Friday, March 13, 2009
Cinematic session 5 recording the Yamaha CS 60
YouTube via RothHandle
"The work on the music for norwegian film Vegas continues. Me and Matti have been recording 18 different pieces ranging from full on rhythm ic distorted stuff to very ambients sheets of sound. And pretty much everything in between. The work process is very open and intuitive.We try to make to-do lists but we get derailed and start working whatever impulse guides us. The sessions are in short, really really fun.
In this film you can see Matti playing my Yamaha CS-60. It is the cousin of the CS-80. I havent used too much as it isnt really one of my favorites in the studio but I think it works here...In context.
This film was shot at Roth Händle studios, Stockholm. It is run by me, Mattias Olsson and this is where I record and produce artists and albums. If you are curious to find out more about the studio please visit www.roth-handle.nu for the occasional blog, instrument articles and general info. If you are curious to hear some music that was recorded at the studio please visit http://www.myspace.com/molesome
Thanks for watching."
1 comment:
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
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i'm really convinced that CS 50/60/80 are not the easiest keyboards to easily produce good sounding sounds (opposite to, let's say a jupiter 8 or a matrix 12)
ReplyDeletethe best example is brass 1&2 on a CS80, you play it as any other synth, it won't sound better than a polymoog, but if you really know how to play and use it, it becomes magical (i tried to do the same on a CS60, it was exactly the same, even if the keyboard is not as expressive ...)
if you use it as a musical instrument, not only a synth, it'll make things that no other keyboard could ever reach ...