MATRIXSYNTH

1967 Moog Keyboard Schematic

via Mike Peake on AH:
"I've seen the note on Matrixsynth regarding the need for an archivist at the Moog Foundation, and that much of Bob's archives were discovered to be moldy, so I emailed them but haven't heard back. The thing is, I've got some original documentation in decent condition that I'm willing to donate if they want it.
I don't know if it's anything special or not, so I'm running it past you folks in the meantime, if anyone's interested in such things. I'll see if Mr. Luther wants it if the Foundation has no need.

For your enjoyment, if it's indeed enjoyable, just one of several 1967 "blueprint" schematics. Most are two to four page foldouts, and I only have a legal-size scanner at my disposal. I of course know that the Moog Service Manual (which is online) supercedes such things, but just in case this is interesting to anybody...

http://www.flickr.com/photos/11165691@N03/1431120032/

As always, click on "all sizes" for the large size.
Sorry, just this one as I don't know if they're that interesting or not.

Easier,

-Mike"

click here for the full size shot
click here for more

Vactrol Synth V_2.0

YouTube via cretin4321.
"More info soon @... http://cliplead.blogspot.com/"

Yamaha CS15

images via this auction.

"Monophonic, 2VCO, 2VCF, 2VCA, 2ENV, 1LFO synthesizer

It's actually a duophonic / bitimbral synth but you have to connect it to CV (Hz/V like Korg not V/Oct) to get the extra voice.

Each of the two VCOs has its own CV/Gate control.

The best things about it are the flexibility of the VCFs and the routings to the filters and envelopes.

You can rout VCO 1 to both VCFs and the VCFs to any of the envelopes positive or negative voltage.

The VCFs are 12 dB/Oct and are switchable between low, band or high-pass. They are the key to the nice sound of the Yamaha CS family.

Other nice features are noise, external-in for processing other sounds,

LFO with Sample & Hold for those bubbling sounds and an individual auto-bend for the VCOs."

RedSound Elevata

images via this auction
"16-voice polyphonic and has 8 multi-timbral parts. There are two analog modelling oscillators per voice with square, sawtooth, sine & formant waveforms. The filter is a 2-pole (12dB/oct) with switchable low-, high-, or band-pass modes. There are ADSR envelopes for the filter and VCA sections and two syncable LFOs with multiple waveforms. You will also find portamento, a basic arpeggiator, chorus and flange effects, and a joystick controller assignable to any modulatable parameter. There are no reverb or delay effects unfortunately.

Every parameter has a knob or switch just a hand-grab away, so creating sounds is quick and easy on the Elevata. The Sound Wizard is a cool function that randomizes various parameters. This allows you to experiment with creating random sounds, hopefully leading to some happy accidents! Your custom creations can be stored in any of 127 user patches. There are also 127 preset patches and 90 multi-patches (aka performances). The Multi-patches can have up to eight different patches for creating some very lush arrangements.

The Elevata is also upgradeable via EPROMs you can buy for a little over $100 each and install yourself. The Vocoda EPROM adds vocoder capability. Additional EPROMS are on the way and there is room for up to 3 EPROMs. With multiple (6) outputs, stereo inputs for processing external audio, and full MIDI implementation, the Elevata's at home in any studio environment. It makes an interesting alternative to other virtual analogs in its price range such as the Nord Leads and Novation SuperNovas.

Specs:
Polyphony - 16 voices
Oscillators - Two with square, sawtooth, sine & formant waveforms plus pink/white/blue noise
LFO - Two with ramp, triangle, square, sine, pulse, sample + hold, random waveforms.
Effects - Chorus, Flange
Filter - 12 dB/oct resonant filter, low-, high-, or band-pass modes
Keyboard - None
Memory - 127 preset, 127 user patches, 90 multi-patches with 8 programs each
Control - MIDI IN/OUT/THRU (8-parts), Joystick Controller with independent socket input
Date Produced - 2001"

Yamaha FS1R

images via this auction.

8-Op FM and Formant synth. The Yamaha DX7 was only 6-Op (had only 6 operators to generate sounds).

ROLAND JUNO-60 MD-8 MIDI/DCB Converter and JSQ-60

images via this auction.

"The Juno-60 is a six-voice polyphonic synthesizer that is coveted for its fat analog filter. Many musicians say the Juno-60 is fatter than a 106. I totally agree. The basses have an unmistakable boom and punch that have to be heard to be appreciated. The organs have that retro sound that sets any track apart and the pads and strings are nothing short of spectacular with an organic thickness that breathes thru your speakers. And don't forget the legendary Roland Chorus. This setup will inspire and catapult your Electronica/ Ambient/ Techno/ Hip Hop/ Experimental compositions to a whole new level. Be prepared to be transported to another dimension!

Because the Juno-60 is not midi-equipped it is hard to incorporate into a studio environment. Enter the Roland MD-8 Midi-To-CV Converter. You can now trigger the Juno-60 from your midi controller or whatever sequencing program you use. You can go midi to DCB or DCB to midi - and you designate which midi channel as well! You can also use it to interface with a DCB equipped Jupiter-8. This MD-8 works perfectly.

The JSQ-60 sequencer is a blast to use and is a must for the true collector. You can enter notes in step or real-time. It is a perfect tool to complete your Juno-60 setup. Its ideal for sketching your creations - and its old-school vibe just has a "feel" to it. There are also two sync outs on the back to interface with a TB-303, TR-808,909, 606, CR-8000, or anything else with (DIN) Sync. The sequencer comes with its own DCB cable...and you get the original factory manual for it."