MATRIXSYNTH: Modified Yamaha DX-100 Mini FM Synthesizer


Wednesday, March 31, 2010

Modified Yamaha DX-100 Mini FM Synthesizer


YouTube via rolandsh1000
"The DX-100 is a fun, little, fully-programmable FM synthesizer. It's probably most famous as the synth that Roger Troutman of Zapp used for a lot of his talkboxing (he originally used a minimoog). If you search Youtube, you'll find a lot of videos that demo the talkbox capabilities of the DX-100.

This modification isn't a talkbox, but enables a capability that used to be dedicated to the breath control input. On the big brother of the DX-100, the DX-7, you could route the mod wheel to the EG BIAS of various operators. This would allow you to selectively control the relative amplitude of a modulation operator with the mod wheel. Depending upon the algorithm you had set up and the relative frequencies of the carrier and modulation operators, this could give you filter sweeping effects similar to those found on analog synthesizers by rotating the mod wheel.

On the DX-100, the mod wheel can only apply relative amount of LFO to various operators. Only the breath control input can do EG BIAS!?! I thought that sucked, so I changed it. (I actually play with windcontrollers and I think breath control is amazingly expressive for synthesizers, but sometimes you just want to use your hands.)

So, on this DX-100, I added a switch that can route the voltage on the mod wheel to either the mod wheel analog input of the main microprocessor (stock performance) OR the signal from the breath controller jack of the DX-100. This mod I think is acceptable, because (1) I'll bet 99% of the breath control jacks on the existing DX-100's out there have never been used; (2) most people playing with the DX-100 are probably using their mouth to talkbox anyway.

Ignore my lame playing in this video - it's just a demo of the capability."

3 comments:

  1. Very cool and useful too. Great job.
    :) TSF

    ReplyDelete
  2. It's a clever way to save the LFO for its intended use.
    Another way to apply EG Bias on 4-op Yamaha synthesizers (can't recall if it was only on my V-50, or on the DX100 too) was to use a squarewave LFO, at 0 speed, which allowed the Mod wheel to explore the full range of the normal LFO wave, although manually. Could be useful as Pitch EG Bias, IIRC...

    ReplyDelete
  3. I would add that the 4-op engine processed the LFO datas entered this way with a noticeable aliasing, hence, sometimes, some very crispy "pseudo-sweep" effects ! I guess the BC was treated in a more smoother way...

    Later I discovered that my M1 Korg modulation joystick transmitted natively the BC control datas, which made things easier.

    ReplyDelete

To reduce spam, comments for posts older than one week are not displayed until approved, usually same day. Do not insult people. For items for sale, do not ask if it is still available. Check the auction link and search for the item. Auctions are from various sellers and expire over time. Posts remain for the pics and historical purposes. This site is meant to be a daily snapshot of some of what was out there in the world of synths.

PREVIOUS PAGE NEXT PAGE HOME


Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH