
via unrest.
Update via solipsisnation in the comments:
"Well, PDP systems were digital, and their CPUs were waaaay too slow for anything resembling real-time sound.
That said, the PDP series was used for electronic music composition, and while I was going to mention Paul Lansky's "Mild und Leise" (AKA "the neat FM-y noises from Radiohead's 'Idiotique'"), that appears to have been made on an IBM: link
Here's a timeline that mentions PDP-series computers, though: link
Of interest are these paragraphs:
"In 1968, Barry Vercoe working at Princeton developed a very fast version of MUSIC IV B, entitled MUSIC 360 [9] [12] for the new generation IBM 360 mainframes. In 1973 at MIT, Vercoe developed a compact version of MUSIC called MUSIC 11 [3]. It was written in PDP-11 assembler code for the PDP-11 computer. This was the first digital music synthesis program for mini-computers with a keyboard and teletypewriter VDU (Visual Display Unit).
John Chowning and James Moorer at the University of Stanford, California wrote another version of MUSIC called MUSIC 10 [13] for the PDP-10 in 1975. Further improvements to MUSIC 10 were implemented both at Stanford and IRCAM (Institut de Recherche et Coordination Acoustique/Musique) in Paris. The IRCAM implementation allowed input of short external samples through the use of Analog-to-Digital (A/D) converters. The input could be analyzed digitally providing data for modifications and re-synthesis, in combination with internally generated sounds."
So, the PDP-1 was probably too primitive, but systems with a similar architecture could be used to synthesize audio in a very slow and painstaking way-- no realtime sound, for sure. These were the days before microprocessors, and even KHz CPUs were still in the future. "
Well, PDP systems were digital, and their CPUs were waaaay too slow for anything resembling real-time sound.
ReplyDeleteThat said, the PDP series was used for electronic music composition, and while I was going to mention Paul Lansky's "Mild und Leise" (AKA "the neat FM-y noises from Radiohead's 'Idiotique'"), that appears to have been made on an IBM:
http://www.music.princeton.edu/paul/radiohead.ml.html
Here's a timeline that mentions PDP-series computers, though:
http://xenia.media.mit.edu/~gan/Gan/Education/NUS/Physics/MScThesis/Chapter1.html
Of interest are these paragraphs:
"In 1968, Barry Vercoe working at Princeton developed a very fast version of MUSIC IV B, entitled MUSIC 360 [9] [12] for the new generation IBM 360 mainframes. In 1973 at MIT, Vercoe developed a compact version of MUSIC called MUSIC 11 [3]. It was written in PDP-11 assembler code for the PDP-11 computer. This was the first digital music synthesis program for mini-computers with a keyboard and teletypewriter VDU (Visual Display Unit).
John Chowning and James Moorer at the University of Stanford, California wrote another version of MUSIC called MUSIC 10 [13] for the PDP-10 in 1975. Further improvements to MUSIC 10 were implemented both at Stanford and IRCAM (Institut de Recherche et Coordination Acoustique/Musique) in Paris. The IRCAM implementation allowed input of short external samples through the use of Analog-to-Digital (A/D) converters. The input could be analyzed digitally providing data for modifications and re-synthesis, in combination with internally generated sounds."
So, the PDP-1 was probably too primitive, but systems with a similar architecture could be used to synthesize audio in a very slow and painstaking way-- no realtime sound, for sure. These were the days before microprocessors, and even KHz CPUs were still in the future.