Thursday, May 23, 2019
SUNSHINE JONES - A LOVE LETTER TO THE TR-808
Published on May 23, 2019 Sunshine Jones
"A Love Letter to the mighty Roland TR-808 Rhythm Composer.
Covering a brief re cap of what we already know, and discussing the cultural significance, and lasting inspiration this instrument has had on the world, and music in general, the basics of XOX style programming, a general overview of the drum machine, and a discussion and comparison of the various clones and replicants which are currently available including the System 80 880, The Roland Boutique TR-08, the Roland Aira TR-8, the e-Licktronic Yocto, the Acid Lab MIAMI, and even the TR-606.
Note: I am an electronic musician, a designer, and a huge fan of synthesizers and drum machines. I am not an authority, nor am I a historian. These love letters (I should think that it goes without saying) are Op Ed (opinion based editorial) and thus they are filled with hyperbole, artistic license and some degree of speaking categorically to get the point across. This is not the first word, or anywhere near the last word on the story I'm telling. It's just a love letter.
Photographed, written, filmed, scored, programed, narrated and directed by Sunshine Jones.
©2019 The Urgency Of Change
Special thanks to Jeff of System 80 - Minisystem, Brandon Rodgers, Bijan Mirashi, Kevin Siegenthaler, Jason Williams, Jenö Lock, EO, and Frankie Knuckles!
I have made a limited edition T-shirt print of the technical drawing made for use in this love letter - a hand drawn pencil and ink illustration with type set in photoshop. 100 shirts are available. See more at theurgencyofchange.com to get yours. Once these 100 are gone, that is the end. There will be no others."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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