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via
this auction
Details:
"A must-have for any serious producer. This unit cost $5,000.00 when purchased
new in the 1985. Almost impossible to find, very rare. Apparantly it has Analog
synthesizer features like VCO's & LFO's in it so that you can change the
drum sounds and patches and is highly editable .... very RAW ! ! Just to give
you an example.. the very desired ADD-ONE sold for $4,000.00 new ... which is
probably inferior to this one seeing this one sold for $1,000.00 MORE. I only
have the info below on it and most of it is in a foreign language. On the same
line as Roger Linns MPC's and the EMU Sp12 and the drum machines but apparantly
much more superior and sought after."
Babblefished via
synrise.de:
"Dynacord ADD Two * Dynacord ADD Two * Dynacord ADS ADD-TWO/pole spl exp 5800
(1988) The ADD-TWO appeared as 16-kanalige 16-Bit-Version of the ADD-ONE with
Samplingfrequenzen from 22,05 to 44.1 kHz. The basic version is equipped with
two MByte memory, can be supplemented however on up to eight MByte. The strength
the D/A transducers might be, which, as already work in the ADS/ADS k, with 20
bits. The rack equipment needs two HE in the rack and beitet the following
rework possibilities: two LFOs, three VCF envelopes, volume, panorama,
Feinverstimmung, per channel a Digitaldelay (!), and with a 16-stimmigen toner
generation (= 16 channels). Once exemplary the modulation matrix is mentioned -
a feature, which from Marcus Ryle (NEARLY FORWARD DESIGN, development team at
among other things this equipment, as also at the ALESIS QUADRASYNTH) comes and
of it in e.g. the UPPER HOME XPANDER and MATRIX-12 to the employment came for
the first time: Modulation matrix ADD-TWO Sources of modulation Modulation goals
Note NUMBER Pitch Velocity Panning release Velocity Volume Pressure Send 1
volume Modulation Wheel Send 2 volume Pitch Bend Wheel SAM-polarize SELECT
Sustain pedal SAM-polarize start Envelope 1 Envelope 1 Attack Envelope 2
Envelope 1 Decay Envelope 3 Envelope 1 Sustain Decay LFO 1 Envelope 1 release
LFO 2 Envelope 1 amplitude Ramp generator Envelope 2 Attack Random generator
Envelope 2 Decay Trigger rate Follow Envelope 2 Sustain Decay MIDI CONTROLLER A
Envelope the 2 releases MIDI CONTROLLER B Envelope 2 amplitude Pedal 1 Envelope
3 Attack Pedal 2 Envelope 3 Decay - Envelope 3 Sustain Decay - Envelope 3
release - Envelope 3 amplitude - LFO 1 speed - LFO 1 amplitude - LFO 2 speed -
LFO 2 amplitude"
Sunday, April 01, 2007
2 comments:
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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the dynacord sound is not as good the Yamaha tx16w one
ReplyDeleteI remember these.
ReplyDeleteThey are Akai hybrids.
I've never taken a look under the hood but I remember the ADS is pratically a s900 and the Add-Two is an s900 with the oberheim 16 bit upgrades the AKS90 trigger board, and the SCSI that only the s950 had but there is rumored to be a scsi overhaul for the s900's.