Superbooth 2025 Melbourne Instruments Interview

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Superbooth 2025 Melbourne Instruments Interview with David"

Additional Superbooth 2025 Videos From Take the Fear out the Gear

melbourne instruments ROTO control + Chase bliss audio HABIT,mellotron micro JAM 14:30 7/6/25

video upload by Jam in the closet

"Hello.

Today's JAM is melbourne instruments ROTO control + Chase bliss audio HABIT.

ROTO Control is connected to HABIT.
I have assigned some basic parameters of HABIT to the controller, and I like ROTO so much that I have created a few presets for it.

Mellotron is connected to K.O and RC-5.

Thank you for listen & watching (:

こんにちは。

今日のJAMはmelbourne instruments ROTO control + Chase bliss audio HABITです。

ROTO ControlをHABITに接続しています。
HABITの基本的なパラメータをコントローラに割り当ててみました。ROTOはとてもお気に入りで、少しずつプリセットを作って楽しんでいます。

メロトロンはK.OとRC-5に接続されています。

ではまた。"

Complex System

video upload by Memetune Studio

"I was wanting a way of setting up an interactive environment to record sounds from some modular systems which could be the basis for some improvised performance based sound explorations

I figured that if I set up some cybersynth patches (ie patches that are evolving by themselves in some way, or are at least dynamically varied over time) and could record some long stereo samples (loops) that could be manipulated live, this might be an interesting thing to do

It occurred to me that the Octatrack, which I got a few years ago and use as a granulating sample mangler, might be perfect to pair with the modulars in this way

The thing about the Octatrack is that it is so unbelievably deep and sophisticated that it can be very difficult to set things up on. I see it as a truly Complex System (AI Overview definition: Complex systems are characterized by numerous interacting parts and emergent behaviors that are not readily predictable from the individual components) and the user manual is utterly hopeless beyond a very basic overview

With the Octatrack you have to basically tell it what you want to do for any given situation. You create a personalised environment inside it and then work within the limitations you set yourself. You have to think of a setup that you want to create, then you build it for yourself using all the different components. In other words, it's not a preset environment that does a few specific things, you have to decide what you want then make it yourself

So I thought it would be useful to have 4 stereo 'Tape Machines' that can be manipulated in real time, with control over the following in each: Pitch, Playback Speed (Timestretch), Direction (forward / reverse) basic Filtering (bandpass) and Delay with feedback. All the things you might find in a Musique Concrete studio in the 1950s (with the addition of granular timetretching)

I might do a more detailed breakdown of the Octatrack patch in the future, but I wanted to live with this setup for a while and make sure it does everything I want it to do in the most efficient way first

This is my first experiment with it, using the Buchla 200. There are two stereo outs from the Buchla - two independent patches running concurrently - going into the Octatrack's dual stereo inputs. These are then fed into the four "tape machines" I created in the Octatrack, which mixes them into one stereo output along with the two live feeds from the Buchla (so what you are hearing is a live mix of the Buchla's 2 voices plus 4 tape loops (30 seconds each) recorded as we go along from the Buchla. As I said, its a complex system 😁"

NINA SESSIONS featuring THE NIGHT TERRORS

video upload by Melbourne Instruments

The Night Terrors are a Melbourne-based electronic music duo consisting of Miles Brown and Sarah Lim. Often billed as 'Australian Electro Goth Legends', The Night Terrors recently released their fourth album titled 'Hypnotica - Composition for Theremin and Electronic Music Synthesizer' featuring Miles on Theremin, Synthesizer and Programming, and Sarah on Synthesizer. For this recording we asked Miles and Sarah to choose two compositions from the new album to perform using two NINAs, and of course Miles' Moog Theremin.

In the two songs featured here Miles uses NINA's 12 voice 4-part Multi-timbral ability to control three layers via DAW and one layer via Keyboard controller (Novation SL61). Throughout the performance Miles is using DAW automation to Morph the A/B patches of each layer. Sarah controls the second NINA with her trusted Korg Krome EX 73, using multi-timbral splits and layers. The Theremin is doing it's own thing - not connected to NINA or any other devices. To get that 'hypnotic vintage horror synth' feel, Miles and Sarah created their own NINA presets as well as using original factory presets. With the exception of the Theremin and some percussion, all sounds are generated by the two NINAs used during the recording. Watch the full performance now"

NINA SESSIONS featuring THE NIGHT TERRORS

video upload by Melbourne Instruments

Previously featured here.

Melbourne Instruments NINA 2.0 techno workout

video upload by Honeysmack

Melbourne Instruments // Nina Huge Update

video upload by craigwilliamsmusic

"This week, we look at the new update to the ‪@melbourneinstruments‬ Nina

Free Samples Here - https://www.craigwilliamsmusic.com/fr..." 00:00 Intro
01:24 Setup
02:46 Track 1 Bass
06:03 Track 2 Chords
10:44 Track 3 Arp Lead
15:02 Track 4 FX
18:36 Jam
19:36 Outro
20:24 Jam

https://www.melbourneinstruments.com/

Melbourne instruments Nina drone mode

video upload by Oracle -001

"Just a sample of what Nina can do in drone mode remember this is analogue raw sound with added wavetable oscillator!"

Dr Mix Reviews the Melbourne Instruments Nina While Being Video Bombed

video upload by The MIDI Association

"DR. MIX was very cool about letting us put our mics on the Melbourne Instruments products specialist so we could film simultaneously."

Superbooth 2025 Bitwig & Roto Control

video upload by Padawan Studio

"Superbooth 2025 Bitwig and Melbourne Instruments Roto Control first impression"

SUPERBOOTH 25: Melbourne Instruments Roto-Control & Nina

video upload by Sound On Sound magazine

"Melbourne Instruments make the journey to Berlin to demonstrate the latest updates to two of their impressive products. The Roto-Control has brand new integration with Bitwig, and the Nina synthesizer has a new firmware update that adds comprehensive sequencer capabilities to this already powerful synth." https://www.melbourneinstruments.com/

Melbourne Instruments Announces New Firmware for NINA and ROTO-CONTROL

New NINA Multi-Track Sequencer Feature Overview: Melbourne Instruments Polyphonic Synth video upload by Melbourne Instruments

"All sounds are generated and sequenced by NINA in this video, no other gear used!

A public beta of the multi-track sequencer firmware update is free for all NINA users and now available at http://www.melbourneinstruments.com/s..."

00:00 Intro
01:35 Accessing Multi-Track Sequencer Mode
01:54 New Overlay and Button Function
02:09 Key Concepts and Overview
02:47 PATTERN Mode
04:20 TRACK Mode
06:11 Parameter Locking & Step Settings
09:03 Live Automation Recording
11:18 Copy/Paste Steps
11:57 Performing and Playing Front Panel
12:50 TRACK Mute
13:18 TRACK Select
13:55 Page Select (REC)
14:41 New NOISE Types
15:16 Parameter Locking Noise Types
16:36 Outro

Press release follows:

May 2, 2025, Superbooth Edition

Melbourne Instruments announce new firmware for ROTO-CONTROL and NINA

Visit Melbourne Instruments at Superbooth, May 8-10, FEZ-Berlin Germany, Booth H220

Melbourne Instruments announce BITWIG STUDIO integration for ROTO-CONTROL

MELBOURNE, Australia, May 2, 2025: Melbourne Instruments continue to build on the success of their motorized synths, NINA and DELIA, and MIDI controller ROTO-CONTROL launched in January this year. Melbourne Instruments is pleased to announce BITWIG STUDIO integration for Roto-Control is now available as a public beta. This adds to Roto-Control’s acclaimed Ableton Live integration, and now Bitwig Studio users can take full advantage of Roto-Control features with their Bitwig projects.


Melbourne Instruments bring their revolutionary touch sensitive, motorized knob technology along with high-res screens and haptic control to Bitwig Studio users.

Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder. MIX Mode will automatically sync Bitwig with all track names and colors instantly appearing on Roto-Control displays. Roto-Control will update track names and colors when connected to an active Bitwig session. No need to save or edit labels – all data is taken directly from the active Bitwig session.

In PLUGIN Mode, plugin parameters and labels are taken directly from Bitwig with one touch, one-time, intuitive easy setup. Learn plugin parameters once and Roto-Control will remember learnt parameters anytime you use Bitwig. All learnt plugin parameters are stored locally on Roto-Control, making it quick and easy to use with any computer setup. Roto-Control is a truly unique motorized MIDI controller that is highly customizable with internal storage for thousands of assignments.

Bitwig Studio users can streamline their creative workflow and quickly evolve ideas with responsive physical control of Bitwig Studio through Roto-Control’s MIX and PLUGIN Modes. This new integration is a collaboration between Bitwig and Melbourne Instruments, responding to the overwhelming demand for Roto-Control support for Bitwig Studio.

Bitwig Studio integration marks the second DAW support for Roto-Control with additional DAW integration currently in the works.

Bitwig Studio integration for Roto-Control is a public beta, please see link for more info and to download the beta firmware. www.melbourneinstruments.com/roto

CLICK FOR MORE »

Rotto

video upload by Memetune Studio

"I managed to set up the Melbourne Instruments Roto-Control with the Buchla. No mean feat! With the addition of an Endorphines Shuttle and a Goma voltage processor, plus a few jack to banana jumblers made by CGP, I can get up to 16 channels of cv control of Buchla parameters and other things like the ALM MFX here. These can then be recorded into the Roto Control (see the moving knobs!) or into the computer. Whatever, its cool to see them playing nicely together"

https://www.melbourneinstruments.com/

VCO vs VA // Delia vs Nina - there's more to it than that

video upload by Starsky Carr

"What's the difference sonically? I've not heard these 2 demo'd side by side in depth. We know the specs - Melbourne Instruments Nina has 12 voices, each containing 2 VCOS plus a digital oscillator, and the Melbourne Instruments Delia uses virtual analog to do the same thing with 6 voices - with some 'Paraphonic PLUS' 12 voice modes.

There are other additions in the Delia, like FM, an extra LFO and envelope plus oyu can have dual effects in parallel or serial.

BUT.. what's the consequence of replacing the VCOs with the VA oscillators?"

0:00 Delia Panning Demo
0:31 An Intro to both synths
3:31 Quick Audio Comparison
5:48 Similarities and Differences
6:57 Lovely FM demo
10:46 Let's Go! Sound demos start with Oscillators
15:44 Comparing a Musical Patch
20:11 Delia's Vintage Mode
24:38 LP Analogue Filters
28:49 Delia's HP Sauce
30:20 OVERDRIVE!!
32:06 Rounding Up

https://www.melbourneinstruments.com/

Melbourne Instruments #Nina with arthurjoly #Recodrum 🙌🏽

video upload by zivkode

"Melbourne Instruments #Nina with arthurjoly #Recodrum 🙌🏽. Sequenced with Oxi Instruments #oxione🦾"

https://www.melbourneinstruments.com/

Melbourne Instruments Roto-Control Review: Innovative MIDI Controller with Haptic Feedback

video upload by sonicstate

"We take a look at the Roto-control from ‪@melbourneinstruments‬ a new 8 knob MIDI controller, with unique rotary encoder technology using drone motors.

Introduced at NAMM, the controller's encoders provide a tactile haptic feedback, making them configurable in multiple ways. Traditional end stop knobs, rotary encoders, centre-dent, positive multi-position switches/

Connectivity options include USB-C ports for power management and standard MIDI in, out and through connections. Roto-control supports Ableton Live exclusively for now, but additional DAW support is expected in future updates. Melbourne Instruments hinted at imminent updates to enhance functionalities, including Bitwig support and MIDI merge.

https://www.melbourneinstruments.com/

Key Moments:
00:00:00 Introduction
00:00:28 Features Overview
00:02:08 MIDI Mode Demo
00:06:40 Mix Mode and Plugin Mode
00:13:14 Third-party Plugin Mapping
00:18:34 Final Thoughts"

Melbourne Instruments Delia Synth Demo, No Talking.

video upload by Protovolt

"First jam on the Delia from Melbourne Instruments.

Amazing unique synth built like a tank.

The motorized knobs are you God send for synths and recalling setting and presets on the fly seeing exactly where everything is.

The people at the company are great as well."

https://www.melbourneinstruments.com/

How to Set-up and Use Motion Recorder on Roto-Control MIDI Controller with Elektron Syntakt

video upload by Melbourne Instruments

"Roto-Control is a motorized MIDI controller for software and hardware. Roto-Control can extend the creative capabilities of synths, drum machines and any compatible MIDI hardware or software in MIDI Mode. In this video we show you how to set-up and pair Roto-Control (in MIDI Mode) with an Elektron Syntakt, and how to use the Motion Recorder as a performance enhancing tool. We show how easy it is for Roto-Control to MIDI learn and map 8 mutes and 8 different parameters from the Syntakt to Roto-Control's buttons and knobs. This method can be applied when using Roto-Control with other Elektron devices.

🎛️ Here are key steps to setting up both devices:
1. Connect Roto-Control MIDI Out to Syntakt MIDI In, and Roto-Control MIDI In to Syntakt MIDI Out, via 2 different MIDI cables.
2. Choose MIDI Mode on the Roto-Control.
3. Check Syntakt settings page and sub menus:
• Settings - MIDI Config - Port Config - Encoder Dest INT + EXT
• Settings - MIDI Config - Port Config - Receive CC/NRPN
• Settings - MIDI Config - Sync - Clock Send and Transport Send
4. Map Syntakt parameters to Roto-Control buttons and knobs:
• Press LEARN on the Roto-Control and select the knob or button want to assign. The LEARN button will flash and the MENU window will display what knob or button you have selected.
• On the Syntakt move or press the button you want to control. Roto-Control's display will immediately display the MIDI channel and MIDI CC.
• Press LEARN to confirm and exit.
The default labels on Roto-Control will display the MIDI channel and CC value as "CH:xx/CC:xx". Further customization of controls can be done with the Roto-Setup App - change labels and colors that reflect parameters on the Syntakt.

🖥️ Download the Roto-Control Syntakt MIDI Setup used in this video here, import it and try it with your Roto-Control: https://tinyurl.com/483cbnbx

Motion Recorder:
Check the Motion Recorder settings on the Roto-Control. We want to synchronize the Motion Recorder and playback from the Syntakt as the the master clock. In MIDI Mode, press FUNC and select MIDI EXT CLK for external clock. Also select Motion Recorder length on the same page, in this video we are using 64 steps. Press FUNC to confirm and exit.

⚡️HOT TIP: On the Roto-Control or the Roto-Setup App change the minimum and maximum values via the MIN VALUE and MAX VALUE for the button mutes. MIN Value = 0 and MAX Value = 1, this will ensure fast bidirectional muting between the Roto-Control and the Syntakt.

Roto-Control is a motorized MIDI controller for software and hardware. Roto-Control brings Melbourne Instruments' motorized technology to a MIDI controller in a powerful, portable, affordable tool for studio and live applications.

Unlike anything seen before, rethink software and hardware interactions via fully assignable motorized touch-sensitive knobs, user definable haptics for detailed control, high-res screens providing easy-to-read labels for every control, and internal memory with storage for thousands of assignments. Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder."

Do motorized knobs make MIDI controllers better? ROTO CONTROL Review (Ableton Live & hardware)

video upload by loopop

TIMELINE:
0:00 Intro
1:45 Overview
2:50 Modes
4:25 Build
4:45 I/O
6:00 MIX mode
7:25 Automation
7:55 PLUGIN mode
8:20 Live learn
10:10 ROTO Setup
10:40 VSTs
12:00 Racks
12:50 Issues
13:05 Automation
13:40 MIDI mode
14:45 MIDI learn
16:50 Motion rec
18:45 Software
19:20 Pros & cons
23:30 Outro

ISSUES/BUGS to track if fixed...:
1. Automap, at the very least in instrument racks is a must I think.
2. Drum rack parameters aren’t remembered across different drums.
3. If a parameter changes its name, you lose control of it (e.g., Meld, Echo)
4. Need to rename racks otherwise, ROTO control doesn’t identify the rack properly - though apparently that's a feature not a bug :)
5. Odd interactions between parameters (e.g. wavetable position and sub in Wavetable)
6. Clock sent out isn’t tracked properly by external devices in the first bar.
7. I didn’t test this with every Live device so there may be other issues!

Melbourne Instruments Delia Demo (no talking): Presets for Ambient and Techno - Lotus Sound Pack

video upload by Limbic Bits

0:00 Pads
11:12 Arpeggiator
17:25 Dub Chords
19:46 Bass and Lead

Melbourne Instruments Roto-Control – First Look with Honeysmack a.k.a Dr David Haberfeld

video upload by mutech.media.australia

"On the first day at NAMM 2025, we saw the newly released Roto-Control from Melbourne Instruments, a totally unique MIDI controller perfect for live performance. With motorised touch-sensitive knobs, customisable haptics, and hi-res labelling screens, the Roto-Control is capable of saving 8,000 assignments for total control of your rig.

We love the physical feedback in the knobs and the haptics in the buttons – it makes using the Roto-Control to control something like Ableton Live much more like playing a real hardware synth. Honeysmack (Dr David Haberfeld) is a veteran of live performance with synths, and his enthusiasm for Roto-Control is obvious and contagious!"