"We've had multiples of most vintage synths but this is the first one of these we've had in. So either they're rare or there just arent many of them here in the US. The color scheme reminds us of the Oberheim OBX. Here's an overview.... It's a 2 oscillator 6 note polyphonic analog synth that uses CEM chips, the same type inside the most sought after vintage analog polysynths, so there's a similar sound, perhaps with a lesser price tag. There's also an organ section with 4 drawbars to determine volumes of each of 4 octaves. The filter sounds really nice - its got quite a warm sound. The LFO can do FM, wah or tremolo. The LFO section also has adjustable slope and delay, which many similar synths didn't have. There's a button that causes the LFO to automatically do 1 octave square wave pitch modulation, which is a really interesting feature. The oscillator glide can be set to single or multi trigger. There's an oscillator pitch envelope as well. Otherwise, it's got your usual polysynth features. One particular strange feature is the ability for the voices to alternate between square and sawtooth waveforms. I can understand both at the same time, but alternating? Can someone please explain to me why anyone would want this? :)"
Saturday, October 18, 2008
Crumar Stratus
"We've had multiples of most vintage synths but this is the first one of these we've had in. So either they're rare or there just arent many of them here in the US. The color scheme reminds us of the Oberheim OBX. Here's an overview.... It's a 2 oscillator 6 note polyphonic analog synth that uses CEM chips, the same type inside the most sought after vintage analog polysynths, so there's a similar sound, perhaps with a lesser price tag. There's also an organ section with 4 drawbars to determine volumes of each of 4 octaves. The filter sounds really nice - its got quite a warm sound. The LFO can do FM, wah or tremolo. The LFO section also has adjustable slope and delay, which many similar synths didn't have. There's a button that causes the LFO to automatically do 1 octave square wave pitch modulation, which is a really interesting feature. The oscillator glide can be set to single or multi trigger. There's an oscillator pitch envelope as well. Otherwise, it's got your usual polysynth features. One particular strange feature is the ability for the voices to alternate between square and sawtooth waveforms. I can understand both at the same time, but alternating? Can someone please explain to me why anyone would want this? :)"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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