////////

In THIS episode:

SWITCHED ON 80s - A detailed presentation on FM synthesis and its history, looking at the DK Synergy (as used on the Tron soundtrack), but mainly the Yamaha DX series of synths

CLICK FOR MORE »

MC-202: The Awkward Sibling

video upload by Alex Ball

"A look at Roland's MC-202 from 1983."

0:00 Intro
1:12 History
3:31 Demo 1
4:30 The difference between a 101 and 202
6:38 Demo 2
7:30 Tubbutec 2oh2 / Demo 3
8:52 Legacy of the 202
10:10 Sample pack and Summary
10:42 Outro Jam

Musik Musik und Technik Folge 11 - Synthesizer

video upload by dandimite learning channel

Looks like an AI generated video based on ARP 2500 & EMS systems.

Was ein Synthesizer alles kann. Sound aus der Steckdose. Swiss TV SRF 1982

video upload by SRF Archiv

Don't miss Starter - Lunapark/Minijupe with Claudine Chirac.

"Wer elektronische Musik liebt, kommt um den Synthesizer nicht herum. Was ein Synthesizer alles kann und wie elektronische Musik tönt, zeigen die Musiker und Musikerinnen von «Schaltkreis Wassermann» und «Starter». [«Jugendprogramm - Sound aus der Steckdose» vom 11. September 1982]

Der offizielle Archivkanal von Schweizer Radio und Fernsehen SRF: Macht eine Zeitreise und entdeckt Archivperlen aus über einem halben Jahrhundert!"

Googlish:

"Anyone who loves electronic music can't avoid the synthesizer. The musicians of "Schaltkreis Wassermann" and "Starter" demonstrate what a synthesizer can do and what electronic music sounds like. ["Youth Program - Sound from the Socket" from September 11, 1982]

The official archive channel of Swiss Radio and Television SRF: Take a journey through time and discover archival gems from over half a century"

Wendy Carlos: Electronic Music's Transformative Pioneer

video upload by Resident Advisor

"'The word "pioneer' gets thrown around too liberally these days. But in the case of Wendy Carlos, the glove fits. The face of electronic music would look immeasurably different in 2025 without the American trans composer's groundbreaking achievements. Before she came along, electronic music was barely considered music at all—just "funny sounds," as Bob Moog once said.

That all changed in 1968. Produced in collaboration with Rachel Elkind, Carlos's debut album, Switched-On Bach wielded machines to produce sounds that could compete with the symphonic pop and rock of the era. The landmark LP won multiple GRAMMYs, played a key role in popularising the use of synths and became only the second classical music record to sell a million copies.

In our latest video essay, written by Sasha Geffen, we trace Carlos's story from her early experiments with Moog through to her impact on key electronic acts of the past 50 years, including Brian Eno, DJ Sprinkles and Octo Octa.

00:00 - Intro
00:54 - Switched-on Bach
01:57 - Carlos and Bob Moog
03:07 Contribution to synth development
04:36 - A Clockwork Orange Score & The Vocoder
07:20 - Personal Life
08:20 - Musical Development

Producer - Sophie Misrahi
Writer - Sasha Geffen
Editors - Sergey Poltorakov, Guy Clarke
Motion Graphics - Sergey Poltorakov, Dan Derham

Music in order of appearance:

 1.⁠ ⁠Wendy Carlos - Toccata Fugue In D Minor - Switched-On Bach 2000
 2.⁠ ⁠Wendy Carlos - Air On A G String - Switched-On Bach
 3.⁠ ⁠Delia Derbyshire - Quest - Electrosonic
 4.⁠ ⁠Wendy Carlos - Moog 900 series Demonstration
 5.⁠ ⁠The RCA Electronic Music Synthesizer - The Well-Tempered Clavier Fugue No. 2
 6.⁠ ⁠Wendy Carlos - Prelude And Fugue #2 In C Minor - Switched-On Bach
 7.⁠ ⁠Wendy Carlos - Title Music From A Clockwork Orange (From Purcell's Music For The Funeral Of Queen Mary - A Clockwork Orange Complete Original Score
 8.⁠ ⁠Wendy Carlos - Country Lane - A Clockwork Orange Complete Original Score
 9.⁠ ⁠Cybotron - Clear
10.⁠ ⁠Wendy Carlos - Genesis - Digital Moonscapes

CLICK FOR MORE »

Destroying drums for Aphex Twin's - Ventolin, with the Erica Synths Syntrx II and Roland R8

video upload by Bleeps and Boops

"Something no-one asked for but it's here anyway... I was fascinated by the idea of Richard processing drums in things like the MS20, but rather than go down that route I figured I'd have a go at Ventolin using the spiritual ancestor of the EMS Synthi, the Erica Synths Syntrx II.

Chapters below -

0:00 Intro
1:30 Thought process and motivation
3:17 Syntrx II Demos
8:17 Parts for Ventolin
11:00 Track!

It's not 100% (obviously) and I didn't go to the trouble of changing the parts up too much. I think the drums are samples - there are bits in the original that sound like they're being played backwards which gives the game away - but the Syntrx is way more than 'just' a monosynth, and makes some very weird sounds so I sort of went with it."

The Synth Sounds of Gary Numan: "Cars," "Are 'Friends" Electric?" & More

video upload by Reverb

"'The Synth Sounds Of…' is back! In this triumphant return, William Kurk walks us through classic synth tracks that have shaped generations, and shows you how to make those same sounds today.

This time, we're diving into the robotic beauty of Gary Numan's The Pleasure Principle—specifically the massive 1979 hit "Cars," as well as "Are 'Friends' Electric?," 'M.E.,' and 'Metal'—a few deeper cuts from the same era. See more on Reverb: https://shorturl.at/Btp7P

0:00 - Intro
2:10 - Are Friends Electric
7:02 - Cars
14:36 - M.E.
18:15 - Metal

Thumbnail photo of Gary Numan by Fin Costello / Staff / Getty Images."

Roland's Rarest Phase Shifter (1978)

video upload by Alex Ball

"A look at Roland's rarest phase shifter, the PH-830 from 1978.

0:00 Intro
1:03 History
3:10 Demo 1 - Captain Belcher
4:08 What is a Phaser?
4:56 Difference Between Phasing and Flanging
7:36 Demo 2 - pH Level
8:30 How the PH-830 works
11:15 CV sequencing and Mix sequencing
12:08 Vintage FX Matthias Fuchs
13:09 Summary and Sample Pack
14:23 Outro Jam"

Of cyclotrons and sequencers: recreating a 1974 “probability controller” in Eurorack

video upload by Electrum Modular

"This is the first video in a new series exploring the University of Iowa’s Electronic Music Studio. In addition to presenting its historic instruments (including a 1968 Moog IIIP with custom-made modules), and the famous musicians who have used them, these videos will extrapolate ideas to use in your own modular systems. This episode examines a unique random sequencer that was developed in 1974 by Paul Dingman, an electrical engineering student at Iowa. It then shows how it might be recreated using the third lane ('time') on Make Noise’s 0-Ctrl. NOTE: several other Eurorack sequencers also have this feature, as indeed does the Moog’s own 960 sequential controller; alternatively, use an LFO to clock any sequencer and patch the sequencer’s second lane/channel (if it has one) back into that LFO’s frequency input.

0:00 University of Iowa's Electronic Music Studio
0:42 Introducing Dingman's Probability Controller
1:58 Demonstrating the Probability Controller
3:50 Recreating the Probability Controller in Eurorack

My new album:



CREDITS

Thanks to Paul Dingman for answering my questions over Zoom.

Film sequences:
'Atom Smashers' (Encyclopaedia Britannica Films in collaboration with the Division of the Physical Sciences and the Institute of Nuclear Studies at the University of Chicago, 1952)

'The Meaning of Time In Science' (Encyclopaedia Britannica Films, d. Kent Smith, 1973); both archive.org

Portrait of Peter Tod Lewis: https://composers.com/collections/pet...

Music: Peter Tod Lewis, 'Gestes II' (1974), from the Mnemothèque Internationale des Arts Electroacoustiques (University of North Texas Music Library). Program notes for an EMS concert on April 13, 1979, described “Gestes II” as “the generation of musical gestures through coordinated operation of sequential controllers programmed to produce a large but finite collection of voltages, controlling variously oscillators, amplifiers, and filters” (University of Iowa Music Library)."

The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music

video upload by ITSPmagazine

"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.

basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.

Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]

How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett

video upload by ITSPmagazine

"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...

Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/

Show Notes

Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.

The Legacy and Mission of the Computer Music Center

The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.

The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.

One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.

Exploring the Labs and Studios

The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.

CLICK FOR MORE »

Behind The Drums Ep 10 - Madonna "Into The Groove" Oberheim DMX

video upload by Controlled Voltage Sound Labs

Additional Behind The Drums episodes

"An in depth look at the making of Madonna's best selling song of all time 'Into the Groove.' Episode includes a remake of the beat using an Oberheim DMX along with a Roland TR 727 to incorporate percussion elements heard in the Shep Pettibone remix.

Drum Processing...
Hat - Teletronix LA-2A + Lexicon 224
Kick - Teletronix LA-2A
Snare - Teletronix LA-2A + AMS non linear
Clap - Teletronix LA-2A + AMS non linear

Roland TR 626
All percussion - Teletronix LA-2A +Lexicon 224 Hall Setting
Timbale - AMS DMX 1/8 delay

INSTAGRAM - @CVsoundlabs"

Yamaha GS-2, CE-20 & CE-25 FM Synthesizer deeper review incl. interview excerpts with Reinhold Heil

video upload by Knobs & Switches

"Here is now, corresponding to the full interview with Reinhold Heil, the deeper review about the pre-DX era with the Yamaha GS-2, the CE-20 and CE-25. All 4 Operator FM Synthesizer with excerpts from the knobs & nerds interview from 10.01.2025
Thanks again to Reinhold for his time and kindness.
The title track was completely made with only the GS-2 including the Drums!
further used equipment: Yamaha RX-7 & DX-21, Korg Drumlogue & Opsix, ISE-NIN, Simmons Trixer II, Behringer RD-8, Arturia Keystep Pro and a bunch of Pedals

https://de.yamaha.com/de/products/con...

complete interview: • Knobs & Nerds Interview with Reinhold... [posted here]

Reinhold´s site: https://reinholdheil.com/

New Solo Album: / freiheit-geilheit-m%c3%a4nnlichkeit

SPLIFF: https://spliffband.com/

Cosa Rosa Track with the use of the GS-2 and the CE-20: • Cosa Rosa - Bebop Ex Machina | 1983

https://synthark.com/Vintage/Synths.html"