Imogen Heap in the New York Times

Read the full review here.
"But she’s also a 21st-century geek. Most of her songs, performed onstage with or without her three-man band, are transparent Minimalist webs of staccato counterpoint, plinking like Steve Reich or thumping a computerized dance beat, juxtaposing both in tunes like “Swoon” and “Headlock.” Her piano onstage was the shell of a baby grand — transparent to show no strings — with electronics inside. Her other instruments included an African mbira (thumb piano) and a Keytar synthesizer. Once she had her loops going, she flitted around the stage in a lighthearted, gawky ballet." via vgermuse. more Imogen Heap posts.