MATRIXSYNTH: KISS2015 — How The “Glitch” Stole The Party: Something found that became something else: İlker Işıkyakar


Sunday, February 21, 2016

KISS2015 — How The “Glitch” Stole The Party: Something found that became something else: İlker Işıkyakar


KISS2015 -- How The “Glitch” Stole The Party: Something found that became something else: İlker Işıkyakar from Symbolic Sound on Vimeo.

"What is this thing we call glitch? An electronics glitch is an undesired transition that occurs before the signal settles to its intended value. A computer glitch is the failure of a system. In a technical sense a glitch is the unexpected result of a malfunction. Glitch Art, in turn, is the aestheticization of digital or analog errors (such as artifacts and other “bugs”) by corrupting digital code/data or by physically manipulating electronic devices. The glitch takes on a different form in relation to noise, failure or the accident. It transitions between artifact and filter, between radical breakages and commodification processes. Thus, the glitch in Glitch Art is a definitional precondition where the recovery of technical failure is the formal basis for the creative process.

To this day I remember my first glitch-experience when my beloved commodore 64 home computer crashed and the “ghost in the machine” was awakened. Ever since that moment I have wondered whether machine malfunctions are in fact a curious form of communication… between human and machine, between machine and human, between machine and machine.

For this performance piece, I shall accompany a short film that I created combining found imagery from old Video 8 footage. The real time Kyma soundscape draws from found sounds of everyday life. My intent is to emphasize the totalizing nature of the breakdown that glitch imposes on a work: A failure that is a transposition of the material (video and audio) itself."

Circuit bending is a form of glitch.  Not mentioned in the description, he is using Percussa's Audio Cubes to manipulate the piece.

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