YouTube via boobtube356
"VCO-2RM sync patch with pitch modulation on the slave oscillator. The adsr decay and release was varied according to the pitch and emphasis from the A-161. The pitch variations were established using primarily the A160/1 with some influence from a S&H LFO mixed in. Then a four note sequence went to the master oscillator using the A-152. Then the M15 was added using a ringmod, with the same four note sequence going to the M15. Bass kick was added using the MMF-1 with M10 input. Hihat is A-117 amplitude modulated with A-143-3 square using the VCA-4MX. The signal is then level emphasized by the bass kick signal using the MX-4S."
PLL Arpeggios
"PLL (setting 1, and mid range) attempts to track a simple sequence while the master VCO is pulse width modulated in time with the beat. Bass kick is Cwejman MMF-1 sine, other percussion is Doepfer A-117 amplitude modulated by Doepfer A-143-3 square using Cwejman VCA-4MX, and level modulated by the bass kick at the MX-4S. Background sequence is a combination of LFO S&H and Doepfer A-160/1 and A-152 to the VCO-2RM and M15."
Update:
PLL Arpeggios (long version) from dougcl on Vimeo.
Modular Synth Jam
"Cwejman VCO-2RM in sync mode. OSC1 square, OSC2 square, RM out to Make Noise QMMG. PlanB M10 envelope modulates the QMMG. PlanB ASR from Doepfer A-143-3 LFO (audio rate) feeds M10 timebase, OSC1 pitch, QMMG modulation depth, and QMMG resonance."
No comments:
Post a Comment
Note: To reduce spam, comments for posts older than 7 days are not displayed until approved (usually same day).