Redshift 6 - From Reset To Preset: 6-part Preset for Live Keys

video upload by Supercritical Synthesizers

00:00 - 6-part multitimbral preset for live playing
00:15 - Part 1 - el.piano: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
02:08 - Part 1 - el.piano: adding Pan and Volume modulations
03:15 - Part 1 - el.piano: adding pitch transient (detune and osc2 pitch) with Aux ENV
04:30 - Part 2 - pad: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
05:05 - Part 2 - pad: layering with el.piano
05:16 - Part 2 - pad: adding glide, detune, pan modulation
06:00 - Part 2 - pad: adding pitch modulations (TRI & SAW LFOs)
06:43 - Part 2 - pad: layering with el.piano, adding stereo panning
07:11 - Part 1 & 2: setting key zones for both parts
08:00 - Part 6 - bass: setting 1-note mono, ladder character, basic bass sound shaping
09:01 - Part 6 - bass: adding to Group A, key zone limits
09:16 - Part 1 & 2 & 6: layering el.piano, pad and bass
09:28 - Part 6 - bass: glide, legato, tweaking
09:48 - Part 1 & 2 & 6: layering el.piano, pad and bass
10:02 - Part 3 - FX sweep: setting noise source, BPF filter mode, ENV tweaking
11:55 - Part 3 - FX sweep: adding Group A for layering, fine-tuning
12:33 - Part 3 - FX sweep: pan modulation, key zones
12:50 - Part 4 - pluck: setting 1-note mono, basic shaping
13:35 - Part 4 - pluck: adding randonNote pan modulation, fine-tuning
14:05 - Part 4 - pluck: adding Group A, key zones
14:22 - Part 1 & 2 & 3 & 4 & 6: layering all and fixing decay vs release
15:07 - Part 5 - lead: tuning, key zones, stack, detune, ENV shaping
15:42 - Part 5 - lead: 1-note mono, 2-voice unison with pan spread, fine-tuning, adding Group A
16:15 - Layering all parts

"With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral — there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.

With each of the Redshift 6’s six voices capable of generating up to 16 oscillators for a total of 96, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators."