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There is a filter section but only for the Brass. It uses some pretty old-fashioned terminology: 'Emphasis' for resonance and 'Contour' for cutoff. There are also Attack and Decay controls for the filter. There is another filter for the Cello and Violin string sounds called 'Timbre' which can adjust between a 'Mellow' to 'Bright' sound—basically it's a highpass filter. There is a 'Vibrato' effect section, basically the LFO, with 'Speed' and 'Depth' controls. The only global envelope control is a 'Sustain' length slider.
The Orchestrator's best sounds are its Brass (probably because it is the sound with the voltage controlled filter) and the Strings. In fact the Strings sound very similar to the famous ARP Solina. Unfortunately there are no built-in Ensemble effects to really sweeten them up...but that's what outboard gear is for!
Like most synthesizers of its time, the Orchestrator was built with the performing musician in mind. It is its own flight-case! Its casing is very tough and durable, it has a handle and a cover/lid to keep it protected during transport. And if it looks heavy, it is! Additional options for the Orchestrator included an organ-like 13-note (G-G) Foot Pedal Board, Sustain Pedal, and a Foot Expression Pedal controller for the filter cutoff. There are no CV/Gate options, just connectors for the external pedal controllers.
Everything works as it should and sounds awesome. The knob for the 'string timbre' has been broken off, but the slider is still functional and can be moved with a finger tip. There are two hinges on the top of the case that have broken off, but the lower two latches still click into place."
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