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via this Reverb listing
"This is the holy grail of early digital additive synths: a true successor to Bell Labs' Alles Machine, built by Crumar and Digital Keyboards between 1982–85. With only ~700–800 units ever made and fewer than ~100 still running today this Synergy Mk. I stands as an ultra-rare, pro-grade instrument crafted for sonic innovators like Wendy Carlos who used it on the TRON soundtrack as well as her albums Digital Moonscapes and Beauty in the Beast.
This unit is fully functional and fully responsive. It harnesses a formidable engine of 32 digital oscillators capable of additive and phase-modulation tones, delivering 8 or 16 voice polyphony. You have 24 internal presets at your disposal, with cartridge expansion support. It’s standout feature is the ability to layer up to four distinct tones simultaneously, creating lush, shimmering textures or aggressive, harmonically rich leads. Sure, editing is minimal on-board, but that means its extremely user-friendly. Dial in a tone and go."
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MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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