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"A K5000 sound is composed of up to six different layers, each of which could use the 'advanced additive' synthesis engine or perform fairly standard subtractive synthesis using the internal PCM sound bank. Each source that used additive synthesis could use up to 64 harmonics per source (tuned in a harmonic series, each with their own amplitude envelope) and had its own formant filter that could be modulated by an LFO or its own envelope. The standard digital filter, available with both additive and subtractive synthesis, is known for its rather extreme self-oscillation at higher resonance settings. Another useful feature is that most functions of the synthesizer can be tied to velocity, location of a note on the keyboard, and MIDI controllers, allowing for timbral variation in response to player dynamics."
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