MATRIXSYNTH: Vergers by Sarah Davachi on the EMS SYNTHI 100

Tuesday, November 29, 2016

Vergers by Sarah Davachi on the EMS SYNTHI 100

"Released (LP) November 2016 by Important Records

Composed, performed, recorded, and mixed by Sarah Davachi
Mastered by James Plotkin
Layout by Konrad Jandavs
Special thanks to Richard Smith

Vergers is Davachi's third full-length release following Barons Court (2015, Students of Decay) and Dominions (2016, JAZ Records), and her second appearance with Important Records following 2014's August Harp cassette on the Cassauna imprint. In this work, she meditates on a single electronic instrument, the EMS Synthi 100 synthesizer, while also weaving sparse acoustic elements – her own voice and violin – into a series of three long-form, muted gestures.

Elements of distance and alienation are certainly at play in the textural quality of these compositions, a feeling that is further defined by track titles that reference the spirit world and an album title that calls to mind the solitary tasks of the church orderly. The record opens with the aptly titled, 'gentle so gentle', a side-long movement that harkens the glacial character of Davachi's previous efforts. 'ghosts and all' and 'in staying' suggest a more disjointed path, with the latter culminating in a subtly dissonant dirge that leaves little absolve between the organic, the artificial, and the impermanent.

released November 25, 2016"

Sarah Davachi - Vergers Promo Published on Nov 29, 2016 Shasta Cults

In the video above Sarah Davachi plays with a SYNTHI AKS.

Update: via Sarah Davachi's bio page:

"Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi is engaged in practices of analog synthesis, psychoacoustic manipulations, and studio composition. Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organs, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, gradual transformations in texture, and simple harmonic structures that emphasize variations in overtone complexity and natural phasing patterns.

Her work as a music researcher concerns aspects of experimentalism, organology and archival study, and phenomenology and perception, and has been published and presented within Canada, the United States, and the United Kingdom..." You can find her full bio here.

Be sure to check out some of her other releases here:

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