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"This work uses a runaway noise generator from Hikari Instruments / Duos as the main source. This extreme signal was passed through the external input of the legendary 1970s Yamaha CS-10, and then thoroughly deconstructed and reconstructed using filter modulation.
The unpredictable chaos of the Duos and the sharp yet sticky analog filter of the CS-10 resonate with each other, creating a dry, tense acoustic space reminiscent of the 'Dead Zone' suggested by the title.
The critical point of electricity. Listen to the texture."
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