Saturday, April 07, 2007
14 comments:
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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In glorious Monophony!
ReplyDeletewhy not just use a guitar if thats what you are trying to sound like
ReplyDeleteGhostdog,
ReplyDeletewell, because synths were designed primarily to allow guitar(or other real instruments) sounds to be played by non-guitarists using an interface that universalized the playing of different tones. A 'synthesizer' user could conceivably play many different 'instruments' while having learned the handling of one GUI.
In the old days of synthesis there was a real emphasis on emulating acoustic instruments and instruments which led to exactly this type of music on a gazillion Moog records.
Having said that, It sounded very much like Yngwie Malsteen to me.
Also, let's not confuse the sound of distortion with the sound of guitars.
ReplyDeleteThis comment has been removed by the author.
ReplyDeleteI think it could have used a bit more pitchbend....
ReplyDelete> In glorious Monophony!
ReplyDeleteFuuuuuck
Sweet. ^_^
ReplyDeleteway too much rubato man .. that bytes the bag. but maybe you're stoned? dood?
ReplyDeleteSo thats the .. drunken toccata .. now where is my FUGUE?
ReplyDeletethere was some interesting melodic interpretation there but i have to say that's the first time i've seen a Bach performance of any kind which made me think "yeah i could do better than that." and an italian no less! usually these guys just blow me away.
ReplyDeletehe got alot of the notes just plain _wrong_ in a way that did not strike me as an interpretation but a ham-fisted recollection of what an hairmetal guitarist might have done with the piece if reminded "yeah dude the Tocatta might have originally been written for violin."
Well done !
ReplyDeleteThis is a good example on how to use the low note priority and adapting your playing style to it. The player appears to play low note priority mono synth for a while.
I wonder if there is someone using high note priority on the very same peace of J.S.Bach.
keep on turning these knobs
Till "Qwave" Kopper
it' s a shame he didn' t use the pitch bend
ReplyDeletelol
Hey guys, don't forget that this thing was played in a monophonic synth!
ReplyDeleteI really like this kind of interpretation...
If you can do any better, Mr. suit & tie guy please post your own video!
I'm curious...