"How did you discover the Buchla?
My first encounter was with a Buchla Music Easel that my friend, Doug Leedy
handed me and let me just explore it for a few days back in the mid-1970’s.
At that time I had no idea what I was doing…just plugging in patch cords and
twisting knobs hoping to get a sound. Eventually sounds came. I was smitten
with the ability to alter timbres and create sounds from scratch.
Since I couldn’t afford a Music Easel I instead saved up and got a lovely three
panel Serge from Serge Tcherepnin in the Haight Ashbury in 1979. Still not
knowing much about synthesis I also got Allen Strange’s book, Electronic Music:
Systems, Techniques and Controls. Parts of that book helped but mainly I began
patching 4-8 hours a day.
It wasn’t until 2004 that, having a steady job as Resident Composer at the
Oregon Shakespeare Festival since 1969, I was able to save enough to finally
get a Buchla 200e system. Since then I have spent as much time as possible
plumbing its endless depths."
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