You can find the full interview on Wire to the EarOn the Miami:
"What features does the Miami have that a vintage TR-808 does not?
* programming on the fly (tap-write)
* all the modes (track write, track play, pattern write and pattern play) can be changed without stopping the sequencer
* two shuffle-modes
* synchronization with midi-clock
* midi mode (instruments can be played with midi notes,
* less noise and less 50Hz, because of newer opamps and no transformer in the housing"
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