MATRIXSYNTH: Search results for Multivox MX-3000


Showing posts sorted by date for query Multivox MX-3000. Sort by relevance Show all posts
Showing posts sorted by date for query Multivox MX-3000. Sort by relevance Show all posts

Wednesday, October 22, 2008

Multivox MX-3000

image at this auction

"You're looking at the Multivox MX-3000 synth. Multivox gear is rare at the best of times and the MX-3000 was their high-end flagship model and these are like gold dust. Released approx 1975...

Combines 3 synths in one:
- Monophonic bass section (in my opinion one of the fattest basses ever)
- Polyphonic "string" section (dont be put off, its more versatile than it sounds)
- Monophonic lead section (awesome screamy french house/prince style leads)

For reviews and more details on it check out sonic state and also matrixsynth"

Thursday, May 08, 2008

Multivox MX-3000 Polyphonic String Synthesizer

images via this auctions
"MULTIVOX MX-3000 string synthesizer The MX-3000 is one of the best string synthesizer ever made, a lot of controls and nice features. It's a gem for collectors and electronic music producers! It come in very good working and nice shape conditions. Working voltage: 220 Volts"

via Daniele: "I have also a korg echomixer and a Gerd Compact Phasing (used by klaus schulze) in my recent ebay auctions..."

Monday, April 21, 2008

Multivox MX-3000 Polyphonic Synthesizer


images via this auction

"From Sonic State: 'Screaming monophonic leads are possible, but this synth produces also the coolest and heaviest bass sounds, and also has that famous JMJ-strings. Killer synth.'

From Sound On Sound magazine: 'The MX3000 was Multivox's finest hour. With bass, poly, and lead sections, an ensemble effect, and a phaser, it falls into the same 'multi-keyboard' camp as the ARP Quadra…

'The bass section offered three basic sounds, with three contour types, each with variable release. The lead synth consisted of a traditional VCO/VCF/VCA signal path plus an LFO and, despite its apparent limitations, it produced some interesting sounds. Nevertheless, the polyphonic section held the most promise. This offered eight editable voices, of which three (piano, harpsichord and honky-tonk) were velocity-sensitive.

'Given the similarities to the Quadra, it makes you wonder how much of the MX3000 was copied from ARP's ideas or designs. Keep an eye out for the MX3000. If you find one and don't want it, I'll buy it…'"
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