GEETA DAYAL "Signal and Noise: A Brief History of Electronic Music" :: watsON? NOISE 2013

Published on Jan 31, 2014 The Frank-Ratchye STUDIO for Creative Inquiry

Missed this one from 2014. Title of the post says it all. Fascinating bit of history that lead to our world of synthesizers. Enjoy.

You can find her website at http://www.theoriginalsoundtrack.com.

"Project Page :: http://watsonfestival.org/2013/geeta-...

Geeta Dayal is an arts critic and journalist who has been covering the intersections between sound, culture, and technology for a decade. She has written hundreds of articles and reviews for major publications, including Wired, Frieze, Cabinet, The Wire, The Village Voice, Bookforum, The New York Times, Print, and many more. Her first book, Another Green World, on the musician Brian Eno, was published by Continuum in 2009. Her essays appear in several anthologies on music, including The New Grove Dictionary of Music (Oxford, 2013), Loops (Faber, 2009), The Resistible Demise of Michael Jackson (Zer0, 2009), The Pitchfork 500 (Simon & Schuster, 2008) and Marooned (Da Capo, 2007). She is a recent recipient of a major grant from Creative Capital / The Andy Warhol Foundation in the Arts Writers Program. She holds two undergraduate degrees from MIT (2001) and a master's degree from Columbia (2003). She is currently based in San Francisco, and is at work on a new book, on sound and technology in the 1950s.
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The watsON? NOISE Festival 2013 - Curated by Golan Levin and Spike Wolff
'Ancient life was all silence.... with the invention of the machine, Noise was born.' -- Luigi Russolo, 'L'Arte dei rumori'
Noise continually surrounds us, from white static to violent intensity. We are absorbed into, embraced by, and assaulted with sound. Vibrating through our bodies, we capitulate as it engulfs us and permeates our psyche. In the still of its quiet absence and the thrill of its deafening roar, the force of sound is a constant. wats:ON? 2013 explores the realm of noise through a variety of analog, digital, and apparatus enhanced sound-music performances. Noise asks you to surrender to the possibility of the rush of the sublime.
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The Jill Watson Festival Across the Arts (wats:ON?) was created to honor the life of Jill Watson, whose interest in the arts inspired others through her work and her teaching. The festival celebrates Jill's commitment to an interdisciplinary philosophy as an artist and celebrates her accomplishments and reputation as an architect. Jill Watson was a Carnegie Mellon University alumna, adjunct faculty member in the School of Architecture, and acclaimed Pittsburgh architect who died in the TWA Flight 800 plane crash on July 17, 1996.
The wats:ON? Festival is made possible by the generous support of the JILL WATSON FAMILY FOUNDATION.
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This lecture is co-hosted by The wats:ON? Festival and CMU HCII Human Computer Interaction Institute, with support from :
CMU College of Fine Arts
The Frank-Ratchye STUDIO for Creative Inquiry
CMU School of Architecture
Special thanks to:
Dan Martin, Dean, College of Fine Arts
Golan Levin, Director, The Frank- Ratchye STUDIO for Creative Inquiry
John Carson, Head, School of Art
Stephen Lee, Head, School of Architecture
Additional support and past collaborations include:
CMU ETC Entertainment Technology Center
CMU HCII Human Computer Interaction Institute
CMU School of Art
Carnegie Museum of Art"