via this auction"The six-voice MemoryMoog was, in my opinion, potentially the finest analogue polysynth ever made.
It was the last synth ever made by Moog but was very late in coming to a market that had been dominated by the Prophet 5, the Oberheim OB series and the Roland Jupiter 8 for several years, a market that was soon to be turned on its head with the arrival of MIDI, FM synthesis and sampling.
Tthe MemoryMoog had an exemplary spec: per voice, it had three audio oscillators each with simultaneous (i.e. not switched) waveforms, it had the famous Moog filter and two ADSR envelopes (one for filter and other duties, one for amplitude). It also had a versatile, multi-waveform LFO, a comprehensive modulation (and cross modulation) matrix, memories and more...
It had PWM, oscillator sync, a super-fat Unison mode where all 18 oscillators were played from one key, various monophonic and polyphonic playing and triggering options - a later model even had a sequencer! On paper it was like six super-charged MiniMoogs in one polyphonic box
Wonderful - big, fat and brash but also capable of subtlety. It could do everything from truly fat basses, cutting leadlines, warm pads, lush strings, punchy brass, spiky clavs and more. Its versatile cross-modulation facilities also allowed sounds that would normally only be possible on a modular system as Oscillator 3 modulated Oscillators 1 and/or 2 and/or the filter in a variety of different ways."
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