MATRIXSYNTH: Wersi Analoge Bass Synthesizer AP-6 / The Wersi AP-6 Baß (Bass) Synth

Thursday, November 26, 2020

Wersi Analoge Bass Synthesizer AP-6 / The Wersi AP-6 Baß (Bass) Synth


Claudio Corona



via this auction

"In 1977 German organ company released the two in one Bass Synthesizer AP-6. Its a bass syntheszer and a bass guitar synthesizer in one with a quarky glide setting named "Hawaii" which worked as a slide guitar function presumably to play Hawaiian style slide guitar riffs.

Billed as two instruments in one: an Electric Bass Guitar and Synthesizer, this compact light-weight instrument from German organ builders WERSI was aimed at keyboard and organ players. The purpose was to give the organist/keyboardist some Bass Guitar and Synthesizer sounds they could incorporate into their performances. It is a monophonic analog synth with funky controls, decent sounds and a unique character.

The Bass Guitar sound is actually very realistic, really capturing the sound of an electric bass guitar or acoustic bass. It has an attack control called "On" that lets you adjust the initial attack to make it sound like a picked bass or a fingered bass. A "Damp" control is essentially a sustain envelope that can be used to create more of a muted bass sound.

The Synthesizer section is pretty basic, and definitely designed using organ player lingo as opposed to synth player lingo. There a five flute stops (sine) from 16', 8', 4', 2', to 1', two brass stops (sawtooth) at 16' and 8' and a woodwind stop (square) at 8'. Multiple stops and waveforms can be simultaneously engaged to create more complex tones. These waveform sections, as well as the Bass Guitar section, have independent volume controls to balance their mix.

There is a filter section—a formant filter referred to as "Wah-Wah"—that the brass (sawtooth) and woodwind (square) waveforms can be effected by in either automatic or manually adjusted modes using the "Wah-Wah" slider. No frequency cutoff or resonance knobs or anything usual like that here. Just an "On" switch, direction switch ("Up/Down"), a manual switch and a "Rotor" (auto) switch. A simple envelope section is available with attack and sustain parameters.

Wersi Bassie

A unique "Glide" slider can be used to pitch shift the keyboard by an entire octave. The octave shift can also be automated up or down at variable speed. A really interesting feature is the "Hawaii" button—an intermittent switch that drops the pitch by a half-tone. It is effectively like a pitch bend but only goes down and at a quick fixed rate. A Vibrato effect is available as well, with rate and depth controls and either continuous or delayed modes.

The WERSI Bass Synthesizer was available in kit form but also came pre-assembled with many keyboard/manual options. The idea being that you could connect it to the keyboard or pedals of your organ, or you could choose from WERSI's 13-, 25-, and 30-pedal claviers. WERSI provided connector kits and a wiring diagram to help connect your own keyboard or pedals to a 16-pin connector interface on the rear of the unit. It was encased in a carry-case-style chassis with a handle and cover.

Some models calls it the "Bassie" on the front panel, but they almost all usually say "Baß Synthesizer" on the front panel. That ß symbol is just another funky quirk of this synth—it's from the German alphabet for the "ss" sound. The model designation of the Bass Synthesizer was AP-6 (usually printed below the power cord socket), so you may also see it referred to as the Wersi AP-6.


The robustly built instrument is monophonic with square, saw and sine waveforms. There are 5 organ stops for playing various octaves. 3 envelope generators are available with attack and decay for the sine waves and attack and decay for the filter envelope. The bass guitar section has decay available as an envelope.

The filter section is a formant filter which acts more like an autowah than a traditional analog filter. There are 2 LFO modulators available LFO 1 is a rotorary style effect and LFO 2 is vibrato effect with a normal and slow setting.

There are 2 slider performance controls, 22 buttons and 10 knobs available for creating and setting sounds. The unit features 37 keys and is built into it's own case with lid for transporting. The output section has two monophonic outputs for low and high impedance."

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