MATRIXSYNTH: Analog oscillators hit different: exploring the SED-CSM and QSQ

Monday, April 06, 2026

Analog oscillators hit different: exploring the SED-CSM and QSQ


video upload by SynthDad

"I dive deep into the raw sounds and harmonic richness of the SED-CSM, a complete analog synth voice from Rides in the Storm. With its dual oscillators, sub-octave generator, ring modulator, and a dedicated noise source, this module provides a massive foundation for everything from earth-shaking bass to evolving drones.
SED-CSM has two LFOs which can go into audio-rate, reaching up to 6.6 kHz and a VCF equipped with a dedicated overdrive switch. The SED-CSM offers endless possibilities for aggressive textures and squelchy, acid-inspired leads.
Complementing this is the QSQ; an 8-channel performance sequencer and MIDI-to-CV interface that serves as the brain of the operation. I show how the QSQ’s 16 analog-style rotary encoders allow for intuitive, hands-on melodic creation. Leveraging features like Euclidean rhythms, per-step probability, and integrated LFO/envelope generation, the QSQ compliments SED-CSM’s raw oscillators.

Timeline:
00:00 Sound demo
00:48 Overview of SED-CSM
04:50 Making a gritty bassline
08:11 Dub-techno chords
10:56 Doombient drones
16:46 Percussive sounds and hihats
17:56 Use LFOs to add hihat ratchets
19:23 Metallic tones and wavefolding
24:41 QSQ sequencer overview
25:34 Adding probability to notes
29:34 Using a sequencer for modulation
30:48 Adjusting a track's playback speed
31:28 MODulation amount
32:23 Using nudge to vary melodies
33:37 QSQ as a MIDI to CV converter
35:22 Mapping velocity from keyboard
36:34 QSQ is a MIDI recorder
38:48 Wrapping up"

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