Saturday, November 22, 2008
Jeff Beck - Blue Wind
YouTube via CloudFROST. Lync keytar. via Josh.
"Jeff Beck, Jan Hammer and Simon Phillips playing the classic song "Blue Wind" from Jeff's album "WIRED" 1976"
Update via va69nm: "Hell no! that's Jan playing his custom Probe controller, originally developed by Roger Powell for his gig with Utopia...arguably the original 'keytar,' with respect to Mattson's Syntar and George Duke's Clavitar. Hammer's controller was custom-wired to his Minimoog/Oberheim SEM rig that, per Hammer's own marketing of the day, "sounds a lot like a guitar." Powell's Probe had a different, smaller pitchbend/mod wheel array, whereas Hammer's was modeled with his fondness for the Minimoog's spacing & setup. Hammer played (as did Gary Wright & Steve Porcaro) with a strap-on, cutaway Mini keyboard and experimented with the angle of the pitch wheels by housing them in a separate, adjustable, squarish assembly mounted in place of the traditional pb/mod wheels, until the optimum angle was found; this placement was then implemented permanently on Hammer's probe. Hammer's signature Lync purported to be modeled after his Probe, but the Lync is a MIDI controller, not hardwired analog. Don't take my word for all this, Google is a powerful tool :) Kudos to Jan ( and to Roger!) for going above & beyond, innovating a style of playing remote keyboard and holding their own in rock bands while still looking credible and not gimmicky, that has yet to be equalled, IMHO..."
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MATRIXSYNTH - EVERYTHING SYNTH
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Hell no! that's Jan playing his custom Probe controller, originally developed by Roger Powell for his gig with Utopia...arguably the original 'keytar,' with respect to Mattson's Syntar and George Duke's Clavitar. Hammer's controller was custom-wired to his Minimoog/Oberheim SEM rig that, per Hammer's own marketing of the day, "sounds a lot like a guitar." Powell's Probe had a different, smaller pitchbend/mod wheel array, whereas Hammer's was modeled with his fondness for the Minimoog's spacing & setup. Hammer played (as did Gary Wright & Steve Porcaro) with a strap-on, cutaway Mini keyboard and experimented with the angle of the pitch wheels by housing them in a separate, adjustable, squarish assembly mounted in place of the traditional pb/mod wheels, until the optimum angle was found; this placement was then implemented permanently on Hammer's probe. Hammer's signature Lync purported to be modeled after his Probe, but the Lync is a MIDI controller, not hardwired analog. Don't take my word for all this, Google is a powerful tool :) Kudos to Jan ( and to Roger!) for going above & beyond, innovating a style of playing remote keyboard and holding their own in rock bands while still looking credible and not gimmicky, that has yet to be equalled, IMHO...
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