MATRIXSYNTH: The New Tiptop Audio Z5000


Thursday, August 27, 2009

The New Tiptop Audio Z5000

"The new Z5000 provides a practical and economical means of adding digital stereo effects to the monophonic sounds of a modular synthesizer. The Z5000's twelve stereo effects include seven different types of reverbs, ranging from dry reflection to highly diffused tail, two ping-pong delays, two triplet delays, and a smooth chorus. It also includes four mono effects including: a linear comb filter (flanger), an exponential comb filter (two-stage phaser), a monophonic delay and a +/-1 octave pitch shifter.

One of the unique features of the Z5000 is that each of the sixteen DSP programs offers a smooth parameter sweep using the front panel controls and/or an external positive or bi-polar CV. Coupled with the available digital effects, the Z5000 is able to be fully integrated into a system, making post-processing of modular synth sound effortless by eliminating the need for long cables with adaptors running to external multi-effects processors. And because the Z5000 is designed to handle 'hot' modular signals, it helps prevent audio clipping caused by un-matched signal levels.

The Z5000 hardware combines the benefits of analog patch cables with the sound of 24bit digital effects in a convenient Eurorack module that is easily integrated into your system like any other analog module.

The new Z5000 is now available through AH and Schneiders Buero

http://www.tiptopaudio.com/z5k.php"

Update: If you are curious as to what the difference is between the old and new Z5000, here is what Gur had to say in the comments: "new DSP processor with 16 new algorithms, stereo delays, digital comb filters, new reverbs and a much smoother control with Bi-Polar CV. This revision of the Z5000 is focusing mainly on the stereo image, while the old Z5000 was more about highly diffused reverbs. One doesn't necessarily replace the other."

4 comments:

  1. So what's new about it, exactly?

    ReplyDelete
  2. Well... it got a new DSP processor with 16 new algorithms, stereo delays, digital comb filters, new reverbs and a much smoother control with Bi-Polar CV. This revision of the Z5000 is focusing mainly on the stereo image, while the old Z5000 was more about highly diffused reverbs. One doesn't necessarily replace the other.

    ReplyDelete
  3. Thanks. I can't really tell from the website, since it's not actually acknowledging (other than one image) that anything has changed.

    It was using the Spin FV-1 before, wasn't it? Which is it using now?

    ReplyDelete
  4. I never used the FV-1, keep guessing, you are getting closer (:

    ReplyDelete

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