Tuesday, March 15, 2016
KOMA Elektronik Poltergeist Analog Quadraphonic Mixer Teaser
Published on Mar 15, 2016 KOMA Elektronik
Playlist:
1. KOMA Elektronik Poltergeist Analog Quadraphonic Mixer Teaser
"Teaser video for the new KOMA Elektronik Poltergeist eurorack module. Analog quadraphonic sound recorded with a binaural microphone to illustrate quadraphonic sound best in stereo. The video starts off with the Bastl Tea Kick which is panned to all outputs with the field control. The bassline's panning is sequenced with the Komplex Sequencer. The noise hats come in and are sequenced via sample and hold. Lastly the pad is panned around from the Master Origin from a Intellijel Dixie sawtooth wave.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin.
For more information refer to the product page and manual: http://koma-elektronik.com/?product=p..."
2. KOMA Elektronik Poltergeist Example Patch: Crossover
"In this binaural stereo video, we illustrate the Poltergeist with the Crossover example patch from the manual. Input your synthesizer (Anti Oscillator to SVF-201 to Doepfer VCA/Doepfer ADSR) to one channel. Also take the pitch CV (which is sequenced from the Komplex Sequencer) to the Pan CV Input so the sound moves along with the melody. Komplex Sequencer Play Mode and Poltergeist Pan slope are changed throughout to evolve the patch.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin."
3. KOMA Elektronik Poltergeist Example Patch: Dopplerganger
"In this binaural stereo video, the Poltergeist is employed to create two alternating doppler effects. With a pitched sound going through 2 channels, use a slow attack envelope (PEG here) and connect to the Master Origin. Now take a triggerable LFO (Pingable LFO) and connect it to the VCA of both channels as well as the pitch of the VCO. Match the attack time of the envelope to one period of the LFO. Now set the Pan pot of the first channel so the sound comes from Quadrant 3 to Quadrant 1. The second channel is set so the sound moves from Quadrant 4 to 2. You will hear the same sound coming towards you from the front and from the back alternating with each other."
4. KOMA Elektronik Poltergeist Example Patch: Bruce Bickford
"The Poltergeist Quadraphonic mixer in action with the Bruce Bickford patch as found in the manual. Recorded with binaural microphone to illustrate better quadraphonic sound in stereo. Patch your hi-hat sound (in this case Doepfer Noise through the SVF-201 into the Poltergeist VCA that is CVed by the Doepfer ADSR) into a channel. Take the trigger for your hihats also to clock a S&H module that is processing noise. Then take the CV from the S&H into the channel's Pan CV to move the hihats randomly around the quadraphonic field.
NOTE: Wear headphones to experience this video correctly. This is a binaural recording of the Poltergeist in a quadraphonic room to best display its capabilities in a stereo setting. Recorded with a Neumann KU-100 binaural mic courtesy of Bohemian Drips in a quadraphonic studio with Neumann KH-120 monitors at Noize Fabrik, Berlin."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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