YouTube via boobtube356
"VCO-2RM sync patch with pitch modulation on the slave oscillator. The adsr decay and release was varied according to the pitch and emphasis from the A-161. The pitch variations were established using primarily the A160/1 with some influence from a S&H LFO mixed in. Then a four note sequence went to the master oscillator using the A-152. Then the M15 was added using a ringmod, with the same four note sequence going to the M15. Bass kick was added using the MMF-1 with M10 input. Hihat is A-117 amplitude modulated with A-143-3 square using the VCA-4MX. The signal is then level emphasized by the bass kick signal using the MX-4S."
PLL Arpeggios
"PLL (setting 1, and mid range) attempts to track a simple sequence while the master VCO is pulse width modulated in time with the beat. Bass kick is Cwejman MMF-1 sine, other percussion is Doepfer A-117 amplitude modulated by Doepfer A-143-3 square using Cwejman VCA-4MX, and level modulated by the bass kick at the MX-4S. Background sequence is a combination of LFO S&H and Doepfer A-160/1 and A-152 to the VCO-2RM and M15."
Update:
PLL Arpeggios (long version) from dougcl on Vimeo.
Modular Synth Jam
"Cwejman VCO-2RM in sync mode. OSC1 square, OSC2 square, RM out to Make Noise QMMG. PlanB M10 envelope modulates the QMMG. PlanB ASR from Doepfer A-143-3 LFO (audio rate) feeds M10 timebase, OSC1 pitch, QMMG modulation depth, and QMMG resonance."
No comments:
Post a Comment
To reduce spam, comments for posts older than one week are not displayed until approved, usually same day. Do not insult people. For items for sale, do not ask if it is still available. Check the auction link and search for the item. Auctions are from various sellers and expire over time. Posts remain for the pics and historical purposes. This site is meant to be a daily snapshot of some of what was out there in the world of synths.