The core of the synth is from Forrest MimsStepped Tone Generator (STG), also known as an Atari Punk Console. I used this circuit to produce the square wave sound. The circuit has two PITCH knobs that control the frequency of each step in the waveform. So by having the VCO at its core, I added a circuit that emulated three more elements of an analog synth; a voltage controlled filter (VCF), a low frequency oscillator (LFO) and a voltage controlled amplifier (VCA).
The FILTER knob acts a tone control or VCF. Swept to its minimum, it acts like a high pass filter i.e. all high frequencies above a fixed point are passed through, cutting out the lower frequencies below the threshold. At its maximum, it acts like a low pass filter. This is subtractive synthesis at its most simplest – subtracting frequencies away from the whole (VCO) to provide a synthesised sound.
Finally, I added a bit of a fuzz boost to beef up the filtered pulse wave, The stock sound was thin but by adding this VCA-esque stage, a thick squelchy sound is sent from the Techno-tari straight to the mixer/amplifier. The LEVEL control is the large knob and controls the final output of the signal.
This one is an older "Vader" case and is larger than my standard 2600 Jr. case as shown below, and in the demo. Based in Sydney, Australia, I repair, mod and circuit bend guitar pedals and this is one example. Check out my website for examples of my work."
video at auction and previously posted here.
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